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Alexis Ortiz installing his installation for the exhibition Soft Power that runs until September 1st 2024 at the Tacoma Art Museum.
www.tacomaartmuseum.org/exhibit/soft-power/?fbclid=IwAR0R...
Random postings of photos I have taken over the last few years. Explore the photo set to find other work by the artist or of the same theme or event.
All photos © Ian Cox. If you would like to use this image please ask first. Best viewed as a set here
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Exposition “L'autre côté du miroir, le monde de Charles Matton“ à l'Espace culturel Chapelle Sainte-Anne
#laBaule #laBauleLesPins #ArtContemporain #LesBoîtes #contemporaryart #exhibition #installationart #artinstallation #art #laBauleEscoublac #CharlesMatton
early autumn view of my "convergence" earth art installation. i love to see seasons in transition.
link to the video about this work: bd-studios.com/convergence/
via Instagram www.instagram.com/p/BLGycT4DbC8/
ARTIST (Konstantin Dimopoulos)
"In my environmental installation, The Blue Trees, the colour and the Tree come together to transform and affect each other; the colour changing the Tree into something surreal, something out of this world."
SQUAMISH CHIEF NEWSPAPER EDITOR (Christine Endicott) "Squamish is a unique place, where visitors come to escape to nature, where residents open their blinds in the morning and can’t believe they get to live in a place surrounded by enchanting mountains and touched by the sea. It’s such stunning scenery that movie crews from all over North America use our town as their backdrop.
Local tourism experts tell us that when Vancouver people need an escape from big-city life, they come to Squamish to lose themselves in nature, to replenish their spirit before returning to urban mayhem.
It’s baffling, then, that we have a plan to alter that nature, based on the vision of an artist who does not live here. Through the Vancouver Biennale initiative, which aims to bring the work of international artists to public spaces, artist Konstantin Dimopoulos plans to turn 50 to 100 trees in Squamish blue."
RESIDENT (Joy) "I know art is in the eye of the beholder but IMO Mother Nature knows what colour is best for her trees."
When descending the stairs at the Toldeo Metro Station you can see clearly the way in which the skylights produce pools of light within the interior. In the background is William Kentridge's mosaic mural.
part 1 of 2
Kinetic Rain (2012)
Changi Airport, Terminal 1, Singapore
ARTIST: ART+COM Studios
Overview
Passengers and visitors entering the Departure Check-in Hall at Changi Airport’s Terminal 1 (T1) are captivated by the art installation Kinetic Rain. The installation comes as a pair installed several meters apart above the central escalators and visible from many locations. The two elements move in dialogue through a fifteen-minute choreographed piece, evolving from abstract to figurative three-dimensional forms carrying the theme "dream of flying". The 1,216 copper-plated droplets transform into the different forms through slow, fluid movements. Between shapes reminiscent of gusts of wind, undulating waves and abstract membranes, majestic wings, an airplane and a kite are recognizable.
Goals
In the course of refurbishment works Changi Airport Group commissioned us to create a signature art installation for the Departure Check-in-Hall of T1 in response to the terminal’s theme “Tropical City” in keeping with Singapore’s garden city status and where rain, is very much a part of the tropical climate. At the same time, the art piece was supposed to carry the theme of flying and to fill the emotional void that the installation ‘Mylar Cords’ had left which vanished with the terminal’s old interior. Clearly the new artwork was supposed to bring some calm to the busy travelling atmosphere of the spacious departure hall, and to slow down people’s pace, providing a moment of contemplation. The given location above the two escalators was both challenging and inspiring. It requested a piece that would work from all perspectives and at all times, while moving on the escalators, while passing it on the upper level, and while looking at it from afar.
4-5 year olds explore a different form of art - installation art, which they watch, wander through, construct, knock over, play games in and develop their ideas and interests.
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
The Boiler Room is one of the buidlings and when I was there it contained an installation of audio art. And old boiler room stuff that was highly photogenic.
San Gennaro, principal saint and protector of Naples, leads the Naples Procession across the city towards an erupting Vesuvius.
Legendary French fire artists Carabosse came to Newbury and transformed the town's streets and squares into a magical and mesmeric wonderland of flickering flames.
Watch video HERE
The Collector was inspired by my design background and by the process of taking two different mediums and helping them to co-exist. Yarn and the computer don't have much in common except for maybe ordering it (yarn) online. This disconnect was the starting point for the installation. One of the most commonly used tools in any creative computer software is the "color picker." I chose this tool as inspiration because of the concept of limitless possibilities.
I have never felt so strongly about one medium until I started working with yarn. I feel that yarn is a medium too often overlooked because of its association with grandmother's and their passion for knitting. As an artist, I have found that there are many ways to use the medium of yarn. For this installation I want to demonstrate that by using yarn in an atypical way, it loses its usual appearance and becomes a beautifully elaborate, yet simple, presence.
da Série de "Dispositivos para Ver o Vento:
SACOS DE VENTO" - conjunto de 32 objetos de tecido e madeira dependurados pelo bosque, construídos a partir do despetalar sensível da Rosa-dos-Ventos, e da intenção de dar corpo-visível ao ar.
Dimensões: 35 x 200 cm, 25 x 120 cm, 12,5 x 75 cm.
Márcio Diegues, 2016.