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Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
This image is in parallel view stereoscopic format.
The stereoscopic image from which this image was derived by digital manipulation can be viewed here:
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Palais des congrès de Montréal, Art Souterrain, 2019
Fake it until you make it est un aphorisme qui inspire beaucoup Emmanuel Laflamme. On pourrait dire que ce titre fait référence à sa carrière artistique. Il est fasciné par les théories du complot. Elles suggèrent des façons complètement différentes d’aborder la réalité et il se plait à considérer ce type d’information avec curiosité et scepticisme. La première œuvre traite des théories qui remettent en question l’authenticité de l’alunissage, certaines d’entre elles suggérant même que le tout aurait été réalisé par Stanley Kubrick. La seconde section présente de faux pétroglyphes dans une installation de style muséal. On peut y voir des OVNIs et des extra-terrestres combinés à des symboles égyptiens. L’artiste croit que l’existence des théories du complot témoigne de la méfiance et de la désillusion d’une partie de la population envers les autorités en place.
Commissaire : Art Souterrain
Emmanuel Laflamme est un artiste québécois résidant et travaillant à Montréal. Artiste autodidacte, il a travaillé comme designer en dessin animé et a collaboré à des projets de publicité, cinéma et jeux vidéo. Sa pratique s’inspire de l’imaginaire populaire et crée des œuvres fortes de sens qui prêtent autant à sourire qu’à réfléchir. Multipliant les références culturelles, il détourne des mythes anciens et modernes pour nous présenter son regard sur le monde, à la fois tendre et critique.
www.artsouterrain.com/activite/fake-it-until-you-make-it-...
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
My contribution to the Show 'Exposed' by the group Fibre Art Wales which has been installed at the National Botanic Gardens of Wales in carmarthenshire.
My work can be found in the Great Glass House.
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Les Colombes (The Doves)
Washington National Cathedral, Washington, DC, May 18, 2021
.
Just before Christmas 2020, German artist Michael Pendry installed the Les Colombes exhibit: a winding column of more than 2,000 origami paper doves in the grand nave of Washington National Cathedral. Symbolizing hope and the Holy Spirit, the doves encourage a feeling of optimism as we end a challenging 2020 and begin a new year. This sculpture is arranged to give new life to our Cathedral, embody our resolve to be kind to our fellow human, and to do our part in making a better tomorrow.
Les Colombes has previously appeared in Salisbury Cathedral in Salisbury, England; St. Martin-in-the-Fields in London; Mount Zion in Jerusalem; Heilig-Geist Viktualienmarkt in Munich; and Grace Cathedral in San Francisco. [cathedral.org/doves/about/]
Georgina Starr's exhibition and performance I,CAVE at mima (Middlesbrough Institute of Modern Art) opened 9 April 2015. The exhibition runs until 28 May 2015.
The 'I, Cave Ceremony' marked the opening of Georgina Starr's solo exhibition 'I,Cave' at mima on 9th April 2015.
The performance, which began as a procession through the mima gallery atrium, activated key elements of Starr's installation with performed poetry, sound and scripted action. The poems (written by Starr) were spoken, shouted and sung by the performers inside and around 'The Tunnel' (2015), a large sculpture which served as mouth piece, stage, entrance, exit and speaker chamber. The performers enacted specific choreographed movement relating to the sculptures, costumes, photographs and drawings in the exhibition. Starr conducted the action from behind a typewriter where the sounds and colours of the words being typed dictated the tempo of the ceremony. Two 12" vinyl records, Alberto Ginastera's 1967 opera 'Bomarzo'* and Starr's own record 'Mum Sings Hello'** played central roles in the performance alongside a cast of 5 female performers, 10 year old twin girls and a case of emerging Emperor Moths. Starr has described the piece as being partly inspired by a vision she had while visiting Bomarzo, the Parco dei Mostri (Park of Monsters), a 16th century sculpture park in Italy created by Pier Francesco Orsini. "I was bitten by a spider in Bomarzo and later had a lucid vision where I was guided by two children through a series of caves, holes, rooms, tunnels and orifices. The encounters I had there were so vivid that I recalled them as a true memory rather than a fiction or dream." Taking this vision as her point of departure Starr developed a transhistorical narrative which became both the cornerstone of the exhibition ('I,Cave', 4 panel text piece, 2015) and the libretto for the opening ceremony. The work occupies a space between sculpture, literature, history, theatre and possession ritual.
