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Im Folgefonna Nationalpark mit Norwegens drittgrößtem Gletscher. Nach einer abenteuerlichen Anfahrt erwartete uns dieser See mit Eis auf 845m über NN. Im Hintergrund die Gletscherzunge.
Ich wünsche allen eine schöne Restwoche, habe die nächsten Tage keine Zeit, muß älter werden...
▽ Kitja jacket
▽ Rama top & shorts with panties
▽ Scandalize shoes
▽ K&S backdrop
▽ Minimal all flowers
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Rama Outfit Insta Queen
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Hair Rama ,Janice
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Backdrop:RAMA - #selfie_RAMA Quaker Street
Picture taken at ♪ "Backdropcity''
- Joseph Joubert.
I have not had the best of luck with Fall in Arkansas. On our first year here, an early frost stole many trees of their foliage at the beginning of September. So Fall colors were lackluster at best. This time fall was a bit trickier; I kept an eye out for any early frost warning, and nothing showed up in my search. We made our first trip of the year to the Richland Creek Wilderness area and saw that fall colors were barely breaking through. In my naivety, I thought a week or so from now, we will have the perfect fall colors and planned a trip through Ozarks National Forest to the Talimena scenic drive in the Ouachita mountains. I am still not sure what happened, but almost all fall colors were gone by the time we went on the planned trip.
While on our earlier trip to Richland Creek, we came across this patch of the road with decent fall colors on both sides of the road. Usually, I would pass on a scene like this when I am driving, but something made me get out and take the image. It turns out this was the best fall colors photo I would take this fall. Well, at least it is improving each year.
After squeezing my way down narrow alleyways, and through people coming and going from this "Instagram Photo" location, I worked my way over to this beautiful location to capture the Insta crowd in action.
Santorini, Greece. Village of Oia.
Special thanks to Sabastian of "Greece Explained" on YouTube, which made my wandering around on Santorini so much more enjoyable, with the limited time I had there.
Pentax.
100x photos taken on a 1500 mile walk #91
Taken whilst exploring the Dominican Monastery in Dubrovnik - a fabulous place.
Come join us! We saved you a seat!
Creator of Pidgin Doll
Joshua David McKenney
Presents at the
VAMP Vintage & Modern Plastic Doll Club of NYC
Monday, April 25, 2016, 7-9pm
Ripley Grier Studios, 16th Floor, Room 16Q
520 Eighth Avenue (36-37th Street) - $5 cover for room rental
{ credits }
Bodysuit | Love [Sexy Open Back Bodysuit] Maitreya
Collar | .ARISE. x ENIGMA Val Choker / Pink_Silver @ ultra NEW
Eyes | .ARISE. Sadie Eyes / 9 @ limit8 NEW
Hair | Magika - Troubled Heart @ shop your heart out FREE
Makeup | Just Magnetized - Insta Beauty - set 06 1 powder pack exclusive
Pose | BellePoses - Milla (Bento) 7
Skin | --- PUMEC - Lara - February - CATWA powder pack exclusive
- Paulo Coelho.
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Posting images of slot canyons, especially from Antelope slot canyons, always gives me a lot of engagement on social media. So much that I consider them cheat posts. I suspect the dramatic changes in light and color grades create a visual impact even as thumbnails that they attract a large audience. This remarkable play of light and shadows, while impressive to behold, was challenging for me to master. When I first visited a slot canyon, I solely relied on HDR photography to capture the scene. While images looked good, it felt like something was missing. As I spent more time looking at slot canyon images, both mine and other talented artists, one thing became clear. It’s the shadows that make these images click. That’s why the HDR images looked ordinary, as they often by default lift the shadows. It also meant that I had to get it close in camera rather than relying on post-processing.
Here are a few strategies that helped me. First, Avoid the sky as much as possible in compositions as the light difference is too much to make sense in a slot canyon image. There are exceptions, but it is better to shoot the sky separately and blend it in later in those scenarios. Secondly, pick your bright areas carefully and balance them with the shadow areas. ETTR or exposing to the right is super helpful here, I often meter at the brightest spot in a scene and push setting until the highlights clip. A quick tip: You can usually push your raw images a little more than what your camera histogram suggests. And the last tip is to white balance correctly, have a grey card or a microfiber cleaning cloth with you, and get the correct white balance. Because the light is limited in a slot canyon, even the best cameras struggle to judge white balance correctly, and it’s hard to get it right in post-processing; at least, that’s my experience. On the other hand, the difference is extraordinary when you get the colors right in a slot canyon. And there it is, all my tips for shooting in a slot canyon.