Active by Hans Illiger looks into the rehabilitation process of lower limb amputees, and proposes a service design concept as well as a hardware solution for gathering movement data.

credit: Bernardo Aviles-Busch

Naturanslation by Babette Wiezorek explores the nature and potential of organically inspired 3D grid structures by applying algorithmic design and 3D printing to microstructures.

credit: Bernardo Aviles-Busch

Tactile Sensation by Nina Rossow explores two possibilities of displaying information through tactile feedback: Sens_mat allows passive tactile recognition of materials when direct contact is not possible. Sens_dia simplifies descriptions in pain diagnostics and offers a non-verbal and body specific communication.

credit: Bernardo Aviles-Busch

Visible Strength by Lisa Stohn and Jhu-Ting Yang of the Artificial Skins and Bones Group proposes a flexible, creature-like textile surface that, like an octopus, changes its color and pattern in various ways through muscle stimuli.

photocredit: Bernardo Aviles-Busch

Trans.fur by Karina Wirth and Natalie Peter is the development of intelligent textiles, capable of altering moisture permeability by adjusting their surface structures. Inspiration for this project was the most versatile organ in the human body: skin.

credit: Bernardo Aviles-Busch

Shortcut by David Kaltenbach, Maximilian Mahal, and Lucas Rex is a customizable Human Interface Device (HID) for upper limb amputees. The bracelet detects sensory muscular impulses in the phantom hand, translating them into contactless and intuitive computer controlling.

Bernardo Aviles-Busch

Audio Gait by Agnes Rosengren and Bernardo Aviles-Busch sonifies movements to aid the understanding of body balance while walking. The portable system is an easy learning aid for shin prosthetics training, which translates walking movements into auditory feedback.

credit: Bernardo Aviles-Busch

Technology, Temperature, and Textiles by Stephanie Natrass is an e-textiles material research project that embeds sensing and actuation into textile surface constructions.

credit: Bernardo Aviles-Busch

The Aesthetics of the Uncanny* by Carmina Blank and Sandra Stark explores the delicate balance between familiar prosthesis design standards and uncanniness. The team researched how targeted material conception can help to understand and control this phenomenon, and can be taken into conscious consideration during the design process.

credit: Bernardo Aviles-Busch

Visible Strength by Lisa Stohn and Jhu-Ting Yang proposes a flexible, creature-like textile surface that, like an octopus, changes its color and pattern in various ways through muscle stimuli.

The Artificial Skins and Bones project seminar conducted by Prof. Mika Satomi and Prof. Wolf Jeschonnek was awarded with a STARTS Prize by the European Commission in 2016.

credit: Bernardo Aviles-Busch

EDEN examines the difference between physical and genetic extinction. This project started as an artistic commission and evolved into a large-scale international collaboration from which the learnings and outcomes are transferable to other global-scale societal challenges facing humanity.

EDEN was awarded the Grand Prize – Innovative Collaboration at the STARTS Prize 2020.

For further information please visit:

ars.electronica.art/keplersgardens/eden-ethics/

Credit: Olga Kisseleva studio

The project’s most iconic image shows robots autonomously printing a steel bridge over a canal. The MX3D bridge project thus started as a visionary moonshot project, an artist’s dream. Several years later that dream has been solidified in the 3D printed stainless steel bridge. This fully functional pedestrian bridge for the city center of Amsterdam will be completed in 2018, to be placed at its final location soon after.

Credit: tom mesic

This project is part of STARTS – Science, Technology, Arts at the 2020 Ars Electronica Festival.

EDEN examines the difference between physical and genetic extinction. This project started as an artistic commission and evolved into a large-scale international collaboration from which the learnings and outcomes are transferable to other global-scale societal challenges facing humanity.

EDEN was awarded the Grand Prize – Innovative Collaboration at the STARTS Prize 2020.

For further information please visit:

ars.electronica.art/keplersgardens/en/perception/

Credit: Olga Kisseleva studio

Photo showing Olga Kisseleva (RU). Olga Kisseleva EDEN was awarded the Grand Prize – Innovative Collaboration at the STARTS Prize 2020 for EDEN – Ethique – Durable – Ecologie – Nature.

