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"Language Generator" (by Lewis Gesner) has been a solo piece, a duet, and ensemble piece, as well as a public workshop project. It had a duration of anywhere from 6 hours to one week. This is what is done. I enter a gallery space with newsprint paper, markers, scotch tape, and a box of objects. For the duration of the piece, I examine the objects, one at a time, and make a noise to go with it, then, a line or symbol on the paper. I then post the result on the walls. Performance/Installation at Meme gallery, Camb., MA. Photo: ©Bob Raymond, 1/14/11.
(Stitched Panorama)
detail of red installation dec 2005
i am really interested in how context alters a piece of art and vice versa. i use the same group of objects within my installations, bringing in others found on site. the expectations and connotations brought to the piece are very different depending on the situation eg: a gallery, shop or outdoors. with this ongoing set of work i am interested in how this affects the reading of the piece.
this and other images on my page are specifically put on this site to be viewed in a different context. i am exploring as i said above, the way context alters the interpretation of a piece or image. by putting these pieces on the net, they exist in a completely different context and become images instead of installations. i am interested in this shift.
In November 2013, nearly a year to the day of the beginning of construction, "a year and one day" stands proud and tall on the grounds of Longue Vue House and Gardens in New Orleans, Louisiana. Created to slowly be overgrown with plant-life (both indigenous and invasive) and deteriorate with time, this site-specific time-based artwork continues to evolve. Step inside this tomb and contemplate the cycle of life and death. Light filters through a water prism in the ceiling to create a place of passivity.
"Language Generator" (by Lewis Gesner) has been a solo piece, a duet, and ensemble piece, as well as a public workshop project. It had a duration of anywhere from 6 hours to one week. This is what is done. I enter a gallery space with newsprint paper, markers, scotch tape, and a box of objects. For the duration of the piece, I examine the objects, one at a time, and make a noise to go with it, then, a line or symbol on the paper. I then post the result on the walls. Performance/Installation at Meme gallery, Camb., MA. Photo: ©Bob Raymond, 1/14/11.
2015
butcher paper, fishing wireastroturf, toy duck, velvet wrap, plastic flowers, vase, hat, jean jacket, stool
44"x39"50"
The final project of ARTSTUDI 156Q, Installation Art in Space and Time (Stanford University, Terry Berlier). One of the elevators of the Art and Art History Department's McMurtry Building was transformed into a playful environment. Surprising the viewers with surreal and organic forms alongside casual everyday objects, this artistic intervention brought life into a transitory public space.
"A Love Letter to the Elevator" invites its passengers to pause and take delight in another world, before they reach their destination.
A two channel digital video and audio work created in response to the history of Lake Celilo/Celilo Falls.
Sidewalk Intervention Williamsburg, 1989
www.facebook.com/note.php?note_id=154202092687
ethan pettit gallery
A two channel digital video and audio work created in response to the history of Lake Celilo/Celilo Falls.
Artist:
Netikan Roopngarm, Thammachat Jun Mepokee
Abstract:
God's Green Earth is a world that was created by God and it is beautiful and peaceful. The aim of this exhibition is to show what has happened to god's creation because of mankind. The God’s green Earth that used to be beautiful, is now destroyed by the humans temptations.
Materials:
Materials include commercial objects such as paper, cloths, water colour, spray pain, legal drugs (as illegal drugs), powder, assemblages of some found objects.
Exhibition format: Installation Art
Overview:
Point of installation is of irresponsibility, carelessness and laziness, leading to social failure as represent by models of both human and non-human elements in the show that would directly and indirectly relate to it. These would expressed in sarcastic way. Humour would also be part of the installation.
"But is it Art?" — April 2009
Ann Stoddard's sculpture students create installation work at Salisbury University's Student Art Center.
"The Digital Made Analog"
an Installation Art Showcase
Thursday 21 October, 7-10pm
at the US Art Authority, 2906 Fruth Street, Austin, TX 78705 (map)
$7 online, $10 at the door
A selection of analog representations of digital theory by Austin-local artists including: "The Quest for the Dark Planet" miniatures by John P Funk, "Su-Tam Y K Siu" a fluxus card game by Ralph Barton, analog Facebook by Jeanne Stern, psychic collage fortune card readings by Clothi, and a projected life-painting series curated by Ryan Hovenweep. Music by Artificial Life Preserve and more.
"But is it Art?" — April 2009
Ann Stoddard's sculpture students create installation work at Salisbury University's Student Art Center.
"But is it Art?" — April 2009
Ann Stoddard's sculpture students create installation work at Salisbury University's Student Art Center.
An attempt to map out all of the objects and materials significant to my creative process. Visitors were then invited to bring personal artifacts of their own to exchange from ones in the installation.
Check out what artist/writer Madeleine Peck had to say about the show @ artisntrocketscience.blogspot.com
#martinviecens #umbra #urbaninstallations #urbanart #installationart #woodart #sculpture #woodstructure
A two channel digital video and audio work created in response to the history of Lake Celilo/Celilo Falls.
"But is it Art?" — April 2009
Ann Stoddard's sculpture students create installation work at Salisbury University's Student Art Center.
Big Rig Jig
by Mike Ross
Big Rig Jig is a rumination on power as manifest in the relationship between humankind and nature. We hope to instill thoughts of wonder, fear, instability, nature, and beauty. And we are going to do this by literally cutting up pieces of the oil industry and thrusting them into the air. The sculpture is fashioned from real oil tankers and filled with lush silk plant life, a reminder of the ultimate source of the black gold once transported inside them.
Our source objects are fundamental to the world's oil distribution infrastructure, and are pertinent examples of our culture's unmatched production of carbon dioxide. By altering these symbolically rich objects, the sculpture is a celebration of humankind's raw power on earth, a visual metaphor for non-sustainability, and a contemplation of our unique ability to recognize and change our most destructive actions.
Part of the Water Republic show at EMG guangzhou 水共和的一部份
Dried earth and plants at one end, crushed plastic bottles with image of a nude, silenced, tied up within that glows in a blue light at the other.
This environment that I created is supposed to mimic a "typical" home in the Black Bottom community, circa 1940s before the expressway was built. It is a complete fiction, and there are confusions with time that are done intentionally. The imagery on the quilt would not have been around in the 1940s. On the floor of the plinth are "Jet" magazines from the 60s and 70s.
(2008)
"But is it Art?" — April 2009
Ann Stoddard's sculpture students create installation work at Salisbury University's Student Art Center.
Exposition “L'autre côté du miroir, le monde de Charles Matton“ à l'Espace culturel Chapelle Sainte-Anne
#laBaule #laBauleLesPins #ArtContemporain #LesBoîtes #contemporaryart #exhibition #installationart #artinstallation #art #laBauleEscoublac #CharlesMatton
Part of my show 'Inhabit' shown in Queens Hall Gallery, Narberth, Wales in April 09. These are wooden and metal spoons joined with red thread.
part of the exhibition Konstruktion der Welt .Kunst und Ökonomie
see more : www.emergencyrooms.org/documenta_kassel.html
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www.emergencyrooms.org/biennalist.html
www.emergencyrooms.org/formats.html about other art format
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Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Joanne Rice Catherine Tutter Anna Wexler.
Performance artist Burns Maxey reflects on her role in the event.
At Mobius, 11/06/10.
Photo: ©Bob Raymond