Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

(for PART 1 of the text go to the other copy of the picture)

  

PART 2

_____

 

IN SOUTH INDIA

In South India, Vaishnavas usually belong to the Sri Sampradaya[citation needed]. The acharyas of the Sri Sampradaya have written reverentially about Krishna in most of their works like the Thiruppavai by Andal and Gopala Vimshati by Vedanta Desika. In South India, devotion to Krishna, as an avatar of Vishnu, spread in the face of opposition to Buddhism, Shaktism, and Shaivism and ritualistic Vedic sacrifices. The acharyas of the Sri Sampradaya like Manavala Mamunigal, Vedanta Desika strongly advocated surrender to Vishnu as the aim of the Vedas. Out of 108 Divya Desams there are 97 Divya Desams in South India.

 

Due to strong vaishnava influence in Tamilnadu,Karnataka, Andra pradesh and Kerala, this states holds many major Krishna temples and Krishna jayanthi is one of the widely celebrated festitival in South India.

 

IN PERFORMING ARTS

While discussing the origin of Indian theatre, Horwitz talks about the mention of the Krishna story in Patanjali's Mahabhashya (c. 150 BC), where the episodes of slaying of Kamsa (Kamsa Vadha) and "Binding of the heaven storming titan" (Bali Bandha) are described. Bhasa's Balacharitam and Dutavakyam (c. 400 BC) are the only Sanskrit plays centered on Krishna written by a major classical dramatist. The former dwells only on his childhood exploits and the latter is a one-act play based on a single episode from the Mahābhārata when Krishna tries to make peace between the warring cousins.

 

From the 10th century AD, with the growing bhakti movement, Krishna became a favorite subject of the arts. The songs of the Gita Govinda became popular across India, and had many imitations. The songs composed by the Bhakti poets added to the repository of both folk and classical singing.

 

The classical Indian dances, especially Odissi and Manipuri, draw heavily on the story. The 'Rasa lila' dances performed in Vrindavan shares elements with Kathak, and the Krisnattam, with some cycles, such as Krishnattam, traditionally restricted to the Guruvayur temple, the precursor of Kathakali.

_______________________________________________

FOR MY PICTURES OF THE KATHAKALI DANCE GO TO THE SET:

India - Kerala - Fort Cochin - Kathakali Dance Show - 2015

_______________________________________________

 

The Sattriya dance, founded by the Assamese Vaishnava saint Sankardeva, extols the virtues of Krishna. Medieval Maharashtra gave birth to a form of storytelling known as the Hari-Katha, that told Vaishnava tales and teachings through music, dance, and narrative sequences, and the story of Krishna one of them. This tradition spread to Tamil Nadu and other southern states, and is now popular in many places throughout India.

 

Narayana Tirtha's (17th century AD) Krishna-Lila-Tarangini provided material for the musical plays of the Bhagavata-Mela by telling the tale of Krishna from birth until his marriage to Rukmini. Tyagaraja (18th century AD) wrote a similar piece about Krishna called Nauka-Charitam. The narratives of Krishna from the Puranas are performed in Yakshagana, a performance style native to Karnataka's coastal districts. Many movies in all Indian languages have been made based on these stories. These are of varying quality and usually add various songs, melodrama, and special effects.

 

IN OTHER RELIGIONS

JAINISM

The most exalted figures in Jainism are the twenty-four Tirthankaras. Krishna, when he was incorporated into the Jain list of heroic figures, presented a problem with his activities which are not pacifist. The concept of Baladeva, Vasudeva and Prati-Vasudeva was used to solve it.[neutrality is disputed] The Jain list of sixty-three Śalākāpuruṣa or notable figures includes, amongst others, the twenty-four Tirthankaras and nine sets of this triad. One of these triads is Krishna as the Vasudeva, Balarama as the Baladeva and Jarasandha as the Prati-Vasudeva. He was a cousin of the twenty-second Tirthankara, Neminatha. The stories of these triads can be found in the Harivamsa of Jinasena (not be confused with its namesake, the addendum to Mahābhārata) and the Trishashti-shalakapurusha-charita of Hemachandra.In each age of the Jain cyclic time is born a Vasudeva with an elder brother termed the Baladeva. The villain is the Prati-vasudeva. Baladeva is the upholder of the Jain principle of non-violence. However, Vasudeva has to forsake this principle to kill the Prati-Vasudeva and save the world.