The project EDEN Ethics – Durability – Ecology – Nature touches on a range of issues, including the protection of endangered plant species and interspecific communication between living subjects that are placed in the “inhuman”category.

For further information please visit:

ars.electronica.art/keplersgardens/en/eden-ethics/

Credit: Didier Goupy

For their impressively creative and productive approach to the problem of food waste, the initiative "Remix el Barrio, FoodWaste Biomaterial Makers" by Anastasia Pistofidou, Marion Real and The Remixers at Fab Lab Barcelona, IaaC (INT) were awarded the STARTS Prize 2021 - Grand Prize – Innovative Collaboration.

Photo: Dihue Miguens Ortiz

"Antarctic Resolution" was conceived by Giulia Foscari / UNLESS to catalyse global attention to one of our few Global Commons and create a constituency for the only continent without indigenous population, with the ambition of contributing to the protection of the Antarctic, and in turn, of our own species.

Photo showing the Antarctic Resolution Exhibition at the Venice Biennale

Photo: @ Courtesy of UNLESS © Delfino Sisto Legnani

For their impressively creative and productive approach to the problem of food waste, the initiative "Remix el Barrio, FoodWaste Biomaterial Makers" by Anastasia Pistofidou, Marion Real and The Remixers at Fab Lab Barcelona, IaaC (INT) were awarded the STARTS Prize 2021 - Grand Prize – Innovative Collaboration.

Photo showing the project "Squeeze the Orange", a jacket made of vegan fruit leather based on orange peel, by Elisenda Jaquemot, Susana Jurado Gavino y Nuria Bonet Roca.

Photo: Fab Lab Barcelona

Photo showing the Artificial Skins and Bones Group (DE), winners of the STARTS Prize of the European Commission in the Innovative Collaboration category. In the foreground: Wolf Jeschonnek (DE), Chuck Polta (US) and Mika Satomi (JP) talking to Ars Electronica Artistic Director Gerfied Stocker (AT).

credit: tom mesic

Antarctic Resolution was conceived by Giulia Foscari / UNLESS to catalyse global attention to one of our few Global Commons and create a constituency for our only continent without indigenous population, with the ambition of contributing to the protection of the Antarctic, and in turn, of our own species.

Photo showing the Antarctic Resolution Exhibition at the Venice Biennale.

Photo: Detail @ Courtesy of UNLESS © Delfino Sisto Legnani

Photo showing Giulia Tomasello, winner of the Grand Prize – Artistic Exploration for Future Flora at the STARTS Prize 2018.

credit: Giulia Tomasello

Broken Spectre (2022) ist ein beunruhigendes Porträt einer entlang der Transamazônica vorsätzlich herbeigeführten Umweltkatastrophe. Es wird durch ein Kaleidoskop wissenschaftlicher, kultureller, historischer, soziopolitischer, aktivistischer und anthropologischer Filter erzählt. Dieses traumähnliche immersive Video ist eine umfassende Dokumentation der weit verbreiteten, aber unsichtbaren Fronten der Abholzung und des industrialisierten Ökozids im Amazonasbecken. Durch abrupte Sprünge in Maßstab und Medium enthüllt der Film nicht nachhaltige Prozesse extraktiver Gewalt: illegale Abholzung, Massenverbrennung, wilde Goldminen, Diebstahl von indigenem Land, Artensterben, Überflutung und Aufstauung von Flüssen sowie die Kolonisierung des Waldes.

photo: vog.photo

Broken Spectre (2022) ist ein beunruhigendes Porträt einer entlang der Transamazônica vorsätzlich herbeigeführten Umweltkatastrophe. Es wird durch ein Kaleidoskop wissenschaftlicher, kultureller, historischer, soziopolitischer, aktivistischer und anthropologischer Filter erzählt. Dieses traumähnliche immersive Video ist eine umfassende Dokumentation der weit verbreiteten, aber unsichtbaren Fronten der Abholzung und des industrialisierten Ökozids im Amazonasbecken. Durch abrupte Sprünge in Maßstab und Medium enthüllt der Film nicht nachhaltige Prozesse extraktiver Gewalt: illegale Abholzung, Massenverbrennung, wilde Goldminen, Diebstahl von indigenem Land, Artensterben, Überflutung und Aufstauung von Flüssen sowie die Kolonisierung des Waldes.

photo: vog.photo

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