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Brimstone's scheming intellect makes him a deadly foe. Brimstone is always ready to step in for Magmar and take command. Brandishing The Torcher, his flame throwing weapon, he laughs wickedly as he charges fearlessly into battle.

અંતઃકરણમાં મન, બુદ્ધિ, ચિત્ત અને અહંકાર આવે છે. તેઓ ભેગા મળીને કામ કરે છે અને પછી રૂપકમાં ક્રિયા થાય છે. અંતઃકરણ અને બાહ્યકરણ વિષે વધુ જાણવા નિહાળો આ વિડિયો...

 

To know more please click on:

 

Gujarati: www.dadabhagwan.org/books-media/videos/english/the+functi...

Yonsei University, Yonsei Institute of Convergence Technology, on the hunt for the next Steve Jobs, Bill Gates, Sergey Brin or Larry Page

This is the mechanism of the duality of the mind. Struggling to balance the logical and emotional hemispheres with artistic expression.

Celastraceae (staff vine or bittersweet family) » Celastrus paniculatus

 

see-LAS-trus -- from the ancient Greek kelastros, the name of another tree

pan-ick-yoo-LAY-tus or pan-ick-yoo-LAH-tus -- referring to the flower clusters (panicles)

 

commonly known as: black-oil plant, celastrus, oriental bittersweet, intellect tree, staff tree • Bengali: kijri, malkangani • Gujarati: માલકંગના malkangana • Hindi: मालकंगनी malkangani • Kannada: ಭವಮ್ಗ bhavamga, ಜೊತಿಷ್ಮತಿ jotishmati, ಕರಿಗನ್ನೇ kariganne, ಕೊಉಗಿಲು kougilu • Konkani: माळकांगोणी malkangoni • Marathi: कांगुणी kanguni, माळकांगोणी malkangoni • Oriya: korsana, pengu • Sanskrit: अलवण alavan, ज्योतिषमति jyotishmati, कन्गु kangu • Tamil: குவரிகுண்டல் kuvarikuntal, மண்ணைக்கட்டி mannai-k-katti, வாலுளுவை valuluvai • Telugu: కాసరతీగె kasara-tige, మానెరు maneru • Urdu: کنگني مال malkanguni

 

Native to: India, China, Sri Lanka, south-east Asia

  

References: Flowers of IndiaSahyadri DatabaseENVIS - FRLHTeFlora

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Celastraceae (staff vine or bittersweet family) » Celastrus paniculatus

 

see-LAS-trus -- from the ancient Greek kelastros, the name of another tree

pan-ick-yoo-LAY-tus or pan-ick-yoo-LAH-tus -- referring to the flower clusters (panicles)

 

commonly known as: black-oil plant, celastrus, oriental bittersweet, intellect tree, staff tree • Bengali: kijri, malkangani • Gujarati: માલકંગના malkangana • Hindi: मालकंगनी malkangani • Kannada: ಭವಮ್ಗ bhavamga, ಜೊತಿಷ್ಮತಿ jotishmati, ಕರಿಗನ್ನೇ kariganne, ಕೊಉಗಿಲು kougilu • Konkani: माळकांगोणी malkangoni • Marathi: कांगुणी kanguni, माळकांगोणी malkangoni • Oriya: korsana, pengu • Sanskrit: अलवण alavan, ज्योतिषमति jyotishmati, कन्गु kangu • Tamil: குவரிகுண்டல் kuvarikuntal, மண்ணைக்கட்டி mannai-k-katti, வாலுளுவை valuluvai • Telugu: కాసరతీగె kasara-tige, మానెరు maneru • Urdu: کنگني مال malkanguni

 

Native to: India, China, Sri Lanka, south-east Asia

  

References: Flowers of IndiaSahyadri DatabaseENVIS - FRLHTeFlora

Jackie Thompson and Sharon Stamp

In an "adult's world", sometimes the path to simplicity is right under one's nose.

“Intellect is, in truth, the most precious gift bestowed upon man by the Divine Bounty. Man alone, among created beings, has this wonderful power. ... I hope that you will use your understanding to promote the unity and tranquillity of mankind, to give enlightenment and civilization to the people, to produce love in all around you, and to bring about the universal peace. Study the sciences, acquire more and more knowledge. Assuredly one may learn to the end of one’s life! Use your knowledge always for the benefit of others; so may war cease on the face of this beautiful earth, and a glorious edifice of peace and concord be raised. Strive that your high ideals may be realized in the Kingdom of God on earth, as they will be in Heaven.”

‘Abdu’l-Bahá, Paris Talks

 

Nineteen Months

The Nordic Countries Pavilion was constructed by Architect Sverre Fehn in 1962. It is an architecture where the coexistence between human action (and intellect) and nature is wonderfully made. Light, materials, textures, everything helps to place the observer in an atmosphere result of a progressive vision of the world - at the same time so Nordic and universal. I think this is one of my favourites places in the world.

 

207 Likes on Instagram

 

52 Comments on Instagram:

 

fc_at_sm: @jbutzer Thank you, Jörg, for your kind words. I really appreciate. And I'm so proud of collab with @halley88 !

 

ubers33: Ah so that's what you look like. hello.

 

fc_at_sm: @ubers33 ;) ✨

 

hele_r: Mi ero persa questa :-)

 

fc_at_sm: @hele_r Anche io mi sono reso conto che non avevo visto qualcuna delle tue. Imperdonabile!

 

fc_at_sm: #jj_forum_0473

 

imenez_imanez: @fc_at_sm è il padiglione dove più mi piace tornare. Ha una atmosfera unica.

 

fc_at_sm: @imenez_imanez Concordo in tutto. Riesce a superare la tipologia del padiglione diventando architettura nel senso più pieno del termine.