 

BUDDHISM

The story of Krishna occurs in the Jataka tales in Buddhism, in the Vaibhav Jataka as a prince and legendary conqueror and king of India. In the Buddhist version, Krishna is called Vasudeva, Kanha and Keshava, and Balarama is his older brother, Baladeva. These details resemble that of the story given in the Bhagavata Purana. Vasudeva, along with his nine other brothers (each son a powerful wrestler) and one elder sister (Anjana) capture all of Jambudvipa (many consider this to be India) after beheading their evil uncle, King Kamsa, and later all other kings of Jambudvipa with his Sudarshana Chakra. Much of the story involving the defeat of Kamsa follows the story given in the Bhagavata Purana.

 

As depicted in the Mahābhārata, all of the sons are eventually killed due to a curse of sage Kanhadipayana (Veda Vyasa, also known as Krishna Dwaipayana). Krishna himself is eventually speared by a hunter in the foot by mistake, leaving the sole survivor of their family being their sister, Anjanadevi of whom no further mention is made.

 

Since Jataka tales are given from the perspective of Buddha's previous lives (as well as the previous lives of many of Buddha's followers), Krishna appears as the "Dhammasenapati" or "Chief General of the Dharma" and is usually shown being Buddha's "right-hand man" in Buddhist art and iconography. The Bodhisattva, is born in this tale as one of his youngest brothers named Ghatapandita, and saves Krishna from the grief of losing his son. The 'divine boy' Krishna as an embodiment of wisdom and endearing prankster forms a part of the pantheon of gods in Japanese Buddhism.

 

BAHA'í FAITH

Bahá'ís believe that Krishna was a "Manifestation of God", or one in a line of prophets who have revealed the Word of God progressively for a gradually maturing humanity. In this way, Krishna shares an exalted station with Abraham, Moses, Zoroaster, Buddha, Muhammad, Jesus, the Báb, and the founder of the Bahá'í Faith, Bahá'u'lláh.

 

AHMADIYYA ISLAM

Members of the Ahmadiyya Community believe Krishna to be a great prophet of God as described by their founder, Mirza Ghulam Ahmad. This belief is maintained by the Qur'anic Principle that God has sent prophets and messengers to every nation of the world leaving no region without divine guidance (see for instance Quran 10:47 and Quran 16:36).

 

Ghulam Ahmad also claimed to be the likeness of Krishna as a latter day reviver of religion and morality whose mission was to reconcile man with God. Ahmadis maintain that the Sanskrit term Avatar is synonymous with the term 'prophet' of the Middle Eastern religious tradition as God's intervention with man; as God appoints a man as his vicegerent upon earth. In Lecture Sialkot, Ghulam Ahmed wrote:

 

Let it be clear that Raja Krishna, according to what has been revealed to me, was such a truly great man that it is hard to find his like among the Rishis and Avatars of the Hindus. He was an Avatar - i.e., Prophet - of his time upon whom the Holy Spirit would descend from God. He was from God, victorious and prosperous. He cleansed the land of the Aryas from sin and was in fact the Prophet of his age whose teaching was later corrupted in numerous ways. He was full of love for God, a friend of virtue and an enemy of evil.Krishna is also called Murli Dhar. The flute of Krishna means the flute of revelation and not the physical flute. Krishna lived like humans and he was a prophet.

