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The Color of Temperance: Embodied Energy. 2015. Julie Schenkelberg. According to MF. " Julie Schenkelberg makes installations using vintage domestic items combined with industrial discarded materials to transform the history of interior spaces. Her materials break and blend into one another, blurring their original intent ;creating a new vision of memory or dreams. The Mattress Factory museum of contemporary installation art. Pittsburgh.PA
The Projector Collective @ Versus Gallery, East Essex street, Dublin during the DEAF festival, 23rd-26th October 2008.
Seoul, South Korea - October 26, 2022: Ducks swim near a giant inflatable rubber duck at Seokchon Lake in Jamsil, as people on a deck look on. The inflatable is an installation by Dutch artist Florentijn Hofman.
The Projector Collective @ Versus Gallery, East Essex street, Dublin during the DEAF festival, 23rd-26th October 2008.
Big Rig Jig
by Mike Ross
Big Rig Jig is a rumination on power as manifest in the relationship between humankind and nature. We hope to instill thoughts of wonder, fear, instability, nature, and beauty. And we are going to do this by literally cutting up pieces of the oil industry and thrusting them into the air. The sculpture is fashioned from real oil tankers and filled with lush silk plant life, a reminder of the ultimate source of the black gold once transported inside them.
Our source objects are fundamental to the world's oil distribution infrastructure, and are pertinent examples of our culture's unmatched production of carbon dioxide. By altering these symbolically rich objects, the sculpture is a celebration of humankind's raw power on earth, a visual metaphor for non-sustainability, and a contemplation of our unique ability to recognize and change our most destructive actions.
‘’The ancient objects of the world are mainly sphere-like, and ever revolving.’’
In different contexts these objects which are representative of nothingness carry different types of significances.
One of the integral characteristics of spheres is their rotatability, and mobility.
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‘গোলক’
'Golok'
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Community art project 'Hamra'
organize by Gidree Bawlee
23 to 30 jun at Balia, Thakurgong
The Projector Collective @ Versus Gallery, East Essex street, Dublin during the DEAF festival, 23rd-26th October 2008.
The Projector Collective @ Versus Gallery, East Essex street, Dublin during the DEAF festival, 23rd-26th October 2008.
I experienced one of the world's great artist's exhibitions at the 51st International Biennale di Venezia in 2005. Really amazing.
More info: www.publicartfund.org/pafweb/projects/03/mori_s03.html
Mariko Mori's Wave UFO
Wave UFO fused real-time computer graphics, brainwave technology, sound, and state-of-the-art architectural engineering to create a dynamic interactive experience. The connection between technology and spirituality was effected here through the use of specially designed computer programs and scientific equipment that monitored and visually interpreted participants' brainwaves.
Drawing upon the Buddhist principle that all forms of life in the universe are interconnected, Wave UFO seamlessly united actual individual physical experience with Mori's singular vision of a cosmic dream world. Within the tranquil interior of the work, Mori sent participants, three at a time, on an aesthetic voyage that sought to connect three individuals to each other and to the world at large.
Children's Memorial Institute, Johannesburg, South Africa. During a performance of the sound art work, "Slaap My Kindjie, Slaap Sag", by Pauline Theart. 20 November, 2012.
If I had to describe my work in one word, that word would be time’ – Andy Goldsworthy
Time is always a crucial element in the work of Andy Goldsworthy – both as a medium and as a metaphor.
This book shows a sequence of works made around his home in Scotland – followed by Goldsworthy’s diaries of visits to five locations in North America and Europe.
See inside Time Andy Goldsworthy
Je la dois à ton oubli
Cette larme sur ma joue
Ce n'est rien qu'un peu de pluie
Le vent effacera tout
Quel chemin pourrais-je prendre
Pour me détacher de toi
Qui n'a pas su comprendre
Quand tu étais près de moi
Mais pendant que tourbillonne
Le moindre de mes regrets
Toutes les feuilles frissonnent
Et s'envolent à jamais
(Françoise Hardy) chanson interprétée par les pensionnaires d'une maison de retraite.
Ici le vent souffle de façon terrifiante, on sent bien que les matelas ne suffiront pas à nous protéger.
Top row: American Business Men and Politicos.
Middle Row: (L to R) Punk Rock Man, US Soldier, Joe Arpaio, ICE Agent, Soldier, Burger Clown
Bottom Row: (L to R) Working Mom, Latina Minuteman, African American, U.S. Farmer
So...one of my housemates informed me that these were sitting outside of someone's house, *not* because it was junk pickup day, but because they were installation art. Oops. (Note: this still isn't confirmed, but nobody's come looking for them)
installation view of "the woods are watching," my new installation art/environmental art piece for my Crayon Portraiture body of work
via Instagram www.instagram.com/p/6U2iNymGva/
Exhibited:
Igor and Svetlana Kopystiansky: “The Museum”, "The Library."
