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Giant Swallowtail (Papilio cresphontes) riding the warm Summer afternoon breeze. As with all swallowtails, its legs are steady as it feeds, but its wings are in constant motion.
[Dedicated to CRA (ILYWAMHASAM)]
Abstract Magical Lights taken Nov 09, 2023, with ICM - framed and uploaded the image for the group
Gigaset GS290
ƒ/2.0
4.0 mm
14 Sec
ISO 1484
On a photo journey, I crossed 5 national forests.
Forest ecologists pointed out that fire was natural.
The forests are massive, and some have large fires.
One info board claimed annually 2million square acres would burn. Some trees have 18 burn scares, over a 300 year period.
Done with: OLYMPUS ZUIKO AUTO-MACRO 90mm 1:2
Dad, what are you doing with your camera? Son, I'm trying to do ICM (☝ intentional camera movement)... Dad, this is nothing new! We often do this with our smartphones, just press it and spin it around in the air! It's actually pretty easy! And it's great fun!
Just south of Cedar City Utah, finishing my 10 hour break and waiting to head to delivery appointment. Overcast, light rain and snow. Decided to walk around and see what I could find close to the ground that would make interesting subjects. Did some intentional camera movement shots and some various plants in their winter state.
Apologies for repeating myself, but when I updated my home page I suddenly felt that these two needed to be together. Not in the least because of how they reflect the ideas behind the design of this pavilion.
"For the Sonsbeek pavilion Van Eyck provided an elementary structure of six parallel walls made out of concrete blocks, which he manipulated into a surprisingly rich and labyrinthine interior by inserting semicircular niches and apses into the rectilinear structure. Van Eyck described the result as an urban space intentionally conceived in opposition to the natural idyll of the nineteenth-century park, which followed the formal language of the English landscape garden.
The scenography aimed to create the experience of an almost spontaneous encounter with the artworks on display. This was not only communicated through the spatial typology of streets, alleys and small piazzas, but it was also crucially achieved by a relatively high density of artworks gathered together in the narrow spaces which forced one to walk by the sculptures in close proximity."