_______________________________

(for the GOPINI I have these two versions:

 

GOPI

Gopi is a word of Sanskrit (गोपी) origin meaning 'cow-herd girl'. In Hinduism specifically the name gopi (sometimes gopika) is used more commonly to refer to the group of cow herding girls famous within Vaishnava Theology for their unconditional devotion (Bhakti) to Krishna as described in the stories of Bhagavata Purana and other Puranic literatures. Of this group, one gopi known as Radha (or Radhika) holds a place of particularly high reverence and importance in a number of religious traditions, especially within Gaudiya Vaishnavism. In Gaudiya Vaishnavism, there are 108 gopis of Vrindavan.

 

PROMINENT GOPIS

The gopis of Vrindavan total 108 in number; Krishna charit describes the number as 16,000. They are generally divided into three groups: Gopi friends of the same age as Krishna; maidservants; and gopi messengers. The first group are the most exalted (Varistha), Krishna's contemporary gopi friends, the second group are the maidservants and are the next most exalted (Vara), and the gopi messengers come after them. The varistha gopis are more famous than all the others. They are eternally the intimate friends of Radha and Krishna. No one can equal or exceed the love they bear for the divine couple. The primary eight gopis are considered the foremost of Krishna's devotees after Srimati Radharani. Their names are as follows :

 

Lalita (gopi) Sakhi

Vishakha Sakhi

Campakalata Sakhi

Citra Sakhi

Tungavidya Sakhi

Indulekha Sakhi

Rangadevi Sakhi

Sudevi Sakhi

 

UNCONDITIONAL LOVE

According to Hindu Vaishnava theology the stories concerning the gopis are said to exemplify Suddha-bhakti which is described as 'the highest form of unconditional love for God' (Krishna). Their spontaneous and unwavering devotion is described in depth in the later chapters of the Bhagavata Purana, within Krishna's Vrindavan pastimes and also in the stories of the sage Uddhava.90

____________________________

 

GOPAL

Gopal (Sanskrit: गोपाल Gopāla, literally "cow protector") is the infant/child form of Lord Krishna, the Cowherd Boy who enchanted the Cowherd Maidens (Gopinis) with the divine sound of his flute, attracting even Kāmadeva (the Hindu god of love and passion). Historically one of the earliest forms of worship in Krishnaism or Vaishnava dharma, it is believed to be a key element of the early history of the worship of Krishna. This tradition is considered separately to other traditions that led to amalgamation at a later stage of historical development. Other traditions are Bhagavatism and the Cult of Bala Krishna, that along with the Cult of Krishna-Vasudeva form the basis of the current tradition of the monotheistic religion of Krishna.

 

LEGEND

The child form of Krishna also known as Bala Gopala (child Gopala) is worshipped across India. In Hindu mythology there are many stories of wonderful miraculous and innocent acts of Gopala, like stealing butter with friends or breaking the pots of Gopis and stealing clothes of Gopis when they were bathing in a pond or river.

 

WIKIPEDIA

(for PART 1 of the text go to copy 3 of the picture)

  

PART 2

_____

 

IN SOUTH INDIA

In South India, Vaishnavas usually belong to the Sri Sampradaya[citation needed]. The acharyas of the Sri Sampradaya have written reverentially about Krishna in most of their works like the Thiruppavai by Andal and Gopala Vimshati by Vedanta Desika. In South India, devotion to Krishna, as an avatar of Vishnu, spread in the face of opposition to Buddhism, Shaktism, and Shaivism and ritualistic Vedic sacrifices. The acharyas of the Sri Sampradaya like Manavala Mamunigal, Vedanta Desika strongly advocated surrender to Vishnu as the aim of the Vedas. Out of 108 Divya Desams there are 97 Divya Desams in South India.

 

Due to strong vaishnava influence in Tamilnadu,Karnataka, Andra pradesh and Kerala, this states holds many major Krishna temples and Krishna jayanthi is one of the widely celebrated festitival in South India.