  

Lakshan De Silva - CTO, Intellect SEEC

Elena Rasa - Chief Underwriting Officer, Zurich

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Mariusz Mlynarczyk - Chief Underwriting Officer, AIG

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Celastraceae (staff vine or bittersweet family) » Celastrus paniculatus

 

see-LAS-trus -- from the ancient Greek kelastros, the name of another tree

pan-ick-yoo-LAY-tus or pan-ick-yoo-LAH-tus -- referring to the flower clusters (panicles)

 

commonly known as: black-oil plant, celastrus, oriental bittersweet, intellect tree, staff tree • Bengali: kijri, malkangani • Gujarati: માલકંગના malkangana • Hindi: मालकंगनी malkangani • Kannada: ಭವಮ್ಗ bhavamga, ಜೊತಿಷ್ಮತಿ jotishmati, ಕರಿಗನ್ನೇ kariganne, ಕೊಉಗಿಲು kougilu • Konkani: माळकांगोणी malkangoni • Marathi: कांगुणी kanguni, माळकांगोणी malkangoni • Oriya: korsana, pengu • Sanskrit: अलवण alavan, ज्योतिषमति jyotishmati, कन्गु kangu • Tamil: குவரிகுண்டல் kuvarikuntal, மண்ணைக்கட்டி mannai-k-katti, வாலுளுவை valuluvai • Telugu: కాసరతీగె kasara-tige, మానెరు maneru • Urdu: کنگني مال malkanguni

 

Native to: India, China, Sri Lanka, south-east Asia

  

References: Flowers of IndiaSahyadri DatabaseENVIS - FRLHTeFlora

A picture of my glasses on top of Shakespeare's 'Much Ado About Nothing'. I took this picture while I was wearing my contact lens; so, no, I wasn't blindly fumbling around with the camera...

 

Photo by Me

Of course, you can not buy my intellect, self-confidence, sense of humor nor acumen, but you can buy the brands I like.

 

Visible

Shoes: Baťa

Jeans: Diesel

Sweater: Envoy

Jacket: H&M

Scarf: I dunno whether my mother or grandmother

 

Invisible

Socks: H&M

Boxers: H&M

T-Shirt: Threadless

 

Total price of the outfit: 667 Saudi riyals. Not including the wool for the scarf.

 

And...

Vehicle: T3 (160 kW, and due to the czech law the pedestrian crossings don't govern it!)

 

OK, this is the point, folks ,-)

If we listened to our intellect, we’d never have a love affair. We’d never have a friendship. We’d never go into business, because we’d be cynical. Well, that’s nonsense. You’ve got to jump off cliffs all the time and build your wings on the way down.

 

Ray Bradbury

 

Soundtrack of the picture: Animal Collective - My Girls

 

Biennalist is an Art Format where the participants are passionate about the Theme

 

Theme:

Think with the Senses – Feel with the Mind.

Art in the Present Tense

 

52. Venice Biennial

10 June - 21 November 2007

 

Director:

Robert Storr

 

From Plato onwards philosophers have divided and compartmentalized human consciousness more or less explicitly pitting one faculty against another; mind versus body, reason versus unreason, thought versus feeling, criticality versus intuition, the intellect versus the senses, the conceptual versus the perceptual. At best such dichotomies have served to sharpen our understanding of the different capac ities at our disposal for comprehending the world and making our place in it. At worst they have deprived us of some of those abilities by setting up false hierarchies that cause us to mistrust or disparage one for the sake of another, many for the sake a few.

Yet no matter how successfully philosophers and ideologues have persuaded people that such categories are not just analytically useful but inherently or historically true, the manifold challenges to understanding that reality poses and the actual f lux of existence exceed the power of systems, theories and definitions to contain them. The imagination is the catch basin into which this overflow spills and art cuts the channels that reconnect formerly isolated or segregated parts of consciousness to each other while flooding and replenishing the whole of it like a fertile river delta.

Think with the Senses - Feel with the Mind is predicated on the conviction that art is now, as it has always been, the means by which humans are made aware of the whole of their being. However, it does not assume that an enduring wholeness is the result, or that art is a magical solution for the conflicts in our nature or in and among differing cultures and societies . That is the domain of philosophy, the social sciences and politics. Nevertheless, to “make sense” of things in a given moment or circumstance is to grasp their full complexity intellectually, emotionally and perceptually. That effort does not promise that our grasp will hold for long, or even much more than the instant in which we awaken to the fact that such fleeting powers of concentration and transformation are ours. Incidentally, “making nonsense” of the world, as grotesque, Dada or absurdist art does, deploys those same powers through exaggerated disparity. By inverting order and logic the artifact created paradoxically holds fragmented consciousness in suspension so that its contradictions can be clearly apprehended.

Epiphanies happen but do not last. As James Joyce showed, one of the functions of art is to preserve the experience so that we may savor and study its many aspects. The history of art is a fabric of epiphanies woven by many hands at different speeds; the present tense of art is the outer edge of that work in progress. At any point the edge may be ragged and uneven and the pattern in formation disturbing or hard to discern, reflecting the difficulty of making art in troubled times. We are living in just such times. Rather that trim the edge or reweave the pattern to neaten it, this exhibition focuses on selected aspects of current production that hint at what the emerging patterns might be without presuming to map them entirely. No attempt has been made therefore to be programmatically “representative,” either in terms of styles, mediums, generations, nations or cultures. Instead certain qualities and concerns widely found in contemporary art have been used as magnetic poles for gathering work from all seven continents, in all media, in various styles and of all generations now active.

Between the poles to which some works have readily gravitated is a force field where many other works hover. The poles themselves have been used like tuning forks, such that the criterion for selection has been resonance or mood as much as subject matter or aesthetic methodology. Among these vibrating points of reference are the immediacy of sensation in relation to questioning the nature and meaning of that sensation, intimate affect in relation to engagement in public life, belonging and dislocation, th e fragility of society and culture in the face of conflict, the sustaining qualities of art in the face of death.