Kunsthalle Duesseldorf 1994
1991"Anni Novanta," (cur. Renato Barilli). Galleria Comunale d'Arte Moderna, Bologna; Musei Comunali, Rimini; Ex colonia "Le Navi," Catolica, Italy (cat.)
and the flower petals fell to the ground to rise again some where else some place else | smiling he looked at me, and said "it just takes five minutes to bring it all down..more than five hours to make one"
Artist:
Netikan Roopngarm, Thammachat Jun Mepokee
Abstract:
God's Green Earth is a world that was created by God and it is beautiful and peaceful. The aim of this exhibition is to show what has happened to god's creation because of mankind. The God’s green Earth that used to be beautiful, is now destroyed by the humans temptations.
Materials:
Materials include commercial objects such as paper, cloths, water colour, spray pain, legal drugs (as illegal drugs), powder, assemblages of some found objects.
Exhibition format: Installation Art
Overview:
Point of installation is of irresponsibility, carelessness and laziness, leading to social failure as represent by models of both human and non-human elements in the show that would directly and indirectly relate to it. These would expressed in sarcastic way. Humour would also be part of the installation.
Note: The use of the space
- outside the window, where can you see beautiful green scenery = the past (Green Earth)
- inside the room = the present
-the elevator = the future (Hopefully, better)
Installation Art
"To Play Upon a Constant Note: Memory, Sustained and Unwavering"
Global Citizenship Conference; The Faces of Genocide
April 12, 2018 — at West Valley College
Cement, barbed wire, found objects
***********************
To play upon a constant note: memory, sustained and unwavering
Gathering images of victims of genocide for research I found myself paralyzed with the constant question of what exactly would allow one to survive another day, both mentally and emotionally, in such a cruel and horrific situation. These men, women and children, who stare from behind, but beyond cement pylons laced with barbed wire and rebar, stripped of all intimate and worldly possessions, and denied worth and dignity, on what and where did they find an unflinching strength and will to live? Orphaned children who today squat beside rows of mothers and fathers and older siblings slaughtered during the night, children who barely understand the concept of life and death, on what will they base a future? In such extreme inhumanity on what does one’s will to live, love and survive find its sustenance?
Could I make this question one with which I could become more intimate? I asked myself if fate were to have placed me in history or present as a victim of genocide on what would I feed my will to survive, and my strength to resist despair and defeat. Memories … precious, sweet, simple … of things common and every day, these would be the fire of mind and soul. Perhaps the memory of serving a well-prepared meal, a reread and well-worn book, a child’s favorite toy, a comfy pair of shoes, music … the beach … little mementos and dog-eared photos, perhaps these intimate memories fueled those who suffered and yet survived for one more day. Memories escaping beyond the hardened pylons and suffocating lacework of wire and rebar …
Jeanne Watson
A detail of Jane Alexander's commissioned installation, Security - at the Joburg Art Fair 2009, Sandton Convention Centre, Johannesburg, South Africa.
Exhibition Review - Group show:'people sometimes, die' Edel Assanti, London till 20th Feb 2016.
With curator Hlebo, incoherence becomes the site of ruptured wounds, stuck in an overwhelmingly white space. - Drenched Co.
Comment: " In this show, exploring mainly the various facets and symptoms of oppression in America, I encountered a bunch of dizzyingly busy young artists, (guns blazing on all media fronts), involved in the art and politics of ‘the post’. It was all a little unavailable but the questions it attempts to ask are compelling - what is your complicity in the oppression of the marginalised? how much has your humanity diminished as you oppress and are oppressed? Great premise for a great show. If only it wasn't trying so hard to be all 'post'. " - JayZee
See www.edelassanti.com/exhibitions/57/overview/
See also www.woundsthatbind.com/2016/02/exhibition-review-ryan-foe...
Caption: Image above: Installation view 'people sometimes, die' Edel Assanti, London 2016
Image courtesy of the artists and Edel Assanti, London. Curated by Jesse Hlebo.
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
#cutsoverart #drenchedco #soakedspace #peoplesometimesdie #JesseHlebo #EdelAssanti #RyanFoerster #YulanGrant #EJane #GregoryKalliche #DevinKenny #DenzelRussell #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #artinstallation #installationart #videoart #artvideo #artphotography #photoart #soundart #oppression #postart #postmodern #conspiracytheory
The Projector Collective @ Versus Gallery, East Essex street, Dublin during the DEAF festival, 23rd-26th October 2008.
This was a series of installations at the Walker Art Center in Minneapolis designed around the concept of mini-golf and the environmental awareness (thus "green" in multiple meanings).
Mantra (2001)
phonograph record players, record albums and
various found objects.
from the Gestures show at
Pittsburgh, PA
October 27, 2001 - December 8, 2001
Gestures Curators: Michael Olijnyk and Graham Shearing
Digital photograph (detail) from installation
at The Mattress Factory, Pittsburgh PA
October 27, 2001 – December 8, 2001
Copyright © 2001 David Pohl
House of Pingting Archives
A view down into the labyrinth of gauzy white fabric that makes up the physical component of this work. The other, more ephemeral part, is visible in the following photos. Microphones hang down throughout the maze that record the ambient sounds. The following day, the previous day's recording is played through various hanging speakers. Each day's recording is layered with all of the previous soundscapes creating an ever changing and multiplying aural experience.