 

IN PERFORMING ARTS

While discussing the origin of Indian theatre, Horwitz talks about the mention of the Krishna story in Patanjali's Mahabhashya (c. 150 BC), where the episodes of slaying of Kamsa (Kamsa Vadha) and "Binding of the heaven storming titan" (Bali Bandha) are described. Bhasa's Balacharitam and Dutavakyam (c. 400 BC) are the only Sanskrit plays centered on Krishna written by a major classical dramatist. The former dwells only on his childhood exploits and the latter is a one-act play based on a single episode from the Mahābhārata when Krishna tries to make peace between the warring cousins.

 

From the 10th century AD, with the growing bhakti movement, Krishna became a favorite subject of the arts. The songs of the Gita Govinda became popular across India, and had many imitations. The songs composed by the Bhakti poets added to the repository of both folk and classical singing.

 

The classical Indian dances, especially Odissi and Manipuri, draw heavily on the story. The 'Rasa lila' dances performed in Vrindavan shares elements with Kathak, and the Krisnattam, with some cycles, such as Krishnattam, traditionally restricted to the Guruvayur temple, the precursor of Kathakali.

_______________________________________________

FOR MY PICTURES OF THE KATHAKALI DANCE GO TO THE SET:

India - Kerala - Fort Cochin - Kathakali Dance Show - 2015

_______________________________________________

 

The Sattriya dance, founded by the Assamese Vaishnava saint Sankardeva, extols the virtues of Krishna. Medieval Maharashtra gave birth to a form of storytelling known as the Hari-Katha, that told Vaishnava tales and teachings through music, dance, and narrative sequences, and the story of Krishna one of them. This tradition spread to Tamil Nadu and other southern states, and is now popular in many places throughout India.

 

Narayana Tirtha's (17th century AD) Krishna-Lila-Tarangini provided material for the musical plays of the Bhagavata-Mela by telling the tale of Krishna from birth until his marriage to Rukmini. Tyagaraja (18th century AD) wrote a similar piece about Krishna called Nauka-Charitam. The narratives of Krishna from the Puranas are performed in Yakshagana, a performance style native to Karnataka's coastal districts. Many movies in all Indian languages have been made based on these stories. These are of varying quality and usually add various songs, melodrama, and special effects.

 

IN OTHER RELIGIONS

JAINISM

The most exalted figures in Jainism are the twenty-four Tirthankaras. Krishna, when he was incorporated into the Jain list of heroic figures, presented a problem with his activities which are not pacifist. The concept of Baladeva, Vasudeva and Prati-Vasudeva was used to solve it.[neutrality is disputed] The Jain list of sixty-three Śalākāpuruṣa or notable figures includes, amongst others, the twenty-four Tirthankaras and nine sets of this triad. One of these triads is Krishna as the Vasudeva, Balarama as the Baladeva and Jarasandha as the Prati-Vasudeva. He was a cousin of the twenty-second Tirthankara, Neminatha. The stories of these triads can be found in the Harivamsa of Jinasena (not be confused with its namesake, the addendum to Mahābhārata) and the Trishashti-shalakapurusha-charita of Hemachandra.In each age of the Jain cyclic time is born a Vasudeva with an elder brother termed the Baladeva. The villain is the Prati-vasudeva. Baladeva is the upholder of the Jain principle of non-violence. However, Vasudeva has to forsake this principle to kill the Prati-Vasudeva and save the world.

 

BUDDHISM

The story of Krishna occurs in the Jataka tales in Buddhism, in the Vaibhav Jataka as a prince and legendary conqueror and king of India. In the Buddhist version, Krishna is called Vasudeva, Kanha and Keshava, and Balarama is his older brother, Baladeva. These details resemble that of the story given in the Bhagavata Purana. Vasudeva, along with his nine other brothers (each son a powerful wrestler) and one elder sister (Anjana) capture all of Jambudvipa (many consider this to be India) after beheading their evil uncle, King Kamsa, and later all other kings of Jambudvipa with his Sudarshana Chakra. Much of the story involving the defeat of Kamsa follows the story given in the Bhagavata Purana.