Since the early 20century the development of modern art has been world wide. However its general dissemination and reception have lagged f ar behind this far flung, simultaneous, and cross -pollinating growth. In recognition of that discrepancy this Biennale has, as in the past, counted to the national pavilions to close the gaps, but it has also incorporated one national pavilion, Turkey, plus a regional pavilion, Africa, within its core, pointing the way, it is hoped, to greater, more permanent inclusiveness in areas of the world and of art -making too long overlooked in the international exhibition circuit.

While this show looks forward it does not look back. No attempt is made to trace genealogies or construct a new canon - and none at all to compete with art fairs or handicap the market. With a handful of exceptions all the artists included are alive and active. Diverse in origin and in temporal vantage points, it is they who conjugate the present tense of art for each other – and for us. The only artists in the show who are not living, would be but for their premature or unexpected deaths; their work is included here because its abiding freshness and impact keeps them on the minds of their peers and the public.

www.labiennale.org

2007 Awards:

Golden Lion to an artist exhibited at the international exhibition to León Ferrari

Golden Lion to a young artist (under 40) to Emily Jacir

Golden Lion for best national participation to Hungary represented by Andreas Fogarasi

Honourable Mention to an artist to Nedko Solakov

Honourable Mention to a pavilion to the Lithuanian Pavilion represented by Nomeda & Gediminas Urbonas

Golden Lion to a critic or an art historian for his contribution to contemporary art to Benjamin Buchloh

Golden Lion for Lifetime Achievement to Malick Sidibé

 

Artists:

Rafael Lozano-Hemmer

Ignasi Aballí

Adel Abdessemed

Adel Abidin

Marina Abramovic

Vito Acconci

Nasser Naassan Agha

Tora Aghabeyova

Vincenzo Agnetti

Faig Ahmed

Vyacheslav Akhunov

Mounira Al-Solh

Rashad Alakbarov

Nikos Alexiou

Luciano de Almeida

Hüseyin Alptekin

David Altmejd

Narda Alvarado

Francis Alÿs

Ghada Amer

El Anatsui

Giovanni Anselmo

Dario Arcidiacono

Tatiana Arzamasova

Orkhan Aslanov

Said / Abilsaid Atabekov

Chingiz Babayev

Mrdjan Bajic'