Cast and objects in order of appearance :
The Archaeologist : Nicola Singh
Chorus Mysticus : Sarah O'Brien, Heike Salzer, Faye Green, Rose Payne
The Spheres
Le Cerveau
The' Bomarzo' LP*
The Lleu Llaw
The Stenographer/Writer : Georgina Starr
The Tunnel
The Moth-Eaten Children : Ushi and Nanook Welch
The Lepidopterist's Case
The Emperor and Empress Moths
Portrait of 'R'
The Bubble Gum coins
The Great Mother : Voice of Christine Starr on 'Mum Sings Hello' (1993-2009)
The 'Mum Sings Hello' vinyl record
*Bomarzo LP : The Bomarzo Opera libretto is based on the novel (written by Manuel Mujica Lainez) about the Parco dei Mostri (The Monster Park) a sculpture garden in Italy created by Pier Francesco Orsini in 1500's. At the beginning of opera Orsini drinks a potion dispensed by his Astrologer which causes him to see his whole life in flashbacks. He eventually dies inside of 'The Mouth of the Monster' sculpture (Orcus).
** Mum Sings Hello (21 minutes, 1993-2009) is an audio work which began as a message left by Starr's mother on her telephone answer machine in 1993. Yearly the recording has been transferred from tape to tape over 16 years. The vinyl record holds the voice recording as it goes through the sonic ageing process.
To see the audio slideshow of the 'I,CAVE' Opening Ceremony : vimeo.com/126114374
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com
Evan Ziporyn, Kenan Sahin Distinguished Professor of Music at MIT, interacting with one of the two pieces presented at the Harmonic Archive.
Arnold Dreyblatt’s musical and artistic practice ranges from large multi-day performances to permanent installations, digital projections, dynamic textual objects and multi-layered lenticular text panels. His visual artworks are complex textual and spatial visualizations about memory, reflecting upon such themes as recollection and the archive. Arnold Dreyblatt was a Visiting Scholar at MIT and taught a course entitled “The Harmonic Archive: Music, Sound and Installation Art as Artistic Research.”
A member of the second generation of New York minimal composers, Dreyblatt continues to develop his work in composition and music performance, having invented a new set of original instruments, performance techniques and a system of tuning. He has formed and led numerous ensembles under the title “The Orchestra of Excited Strings” for over thirty years.
Arnold Dreyblatt studied music with Pauline Oliveros, La Monte Young and Alvin Lucier. He has been based in Berlin, Germany since 1984. In 2007, Dreyblatt was elected to lifetime membership in the visual arts section at the German Academy of Art (Akademie der Künste, Berlin). He is currently Professor of Media Art at the Muthesius Academy of Art and Design in Kiel, Germany.
Presented by the MIT Center for Art, Science & Technology (CAST).
Learn more at artsm.it/1DPfNbc
All photos ©L. Barry Hetherington
lbarryhetherington.com/
Please ask before use
One of Banksy Installation Street Art on Ludlow St., Lower Eastside Manhattan
www.nydailynews.com/new-york/banksy-political-latest-les-...
Unfortunately, this art installation had been vandalized last Sunday, see news and photos below :
www.dailymail.co.uk/news/article-2460471/Banksy-sees-stre...
2002-2003, 1200 hats crocheted by residents of the North Carolina Correctional Institution for Women - one hat for every incarcerated woman. $6000 in donated yarn from members of United Church of Chapel Hill
Georgina Starr's exhibition and performance I,CAVE at mima (Middlesbrough Institute of Modern Art) opened 9 April 2015. The exhibition runs until 28 May 2015.
The 'I, Cave Ceremony' marked the opening of Georgina Starr's solo exhibition 'I,Cave' at mima on 9th April 2015.
