View allAll Photos Tagged Intensifier
Never to late to get up.... ;)
Reload your happiness.
Soundtrack: „Sun comes up“ by Rudimental, ©2017
© gerd kozik/ yarin asanth 2017
Please have a look to my other account of everyday photography here...
www.flickr.com/photos/gerdkozik
Thank you!
„Warning“: I love to create different moods with photograpy, words and music. So I often take such intensifier. It has no causal connection to my personal situation or the state of my mental health or mood. I‘m just a creatcher of moods. The most of you know, that it is an absolute pleasure for me to play with emotions, words, poems, sunset- and lake moods to transfer feelings or a special atmosphere. Do not discuss about me, just enjoy or ignore the text and please talk about photography. Thank you!
An older underexposed Holga negative, treated with copper intensifier. Printed on Fomatone 132 with SE5 Lith (A+B+D+water) 60+60+60 900ml 3:30 minutes followed by Catechol new 20ml + Lith B 30ml + NH4Cl 13ml + water 600ml 3 minutes.
Like a warm gentle breeze blowing over the flower meadow. It is enough if I think of you. You enchant everything. Like a wave that sweeps me gently and breaks my will. A glance is enough and the laws of nature are suspended. Your gentle voice moves mountains. Your grace makes everything melt like snowflakes. A deep lake in your dark eyes. Rain is raining from the bottom up. Rainbows with steps to the clouds. A star in the sky that only shines for you. I give it to you and the place in my heart.
Soundtrack: „I Miss You“ by Clean Bandit feat. Julia Michaels, ©2017
© gerd kozik/ yarin asanth 2017
Please have a look to my second account on...
www.flickr.com/photos/gerdkozik
Thank you !
„Warning“: I love to create different moods with photograpy, words and music. So I often take such intensifier. It has no causal connection to my personal situation or the state of my mental health or mood. I‘m just a creatcher of moods. The most of you know, that it is an absolute pleasure for me to play with emotions, words, poems, sunset- and lake moods to transfer feelings or a special atmosphere. Do not discuss about me, just enjoy or ignore the text and please talk about photography. Thank you!
Kanyakumari (Inde) - Après une grève de 4 jours durant laquelle les marins pêcheur ont refusé de reprendre la mer pour inciter les autorités à intensifier les recherches pour retrouver les 200 disparus en mer après le passage d'un cyclone, le mouvement a été suspendu.
Le soleil est de retour et la mer s'est calmée. Les pêcheurs de Kanyakumari préparent leur matériel de pêche. Demain, ils reprendront la mer.
Kanyakumari (India) - After a 4-day strike during which fishermen refused to go back to sea in order to urge the authorities to step up the search to find the 200 missing at sea after a cyclone passed, the movement has been suspended.
The sun is back and the sea has calmed down. Kanyakumari fishermen prepare their fishing gear. Tomorrow, they will take to sea again.
i've been shooting these wildflowers for years. this is, to date, my best macro capture of the stamens.
hand-held macro captured with Canon A1000 IS P&S and The Intensifier P&S macro lens. sooc, uncropped, reduced to 800x600.
want your P&S macros to turn heads? buy the lens: fotofriendz.blogspot.com/
Night sky with Milky Way from Eichhalde, Freiburg, Germany.
Equipment used:
Sony ILCE a7 M2 with FE 55mm F1.8 ZA with HOYA Intensifier (RED) Filter
5 stitched shots à 3x7 seconds @ f/1.8, ISO 1600,
Sky is stacked in Starry Landscape Stacker (MAC) for noise reduction, color correction in DxO Optics Pro 8, Hugin for panorama stitching
©2016 Carsten Kühne
Tufas reaching up and out to space and the many stars of the galaxy. This Milkyway was shot late at night from the South Tufas of Mono Lake.
Shot using a Voigtlander 21mm Ultron Asph with a Hoya Red Intensifier Filter.
Little Compton, Rhode Island
Found this one in the summer camera roll. The fog rolls out on a hot, hazy, humid morning in southern New England. Plenty of color on display around these rocks just off the beach, leading to the impeccably maintained Sakonnet Light.
Filters: LB ColorCombo (warming polarizer + color intensifier), 1-stop hard-edge GND, 3-stop ND
Kanyakumari (Inde) - Ce pêcheur participe au mouvement de protestation initié par ses collègues pour intensifier les recherches afin de retrouver les 200 disparus en mer, à la suite du passage d'un cyclone sur la région.