 

As depicted in the Mahābhārata, all of the sons are eventually killed due to a curse of sage Kanhadipayana (Veda Vyasa, also known as Krishna Dwaipayana). Krishna himself is eventually speared by a hunter in the foot by mistake, leaving the sole survivor of their family being their sister, Anjanadevi of whom no further mention is made.

 

Since Jataka tales are given from the perspective of Buddha's previous lives (as well as the previous lives of many of Buddha's followers), Krishna appears as the "Dhammasenapati" or "Chief General of the Dharma" and is usually shown being Buddha's "right-hand man" in Buddhist art and iconography. The Bodhisattva, is born in this tale as one of his youngest brothers named Ghatapandita, and saves Krishna from the grief of losing his son. The 'divine boy' Krishna as an embodiment of wisdom and endearing prankster forms a part of the pantheon of gods in Japanese Buddhism.

 

BAHA'í FAITH

Bahá'ís believe that Krishna was a "Manifestation of God", or one in a line of prophets who have revealed the Word of God progressively for a gradually maturing humanity. In this way, Krishna shares an exalted station with Abraham, Moses, Zoroaster, Buddha, Muhammad, Jesus, the Báb, and the founder of the Bahá'í Faith, Bahá'u'lláh.

 

AHMADIYYA ISLAM

Members of the Ahmadiyya Community believe Krishna to be a great prophet of God as described by their founder, Mirza Ghulam Ahmad. This belief is maintained by the Qur'anic Principle that God has sent prophets and messengers to every nation of the world leaving no region without divine guidance (see for instance Quran 10:47 and Quran 16:36).

 

Ghulam Ahmad also claimed to be the likeness of Krishna as a latter day reviver of religion and morality whose mission was to reconcile man with God. Ahmadis maintain that the Sanskrit term Avatar is synonymous with the term 'prophet' of the Middle Eastern religious tradition as God's intervention with man; as God appoints a man as his vicegerent upon earth. In Lecture Sialkot, Ghulam Ahmed wrote:

 

Let it be clear that Raja Krishna, according to what has been revealed to me, was such a truly great man that it is hard to find his like among the Rishis and Avatars of the Hindus. He was an Avatar - i.e., Prophet - of his time upon whom the Holy Spirit would descend from God. He was from God, victorious and prosperous. He cleansed the land of the Aryas from sin and was in fact the Prophet of his age whose teaching was later corrupted in numerous ways. He was full of love for God, a friend of virtue and an enemy of evil.Krishna is also called Murli Dhar. The flute of Krishna means the flute of revelation and not the physical flute. Krishna lived like humans and he was a prophet.

_______________________________

(for the GOPINI I have these two versions:

 

GOPI

Gopi is a word of Sanskrit (गोपी) origin meaning 'cow-herd girl'. In Hinduism specifically the name gopi (sometimes gopika) is used more commonly to refer to the group of cow herding girls famous within Vaishnava Theology for their unconditional devotion (Bhakti) to Krishna as described in the stories of Bhagavata Purana and other Puranic literatures. Of this group, one gopi known as Radha (or Radhika) holds a place of particularly high reverence and importance in a number of religious traditions, especially within Gaudiya Vaishnavism. In Gaudiya Vaishnavism, there are 108 gopis of Vrindavan.

 

PROMINENT GOPIS

The gopis of Vrindavan total 108 in number; Krishna charit describes the number as 16,000. They are generally divided into three groups: Gopi friends of the same age as Krishna; maidservants; and gopi messengers. The first group are the most exalted (Varistha), Krishna's contemporary gopi friends, the second group are the maidservants and are the next most exalted (Vara), and the gopi messengers come after them. The varistha gopis are more famous than all the others. They are eternally the intimate friends of Radha and Krishna. No one can equal or exceed the love they bear for the divine couple. The primary eight gopis are considered the foremost of Krishna's devotees after Srimati Radharani. Their names are as follows :

 

