View allAll Photos Tagged InglebyGallery
Mark is a picture framer, he frames works for some of the top contemporary artists and photographers in the UK, he also makes display cases and furniture for installations and galleries website
I bumped into him on the street, and he asked me if I would go to his house and show him how to use his canon dslr, I used his camera to take some pictures of both him and his son in front of this huge photograph. I then took my camera out and did some more snaps of himself and his son, when I looked at them at home on screen they were all un-sharp and murky looking. So the next day I knocked on his door and requested a reshoot, this time I took a couple of wireless flash heads.
While I was taking pictures he said “guess who photographed me last week?” I said, I don’t know, um, David Bailey? And Mark said, “yeah” ……it’s the story of my life, David always gets there before me.
If anyone is interested in knowing who the artist/photographer is who took the bear picture link
Charming typographic installation with motion activated sensors. That said, I am personally a bit tired of seeing them. They mostly remind me of Edward Ruscha’s paintings with big type, except with added technology. When these first appeared in the art world I do like them but unfortunately not anymore. They become almost formulaic these days, but they are popular because obviously _some_ people love them.
Peter Liversidge (born 1973, Lincoln, England) is a British contemporary artist notable for his diverse artistic practice and use of proposals.
Over the course of the last 12 years, using an Olivetti typewriter, Liversidge has created proposals for exhibitions that range from the simple to the impossible. He experiments with what he describes as the "notion of creativity", often realised as objects, performances, or happenings over the course of an exhibition.
Liversidge says of his proposals that: “.. it’s important that some of the proposals are actually realized, but no more so that the others that remain only as text on a piece of A4 paper. In a sense they are all possible and the bookwork that collates the proposals allows the reader to curate their own show, and because of its size and scale the bookwork allows an individual to interact with each of the proposals on their own terms, one to one.”
Peter Liversidge
Hello, 2013
58 Light bulbs, powder coated steel, motion activated sensor
Unique at this size
53.5 x 267.9 x 18 cm
# Peter Liversidge
www.inglebygallery.com/artists/peter-liversidge/
en.wikipedia.org/wiki/Peter_Liversidge
# Ingleby Gallery
15 Calton Road
Edinburgh EH8 8DL
United Kingdom
# SML Data
+ Date: 2013-05-23T14:06:37+0800
+ Dimensions: 4017 x 2678
+ Exposure: 1/200 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03963
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Installation by Peter Liversidge: Hello, 2013 (58 Light bulbs, powder coated steel, motion activated sensor)” / Ingleby Gallery / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03963
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLTypography #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #PeterLiversidge #typography #installation #InglebyGallery #UK
It is no secret that I love typography in paintings, and every now and then I would come across some really bizarre work.
Harland Miller is both a writer and artist. His debut novel titled “Slow Down Arthur Stick to Thirty” was published in 2000 to critical acclaim. But he is best known for his giant canvases of Penguin Book covers.
I can’t help but to find him similar to Ed Ruscha in America, who also paint large type on his work. This painting seen at Art Basel Hong Kong recently is not his best, I think — but on his personal web site at www.harlandmiller.com/ there are quite a bit of fantastic WTF irony which are witty and sweet — definitely worthy of a visit.
In his own words: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve.”