Ce matin là , il était venu malgré la pluie contrôler son matériel de pêche resté sur la plage.
Kanyakumari (India) - This fisherman is participating in the protest movement initiated by his colleagues to intensify the search to find the 200 missing at sea, following the passage of a cyclone over the region.
That morning, despite the rain, he had come to check his fishing equipment which was still on the beach.
© gerd kozik/ yarin asanth 2017
Back home with the head full of impressions.
Waves are so wonderful. If I had the sea near by my side it would be another passion from me to photograph waves in all their beauty. They are so emotional as humans, so merciless, wild, but also gentle, smooth and sweet. What a passion and luck to live at the sea!
Soundtrack: The Köln Concert, Part II C by Keith Jarrett 1975
Please have a look to my other account if you are also emotional, merciless, wild but gentle, smooth and sweet...
www.flickr.com/photos/gerdkozik
Thank you!
xxxxxx
„Warning“: I love to create different moods with photograpy, words and music. So I often take such intensifier. It has no causal connection to my personal situation or the state of my mental health or mood. I‘m just a creatcher of moods. The most of you know, that it is an absolute pleasure for me to play with emotions, words, poems, sunset- and lake moods to transfer feelings or a special atmosphere. Do not discuss about me, just enjoy or ignore the text and please talk about photography. Thank you!
Hawker from Police Hill under the Milky Way by moonlight, a 6 shot 3 x 2 panorama stitched in Photoshop, processed in Lightroom. Sigma lens with Hoya red intensifier filter.
At the beginning of the 18th century, Edinburgh was one of the most densely populated cities in the world, and one of the most impoverished. What is now known as the Old Town consisted of cramped tenement buildings where rich and poor lived side by side; or, more often, those who could afford it chose to live on the upper floors, where the air was somewhat fresher, leaving the lower floors to the poorest.
The turning point came when a building collapsed in 1751. A subsequent inquiry revealed that much of the city was suffering from severe neglect, and the following year resulted in a series of proposals for the construction of a new suburb in the open countryside to the north of the city. The idea was ambitious: to build a "splendid and magnificent city" attractive enough to draw to Edinburgh at least some of the Scottish aristocracy who had been spending more and more of their winters in London since James VI of Scotland became James I of England in 1603 and settled in the south: a trend that only intensified with the Act of Union and the dissolution of the Scottish Parliament in 1707.
Au début du XVIIIe siècle, Édimbourg était l'une des villes les plus densément peuplées du monde, et l'une des plus pauvres. Ce que l'on appelle aujourd'hui la Vieille Ville était constitué d'immeubles insalubres où riches et pauvres vivaient côte à côte ; ou, le plus souvent, ceux qui en avaient les moyens choisissaient de vivre aux étages supérieurs, où l'air était un peu plus frais, laissant les rez-de-chaussée aux plus démunis.
Le tournant décisif survint lorsqu'un immeuble s'effondra en 1751. Une enquête menée par la suite révéla qu'une grande partie de la ville souffrait d'un grave manque d'entretien, et l'année suivante aboutit à une série de propositions pour la construction d'une nouvelle banlieue dans la campagne au nord de la ville. L'idée était ambitieuse : construire une « ville splendide et magnifique » suffisamment attrayante pour attirer à Édimbourg au moins une partie de l'aristocratie écossaise qui passait de plus en plus d'hivers à Londres depuis que Jacques VI d'Écosse était devenu Jacques Ier d'Angleterre en 1603 et s'était installé dans le sud : une tendance qui ne fit que s'intensifier avec l'Acte d'Union et la dissolution du Parlement écossais en 1707.
Downton Providence and Providence River
Providence, Rhode Island
Yes, it's a small city. I had to do a fair amount of "spot" removal in the weeds to get rid of trash, literally (to say people are pigs would be an insult to pigs). Use of a polarizer and an ND filter made distracting glare and debris floating down the river magically disappear :-)
Singh-Ray LB ColorCombo (warming polarizer + color intensifier)
LEE Big Stopper (10-stop ND)
Span: Chinche manchada. Agradezco a Lucas Rubio quien la identificó.
www.ecoregistros.org/ficha/Jadera-coturnix&tf=4
Engl: Spotted bug. I thank Lucas Rubio who identified it.