The performance, which began as a procession through the mima gallery atrium, activated key elements of Starr's installation with performed poetry, sound and scripted action. The poems (written by Starr) were spoken, shouted and sung by the performers inside and around 'The Tunnel' (2015), a large sculpture which served as mouth piece, stage, entrance, exit and speaker chamber. The performers enacted specific choreographed movement relating to the sculptures, costumes, photographs and drawings in the exhibition. Starr conducted the action from behind a typewriter where the sounds and colours of the words being typed dictated the tempo of the ceremony. Two 12" vinyl records, Alberto Ginastera's 1967 opera 'Bomarzo'* and Starr's own record 'Mum Sings Hello'** played central roles in the performance alongside a cast of 5 female performers, 10 year old twin girls and a case of emerging Emperor Moths. Starr has described the piece as being partly inspired by a vision she had while visiting Bomarzo, the Parco dei Mostri (Park of Monsters), a 16th century sculpture park in Italy created by Pier Francesco Orsini. "I was bitten by a spider in Bomarzo and later had a lucid vision where I was guided by two children through a series of caves, holes, rooms, tunnels and orifices. The encounters I had there were so vivid that I recalled them as a true memory rather than a fiction or dream." Taking this vision as her point of departure Starr developed a transhistorical narrative which became both the cornerstone of the exhibition ('I,Cave', 4 panel text piece, 2015) and the libretto for the opening ceremony. The work occupies a space between sculpture, literature, history, theatre and possession ritual.
Cast and objects in order of appearance :
The Archaeologist : Nicola Singh
Chorus Mysticus : Sarah O'Brien, Heike Salzer, Faye Green, Rose Payne
The Spheres
Le Cerveau
The' Bomarzo' LP*
The Lleu Llaw
The Stenographer/Writer : Georgina Starr
The Tunnel
The Moth-Eaten Children : Ushi and Nanook Welch
The Lepidopterist's Case
The Emperor and Empress Moths
Portrait of 'R'
The Bubble Gum coins
The Great Mother : Voice of Christine Starr on 'Mum Sings Hello' (1993-2009)
The 'Mum Sings Hello' vinyl record
*Bomarzo LP : The Bomarzo Opera libretto is based on the novel (written by Manuel Mujica Lainez) about the Parco dei Mostri (The Monster Park) a sculpture garden in Italy created by Pier Francesco Orsini in 1500's. At the beginning of opera Orsini drinks a potion dispensed by his Astrologer which causes him to see his whole life in flashbacks. He eventually dies inside of 'The Mouth of the Monster' sculpture (Orcus).
** Mum Sings Hello (21 minutes, 1993-2009) is an audio work which began as a message left by Starr's mother on her telephone answer machine in 1993. Yearly the recording has been transferred from tape to tape over 16 years. The vinyl record holds the voice recording as it goes through the sonic ageing process.
To see the audio slideshow of the 'I,CAVE' Opening Ceremony : vimeo.com/126114374
Palais des congrès de Montréal, Art Souterrain, 2019
Volière est une grande cage d’oiseau d’acier qui est occupée par de faux spécimens d’oiseaux, ici des drones recouverts de plumes de papier et des oiseaux hybrides, entre l’animal et l’objet mécanique. Ces oiseaux-drones présentent un faux monde exotique, une transgression dans la théorie de l’évolution de Darwin et donc mettent en doute l’histoire des espèces animales et nos connaissances. La fausse représentation animale, ici présentée en cage, est aussi un outil d’observation et d’espionnage qui permet de nous renvoyer notre propre regard curieux, car le spectateur est observé ici par cet engin manipulé par on ne sait qui. Volière permet de nous questionner sur ces spécimens hybrides et le drone qui prend de plus en plus de place dans l’espace public, dans le ciel parmi les oiseaux et dans l’espace aérien, entre autres, des pays espionnés par nos gouvernements.
Commissaire : Art Souterrain
Stéphanie Morissette a participé à plusieurs programmes de résidences au Canada, en Allemagne, en Finlande et en Islande. Ses œuvres ont été présentées dans le cadre d’événements d’envergure tels que l’International Symposium of Electronic Arts (ISEA) à Hong Kong (2016), le Women Makes Waves Film and Video Festival à Taiwan (2011) ainsi que la 10e Biennale internationale d’art contemporain d’Istanbul (2007). Stéphanie Morissette est récipiendaire du Prix du CALQ – œuvre de l’année 2017 en Estrie. Elle vit et travaille à Sherbrooke.
''জগতের আদি বস্তু সমূহ মূলত গোলকসদৃশ এবং সদা গতিশীল ..''
.
Community art project 'Hamra'
organize by Gidree Bawlee
23 to 30 jun at Balia, Thakurgong
Opening night of I CAN DO THAT, an interactive art show created and independently curated by Jenny Lam. Named the audience choice for 2012's "Best Art Exhibit" in the 20th anniversary edition of NewCity's Best of Chicago issue.
Photo by Sophia Nahli Allison.
More info at artistsonthelam.blogspot.com/p/i-can-do-that.html and artistsonthelam.blogspot.com