Harland Miller
I’ll Never Forget What I Can’t Remember
2013
Oil on canvas
252 x 156 cm
# Harland Miller
b. 1964 York, England
lives in London, England
en.wikipedia.org/wiki/Harland_Miller
# Ingleby Gallery
15 Calton Road
Edinburgh EH8 8DL
United Kingdom
# SML Data
+ Date: 2013-05-23T14:08:12+0800
+ Dimensions: 2834 x 4587
+ Exposure: 1/125 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03961
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Harland Miller (b. 1964 UK): I’ll Never Forget What I Can’t Remember, 2013 (Oil on canvas)” / Ingleby Gallery / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03961
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLTypography #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #HarlandMiller #typography #painting #InglebyGallery #UK #oiloncanvas
Peter Liversidge
Proposal for the Armory Show no. 1
Come On In, 2010
180 hand-painted dice
ash, cherry, oak, acrylic and gouache
dimensions variable
+++
Every element in an exhibition of work by Peter Liversidge begins at the artist’s kitchen table with Liversidge sitting alone writing proposals on an old manual typewriter. These hand-typed pages, present an array of possible and impossible ideas for performances and artworks in almost every conceivable medium. In a sense the first realisation of every work is in Liversidge’s head, then on the page, then in the mind of the reader, and finally (perhaps) as a physical object or happening. In every case, the first ‘artwork’ from any series of proposals is the bookwork that presents the collected ideas.
As Liversidge has said: “… the process is also about the notion of creativity: it’s important that some of the proposals are actually realized, but no more so that the others that remain only as text on a piece of A4 paper. In a sense they are all possible and the bookwork that collates the proposals allows the reader to curate their own show, and because of its size and scale the bookwork allows an individual to interact with each of the proposals on their own terms, one to one”.
Over the past few years Liversidge has worked in this way with an increasingly diverse body of institutions and places including: Proposals for Liverpool (Tate Gallery, 2008), Proposals for Barcelona (Centre d’art Santa Monica, 2007), Proposals for Brussels (with the British Council for the Europalia Festival, 2007), Proposals for Miami (Art Basel Miami, 2009) and Jupiter Proposals (the newly opened sculpture park Jupiter Artland, 2009). Forthcoming projects include fifty Proposals to celebrate the 50th anniversary of the Scottish National Gallery of Modern Art (which will be presented at the 2010 Edinburgh Art Festival) and a major new work to be unveiled at Jupiter Artland in May 2010. Liversidge is also one of 8 artists selected to be part of a major research project and exhibition by the Architectural Association, London and the city of Venice, to be unveiled at the Venice Biennale in 2011.
www.inglebygallery.com/artists_detail.php?imageID=2176&am...
+++
The Armory Show is the United States’ leading art fair devoted to the most important artworks of the 20th and 21st centuries. In its twelve years, the fair has become an international institution. Every March, artists, galleries, collectors, critics and curators from all over the world make New York their destination during Armory Arts Week.
The Armory Show 2010 also features The Armory Show – Modern, specializing in modern and secondary market material on Pier 92. Pier 94 continues to be a venue to premiere new works by living artists. With one ticket, visitors to The Armory Show on March 4–7, 2010 have access to the latest developments in the art world, and to the masterpieces which heralded them.
Piers 92 and 94 on 55th Street and 12th Avenue, NYC
March 4-7, 2010
Regent Bridge is a road bridge in Edinburgh, Scotland, where the A1 road enters the New Town from the east and passes over a hollow near Calton Hill. The bridge was built in the 19th century, in the neoclassical style as the medieval city was modernised and expanded to the north and east.
In the early nineteenth century, the inconvenient access to Edinburgh by the great London road had long a subject of general regret. To enter the city from the south, the route ran through narrow and inconvenient streets, an approach that was considered unsuited to the general elegance of the place. In 1814, however, a magnificent entrance was commenced from Calton Hill to Princes Street over a deep ravine called Low Calton that was then occupied by old and ill-built streets. To connect Calton Hill with Princes Street, all these streets were swept away, and an elegant arch, called Regent Bridge, was thrown over the hollow, making the descent from Calton Hill into Princes Street easy and agreeable.