(adj.) *Absolute
1. perfect or complete or pure
2. not capable of being violated or infringed
3. complete and without restriction or qualification; sometimes used informally as intensifiers
4. without conditions or limitations
5. not limited by law
6. expressing finality with no implication of possible change
Absolute Infinitude , Rang du Pied de la Cote, St-Barthelemy, Quebec, Canada.
PixQuote:
"A mind once stretched by a new idea never regains its original dimensions."
-Oliver Wendell
*Absolute:
1. perfect or complete or pure
2. not capable of being violated or infringed
3. complete and without restriction or qualification; sometimes used informally as intensifiers
4. without conditions or limitations
5. not limited by law
6. expressing finality with no implication of possible change.
Absolute Tranquillity, Mastigouche Wildlife Reserve, Quebec, Canada.
PixQuote:
"The camera always points both ways. In expressing your subject, you also express yourself."
-Freeman Patterson
The Cradock Hotel with the Milky Way by the light of a 19% brightness Moon. Hoya red intensifier filter, this does reduce the effect of the street lights a little, so is useful on this occasion. Sigma lens, processed in Lightroom.
Ï® /NAR/ Tiamat Skin /Evo X/
This is a bom layers skin. You get a lot of extras with this gorgeous skin: tintable blush, tintable freckles, tintable button nose, tintable lip gloss intensifier, tintable smokey eye. This skin comes in 7 tones of the Nar Mattaru skin shades and 12 Velour skin shades (I'm wearing the Nar Mattaru shade Ghoul here). There are 4 eyebrow colours: black, brown, blonde, ginger plus a no-eyebrows version. It also comes with the eyebrows shape. The shape included is made to wear with the Lelutka Vivian head, but since I don't have that one, I've tried it out with the Lelutka Noel head and it fits so well, I've just made adjustments to the lips thickness here. This is out for the Skin Fair 2024 Event -
maps.secondlife.com/secondlife/Veneta/178/63/78
Mainstore afterwards -
maps.secondlife.com/secondlife/Nocturnal%20Collective/110...
what else I'm wearing -
hair - Truth - Flutter
septum - Pure Poison - Karina Piercing
Get the look:
JACK SPOON
-Rosa Skin in Tone Sienna.
-Rosa Skin Add-ons Brow Intensifier++
- R.E.M Eyeshadow Tint.
-Sylvie Eyeshadow c7
-Primavera Lashes # 0
-Primavera Blush # 5
-Primavera Gloss # 5
-Aestas Nose Blush # 1 + Freckles
Hair: Magika
Eyes: Avi-Glam
Earrings: Michan
Dress: Pixicat
Architecte : Jacques Ferrier.
La singularité du bâtiment de Jacques Ferrier se fonde sur le lien que le nouveau siège communautaire crée avec le paysage de Rouen. Son profil contraste avec l’omniprésence des plans horizontaux qui caractérise ce site portuaire, et sa silhouette fait écho aux bâtiments industriels rénovés de la rive droite. Les obliques du volume répondent aux silhouettes des grues et des objets portuaires, aux étraves des navires qui passent. Le bâtiment révèle et se sert de la puissance du site pour intensifier la vie urbaine sur la rive gauche. En prolongement du futur parc, le bâtiment est à son tour créateur de contexte pour le futur écoquartier dont il sera la proue.
Son architecture facettée et transparente est conçue pour jouer des variations de lumière du ciel normand, des reflets de l’eau et des couleurs du climat. Le bâtiment est revêtu d’une façade d’écailles de verre colorées. Irisant et diffractant la lumière solaire, elles parent le bâtiment de touches de couleur qui se démultiplient avec les reflets du fleuve. Ce registre poétique est inspiré de l’impressionnisme et de Claude Monet. Le verre est revêtu d’une couche d’oxydes métalliques qui, de l’extérieur crée un reflet iridescent coloré, et s’efface vu de l’intérieur, n’altérant pas la vision des espaces de travail.
Architect: Jacques Ferrier.