Sonia Balassanian

Rubén Ramos Balsa

Oladélé Bamgboyé

Miquel Barceló

Yto Barrada

Andrei Bartenev

Georg Baselitz

Gabriele Basilico

Jean Michel Basquiat

Mónica Bengoa

Mario Benjamin

Joseph Beuys

Bili Bidjocka

Manon de Boer

Stefano Bombardieri

Boris Mikhailov

Zoulikha Bouabdellah

Louise Bourgeois

Herbert Brandl

Sergei Bratkov

Jan Christiaan Braun

Antonio Briceño

Patricia Bueno

Daniel Buren

Luca Buvoli

Christoph Büchel

Gerard Byrne

Sophie Calle

Paolo Canevari

Christian Capurro

Pablo Cardoso

Giovanni Carmine

Maríadolores Castellanos

Samba Chéri

Loulou Cherinet

Ali Cherri

Eteri Chkadua

Amrit Chusuwan

Vladimir Cybil

Bassem Dahdouh

Jacob Dahlgren

José Damasceno

Sahar Dergham

Angela Detanico

Felipe de Souza Dias

Paulo Vitor da Silva Dias

Ranieri Dias

Renato Figueiredo Dias

Gino De Dominicis

James Drake

Marlene Dumas

Eric Duyckaerts

Nataliya Dyu

Dzine

Rena Effendi

Jorge Eielson

Haiam Abd El-Baky

Tarek El-Komy

Aiman El-Semary

Fouad Elkoury

Tracey Emin

Haris Epaminonda

Lev Evzovich

Valie EXPORT

Steingrimur Eyfjörd

Nganguè Eyoum

Mounir Fatmi

Cao Fei

Eloy Feria

León Ferrari

ngela Ferreira

Marcus Viniciu Clemente Ferriera

George Fikry

Angelo Filomeno

Urs Fischer

Andreas Fogarasi

Francisco Bernd da Franca

Rene Francisco

Georgy Frangulyan

Ivana Franke

Vladimir Fridkes

Yukio Fujimoto

Gints Gabra-ns

Charles Gaines

Rainer Ganahl

Tomer Ganihar

Fabio Ferreira Gaviao

Isa Genzken

Alla Girik

Helidon Gjergji

Gent Gjokola

Shaun Gladwell

Felix Gmelin

Toril Goksøyr

José Luis Guerín

Dmitry Gutov

Alban Hajdinaj

Neil Hamon

Jonathan Harker

Lyle Ashton Harris

Ali Hasanov

Kiluanji Kia Henda

Christine Hill

Alexandre Hnilitsky

Jenny Holzer

Rebecca Horn

Marine Hugonnier

Mustafa Hulusi

Orkhan Huseynov

Pierre Huyghe

Lee Hyungkoo

Elshan Ibrahimov

Tamilla Ibrahimova

Ihosvanny

Pravdoliub Ivanov

Alfredo Jaar

Emily Jacir

Kim Jones

Lamia Joreige

Irena Ju*zová

Waltercio Caldas Junior

Andre Juste

Emilia Kabakov

Ilya Kabakov

Y.Z. Kami

Paulo Kapela

Izumi Kato

Ellsworth Kelly

Amal Kenawy

Kendell Geers

Raoul de Keyser

Rauf Khalilov

Jamshed Kholikov

Martin Kippenberger

Gaukhar Kiyekbayeva

Riyas Komu

Guillermo Kuitca

Tamara Kvesitadze

Rafael Lain

Rosemary Laing

Rafael Lamata

Maria Verónica León

Leonilson

Vincent Leow

Sol LeWitt

Jason Lim

Rosario López

Rafael Lozano-Hemmer

Armando Lulaj

Zulkifle Mahmod

Nalini Malani

Renato Mambor

Victor Man

Blagoja Manevski

Camilla Martens

Roman Maskalev

Steve McQueen

Xenía Mejia

Jill Mercedes

Arseny Mescheryakov

Aernout Mik

Paul D. Miller

Julia Milner

Santu Mofokeng

Andrei Monastyrski

Ronald Morán

Hiroharu Mori

Callum Morton

Joshua Mosley

Nástio Mosquito

Ivan Moudov

Rabih Mroué

Gulner Mukazhanova

Oscar Muñoz

Elizabeth Murray

Ndilo Mutima

Ingrid Mwangi

Marko Mäetamm

Sirous Namazi

Zoran Naskovski

Bruce Nauman

Hadil Nazmy

Yves Netzhammer

Alexander Nikolaev

Stefan Nikolaev

Susan Norrie

Thomas Nozkowski

Odili Donald Odita

Chris Ofili

Olu Oguibe

Melik Ohanian

Masao Okabe

Marco Antonio Oliveira

Maycon Souza de Oliveira

Nelcirlan Souza de Oliveira

Mario Opazo

Nipan Oranniwesna

Svetlana Ostapovici

William Paats

Paola Parcerisa

Philippe Parreno

Philippe Pastor

Heldi Pema

Giuseppe Penone

Jose Carlos da Silva Pereira

Dan Perjovschi

Rodrigo de Maceda Perpetuo

Raymond Pettibon

Donato Piccolo

Jorge Pineda

Cristi Pogacean

Sigmar Polke

Alexander Ponomarev

Concetto Pozzati

Wilfredo Prieto

Emily Prince

Morrinho Project

Tobias Putrih

Arnulf Rainer

Lars Ramberg

Alfredo Rapetti

José Alejandro Restrepo

Jason Rhoades

Manuela Ribadeneira

Gerhard Richter

David Riff

Ketty La Rocca

Ugo Rondinone

Tracey Rose

Susan Rothenberg

Aleksei Rumyantsev

Robert Ryman

Ruth Sacks

Walid Sadek

Ghassan Salhab

Ernesto Salmerón

Margaret Salmon

Fred Sandback

Iran do Espirito Santo

Yehudit Sasportas

Oksana Shatalova

Yinka Shonibare MBE

Malick Sidibe

Nedko Solakov

Monika Sosnowska

Cinthya Soto

Nancy Spero

Rania Stephan

Christine Streuli

Daniel von Sturmer

Evgeny Svyatsky

Tabaimo

Sophia Tabatadze

Da Wu Tang

Sam Taylor-Wood

Elaine Tedesco

Philippe Thomas

Mark Titchner

Faustin Titi

Felix Gonzalez Torres

Mario Garcia Torres

Jalal Toufic

Paula Trope

Tatiana Trouvé

Florin Tudor

Alexander Ugay

Gediminas Urbonas

Nomeda Urboniene

Vyacheslav (Yura) Useinov

Jamshed Usmanov

Aitegin Muratbek uulu

Jaime Vallare

Minnette Vàri

Mona Vatamanu

Emilio Vedova

Francesco Vezzoli

Alterazioni Video

Ernesto Vila

Manuel Vilariño

Françoise Vincent

Viteix

Kara Walker

Andy Warhol

Lawrence Weiner

Franz West

Sophie Whettnall

Maaria Wirkkala

Pavel Wolberg

Troels Wörsel

Yin Xiuzhen

Kan Xuan

Moico Yaker

Fudong Yang

Zhenzhong Yang

Yonamine

Tomoko Yoneda

Shen Yuan

Akram Zaatari

Maksim Zadarnovsky

Valeriy Zadarnovsky

Lesia Zaiats

Chen Zhen

   

