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LJ#3.2 RCA Interconnect Cable, based on Canare AV cable (brown). The realy "best buy" interconnect. More: RCA LJ#3.1, RCA LJ#3.2, RCA LJ#3.3.
Other photos/projects of RCA interconnect cable based on Canare, based on Western Electric cable, or go to all Cable & Wire.
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Contact me: Alex.
DK09GYG - Volvo B7RLE / Wright Eclipse Urban in Interconnect livery.
New 2009 to First Potteries as 69496.
Ex Stagecoach Merseyside & South Lancashire 21272.
Stagecoach East Midlands (Grimsby) 21272.
Out of all the oddities I've seen around Skegness, this one has to be the most strange out of them all. Because 4 open toppers were resting at the depot, 3 spares has to come in and one of them turned out to be this, The longest Skegness bus trip ever turned out to be the shortest trip ever because it is on the 3 with a picture of Lincoln Castle in the background. I'm so glad I've got this photo because it's in my no1 list of oddities.
no. FX12 BBV
Stagecoach East Midlands' (Gainsborough based) Scania N230UD / ADL Enviro 400 (15508 / FX09 CZY) at Scunthorpe Bus Station in preparation for departure back towards Gainsborough on InterConnect 100...
This batch of Scanias that are allocated to Gainsborough may only be working the route for a matter of a few more months, however. This is due to there being plans for their replacements in the early parts of 2018, being replaced by brand new ADL Enviro 400 MMCs. There are also some rumours that they may be placed in the InterConnect livery, too, although this isn't confirmed. But, these Scanias will be repainted back into the standard corporate livery, whilst also seeing some refurbishment.
One of the delights of the Detroit River and the interconnecting waterways of the area is watching the Great Lakes freighters going upriver or downriver. The "lakers," as thry are known come close to the shore and have a few devoted fans tracking their comings and goings.
There is a US Postal service mail boat that picks up and delivers mail as the boats pass. And although Caesars casino was not too far off, I didn't see any excursion boats full of seaman rushing to gamble.
A Gainsborough-based E400 MMC on the InterConnect 100, viewed across Lincoln's West Common on 26.1.19
1,5kV=/25kV~
Automotrice MI79 Z 8299 en tête d’un train de ‘Matériel Interconnection 79’ à La Plaine Voyageurs
85-09-15
37197 is seen idle at Cleethorpes Sea Road, preparing to return to Morrisons as a 3 after arriving in Cleethorpes as a 4.
stereolist.com/cables/digital-interconnects/hdmi/ps-audio...
PS Audio PerfectWave I2 Squared, Silver Conductors .5M approximately 20" long.
Current model Silver Top of the Line Reference HDMI Cable perfect for the P.S. Audio Perfect Wave Transport and DAC or any high quality HDMI link like Video monitors.
Reprinted from PS Audio Web Site:
Used as a digital interconnect, the PerfectWave I2S cables provide stunning performance between either the PerfectWave Transport, or the upcoming Digital Lens and the PerfectWave DAC. For best results, use the solid silver I2S12 in your digital audio or high-end video setup.
The more affordable I2S10 is also an outstanding performer, better than any high-end HDMI cable we have ever auditioned. Why compromise when you can have the best from PS Audio.
In the PerfectWave series, the best way to get the digital audio data between the PerfectWave Transport and the PerfectWave DAC is through I2S . Using the perfect cable to transfer the data is critical, and the new PerfectWave I2S series has been designed specifically to handle these sensitive signals.
I2S data is the standard jitter free data inside all CD transports and all DACS and CD players. Instead of converting the I2S data into a form that can pass through a single cable (a system called S/PDIF ), I2S data requires multiple conductors so the 3 clocks and the separate digital audio signals can pass through a single multi-conductor cable. Our research has shown that currently there are no better options than a well designed HDMI cable. HDMI cables have the perfect number of conductors for transferring both video and digital audio and for this reason, we chose the HDMI cable for our unique I2S interface between PerferctWave products.