Lalita (gopi) Sakhi

Vishakha Sakhi

Campakalata Sakhi

Citra Sakhi

Tungavidya Sakhi

Indulekha Sakhi

Rangadevi Sakhi

Sudevi Sakhi

 

UNCONDITIONAL LOVE

According to Hindu Vaishnava theology the stories concerning the gopis are said to exemplify Suddha-bhakti which is described as 'the highest form of unconditional love for God' (Krishna). Their spontaneous and unwavering devotion is described in depth in the later chapters of the Bhagavata Purana, within Krishna's Vrindavan pastimes and also in the stories of the sage Uddhava.90

____________________________

 

GOPAL

Gopal (Sanskrit: गोपाल Gopāla, literally "cow protector") is the infant/child form of Lord Krishna, the Cowherd Boy who enchanted the Cowherd Maidens (Gopinis) with the divine sound of his flute, attracting even Kāmadeva (the Hindu god of love and passion). Historically one of the earliest forms of worship in Krishnaism or Vaishnava dharma, it is believed to be a key element of the early history of the worship of Krishna. This tradition is considered separately to other traditions that led to amalgamation at a later stage of historical development. Other traditions are Bhagavatism and the Cult of Bala Krishna, that along with the Cult of Krishna-Vasudeva form the basis of the current tradition of the monotheistic religion of Krishna.

 

LEGEND

The child form of Krishna also known as Bala Gopala (child Gopala) is worshipped across India. In Hindu mythology there are many stories of wonderful miraculous and innocent acts of Gopala, like stealing butter with friends or breaking the pots of Gopis and stealing clothes of Gopis when they were bathing in a pond or river.

 

WIKIPEDIA

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

How To Deeply Perform Arati

 

Sri Srimad Bhaktivedanta Narayana Gosvami Maharaja

Badger, California: 1997

 

You will have to add something in your sadhana-bhajana. Try to follow the instructions given in the book Hari-bhakti-vilasa, for all rules and regulations can be found there. Also, for arcana (formal deity worship), there is a book coming from Sri Caitanya Mahaprabhu through Sri Vakresvara Pandita and Sri Gopala-guru Gosvami, and after that through Gopala-guru Gosvami's disciple Sri Dhyanacandra Gosvami. This book is called Arcana Padhati.

 

There are two processes of Deity worship. One is called bhava-marga (the path of spontaneous devotion or raganuga-bhakti) and the other is called arcana-marga (the path of formal scriptural rules and regulations, or vaidhi-bhakti). Arcana-marga has existed since ancient times. Sri Caitanya Mahaprabhu came especially to give bhava-marga, but He taught those who are not yet qualified to follow vaidhi-bhakti – and in vaidhi-bhakti arcana is also to be done.

 

Arcana is not performed by mental speculation or imagining, "This is good and this is bad." You will have to follow the injunctions in Hari-bhakti-vilasa and other authorized books. If you are performing arati, you must sing the kirtana of arati. If you are performing the arati of Gurudeva, you have to sing the arati song of Gurudeva. If you are performing the worship and arati of Mahaprabhu, you should sing Sri Gaura-Arati: "Jaya jaya goracandera aratiko sobha." If you are doing the arati of Radha-Krsna, you will have to sing the kirtana of Radha Krsna – Sri Yugala Arati: "Jaya jaya radha-krsna yugala milana." If you are not chanting these songs, there will be a lack in your worship.

 

This is required; it does not take a very long time, and I see that you used to spend over an hour in doing arati. You can adjust, if you like, and those who follow me should certainly do so.

 

Do you remember the kirtana: "Jaya jaya radha-krsna yugala milana"? Radha and Krsna are the divine couple there. "Arati koroye lalitadi sakhi-gana" You should see who is doing arati – it is Srimati Lalita-devi. Lalita-devi is performing the arati; Srimati Visakha-devi is behind her, waving a camara and also performing kirtana along with all the sakhis. Tungavidya is playing mrdanga, Citra or someone else is playing karatalas, someone is playing a vina, and thousands of very beautiful sakhis are standing there.