Tags: Ignasi Aballí, Adel Abdessemed, Adel Abidin, Marina Abramović, Vito Acconci, Vincenzo Agnetti, Vyacheslav Akhunov, Rashad Alakbarov, Hüseyin Alptekin, David Altmejd, Francis Alÿs, Ghada Amer, El Anatsui, Giovanni Anselmo, Armando, Rubén Ramos Balsa, Miquel Barceló, Yto Barrada, Georg Baselitz, Gabriele Basilico, Jean-Michel Basquiat, Joseph Beuys, Bili Bidjocka, Manon de Boer, Zoulikha Bouabdellah, Louise Bourgeois, Herbert Brandl, Christoph Büchel, Daniel Buren, Gerard Byrne, Waltercio Caldas, Sophie Calle, Paolo Canevari, Po-i Chen, Ali Cherri, Jacob Dahlgren, José Damasceno, Gino de Dominicis, Marlene Dumas, Eric Duyckaerts, Dzine, Rena Effendi, Fouad Elkoury, Tracey Emin, Haris Epaminonda, Valie Export, Mounir Fatmi, Cao Fei, León Ferrari, ngela Ferreira, Angelo Filomeno, Urs Fischer, Andreas Fogarasi, René Francisco, Ivana Franke, Yukio Fujimoto, Charles Gaines, Rainer Ganahl, Kendell Geers, Isa Genzken, Shaun Gladwell, Felix Gmelin, Felix Gonzalez-Torres, Dmitry Gutov, Neil Hamon, Jonathan Harker, Lyle Ashton Harris, Kiluanji Kia Henda, Christine Hill, Jenny Holzer, Rebecca Horn, Marine Hugonnier, Mustafa Hulusi, Pierre Huyghe, Pravdoliub Ivanov, Alfredo Jaar, Emily Jacir, Kim Jones, Lamia Joreige, Ilya & Emilia Kabakov, Y.z. Kami, Ellsworth Kelly, Amal Kenawy, Raoul De Keyser, Martin Kippenberger, Guillermo Kuitca, Rosemary Laing, Leonilson, Sol LeWitt, H.H. Lim, Rosario López, Rafael Lozano-Hemmer, Armando Lulaj, Marko Mäetamm, Nalini Malani, Victor Man, Steve McQueen, Aernout Mik, Boris Mikhailov, Santu Mofokeng, Andrei Monastyrski, Callum Morton, Joshua Mosley, Nástio Mosquito, Ivan Moudov, Rabih Mrouè, Oscar Muñoz, Elizabeth Murray, Sirous Namazi, Bruce Nauman, Yves Netzhammer, Stefan Nikolaev, Susan Norrie, Thomas Nozkowski, Odili Donald Odita, Chris Ofili, Olu Oguibe, Melik Ohanian, Nipan Oranniwesna, Philippe Parreno, Giuseppe Penone, Dan Perjovschi, Raymond Pettibon, Cristi Pogacean, Sigmar Polke, Alexander Ponomarev, Concetto Pozzati, Wilfredo Prieto, Emily Prince, Tobias Putrih, Rainer Fetting, Arnulf Rainer, José Alejandro Restrepo, Jason Rhoades, Manuela Ribadeneira, Gerhard Richter, Ketty La Rocca, Ugo Rondinone, Tracey Rose, Susan Rothenberg, Robert Ryman, Margaret Salmon, Fred Sandback, Iran do Espírito Santo, Yehudit Sasportas, Yinka Shonibare, Malick Sidibé, Nedko Solakov, Mounira Al Solh, Monika Sosnowska, Nancy Spero, Christine Streuli, Daniel von Sturmer, Tabaimo, Al Taylor, Sam Taylor-Wood, Mark Titchner, Mario Garcia Torres, Tatiana Trouvé, Minnette Vari, Emilio Vedova, Francesco Vezzoli, Alterazioni Video, Kara Walker, Andy Warhol, Lawrence Weiner, Franz West, Sophie Whettnall, Pavel Wolberg, Troels Wörsel, Yin Xiuzhen, Kan Xuan, Yonamine, Tomoko Yoneda, Shen Yuan, Akram Zaatari, Chen Zhen, Yang Zhenzhong

  

en.wikipedia.org/wiki/Thierry_Geoffroy

 

www.emergencyrooms.org/biennalist.html

 

www.colonel.dk

 

www.emergencyrooms.org

 

www.emergencyrooms.org/formats.html

 

biennalist.blogspot.com/

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

—-------------

#art #artist #artistic #artists #arte #artwork

#artcontemporain contemporary art Giardini Arsenal

 

venice Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía HungarianVelence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taideτέχνη művészetList ealaínarte māksla menasartiKunst sztuka artăumenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHEN ,Dakar; Biennalist

  

kritik[edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

   

Celastraceae (staff vine or bittersweet family) » Celastrus paniculatus

 

see-LAS-trus -- from the ancient Greek kelastros, the name of another tree

pan-ick-yoo-LAY-tus or pan-ick-yoo-LAH-tus -- referring to the flower clusters (panicles)

 

commonly known as: black-oil plant, celastrus, oriental bittersweet, intellect tree, staff tree • Bengali: kijri, malkangani • Gujarati: માલકંગના malkangana • Hindi: मालकंगनी malkangani • Kannada: ಭವಮ್ಗ bhavamga, ಜೊತಿಷ್ಮತಿ jotishmati, ಕರಿಗನ್ನೇ kariganne, ಕೊಉಗಿಲು kougilu • Konkani: माळकांगोणी malkangoni • Marathi: कांगुणी kanguni, माळकांगोणी malkangoni • Oriya: korsana, pengu • Sanskrit: अलवण alavan, ज्योतिषमति jyotishmati, कन्गु kangu • Tamil: குவரிகுண்டல் kuvarikuntal, மண்ணைக்கட்டி mannai-k-katti, வாலுளுவை valuluvai • Telugu: కాసరతీగె kasara-tige, మానెరు maneru • Urdu: کنگني مال malkanguni

 

Native to: India, China, Sri Lanka, south-east Asia

  

References: Flowers of IndiaSahyadri DatabaseENVIS - FRLHTeFlora

"Art and intellectial property right: New role of Creative Commons" by Lawrence Lessig.

Biennalist is an Art Format where the participants are passionate about the Theme

 

Theme:

Think with the Senses – Feel with the Mind.

Art in the Present Tense

 

52. Venice Biennial

10 June - 21 November 2007

 

Director:

Robert Storr

 

From Plato onwards philosophers have divided and compartmentalized human consciousness more or less explicitly pitting one faculty against another; mind versus body, reason versus unreason, thought versus feeling, criticality versus intuition, the intellect versus the senses, the conceptual versus the perceptual. At best such dichotomies have served to sharpen our understanding of the different capac ities at our disposal for comprehending the world and making our place in it. At worst they have deprived us of some of those abilities by setting up false hierarchies that cause us to mistrust or disparage one for the sake of another, many for the sake a few.

Yet no matter how successfully philosophers and ideologues have persuaded people that such categories are not just analytically useful but inherently or historically true, the manifold challenges to understanding that reality poses and the actual f lux of existence exceed the power of systems, theories and definitions to contain them. The imagination is the catch basin into which this overflow spills and art cuts the channels that reconnect formerly isolated or segregated parts of consciousness to each other while flooding and replenishing the whole of it like a fertile river delta.

Think with the Senses - Feel with the Mind is predicated on the conviction that art is now, as it has always been, the means by which humans are made aware of the whole of their being. However, it does not assume that an enduring wholeness is the result, or that art is a magical solution for the conflicts in our nature or in and among differing cultures and societies . That is the domain of philosophy, the social sciences and politics. Nevertheless, to “make sense” of things in a given moment or circumstance is to grasp their full complexity intellectually, emotionally and perceptually. That effort does not promise that our grasp will hold for long, or even much more than the instant in which we awaken to the fact that such fleeting powers of concentration and transformation are ours. Incidentally, “making nonsense” of the world, as grotesque, Dada or absurdist art does, deploys those same powers through exaggerated disparity. By inverting order and logic the artifact created paradoxically holds fragmented consciousness in suspension so that its contradictions can be clearly apprehended.