The singularity of Jacques Ferrier’s building is based on the link that the new community headquarters creates with the landscape of Rouen. Its profile contrasts with the omnipresence of horizontal planes that characterize this port site, and its silhouette echoes the renovated industrial buildings on the right bank. The oblique lines of the volume respond to the silhouettes of cranes and port objects, and to the bows of passing ships. The building reveals and uses the power of the site to intensify urban life on the left bank. As an extension of the future park, the building is in turn a creator of context for the future eco-district of which it will be the prow.
Its faceted and transparent architecture is designed to play on the variations in light of the Normandy sky, the reflections of the water and the colors of the climate. The building is clad in a façade of colored glass scales. Iridescent and diffracting sunlight, they adorn the building with touches of color that multiply with the reflections of the river. This poetic register is inspired by impressionism and Claude Monet. The glass is coated with a layer of metallic oxides which, from the outside creates a colored iridescent reflection, and fades when seen from the inside, not altering the vision of the work spaces.
Hidden Lake and Bearhat Mountain - Glacier National Park
www.davidshieldphotography.com/
This summer I completed eight fantastic weeks leading workshops for students, at the Parks & Rec. Department. I have been doing this since 2006, starting in Bend, Oregon. Thanks to digital, increasingly more teens are becoming interested in photography. Since that first year, the focus has gone from pop bands and love-life, to wanting to actually learn about photography.
The downside is I have completed just one photo shoot this entire year. Therefore, I decided to head out to Glacier National Park for a few days. Although it was an amazing time, I was generally disappointed with the images I captured. However, there is one image that came out as planned, which I will post later.
One main reason for taking this trip was to photograph Reynolds Creek Cascades (nicknamed Triple Falls); however the area was closed due to the delicate nature of the tundra. Even though I knew the exact location of the cascades, I decided I would not risk destroying delicate plant life for the sake of one shot. Instead I took the one-and-a-half-mile Hidden Lake Trail, to photograph this sunset view of the lake and Bearhat Mountain.
Nikon D7000
Tokina 11-16 f/2.8 at 15mm
0.8 Seconds
f/22
ISO 125
Gitzo Tripod
Vanguard Ballhead
Singh-Ray Blue-Gold Intensifier
This north-south running ridge is due west of North Conway, sandwiched between Route 112 (the famed Kancamagus Highway) to the south, and U.S. Route 302 (and the Attitash Mountain Resort) to the north. Taken from a rest stop on Route 16 in Intervale, just outside of North Conway.
Filters: Singh-Ray LB ColorCombo (warming polarizer + color intensifier)---definitely the go to filter for leaf peeping!
American toad (I think)
Someone had wings for breakfast. Thankfully I mowed the lawn the day before; otherwise he would have been buried in knee-deep grass. Took this with the aid of the Singh-Ray LB ColorCombo (warming polarizer + color intensifier); no saturation or vibrance was added in post-processing.
Not sure what happened to the EXIF data. Taken with the Nikon 70.0-200.0 mm f/2.8 @ 200.0 mm, f/3.5, 1/200 sec, ISO 200.
Nikon d5500
50mm + Hoya Red Intensifier filter
ISO 3200
f/2.5
Sky: 20 x 30s
Foreground: 6 x 15s
iOptron SkyTracker
This was taken about 90mins outside of Perth near the small Wheatbelt town of Boddington. The panorama was shot just outside the fenceline of a farm and captures the Milky Way as it is rising from the East.
Nikon d5500
50mm + Hoya Red Intensifier filter
ISO 3200
f/2.2
29 x 30s
iOptron SkyTracker
This is one of two full panoramas I took on this night. I took two because I was sure that the unbelievably strong wind at my back had a good chance of ruining the first so to hedge my bets I took another one. I still have yet to post the first.
Sugarloaf Rock is a popular coastal attraction near Dunsborough in the south west of Western Australia, about 200km south of Perth. The foreground was taken as the moon was setting below the horizon...so no, that's not the sun ;-)
Sony A7S (modded) + Canon 24-70mm L II + Hoya Red Intensifier
30X30s tracked using Vixen Polarie U
Stacked using Astro Pixel Processor
Post-processing using Lightroom and Photoshop
Cradock, South Australia, under the Milky Way by moonlight, a 3 shot vertical panorama stitched in Photoshop, processed in Lightroom. Sigma lens with Hoya red intensifier filter.