It's not an easy task
To be an effective transmission medium, all clock and data timing paths must be meticulously maintained or the many advantages of I2S data transfer can be compromised. The new PS Audio I2S HDMI digital interface cables are specifically designed to maintain timing and waveform integrity up to 2 meters for I2S and over 50 feet for video applications (although currently we only manufacture up to 2 meters).
The PerfectWave I2S series of cables can handle clock rates to 340mHz, or 10gB per second data rate, which is significantly higher than the clock rates used in even high resolution digital audio.
Some of the key factors in maintaining excellent clock timing and waveform accuracy involve both materials, wire gauges, insulation types, shielding and construction.
Materials in this series are either 6% silver plated PCOCC (Single Crystal High Purity copper) or solid silver conductors. The vast majority of high-performance HDMI cables rely on silver plating over copper for their conductors. Even in PS Audio's I2S10, which is our affordable HDMI cable, we use 6% silver plating but we don't rely on simple ordinary copper. Instead we use the precious benefits of PCOCC single crystal copper , which helps the HDMI performance of both video as well as I2S in a way other cables don't even approach.
The I2S12, however, takes this one major step further buy using solid silver conductors for all 19 of the paths. There is not a higher end, better performing HDMI cable in the world than the solid silver I2S12 made by PS Audio. Currently it outperforms any HDMI compliant interconnect ever made. If you want the very finest in performance for either I2S connection or video, the the I2S12 is the way to go.
Between each of the 19 conductors in an HDMI cable you'll find a layer of insulation. This layer is critical to the cable's performance because insulation acts as a dielectric which can store energy of both the clocks and the digital audio or video signals. Storing energy is NOT what we want to do so great efforts have been made to use materials that have as little effect on the signals as possible. For this task, the engineers at PS Audio have chosen nitrogen injected skin-foam-skin for the dielectric . Currently, polythelyne skin-foam-skin is the best dielectric known for high speed digital transmissions and helps maintain a constant 75 Ohm impedance between conductors even when the cable is bent.
Electrical interefence from outside radiated sources is a big issue to deal with in digital signal transmission and the better the shielding to keep these noises out, the better and cleaner the performance of the cables. In the new PerfectWave I2S HDMI series, we use triple shielding on both the I2S10 and I2S12 series. Triple shielding provides substantial noise reduction in high frequency interference. Video is nearly noise free and stunning in its clarity and threee dimensionality.
This is the cable to get
Regardless of whether you need the world's best I2S digital interface between perfectWave products or the world's best video interconnect, the PS Audio I2S HDMI series is currently unmatched by any cable in the world. If you want the best, at a high-value low price, go with PS.
Our premier digital interconnect cable. The PerfectWave I2S is a high-end HDMI based digital interconnect that's going to provide the best performance between any two PerfectWave products like the PerfectWave DAC or PerfectWave Transport. This high-performance digital HDMI cable is equally at home in the video world and will ensure your hi-def video is gorgeous, clear and three dimensional in appearance. There are two models, the solid silver I2S12
Product Description:
Our finest digital interconnect we've ever made and it works with both the PerfectWave audio series and any HDMI compatible video source. Used as a digital interconnect, the PerfectWave I2S cables provide stunning performance between either the PerfectWave Transport, or the upcoming Digital Lens and the PerfectWave DAC. Used as a video interconnect, these cables are fully HDMI 1.3C Category 2 compliant and provide crystal clear, three dimensional noise-free video.
For best results, use the solid silver I2C12 in your digital audio or high-end video setup
Best to call David www.weinhartdesign.com with questions in Los Angeles Showroom 310-472-8880 or on my cell after hours and weekends 310-927-2260.
Weinhart Design has lots of other items new and used and if you're in Los Angeles or visiting please accept my invitation to experience our World Class Audio Showroom and please visit our web site @ www.weinhartdesign.com
We are always interested in purchasing quality Audio and Video items, CD & LP collections and most quality trades are welcomed.
All sales out of California are State Sales Tax exempt.
California State Sales Tax of 9.75% applies for items picked up or shipped to a California address.