Epiphanies happen but do not last. As James Joyce showed, one of the functions of art is to preserve the experience so that we may savor and study its many aspects. The history of art is a fabric of epiphanies woven by many hands at different speeds; the present tense of art is the outer edge of that work in progress. At any point the edge may be ragged and uneven and the pattern in formation disturbing or hard to discern, reflecting the difficulty of making art in troubled times. We are living in just such times. Rather that trim the edge or reweave the pattern to neaten it, this exhibition focuses on selected aspects of current production that hint at what the emerging patterns might be without presuming to map them entirely. No attempt has been made therefore to be programmatically “representative,” either in terms of styles, mediums, generations, nations or cultures. Instead certain qualities and concerns widely found in contemporary art have been used as magnetic poles for gathering work from all seven continents, in all media, in various styles and of all generations now active.

Between the poles to which some works have readily gravitated is a force field where many other works hover. The poles themselves have been used like tuning forks, such that the criterion for selection has been resonance or mood as much as subject matter or aesthetic methodology. Among these vibrating points of reference are the immediacy of sensation in relation to questioning the nature and meaning of that sensation, intimate affect in relation to engagement in public life, belonging and dislocation, th e fragility of society and culture in the face of conflict, the sustaining qualities of art in the face of death.

Since the early 20century the development of modern art has been world wide. However its general dissemination and reception have lagged f ar behind this far flung, simultaneous, and cross -pollinating growth. In recognition of that discrepancy this Biennale has, as in the past, counted to the national pavilions to close the gaps, but it has also incorporated one national pavilion, Turkey, plus a regional pavilion, Africa, within its core, pointing the way, it is hoped, to greater, more permanent inclusiveness in areas of the world and of art -making too long overlooked in the international exhibition circuit.

While this show looks forward it does not look back. No attempt is made to trace genealogies or construct a new canon - and none at all to compete with art fairs or handicap the market. With a handful of exceptions all the artists included are alive and active. Diverse in origin and in temporal vantage points, it is they who conjugate the present tense of art for each other – and for us. The only artists in the show who are not living, would be but for their premature or unexpected deaths; their work is included here because its abiding freshness and impact keeps them on the minds of their peers and the public.

www.labiennale.org

2007 Awards:

Golden Lion to an artist exhibited at the international exhibition to León Ferrari

Golden Lion to a young artist (under 40) to Emily Jacir

Golden Lion for best national participation to Hungary represented by Andreas Fogarasi

Honourable Mention to an artist to Nedko Solakov

Honourable Mention to a pavilion to the Lithuanian Pavilion represented by Nomeda & Gediminas Urbonas

Golden Lion to a critic or an art historian for his contribution to contemporary art to Benjamin Buchloh

Golden Lion for Lifetime Achievement to Malick Sidibé

 

Artists:

Rafael Lozano-Hemmer

Ignasi Aballí

Adel Abdessemed

Adel Abidin

Marina Abramovic

Vito Acconci

Nasser Naassan Agha

Tora Aghabeyova

Vincenzo Agnetti

Faig Ahmed

Vyacheslav Akhunov

Mounira Al-Solh

Rashad Alakbarov

Nikos Alexiou

Luciano de Almeida

Hüseyin Alptekin

David Altmejd

Narda Alvarado

Francis Alÿs

Ghada Amer

El Anatsui

Giovanni Anselmo

Dario Arcidiacono

Tatiana Arzamasova

Orkhan Aslanov

Said / Abilsaid Atabekov

Chingiz Babayev

Mrdjan Bajic'