Nikon d810a
50mm
ISO 5000
f/2.8
Foreground: 4 x 30 seconds
Sky: 22 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 26 shot panorama of the Crux & Carina region of the Milky Way as it aligns perpendicular with the horizon at a dry salt lake near Quairading, 2 hours east of Perth in Western Australia.
Cruz is almost dead centre, just to the left of the dark Coalsack Nebula. Carina is the pink petal shaped nebula above it and the deep red region at the top is the Gum Nebula.
Perryville Dam, Rehoboth, MA
No water was flowing over this dam just the week before last, but last week brought a ton rain. Fall foliage seems to be late around here, but it's underway. We had a terrible caterpillar infestation this Spring, so many trees only have partial leaves (notice all the bare spots in the background) which will detract from the Fall show. I hope they rebound next year.
I wanted enough exposure time here to smooth out the water, but it was really windy on this occasion, so I was contending with a lot of blur in the grass, leaves, branches, etc. This exposure seemed to be the best compromise among the shots I took.
I used Singh-Ray's LB ("Lighter, Brighter") ColorCombo---a dual warming polarizer and color intensifier. I was really happy with what it did with the greens in particular, and even with the subtle earth tones in the wall to the right.
Nandina domestica (a.k.a. "heavenly bamboo")
Another shot of the nandina with the AI-S Nikkor 50mm f/1.2, processed to bits with Silver Efex Pro 2.
To learn more about this lens, and others like it that were made when things were meant to last, check out Russ Barnes' blog on Nikon old skool---vintage glass without antique prices.
Happy MBT (Monochrome Bokeh Thursday) ;-)
Filters: Singh-Ray LB ("Lighter, Brighter") ColorCombo (warming polarizer + color intensifier)
Nikon d810a
50mm
ISO 6400
f/2.5
Foreground: 7 x 30 seconds
Sky: 28 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 35 shot panorama of the Crux & Carina region of the Milky Way as it rises above Bluff Knoll, the tallest peak in the Stirling Ranges. The Magellanic Clouds can be seen on the right side. The road I am standing on leads to the carpark at the foot of Bluff Knoll, the starting off point for the hike to the 1100m (3600ft) summit.
Nikon d810a
50mm
ISO 8000
f/2.5
4 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This might be the first night sky image I have ever taken which doesn't actually have any kind of target in the sky - no Milky Way, no Carina, no Magellanic Clouds, just an 'empty' part of the night sky. But that wasn't the purpose of this shot, it was to capture the dead tree perfectly reflected in the still waters of the shallow lake.
Nikon d810a
50mm
ISO 6400
f/2.8
Foreground: 6 x 30 seconds
Sky: 14 x 30 seconds
IOptron SkyTracker
Hoya Red Intensifier filter
20 shot panorama of the Milky Way setting above a lone tree on a farm at Gilgering, 1.5 hours east of Perth in Western Australia.
Nikon d810a
50mm
ISO 5000
f/2.8
Foreground: 3 x 30 seconds
Sky: 10 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is 13 shot panorama of the Crux/Carina region of the Milky Way above the silhouette of a gum tree near the Wheatbelt town of Quairading, 2 hours east of Perth in Western Australia.
Nikon d810a
50mm
ISO 5000
f/3.2
Foreground: 13 x 30 seconds
Sky: 14 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 27 shot panorama of the Milky Way setting over the Indian Ocean at The Spot, an hour north of Perth in Western Australia.
Nikon d5500
50mm + Hoya Red Intensifier filter
ISO 4000
f/2.5
Sky: 91 x 30s
Foreground: 18 x 10s
iOptron SkyTracker
This is a 109 shot panorama of the Milky Way rising over a wheat farm near Beverley, about 2 hours east of Perth in Western Australia. I had been looking for a scene like this for ages, a lone tree on an otherwise desolate landscape with the core arching above. So this one ticked another off the astro bucket-list ;)
Prominent in this image are the Magellanic Clouds to the right of the tree, the Carina nebula above these and the colourful Rho Ophiuchi cloud complex just above the central core (Sagittarius) region. I also captured quite a bit of red airglow above the horizon.
Nikon d5500
50mm
ISO 4000
f/2.2
Foreground: 11 x 20 seconds
Sky: 16 x 25 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 27 shot panorama of the Milky Way setting over a lone tree at a farm near Irishtown, 1.5 hours north east of Perth in Western Australia, the source of the light pollution on the left.