In 1813, Sir John Marjoribanks, the then Lord Provost of Edinburgh, revived a plan to build a jail on the slopes of Calton Hill. In order to access this, open up the slopes of Calton Hill to development and shorten the road to East Lothian and England, he presented the plan to build Regent Bridge to the City magistrates on 1 March 1814 with a projected cost of about £20,000 and backed up by a feasibility study by the engineer Robert Stevenson. This project was accepted and the bridge was designed by Archibald Elliot. Construction under the direction of Robert Stevenson began in 1816 and the bridge was finished in 1819.[1] It is a major example of Greek Revival architectural work of the time. The arch is semicircular, and fifty feet (15.24 m) wide. At the north front it is forty-five feet (13.716 m) in height, but at the south front it is sixty-four feet two inches (19.558 m), because the ground declines to the south. The roadway is formed by a number of reverse arches on each side. The great arch is ornamented on the south and north by two open arches, supported by elegant Corinthian columns. The whole property purchased to open the communication to the city by this bridge cost £52,000, and the building areas sold for the then immense sum of £35,000. The street along the bridge was called Waterloo Place, as it was laid in the year on which that memorable battle was fought. Regent Bridge was officially opened on 18 August 1819 during the visit of Prince Leopold of Saxe Coburg to Edinburgh. [Wikipedia]
Untitled 2009 No. 2
Callum Innes
oil on linen
165 x 156 cm
Callum Innes makes work in a number of different ways, all of which are gradually evolving. The shifts that appear from one series to the next are rarely dramatic, but each new painting builds on those that have gone before in a subtle but constant progression.
Innes will present a substantial solo exhibition of new work at Ingleby Gallery for the Edinburgh Art Festival in August 2009.
Ingleby Gallery
15 Calton Road
Edinburgh
EH8 8DL
0131 550 0491 (Direct)
0131 556 4441
Information from the Ingleby Gallery web page
Artist: Mark Wallinger
Title: Mark Wallinger is Innocent
Limited Edition Print
38.2 x 45.8cm (paper size)
2008
£350 + VAT
Ingleby Gallery presents the inaugural Billboard for Edinburgh by 2007 Turner Prize Winner Mark Wallinger.
The billboard, located on the end wall of the new Ingleby Gallery, will feature a new art work every three months.
Each billboard will be released as an original print in an edition of 50, signed and numbered by the artist. Print sales income will ensure that this exciting public art project is completely self-funding.
The first 10 copies of each edition are available to subscribers who sign up to support the project. They will receive all four of the year's Billboard prints at a special price.
For more details, please email billboard@inglebygallery.com
Edinburgh, Midlothian, Scotland, UK
Information from the Ingleby Gallery web page
Artist: Mark Wallinger
Title: Mark Wallinger is Innocent
Limited Edition Print
38.2 x 45.8cm (paper size)
2008
£350 + VAT
Ingleby Gallery presents the inaugural Billboard for Edinburgh by 2007 Turner Prize Winner Mark Wallinger.
The billboard, located on the end wall of the new Ingleby Gallery, will feature a new art work every three months.
Each billboard will be released as an original print in an edition of 50, signed and numbered by the artist. Print sales income will ensure that this exciting public art project is completely self-funding.
The first 10 copies of each edition are available to subscribers who sign up to support the project. They will receive all four of the year's Billboard prints at a special price.
For more details, please email billboard@inglebygallery.com
Edinburgh, Midlothian, Scotland, UK
Timepieces (Solar System), 2014, adapted clocks by Katie Paterson
Acquired by the University of Edinburgh Art Collection in 2015
Katie Paterson (born 1981) graduated from Edinburgh College of Art in 2004 and has forged a successful international career. This artwork consists of nine clocks that tell the time on all the planets in our solar system, calibrated to time on Earth. Paterson worked with Professor Ian Robson, former Director of the Royal Observatory in Edinburgh, Alan Middleton of the British Horological Institute and Dr Steve Fossey, University of London Observatory, UCL, to realise the artwork. Using available data on the mean length of solar days, a series of complex calculations ensures the clocks are accurate to within 5 decimal points.
Picture credit: Courtesy of the artist and Ingleby Gallery, Edinburgh. Photograph © John McKenzie.
