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About to do the last pass on the Pam Golding Intranet IA, thought I'd share the beauty of information laid out in a visual way!
Feeling rather accomplished!
PS: Hope one day we can share the visual design for this intranet, it completely rocks in its simple beauty and is soooo nice to use!
Sutnar, L. Design and paper (19): shape, line and colour, New York: Marquardt and Co., 1945 (reproduced 2003).
Our Grand Prize Award-Winning entry for the Explain IA Contest. Shot and directed by Nate Bolt and Kate Nartker who make these weird videos for fun as Beep Show. This one was for for Bolt | Peters. Starring Audrey as "daughter" and Frances James as "mother."
Huge thanks to everyone that helped. Especially Cyd Harrell for loaning us her amazingly talented 5yr old daughter Audrey. And thanks to Audrey for being amazing. Our special guest star Lou Rosenfeld, and to Jesse James Garrett for his thoughts at IA Summit '09. Script by the esteemed Tony Tulathimutte wh is laughing, always laughing. Thanks to Paul Octavious for remote art direction. The lego Falling Water belongs to Laura G and Men's Wearhouse. Intro Music is La Traviata Libiamo, purchased royalty-free from Stock Music, and Rick only lasts nine seconds, which should fall within fair use. Ask Girl Talk about that.
Production Details. Shot on a Canon 5D Mk2, with a seamless backdrop, and two 300w neutral lights - one in a soft box. Edited in After Effects CS4 and iMovie '09. Kate made the characters from blu-tack of different colors, & other types of art supply store clay.
The information architect Peter Morville claims that User Experience contains seven elements: findable, accessible, usable, desirable, useful, credible and valuable. He captures these values in a user experience honeycomb (Peter Morville's UX honeycomb). My diagram is based on this honeycomb by Peter Morville and illustrates six elements of User Experience.
These six elements are divided into an inner & outer circle. Desirable, credible, & valuable are more internal or intrinsic elements. Findable, Accessible, & Usable are more external or extrinsic.
Fundstück aus dem Internet. Autor unbekannt (noch).
Weitere Informationen über Abbildung und Buch unter:
Abbildung und Text stammt aus einem Buch über Screendesign, Interfacedesign, Informationsarchitektur und Usability für Hardware und Software von Torsten Stapelkamp.
Torsten Stapelkamp: Screen- und Interfacedesign. Springer (XMedia-Press), Berlin 2007, ISBN 3540329498
out of book:
Screen- and Interfacedesign from Torsten Stapelkamp.
Here's my conceptual representation of information architecture.
I'm Katie McCurdy and I'm about to graduate from the University of Michigan School of Information with a specialization in HCI.
Our company reorganization merged three departments into a new User Experience department, comprised of the former Creative, Design and Information Architecture departments. This little display of goodies brought back from the IA Summit 2007 and CHI 2007 is a nice display for clients and new employees to demonstrate some ideas in user experience design.
The stand-up personas are from Cisco and the postcards are from Cooper. The UX Methods trading cards came from nForm and are a very cool commodity. Sadly, I didn't manage to get my hands on a web analytics card!
What is Information Architecture?
By sorting out things like this:
-Classification and Hierarchy
-Labels and Tagging
-Navigation and Wayfinding
-Search
INFORMATION ARCHITECTURE (IA for short) connects PEOPLE to the CONTENT they're looking for.
The 'content' people are looking for could be text, images, videos, whole documents, or even conversations... and other people.
IA also helps the people who create and maintain content do their job easier, and links content to other content to make it more usable and easy to find.
If you want a vector-based version of this image, please download a PDF from my blog. (it also has a GIF image correcting the slight spelling error).
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Agency: BLUEPRINT STUDIO NY
Client: BLUEPRINT STUDIO NY
Creative Dir: MITCH GROSSMAN
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CREATIVE DIRECTOR | ART DIRECTION | GRAPHIC DESIGN | BRANDING | COLLATERAL | BACK-END DEVELOPMENT AND DESIGN
FOLIO : www.behance.net/mitch_g
EMAIL : mitch@gstarstudio.com
Following Michael Angeles's lead, this is a photo of my writing intruments that I use for IA when I am not doing work on the computer.
MEME: Take a snap of your writing tools and pads/notebooks and upload it to Flickr, mark all of the tools you use, tag it with TOD and "tools of destruction", and share it with your friends.
Note: You can switch out "IA" for "Design" or "Copywriting" or whatever it is you like to do!
While riding the subway:
1. Crouch precariously close to the edge of the platform.
2. Point your eye-lasers at the 2" space next to the train. Be sure to stand directly in front of the doors while doing this.
3. Concentrate. Try to ignore the huge, yellow beam of light shining directly on your head.
4. With your eye-lasers, create a single red bubble.
5. Board the train. Act as if eye-lasers and large red bubbles are perfectly normal.
(from the San Francisco BART)
How brands penetrate the social rings around the users: a long and difficult journey to the customer.