Nikon d810a
85mm
ISO 8000
f/2
Foreground: 7 x 30 seconds
Sky: 25 x 30 seconds
iOptron SkyTracker Pro
Hoya Starscape filter
This is a 42 shot panorama of the Milky Way rising above Yenyening Lakes, 2 hours east of Perth in Western Australia.
I don't know how long the slide has been at this lake, I've been here a few times and don't remember seeing it but it makes for an interesting foreground subject. The reflections, thanks to a very calm night, are an added bonus :)
Nikon d5500
50mm + Hoya Red Intensifier filter
ISO 3200
f/2.8
Sky: 35 x 30 seconds
Foreground: 18 x 90 seconds
iOptron SkyTracker
This is a 53 shot panorama of the Milky Way setting over Canal Rocks near Yallingup, about 2.5hrs south of Perth in Western Australia. The foreground was light painted with a hand held spotlight.
Nikon d810a
50mm
ISO 6400
f/2.8
Foreground: 8 x 20 seconds
Sky: 18 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 26 shot panorama of the Milky Way setting over a lone tree on a farm near Northam, 1.5 hours east of Perth in Western Australia.
Nikon d810a
50mm
ISO 6400
f/2.8
Foreground: 5 x 30 seconds
Sky: 10 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 15 shot panorama of the Milky Way setting above (yet another) lone tree on a farm just outside of Northam, 1.5 hours east of Perth in Western Australia. The light pollution is thanks to the nearby town, the largest in the Wheatbelt region.
Nikon d810a
50mm
ISO 6400
f/2.8
Foreground: 7 x 20 seconds
Sky: 24 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 31 shot panorama of the Milky Way setting above a lone tree near Northam, 1.5 hours east of Perth in Western Australia.
This was one of multiple lone tree compositions I shot this night but unfortunately I couldn't quite get a full panorama out of this one due to the northern edge of the Milky Way core going beyond the field the tree is located in. I would have gotten an ugly bit of gravel road and an intrusive tree on that side of the foreground cluttering up the image. So I ended up doing just a three quarter pano but I do like how the arc of the Milky Way complements the arc of the horizon :)
The light pollution is from Northam, one of the largest towns in the Wheatbelt region.
Nikon d810a
50mm
ISO 8000
f/2.2
Foreground: 7 x 15 seconds
Sky: 12 x 20 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 19 shot panorama of the Milky Way rising over the dry, cracking surface of Cowcowing Lakes, 2.5 hours north east of Perth in Western Australia.
Nikon d810a
85mm
ISO 5000
f2.8
Foreground: 6 x 30 seconds
Sky: 16 x 30 seconds
iOptron SkyTracker
Hoya Starscape filter
This is a 24 shot panorama of the Milky Way rising above a barren farm, with yours truly looking on in awe, at Bejoording, about 1.5 hours north east of Perth in Western Australia.
Nikon d5500
50mm + Hoya Red Intensifier filter
ISO 4000
f/3.2
62 x 30s
iOptron SkyTracker
This is the last of the Milky Way shots I took over the southern hemisphere summer, when the core is normally below the horizon at night.
I have been to this location quite a few times for astrophotography. It's famous for its thrombolites, the most ancient lifeforms on Earth, which you can see clearly in the foreground. The Large and Small Magellanic Clouds are visible on the right side of the image and the bright pink splotch is the Carina Nebula.
Nikon d810a
50mm
ISO 5000
f/2.8
Foreground: 6 x 30 seconds
Sky: 12 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is an 18 shot panorama of the Milky Way as it rises above North Dandalup Dam's tower, an hour south of Perth in Western Australia.
Nikon d5500
50mm
ISO 4000
f/2.8
Foreground: 13 x 30 seconds
Sky: 5 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is an 18 shot panorama of the Milky Way as it sets below the western horizon at The Pinnacles Desert, about two hours north of Perth in Western Australia.
Nikon d5500
50mm
ISO 3200
f/2.5
Foreground: 20 x 25 seconds
Sky: 20 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 40 shot panorama of the Milky Way rising over Boulder Rock, a granite formation just outside of the metropolitan area of Perth in Western Australia.
I was inspired to take this shot by another photographer I had see on FB whose name unfortunately escapes me. I hope he doesn't mind me stealing his composition idea lol