 

Tungavidya, Citra, and all the other sakhis are expert in their singing and playing the many instruments. What are they singing?

 

jaya jaya radha-krsna yugala milana

arati koroye lalitadi sakhi-gana

["All glories, all glories to the amorous rendezvous of Sri Radha and Krsna! All sakhis led by Lalita and her group perform arati for Their pleasure." (Sri Yugala-Arati verse 1)]

 

madana-mohana-rupa tri-bhanga sundara

pitambara sikhi-puccha-cuda manohara

["In His beautiful three-fold bending madana-mohana form, He is so attractive, even to cupid. With His yellow silk dhoti and crown decorated with peacock feathers, He captivates the minds of all." (verse 2) ]

 

Lord Sri Krsna is standing in ''tri-bhanga sundara." He is bending in three places and He looks very beautiful with His flute, peacock feather, and vana-mala (garland of forest flowers), and He is affectionately looking towards Srimati Radhika and smiling. "Madana-mohana." If anyone sees Him – even if Kamadeva will see him – he will be charmed. "Pitambara." We should try to give a pitambara (yellow chadder or shawl) to the Deity of Krsna.

 

lalita-madhava-bame vrsbhanu-kanya

nila-vasana gauri rupe gune dhanya

["To the left of the amorous and charming Sri Madhava is the beautiful daughter of King Vrsabhanu, Srimati Radhika, dressed in a sari the color of a blue lotus. Her complexion is the color of molten gold and Her beauty and qualities are matchless." (verse 3)]

 

"Vrsabhanu-kanya." Srimati Radhika is standing on the left side of Krsna. "Lalita-Madhava." This word has been explained in Sri Ujjvala-nilamani. Who is Madhava? He is lalita – extremely beautiful and playful. He never stands or sits with Srimati Radhika in the same way as He does with Yasoda-maiya, Nanda Baba, or the sakhas. Lalita-Madhava is there with Srimati Radhika, and at that time Srimati Radhika is called Madhavi – Lalita-Madhavi. There are many explanations of the word lalita. Krsna is the only lalita-nayaka or dhira-lalita (dhira-lalita is that playful Person who can keep His girlfriend always in subjugation by His different qualities).

 

Krsna in the form of Rama is not lalita, as Dvarakadhisa He is not lalita, as Vaikuntha-pati He is not lalita, as Subal-sakha He is not lalita, and as the son of Yasoda He is not lalita. Lalita is He who stands on the right side of Srimati Radhika, and nearby whom is Lalita-devi, Visakha, Citra, Campakalata, Indulekha, Rangadevi, Sudevi, Rupa Manjari, Rati Manjari, and Lavanga Manjari – there He can be lalita.

 

By singing this song, many thoughts and moods will come, and you will feel as if you are seeing Them – along with Lalita who is performing Their arati.

 

Why is Srimati Radhika addressed as Vrsabhanu-kanya? Why not Kirtika-kanya? This is because She is especially beloved to Her father, so much more than to Her mother. She did not come from the womb of Kirtika; rather She was floating on a lotus flower in theYamuna. She appears in different ways and different places in different kalpas (milleniums). In a different kalpa She appeared from Kirtika-devi's womb, but in any case Her father loves Her more than Her mother. As far as Sri Krsna is concerned, Mother Yasoda is more loving to Krsna than Nanda Baba. Nanda Baba also loves Him, but Yasoda loves Him so much more. With Srimati Radhika, on the other hand, it is somewhat opposite.

 

"Nila-vasana" means that Radhika has taken the color of Madana-mohana Krsna and has dressed Herself with that color.

 

nana-vidha alankara kore jhalamala

hari-mano-vimohana vadana ujjvala

["She is adorned with various sparkling, shimmering ornaments (alankaras), enchanting the mind of Hari with Her radiant face." (verse 4)]

 

She wears many varieties of ornaments, and She has been decorated by Krsna Himself. Lalita tells Krsna, "Oh, you don't know how to decorate Her!" and she lightly pushes Him away with her elbow. Krsna then says, "You don't know; I know more." They are quarreling, and Srimati is laughing.