We accept payments by Bank Wire Transfers without fees and is the only form of payment on all sales out of the U.S. and Canada. We prefer this method of payment and also makes shipping to addresses other than billing agreeable.
VISA, MC and Papal are gladly accepted within the U.S. and Canada as long as the charge is approved and shipping to the billing address on record and adds 3% to cover costs.
Please call me directly in my world class showroom in Los Angeles weekdays @ 310-472-8880 or any reasonable time on my cell including weekends @ 310-927-2260 and I can answer your questions and help you with all of your new and pre owned needs.
Stagecoach 16913 in new inter connect livery. FX54AOC Volvo B7TL / East Lancs Vyking.
ex. Lincolnshire Roadcar 913. Seen at Mablethorpe.
The Scanias that have been repainted into the 2023 version of InterConnect livery are something that I've kind of had to let go by the wayside because I've had so much other stuff to do. I've only been catching up with them on the odd occasion one coincided with something else I wanted to see.
On 18.1.24 I'd already gone out for two other E400s, and 15616 was only an hour away on the next 56 so I thought I'd stick around for it since the sun was out. The addition of road filth doesn't do much to enhance the livery, but at least I can now tick off this repaint.
This is one of the ex-Oxford N230UDs that were only painted into the existing version of InterConnect within the past couple of years, so it seems a bit odd that some of these have been painted again. I've only ever seen this particular bus once before and the photo I got was passable but not great.
OU10 BGO
Pelham Street, Lincoln
Neil Forrest uses various systems of interconnecting nodes that spread in a matrix. These are generated as dimensional field ornament that corresponds to the distinctive curved space produced by arabesque and muqarna of Islam. Forrest’s work presents a detached ceramic ornament in response to the changing typographies within contemporary architecture - expanding systems intended to modify the psyche of space that is distinguished by lightness and openness. Forrest’s architectural ceramics are porcelain scaffolds, resembling coral environments and truss-like vertebrae.
Working from Gottfried Semper’s analysis that the dressing or decorative surface perform the spatial essence of the wall, and emphasizing the architectural significance of the ‘joint’, Forrest presents a tectonic and nomadic ceramic ornament. The project of ‘colonizing architecture’ is a theory of connectedness enabling close independence, which embraces the principle of non-hierarchical pattern behaviors that largely underpin the decorative arts.
Here ornament is understood as the libido for contemporary architecture, and can be tasked as having increasing utility to the organism of architecture, ready to engage an elegantly engineered world.
Neil Forrest has exhibited and lectured in North America, UK, Europe and Asia, and is currently Professor of Ceramics at NSCAD University. His most recent exhibitions were Wurzelwerk, Scaffs and Thicket. His ceramics have been published in books, craft magazines and architectural journals. Forrest studied at Cranbrook Academy of Art, Alfred University and Sheridan College of Crafts and is involved in several research collaborations that examine ceramics for architecture.
Seen arriving into Wisbech horse fair bus station on service 50 Stagecoach east Midlands Scaina E400
15618 OU10BGX still in old version of local InterConnect purple livery.
Taken 17/02/2024
An Enviro 200 MMC will sometimes drop onto the 53, but it isn't all that common. It's mostly E300s these days, with perhaps an Eclipse on the board operated by Grimsby - the use of Enviro 400s has really dropped off again.
37466 heads down Pelham Street in Lincoln as it arrives at the end of its journey with a 53 on 10.8.23
SN67 WVH
AE09GYU - Volvo B7RLE / Wright Eclipse Urban 2.
New 2009 to Stagecoach East (Cambus) 21224.
Stagecoach East Midlands (Scunthorpe) in the new Interconnect livery.
On display at the Sandtoft Trolleybus Museum.
I thought I’d have my first ‘InterConnect’ experience today as my first move from Lincoln.
It was also my first visit to Saxilby, just under twenty minutes but a good thrash.
MMC 10896 did the honours and is seen after I alighted, the Fossdyke Navigation just seen be seen far right, running parallel with the road at this point. 25.9.20.