Sonia Balassanian

Rubén Ramos Balsa

Oladélé Bamgboyé

Miquel Barceló

Yto Barrada

Andrei Bartenev

Georg Baselitz

Gabriele Basilico

Jean Michel Basquiat

Mónica Bengoa

Mario Benjamin

Joseph Beuys

Bili Bidjocka

Manon de Boer

Stefano Bombardieri

Boris Mikhailov

Zoulikha Bouabdellah

Louise Bourgeois

Herbert Brandl

Sergei Bratkov

Jan Christiaan Braun

Antonio Briceño

Patricia Bueno

Daniel Buren

Luca Buvoli

Christoph Büchel

Gerard Byrne

Sophie Calle

Paolo Canevari

Christian Capurro

Pablo Cardoso

Giovanni Carmine

Maríadolores Castellanos

Samba Chéri

Loulou Cherinet

Ali Cherri

Eteri Chkadua

Amrit Chusuwan

Vladimir Cybil

Bassem Dahdouh

Jacob Dahlgren

José Damasceno

Sahar Dergham

Angela Detanico

Felipe de Souza Dias

Paulo Vitor da Silva Dias

Ranieri Dias

Renato Figueiredo Dias

Gino De Dominicis

James Drake

Marlene Dumas

Eric Duyckaerts

Nataliya Dyu

Dzine

Rena Effendi

Jorge Eielson

Haiam Abd El-Baky

Tarek El-Komy

Aiman El-Semary

Fouad Elkoury

Tracey Emin

Haris Epaminonda

Lev Evzovich

Valie EXPORT

Steingrimur Eyfjörd

Nganguè Eyoum

Mounir Fatmi

Cao Fei

Eloy Feria

León Ferrari

ngela Ferreira

Marcus Viniciu Clemente Ferriera

George Fikry

Angelo Filomeno

Urs Fischer

Andreas Fogarasi

Francisco Bernd da Franca

Rene Francisco

Georgy Frangulyan

Ivana Franke

Vladimir Fridkes

Yukio Fujimoto

Gints Gabra-ns

Charles Gaines

Rainer Ganahl

Tomer Ganihar

Fabio Ferreira Gaviao

Isa Genzken

Alla Girik

Helidon Gjergji

Gent Gjokola

Shaun Gladwell

Felix Gmelin

Toril Goksøyr

José Luis Guerín

Dmitry Gutov

Alban Hajdinaj

Neil Hamon

Jonathan Harker

Lyle Ashton Harris

Ali Hasanov

Kiluanji Kia Henda

Christine Hill

Alexandre Hnilitsky

Jenny Holzer

Rebecca Horn

Marine Hugonnier

Mustafa Hulusi

Orkhan Huseynov

Pierre Huyghe

Lee Hyungkoo

Elshan Ibrahimov

Tamilla Ibrahimova

Ihosvanny

Pravdoliub Ivanov

Alfredo Jaar

Emily Jacir

Kim Jones

Lamia Joreige

Irena Ju*zová

Waltercio Caldas Junior

Andre Juste

Emilia Kabakov

Ilya Kabakov

Y.Z. Kami

Paulo Kapela

Izumi Kato

Ellsworth Kelly

Amal Kenawy

Kendell Geers

Raoul de Keyser

Rauf Khalilov

Jamshed Kholikov

Martin Kippenberger

Gaukhar Kiyekbayeva

Riyas Komu

Guillermo Kuitca

Tamara Kvesitadze

Rafael Lain

Rosemary Laing

Rafael Lamata

Maria Verónica León

Leonilson

Vincent Leow

Sol LeWitt

Jason Lim

Rosario López

Rafael Lozano-Hemmer

Armando Lulaj

Zulkifle Mahmod

Nalini Malani

Renato Mambor

Victor Man

Blagoja Manevski

Camilla Martens

Roman Maskalev

Steve McQueen

Xenía Mejia

Jill Mercedes

Arseny Mescheryakov

Aernout Mik

Paul D. Miller

Julia Milner

Santu Mofokeng

Andrei Monastyrski

Ronald Morán

Hiroharu Mori

Callum Morton

Joshua Mosley

Nástio Mosquito

Ivan Moudov

Rabih Mroué

Gulner Mukazhanova

Oscar Muñoz

Elizabeth Murray

Ndilo Mutima

Ingrid Mwangi

Marko Mäetamm

Sirous Namazi

Zoran Naskovski

Bruce Nauman

Hadil Nazmy

Yves Netzhammer

Alexander Nikolaev

Stefan Nikolaev

Susan Norrie

Thomas Nozkowski

Odili Donald Odita

Chris Ofili

Olu Oguibe

Melik Ohanian

Masao Okabe

Marco Antonio Oliveira

Maycon Souza de Oliveira

Nelcirlan Souza de Oliveira

Mario Opazo

Nipan Oranniwesna

Svetlana Ostapovici

William Paats

Paola Parcerisa

Philippe Parreno

Philippe Pastor

Heldi Pema

Giuseppe Penone

Jose Carlos da Silva Pereira

Dan Perjovschi

Rodrigo de Maceda Perpetuo

Raymond Pettibon

Donato Piccolo

Jorge Pineda

Cristi Pogacean

Sigmar Polke

Alexander Ponomarev

Concetto Pozzati

Wilfredo Prieto

Emily Prince

Morrinho Project

Tobias Putrih

Arnulf Rainer

Lars Ramberg

Alfredo Rapetti

José Alejandro Restrepo

Jason Rhoades

Manuela Ribadeneira

Gerhard Richter

David Riff

Ketty La Rocca

Ugo Rondinone

Tracey Rose

Susan Rothenberg

Aleksei Rumyantsev

Robert Ryman

Ruth Sacks

Walid Sadek

Ghassan Salhab

Ernesto Salmerón

Margaret Salmon

Fred Sandback

Iran do Espirito Santo

Yehudit Sasportas

Oksana Shatalova

Yinka Shonibare MBE

Malick Sidibe

Nedko Solakov

Monika Sosnowska

Cinthya Soto

Nancy Spero

Rania Stephan

Christine Streuli

Daniel von Sturmer

Evgeny Svyatsky

Tabaimo

Sophia Tabatadze

Da Wu Tang

Sam Taylor-Wood

Elaine Tedesco

Philippe Thomas

Mark Titchner

Faustin Titi

Felix Gonzalez Torres

Mario Garcia Torres

Jalal Toufic

Paula Trope

Tatiana Trouvé

Florin Tudor

Alexander Ugay

Gediminas Urbonas

Nomeda Urboniene

Vyacheslav (Yura) Useinov

Jamshed Usmanov

Aitegin Muratbek uulu

Jaime Vallare

Minnette Vàri

Mona Vatamanu

Emilio Vedova

Francesco Vezzoli

Alterazioni Video

Ernesto Vila

Manuel Vilariño

Françoise Vincent

Viteix

Kara Walker

Andy Warhol

Lawrence Weiner

Franz West

Sophie Whettnall

Maaria Wirkkala

Pavel Wolberg

Troels Wörsel

Yin Xiuzhen

Kan Xuan

Moico Yaker

Fudong Yang

Zhenzhong Yang

Yonamine

Tomoko Yoneda

Shen Yuan

Akram Zaatari

Maksim Zadarnovsky

Valeriy Zadarnovsky

Lesia Zaiats

Chen Zhen

   