Scottish National Portrait Gallery. Exhibition of photos by Thomas Joshua Cooper, "The World's Edge"
www.inglebygallery.com/artists/75-thomas-joshua-cooper/ov...
Some incredible pictures and an incredible project, especially when you consider they were all made using plate photography
I have titled this one "South and North" as the image to the immediate left is at Lizard Point South Most point on the British mainland and last image on the right is at Strathy Point, North Most point on the British mainland.
Gravity's Rainbow at Ingleby Gallery.
Ed Ruscha
News, Mews, Pews, Brews, Stews, and Dues 1970
organic silkscreen prints
Gravity's Rainbow at Ingleby Gallery.
Ed Ruscha
News, Mews, Pews, Brews, Stews, and Dues 1970
organic silkscreen prints
Gravity's Rainbow at Ingleby Gallery.
Ed Ruscha
News, Mews, Pews, Brews, Stews, and Dues 1970
organic silkscreen prints
Gravity's Rainbow at Ingleby Gallery.
Ed Ruscha
News, Mews, Pews, Brews, Stews, and Dues 1970
organic silkscreen prints
Gravity's Rainbow at Ingleby Gallery.
Ed Ruscha
News, Mews, Pews, Brews, Stews, and Dues 1970
organic silkscreen prints
Gravity's Rainbow at Ingleby Gallery.
Ed Ruscha
News, Mews, Pews, Brews, Stews, and Dues 1970
organic silkscreen prints
Gravity's Rainbow at Ingleby Gallery.
Cross Double-Cross (outside view, Ingleby Gallery)
Grace & Owens
2011
recycled polythene liners, condensation
Gravity's Rainbow at Ingleby Gallery.
Ed Ruscha
News, Mews, Pews, Brews, Stews, and Dues 1970
organic silkscreen prints
i just the photographer Thomas Cooper because I liked how you captured such cool and mysterious black and white pictures. I wanted to capture the scenes of nature that give that thought of curiosity and wonder. I want the picture to show that there is more to discover. I chose to use a picture of the outdoors.
Here is the link to what inspired me: www.inglebygallery.com/wp-content/gallery/thomas-joshua-c...
Here is the link for his full gallery: www.inglebygallery.com/artists/thomas-joshua-cooper/
www.inglebygallery.com/artists/thomas-joshua-cooper/
So I chose Thomas Cooper becuase I thought that it was super cool in some of his B/W photographs with fog. I tried to create a dramtic photo, since most of his photos were dramatic. So this picture I took about mid day, in the pouring rain which made everything a bit more dramatic. Hope you enjoy.
image link: www.inglebygallery.com//wp-content/gallery/thomas-joshua-...
Cooper Gallery Link: www.inglebygallery.com/artists/thomas-joshua-cooper/
In my photo I brought in the abstract use of water as well as the black and white color of landscapes. Photos of landscapes are seen or thought of as generally clear and colorful but I used the two opposites that Thomas Cooper employs in his work. These aspects of his style I used to capture this photo, though his work is generally calming I wanted to aim to create bit more of an energetic feel with those tactics.
The bottom left panel of "Still", a painting by Alison Watt in the chapel of remembrance in Old St Paul's Church, Edinburgh.
The bottom right panel of "Still", a painting by Alison Watt in the chapel of remembrance in Old St Paul's Church, Edinburgh.
The top right panel of "Still", a painting by Alison Watt in the chapel of remembrance in Old St Paul's Church, Edinburgh.
www.inglebygallery.com/artists/thomas-joshua-cooper/
When it came to Cooper's work, I loved the way he captured the landscapes. It seems like something that you see in a dream. When it came to this picture, I wanted to use the sunlight to create a "sparkly scene" to portray this dream like landscape that Cooper creates. I had to lay in the snow to achieve this angle on this picture.
A triptych of 3 30 colour screenprints
for more information visit www.inglebygallery.com/books_editions_detail.php?id=186