Neil Forrest uses various systems of interconnecting nodes that spread in a matrix. These are generated as dimensional field ornament that corresponds to the distinctive curved space produced by arabesque and muqarna of Islam. Forrest’s work presents a detached ceramic ornament in response to the changing typographies within contemporary architecture - expanding systems intended to modify the psyche of space that is distinguished by lightness and openness. Forrest’s architectural ceramics are porcelain scaffolds, resembling coral environments and truss-like vertebrae.
Working from Gottfried Semper’s analysis that the dressing or decorative surface perform the spatial essence of the wall, and emphasizing the architectural significance of the ‘joint’, Forrest presents a tectonic and nomadic ceramic ornament. The project of ‘colonizing architecture’ is a theory of connectedness enabling close independence, which embraces the principle of non-hierarchical pattern behaviors that largely underpin the decorative arts.
Here ornament is understood as the libido for contemporary architecture, and can be tasked as having increasing utility to the organism of architecture, ready to engage an elegantly engineered world.
Neil Forrest has exhibited and lectured in North America, UK, Europe and Asia, and is currently Professor of Ceramics at NSCAD University. His most recent exhibitions were Wurzelwerk, Scaffs and Thicket. His ceramics have been published in books, craft magazines and architectural journals. Forrest studied at Cranbrook Academy of Art, Alfred University and Sheridan College of Crafts and is involved in several research collaborations that examine ceramics for architecture.
Neil Forrest uses various systems of interconnecting nodes that spread in a matrix. These are generated as dimensional field ornament that corresponds to the distinctive curved space produced by arabesque and muqarna of Islam. Forrest’s work presents a detached ceramic ornament in response to the changing typographies within contemporary architecture - expanding systems intended to modify the psyche of space that is distinguished by lightness and openness. Forrest’s architectural ceramics are porcelain scaffolds, resembling coral environments and truss-like vertebrae.
Working from Gottfried Semper’s analysis that the dressing or decorative surface perform the spatial essence of the wall, and emphasizing the architectural significance of the ‘joint’, Forrest presents a tectonic and nomadic ceramic ornament. The project of ‘colonizing architecture’ is a theory of connectedness enabling close independence, which embraces the principle of non-hierarchical pattern behaviors that largely underpin the decorative arts.
Here ornament is understood as the libido for contemporary architecture, and can be tasked as having increasing utility to the organism of architecture, ready to engage an elegantly engineered world.
Neil Forrest has exhibited and lectured in North America, UK, Europe and Asia, and is currently Professor of Ceramics at NSCAD University. His most recent exhibitions were Wurzelwerk, Scaffs and Thicket. His ceramics have been published in books, craft magazines and architectural journals. Forrest studied at Cranbrook Academy of Art, Alfred University and Sheridan College of Crafts and is involved in several research collaborations that examine ceramics for architecture.
Continuing the InterConnect theme this upload has had going so far, here's a totally new vehicle I'd yet to see before, arriving into Lincoln with a 56 and wearing the new 2023 style IC livery. 15813 is one of two ex-Stagecoach East Busway E400 Scanias that Lincolnshire gained last year along with the Eclipse 2s. Their fleet numbers follow directly on from ones already at Skegness, but the ex-Busway pair can be identified by their 'AE' prefix number plates and the extra fans below the rear window.
AE12 CKJ
Pelham Street, Lincoln
14.3.24
Neil Forrest uses various systems of interconnecting nodes that spread in a matrix. These are generated as dimensional field ornament that corresponds to the distinctive curved space produced by arabesque and muqarna of Islam. Forrest’s work presents a detached ceramic ornament in response to the changing typographies within contemporary architecture - expanding systems intended to modify the psyche of space that is distinguished by lightness and openness. Forrest’s architectural ceramics are porcelain scaffolds, resembling coral environments and truss-like vertebrae.
Working from Gottfried Semper’s analysis that the dressing or decorative surface perform the spatial essence of the wall, and emphasizing the architectural significance of the ‘joint’, Forrest presents a tectonic and nomadic ceramic ornament. The project of ‘colonizing architecture’ is a theory of connectedness enabling close independence, which embraces the principle of non-hierarchical pattern behaviors that largely underpin the decorative arts.