Information Architecture is one of my favourite classes at BCIT. The campus downtown has 35 hours a week of intense classes designed to get people ready for the workplace. Information Architecture is a discipline in which one organizes and optimizes content through filestructure and metadata for better usability and searchability. It is also focused on labelling, file management, and metadata, and complex information systems.
Matt Tecson - BCIT New Media 2019
Here's a mind-map I made on the flight back home. This is all from mind, only jogged by the program at a glance. Take note that I'm only mapping the concepts and themes I encountered in the talks I attended, so this is a highly subjective, by no means complete overview of what the summit had to offer. Why don't you make your own? Let me know when you do. Next step is to take these clustered concepts and write up some posts around 'em.
Blogged here: blog.leapfrog.nl/archives/2007/04/20/tangible-first-of-fi...
Annotated generic wireframe depicting navigation types and mechanisms. This categorization is based on the described by Kalbach, J. (2007) in Designing Web Navigation. rosenfeldmedia.com/uxzeitgeist/books/0596528108
Infelizmente os agatha christie não cabem mais.
Então, nessa ordem:
DEMPSEY, Amy. Estilos, escolas e movimentos - Guia enciclopédico da arte moderna. Tradução: Carlos Eugênio Marcondes de Moura. São Paulo: Cosac Naify, 2003.
HURLBURT, Allen. Layout: o design da página impressa. São Paulo: Nobel, 2002.
BRINGHURST, Robert. Elementos do Estilo Tipográfico. São Paulo: Cosac Naify, 2005.
BESSA, José. Diário de Bordo. Rio de Janeiro: 2AB, 2004.
MUNARI, Bruno. Design e Comunicação Visual: Contribuição para uma Metodologia Didática. São Paulo: Martins Fontes, 2001.
FARINA, Modesto. Psicodinâmica das cores em comunicação. 4 ed. São Paulo: Edgard Bluchor, 2003.
PÉON, Maria Luiza. Sistemas de identidade visual. Rio de Janeiro, 2AB editora, 3º edição, 2001.
NIEMEYER, Lucy . Elementos de Semiótica Aplicados ao Design. 1. ed. Rio de Janeiro: 2AB Editora, 2003.
FILHO, João Gomes. Gestalt do Objeto - Sistema de Leitura Visual da Forma. São Paulo, Escrituras, 2004.
FALCONI, Vicente. O Verdadeiro Poder – Práticas de Gestão que Conduzem a Resultados Revolucionários. 1 ed. Minas Gerais: INDG Tecnologia e Serviços Ltda, 2009.
REIS, Abel. Trendzoom - um Olhar Local Sobre Tendências Globais de Comportamento do Consumidor. 2008.
KELLEY, Tom. The Ten Faces of Innovation: IDEO’s Strategies for Beating the Devil’s Advocate & Driving Creativity Throughout Your Organization. New York: Doubleday, 2005.
LOCKWOOD, Thomas. Design Thinking : Integrating Innovation, Customer Experience, and Brand Value. New York: Allworth Press, 2010.
BROWN, Tim. Change by Design: how design thinking transforms organizations and inspires innovation. HarperCollins, New York, 2009.
VERGANTI, Roberto - Design Driven Innovation: Changing the Rules of Competition by Radically Innovating What Things Mean. Harvard Business Press, 2009.
MIETTINEN, Satu; KOIVISTO, Mikko (eds.): Designing Services with Innovative Methods. Keuruu: Otava Book Printing Ltd, 2009.
STANLEY, King. Co-Design: a Process of Design Participation. New York: Van Nostrand Reinhold, 1989.
LECOMPTE, Margaret D.; JEAN J. Schensul. Designing and Conducting Ethnographic Research. Walnut Creek: Altamira Press, 1999.
DEMO, Pedro. Pesquisa e informação qualitativa. Campinas: Papirus, 2001.
GARRETT, Jesse James. The Elements of user Experience: User–Centers Design for the Web. Indianapolis (Indiana), 2003.
MOGGRIDGE, Bill. Designing interactions. Cambridge, MA: The MIT Press, 2007.
NORMAN, Donald. O design do dia-a-dia. Rio de Janeiro: Rocco, 2006.
NORMAN, Donald. Design emocional: por que adoramos (ou detestamos) os objetos do dia- a-dia. São Paulo: Rocco, 2008.
Technology Review: MIT Magazine of Innovation, 2008:April.
ACM interactions magazine, 2009, v.16, n.5.
ACM interactions magazine, 2009, v.16, n.6.
ACM interactions magazine, 2010, v.17, n.1.
ACM interactions magazine, 2010, v.17, n.2.
ACM interactions magazine, 2010, v.17, n.3.
ACM interactions magazine, 2010, v.17, n.4.
PREECE, Jenifer; ROGERS, Yvonne; SHARP, Helen. Design de interação: além da interação homem-computador. Porto Alegre: Bookman, 2005.
SAFFER, Dan. Designing for Interaction: Creating Smart Applications and Clever Devices, New Riders, 2007.