 

"Hari-mano-vimohana." Srimati Radhika has such a mood and personality that Krsna gives His heart to Her. She takes His heart.

 

visakhadi sakhi-gana nana rage gaya

priya-narma-sakhi jata camara dhulaya

["Visakha leads all the sakhis in singing various ragas (melodious songs according to the appropriate time of day), as all the other priya-narma-sahkis soothe Sri Radha and Krsna with camara fans." (verse 5)]

 

Those who are singing and performing kirtana are Visakha, Citra, Champakalata, Rupa Manjari, Lavanga Manjari, Ananga Manjari, and so many others, with many various kinds of melodies.

 

Who are the priya-narma sakhis? Lalita, Visakha, after that Champakalata, and after that Citra, Tungavidya, and there are so many others. They are very beautifully, and humbly, waving their chamaras. Their postures are so marvelous that Krsna wants them to wave the camaras before Him.

 

sri radha-madhava-pada-sarasija-ase

bhakativinoda sakhi-pade sukhe bhase

["At the feet of the damsels of Vraja-dhama lies an ocean of joy. There Bhaktivinoda Thakura swims, hoping to attain the lotus feet of Sri Radhika and Madhava." (verse 6)]

 

Srila Bhaktivinoda Thakura is singing this arati kirtana of Radha and Krsna, and he is praying, "sri radha-madhava-pada-sarasija ase." Sarasija means lotus. Radha and Madhava's feet are like lotuses, and he wants to serve their lotus-like feet. While arati is going on we can add these ideas – to improve our Krsna Consciousness.

 

If you are worshiping Radha and Krsna and performing Their arati, and at that time if you sing the song of Narahari-rupa Lord Nrsimhadeva, "kesava dhrta-narahari-rupa jaya jagadisa hare," what will be the use? Narahari cannot go to Vrndavana. Parama-pujapada Srila Bhaktivedanta Swami Maharaja gave this mantra at first, before he had given the diksa-mantras of Radha and Krsna. He told his young disciples to do this, because he was thinking, "Somehow they should begin their worship." This is called 'gathering devotees.' It is for common persons, to gradually bring them to bhakti.

 

Those who are beginners should do this, but those who want to advance further should worship separately. Let it be done as it is going on in any temple, but you, your wife, your children and some rare devotees should try to follow these other principles. You will then see that everything is going on well.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

This Art poster is prepared by ISKCON desire tree for the pleasure of Srila Prabhupada and the devotee community.

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming

Mamatha MOhandas, Mamta MOhan Das, Mamata MOhandhas, MamthaMohandas, Indian Actress, Stills, Images, Pictures, pics

www.bharatstudents.com/cafebharat/photo_gallery_2-Telugu-...

 

Year Title Role Language Notes

2005 Mayookham Indira Malayalam

2006 Bus Conductor Celina Malayalam

Adbutham Maria Malayalam

Lanka Lanka Lakshmi Malayalam

Madhuchandralekha Indulekha Malayalam

Sivappathigaram Charulatha Tamil

Baba Kalyani Madhumitha Ashokan Malayalam

2007 Big B Rimi Malayalam

Yamadonga Dhanalakshmi Telugu

2008 Gooli Ramya Kannada

Krishnarjuna Sathya Telugu

Victory Janaki Telugu

Kuselan Mamta Tamil Cameo appearance

Simultaneously made in Telugu as Kathanayakudu

Homam Mahi Telugu

Chintakayala Ravi Lavanya Telugu

King Swapna/Pooja Telugu

2009 Guru En Aalu Seema Tamil

Passenger Anuradha Malayalam

Musafir Malayalam Filming

Ragupati Raghava Raja Ram Malayalam Filming

2010 Rammi Telugu Filming

In Love With Kerala English Filming