Here ornament is understood as the libido for contemporary architecture, and can be tasked as having increasing utility to the organism of architecture, ready to engage an elegantly engineered world.
Neil Forrest has exhibited and lectured in North America, UK, Europe and Asia, and is currently Professor of Ceramics at NSCAD University. His most recent exhibitions were Wurzelwerk, Scaffs and Thicket. His ceramics have been published in books, craft magazines and architectural journals. Forrest studied at Cranbrook Academy of Art, Alfred University and Sheridan College of Crafts and is involved in several research collaborations that examine ceramics for architecture.
Neil Forrest uses various systems of interconnecting nodes that spread in a matrix. These are generated as dimensional field ornament that corresponds to the distinctive curved space produced by arabesque and muqarna of Islam. Forrest’s work presents a detached ceramic ornament in response to the changing typographies within contemporary architecture - expanding systems intended to modify the psyche of space that is distinguished by lightness and openness. Forrest’s architectural ceramics are porcelain scaffolds, resembling coral environments and truss-like vertebrae.
Working from Gottfried Semper’s analysis that the dressing or decorative surface perform the spatial essence of the wall, and emphasizing the architectural significance of the ‘joint’, Forrest presents a tectonic and nomadic ceramic ornament. The project of ‘colonizing architecture’ is a theory of connectedness enabling close independence, which embraces the principle of non-hierarchical pattern behaviors that largely underpin the decorative arts.
Here ornament is understood as the libido for contemporary architecture, and can be tasked as having increasing utility to the organism of architecture, ready to engage an elegantly engineered world.
Neil Forrest has exhibited and lectured in North America, UK, Europe and Asia, and is currently Professor of Ceramics at NSCAD University. His most recent exhibitions were Wurzelwerk, Scaffs and Thicket. His ceramics have been published in books, craft magazines and architectural journals. Forrest studied at Cranbrook Academy of Art, Alfred University and Sheridan College of Crafts and is involved in several research collaborations that examine ceramics for architecture.
Neil Forrest uses various systems of interconnecting nodes that spread in a matrix. These are generated as dimensional field ornament that corresponds to the distinctive curved space produced by arabesque and muqarna of Islam. Forrest’s work presents a detached ceramic ornament in response to the changing typographies within contemporary architecture - expanding systems intended to modify the psyche of space that is distinguished by lightness and openness. Forrest’s architectural ceramics are porcelain scaffolds, resembling coral environments and truss-like vertebrae.
Working from Gottfried Semper’s analysis that the dressing or decorative surface perform the spatial essence of the wall, and emphasizing the architectural significance of the ‘joint’, Forrest presents a tectonic and nomadic ceramic ornament. The project of ‘colonizing architecture’ is a theory of connectedness enabling close independence, which embraces the principle of non-hierarchical pattern behaviors that largely underpin the decorative arts.
Here ornament is understood as the libido for contemporary architecture, and can be tasked as having increasing utility to the organism of architecture, ready to engage an elegantly engineered world.
Neil Forrest has exhibited and lectured in North America, UK, Europe and Asia, and is currently Professor of Ceramics at NSCAD University. His most recent exhibitions were Wurzelwerk, Scaffs and Thicket. His ceramics have been published in books, craft magazines and architectural journals. Forrest studied at Cranbrook Academy of Art, Alfred University and Sheridan College of Crafts and is involved in several research collaborations that examine ceramics for architecture.
Last winter i started to get into Hi-Fi stuff. A co-worker asked me if i would come along to an entertainment expo and there i had a nice conversation with one of those "audio geeks/gurus". The recommended a ton of stuff and didn't even judge my strange music taste. And he also told me that he was crazy after cryogenically treathes audio parts. So when i had the idea to build a mini-to-mini interconnect to hook up my Clip+ with an Arrow 12HE amp i got the components from Crypo Parts (www.cryo-parts.com).
I also got a special solder from Cardas wich is lead free and contains 3% silver.