LÖWGREN, Jonas; STOLTERMAN, Erik. Thoughtful interaction design: A design perspective on information technology. Cambridge, Mass.: MIT Press, 2004.
ROSENFELD, Louis; MORVILLE, Peter. Information Architecture for the Word Wide Web. 3ed. Sebastopol: O'Reilly, 2006.
AGNER, Luiz. Ergodesign e arquitetura de informação: trabalhando com o usuário. Rio de Janeiro: Quartet, 2006.
FRISONI, Bianka Capucci; MORAES, Anamaria. Ergodesign: produtos e processos. Rio de Janeiro: 2AB, 2008.
BROWN, Dan. Communication Design – Developing Web Site Documentation For Design And Planning. Berkeley, California: New Riders, 2007.
WROBLEWSKI, Luke. Web Form Design: Filling in the Blanks. NY: Rosenfeld Media, 2008.
DIAS, Cláudia. Usabilidade na Web: criando portais mais acessíveis. Rio de Janeiro: Alta Books, 2003.
NIELSEN, Jacob. Usability Engineering. Boston: Academic Press, 1993.
ROCHA, Heloisa Vieira; BARANAUSKAS, Maria Cecília C. Design e avaliação de interfaces humano-computador. Campinas, SP: NIED/UNICAMP, 2003.
RUBIN, Jeffrey. Handbook of usability testing: how to plan, design, and conduct effective tests. New York: John Wiley & Sons, 1994.
KRUG, Steve. Não me faça pensar: uma abordagem de bom senso à usabilidade na web. 2ª edição. Rio de Janeiro: Alta Books, 2006.
MEMÓRIA, Felipe. Design para a internet: projetando a experiência perfeita. Rio de Janeiro: Campus, 2006.
WARFEL, Todd Zaki. Prototyping: A Practitioner's Guide. NY: Rosenfeld Media, 2009.
SPENCER, Donna. Card Sorting: Designing Usable Categories. NY: Rosenfeld Media, 2009.
YOUNG, Indi. Mental models: Aligning design strategy with human behavior. NY: Rosenfeld Media, 2008.
CYBIS, Walter; BETIOL, Adriana Holtz; FAUST, Richard. Ergonomia e Usabilidade - Conhecimentos, Métodos e Aplicações. São Paulo: Novatec, 2007.
SINKER, Daniel. Não Devemos Nada a Você. Tradução: Marina Melchers. São Paulo: Edições Ideal, 2009.
MACNEIL,Legs; MCCAIN, Gilliam. Mate-me Por Favor. Porto Alegre: L&PM, 1997.
CHOMSKY, Noam. Contendo a Democracia. Tradução: Vera Ribeiro. Rio de Janeiro: Record, 2003.
MARX, Karl; ENGELS, Friedrich. Manisfesto do Partido Comunista. Porto Alegre: L&PM, 2001.
NORTE, Sergio A. Q.. Bakunin: Sangue, Suor e Barricadas. Campinas: Papirus, 1988.
GONZÁLEZ, Horácio. A Comuna de Paris: os assaltantes do Céu. 3ª edição, São Paulo: Brasiliense, 1999.
WOODCOCK, George. História das idéias e movimentos anarquistas - Vol 1. Tradução de Júlia Tettamanzy. Porto Alegre: L&PM, 2006.
WOODCOCK, George. História das idéias e movimentos anarquistas - Vol 2. Tradução de Júlia Tettamanzy. Porto Alegre: L&PM, 2006.
ALVES, Rubem. O amor que acende a lua. Campinas: Papirus, 1999.
Sutnar, L. Design and paper (19): shape, line and colour, New York: Marquardt and Co., 1945 (reproduced 2003).
3 areas of influence : Me (user profile, blog, tools), Us (KM, calendar, community, docs), Them (News, Events)
Relly spotted these oversized clothes pegs and thought they would look good in our office. She was right. They look good clamped onto our translucent red room divider.
It turns out out that they're also really useful for displaying pages of post-it notes. No need for messy sellotape or blu-tack.
Identity / Branding / Collateral / Web GUI / Back-end proprietary technology /
ESP, THE Buy-Side Solution, provides settlement aggregation via advanced patent pending post-trade management technology, network and services. ESP connects to over 250 Algo, Broker and DMA venues worldwide through a single fix connection to our broker-neutral global routing network. Clients include leading mutual funds, life insurance companies, pension funds, asset managers and hedge funds.
Brokerage services are provided by Electronic Securities Processing (ESP) LLC.
Member of FINRA, SIPC.
FOLIO : www.behance.net/mitch_g
EMAIL : mitch@gstarstudio.com
Sutnar, L. Design and paper (19): shape, line and colour, New York: Marquardt and Co., 1945 (reproduced 2003).
Probably the package delivery people require separate notification to deliver to the leasing office instead of a person's unit at this apartment complex. But it would seem more organized if they had a list of people who wanted leasing office deliver, and another list that did not, instead of all these post its. And yet, the post-its are sort of a fascinating display of information that has likely crept up over time.