Tags: Ignasi Aballí, Adel Abdessemed, Adel Abidin, Marina Abramović, Vito Acconci, Vincenzo Agnetti, Vyacheslav Akhunov, Rashad Alakbarov, Hüseyin Alptekin, David Altmejd, Francis Alÿs, Ghada Amer, El Anatsui, Giovanni Anselmo, Armando, Rubén Ramos Balsa, Miquel Barceló, Yto Barrada, Georg Baselitz, Gabriele Basilico, Jean-Michel Basquiat, Joseph Beuys, Bili Bidjocka, Manon de Boer, Zoulikha Bouabdellah, Louise Bourgeois, Herbert Brandl, Christoph Büchel, Daniel Buren, Gerard Byrne, Waltercio Caldas, Sophie Calle, Paolo Canevari, Po-i Chen, Ali Cherri, Jacob Dahlgren, José Damasceno, Gino de Dominicis, Marlene Dumas, Eric Duyckaerts, Dzine, Rena Effendi, Fouad Elkoury, Tracey Emin, Haris Epaminonda, Valie Export, Mounir Fatmi, Cao Fei, León Ferrari, ngela Ferreira, Angelo Filomeno, Urs Fischer, Andreas Fogarasi, René Francisco, Ivana Franke, Yukio Fujimoto, Charles Gaines, Rainer Ganahl, Kendell Geers, Isa Genzken, Shaun Gladwell, Felix Gmelin, Felix Gonzalez-Torres, Dmitry Gutov, Neil Hamon, Jonathan Harker, Lyle Ashton Harris, Kiluanji Kia Henda, Christine Hill, Jenny Holzer, Rebecca Horn, Marine Hugonnier, Mustafa Hulusi, Pierre Huyghe, Pravdoliub Ivanov, Alfredo Jaar, Emily Jacir, Kim Jones, Lamia Joreige, Ilya & Emilia Kabakov, Y.z. Kami, Ellsworth Kelly, Amal Kenawy, Raoul De Keyser, Martin Kippenberger, Guillermo Kuitca, Rosemary Laing, Leonilson, Sol LeWitt, H.H. Lim, Rosario López, Rafael Lozano-Hemmer, Armando Lulaj, Marko Mäetamm, Nalini Malani, Victor Man, Steve McQueen, Aernout Mik, Boris Mikhailov, Santu Mofokeng, Andrei Monastyrski, Callum Morton, Joshua Mosley, Nástio Mosquito, Ivan Moudov, Rabih Mrouè, Oscar Muñoz, Elizabeth Murray, Sirous Namazi, Bruce Nauman, Yves Netzhammer, Stefan Nikolaev, Susan Norrie, Thomas Nozkowski, Odili Donald Odita, Chris Ofili, Olu Oguibe, Melik Ohanian, Nipan Oranniwesna, Philippe Parreno, Giuseppe Penone, Dan Perjovschi, Raymond Pettibon, Cristi Pogacean, Sigmar Polke, Alexander Ponomarev, Concetto Pozzati, Wilfredo Prieto, Emily Prince, Tobias Putrih, Rainer Fetting, Arnulf Rainer, José Alejandro Restrepo, Jason Rhoades, Manuela Ribadeneira, Gerhard Richter, Ketty La Rocca, Ugo Rondinone, Tracey Rose, Susan Rothenberg, Robert Ryman, Margaret Salmon, Fred Sandback, Iran do Espírito Santo, Yehudit Sasportas, Yinka Shonibare, Malick Sidibé, Nedko Solakov, Mounira Al Solh, Monika Sosnowska, Nancy Spero, Christine Streuli, Daniel von Sturmer, Tabaimo, Al Taylor, Sam Taylor-Wood, Mark Titchner, Mario Garcia Torres, Tatiana Trouvé, Minnette Vari, Emilio Vedova, Francesco Vezzoli, Alterazioni Video, Kara Walker, Andy Warhol, Lawrence Weiner, Franz West, Sophie Whettnall, Pavel Wolberg, Troels Wörsel, Yin Xiuzhen, Kan Xuan, Yonamine, Tomoko Yoneda, Shen Yuan, Akram Zaatari, Chen Zhen, Yang Zhenzhong

  

en.wikipedia.org/wiki/Thierry_Geoffroy

 

www.emergencyrooms.org/biennalist.html

 

www.colonel.dk

 

www.emergencyrooms.org

 

www.emergencyrooms.org/formats.html

 

biennalist.blogspot.com/

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

—-------------

#art #artist #artistic #artists #arte #artwork

#artcontemporain contemporary art Giardini Arsenal

 

venice Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía HungarianVelence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taideτέχνη művészetList ealaínarte māksla menasartiKunst sztuka artăumenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHEN ,Dakar; Biennalist

  

kritik[edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

   

 

Image from 'On the Deformities of the Cranium in relation to Intellect and Beauty', 001968793

 

Author: KING, Richard M.D

Page: 3

Year: 1870

Place:

Publisher:

 

Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.

Open the page in the British Library's itemViewer (page: 000003)

Download the PDF for this book

  

A foggy spring day in Gumley. Leicestershire, England.

Canon 5D, EF 70-200 F4 L at 150mm.

1/400 second, f/8, ISO100.

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The Jews aren't shy about their intellectual orientation. This is a store of books for your brain, on Jaffa Street in Jerusalem.

Class Four.

Intellect

Division (I) Formation of Ideas

Section 3: Means of Communicating Ideas

“There is a road from the eye to heart that does not go through the intellect.”

  

Chesterton

though we are given intellect and free will, yet accept it...WE DO HAVE LIMITATIONS TOO.

Did you know you really might be a genius? It’s true.

Even if you don’t think of yourself as intellectually superior, you could possess many of the characteristics shared by people of high intelligence. It turns out many people who are geniuses have personality traits, habits and behaviors in ...

 

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...Sagan picked THE best quotes for the chapter openings in Contact.

It is the color which resonates with the left or logic side of the brain stimulating our mental faculties and creating mental agility and perception.

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Pyrite is a stone of intellect and protection. It enhances intelligence, mental stability, logic, analysis, creativity, memory, and psychic

development.

It can help you tap your own latent mental talents and abilities. Pyrite is a powerful protection stone, and is very grounding.

Pyrite is also known as Fool's Gold and Healer's Gold.

 

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