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Indra et Indrani, sa parèdre
16ème siècle
Népal
Cuivre doré et incrusté
Musée départemental des arts asiatiques, Nice
Indra est le roi des dieux, il est vénéré au Népal. On le reconnait à son troisième oeil horizontal sur le front. Cette représentation est rare.
Oeuvre présentée dans l'exposition : "Népal. Art de la vallée de Katmandou", Musée national des arts asiatiques - Guimet (MNAAG), Paris
www.guimet.fr/event/nepal-art-de-la-vallee-de-katmandou/
L’art du Népal, qui jusque vers le milieu du 18e siècle désignait la seule vallée de Katmandou, occupe une place majeure au sein des arts du monde himalayen, en dépit de la surface modeste du pays. Un art exceptionnel s’y développa, trouvant son impulsion première dans celui de l’Inde mais acquérant par son originalité une réputation qui s’étendit au Tibet et jusqu’à la cour impériale de Chine. Extrait du site de l'exposition
Suchindram
Suchindram temple is unique in the whole of India in that it is dedicated to three different deities represented by one image in the sanctum and is called Sthanumalayan (Sthanu-Shiva; Maal-Vishnu and Ayan-Brahma) kovil. The temple is rich in sculpture and architecture and a visitor to this temple is amply rewarded with the sight of such exquisite art of hundreds of years old
Location
Suchindram is about 11 km from Kanyakumari and about 7 km from Nagarkoil lying between these two towns. Busses ply from Thirunelveli, Kanyakumari and Trivandram. The nearest railway station is Nagarkoil on the Trivandrum - Kanyakumari section of the Southern Railway.
The Temple
The entrance tower to this temple is visible from a distance as it rises majestically for 134 feet. The face of the tower is covered with sculptures and statues from Hindu mythology. There is a covered area in front of the main entrance and the entrance itself is about 24 feet high with a beautifully carved door. There is only one corridor running along the outer wall of the temple with many shrines and mandapams scattered in the inner area. This temple attracts both Vaishnavites and Saivites in large numbers. About 30 shrines to various deities within the temple complex, the large Lingam in the sanctum, the idol of Vishnu in the adjacent shrine and a large idol of Hanuman at the Eastern end of the Northern corridor represent almost all the deities of the Hindu pantheon.
Legends
There are many legends associated with this temple. Anasuya, the wife of Aarti Maharishi was famous for her chastity and her devotion to her husband - an embodiment of a Hindu wife. She could perform miracles by sprinkling the 'paatha theertham' (water with which she washed her husband's feet) to bring rain to a parched earth or to transform objects to her desire.
When the three Devis, - Goddesses Luxmi, Saraswathy and Parvathy heard through Sage Naradha the powers of this earthly woman they wanted to test her chastity. They approached their husbands Lords Brahma, Vishnu and Shiva to test Anasuya's devotion to her husband. The three Moorthys transformed into three old mendicants and went to the hermitage where Anasuya was living and sought alms from her. When Anasuya was about to serve them food they told her that they had taken a vow whereby they could not accept alms from a person wearing clothes. As it was a sin to refuse alms to mendicants she prayed to her Lord and sprinkled a little 'paatha theertham' on the three old beggars. They were all immediately transformed into babies and throwing off her clothes she offered them food.
The Goddesses learning what had happened pleaded with Anasuya to grant them 'maankalya biksha' (gift of married life) and to give them back their husbands. Anasuya showed them the three babies. The Devis ran to the cradle and picked one baby each. Anasuya then prayed to her Lord to restore them back to their original form. Lo and behold! Brahma was in Luxmi's embrace, Siva in Saraswathy's lap and Parvathy cuddling Vishnu. They accepted that Anasuya's fame as the chastest woman on earth was justified. Thus the Thrimoorthy came to be represented by the Lingam at Suchindram; the bottom represents Brahma, the middle represents Vishnu and the top Shiva.
There is another lore associated with this temple. Once Indra was infatuated with Ahalya, the wife of Rishi Gautama. One night he came to the hermitage where Gautama was living and crowed like a cock indicating the approach of dawn. Rishi Gautama thinking that dawn was imminent awoke from his sleep and went to the river for his ablutions prior to commencing his prayers. Realising that it was too dark for dawn and too early for morning to break he returned to his hut. In the meantime Lord Indra took the physical appearance of Rishi Gautama, approached Ahalya and satisfied his desire. Rishi Gautama returning from the river was enraged when he saw his wife in another man´s embrace and cursed the man's entire body be covered with 'yoni' (the female organ) and his wife Ahalya to become a statue of stone. Lord Indra in order to get rid of this curse went to Gnanaranya and prayed to the Three Moorthys to rid him of this curse. When he was rid of his curse and transformed into his original form he built a temple and installed the Lingam to represent the three Moorthy - Thanu-Maal-Ayan, and the name of the place came to be known as Suchi-Indran (the place where Indran was purified).
Festivals
There are two important festivals, one in Markazhi (December/January) and the other in Chiththirai (April/May). During the Markazhi festival, on the 9th day the deities are taken out in procession around the streets on three festival cars.
Interesting Features
One should visit this temple, if not for its presiding deity, at least for the sculptures and art found in this temple. One can appreciate the splendour and the beauty of the sculptor's art only by seeing them. No amount of words can justify or reflect the grandeur, exquisiteness, ethos or the nuances of the artists' creation.
In the 'Alankara mandapam' adjacent to the Northern corridor there are four large pillars each formed by a group of smaller pillars all carved from a single stone. Two of these large pillars have 33 smaller pillars and the other two 25 each. These are the famous musical pillars. Each of these smaller pillars produce a different musical note when tapped. Unfortunately these pillars are surrounded by iron grills to prevent vandalism.
Step out of the 'Alankara mandapam' and you come face to face with a gigantic figure of Hanuman. The figure is 18 feet high and depicts 'visuvaroopam'. There are other carvings and sculptures on every pillar and panel throughout the temple, which are a feast to the eye and the imagination.
Suchindram
Suchindram temple is unique in the whole of India in that it is dedicated to three different deities represented by one image in the sanctum and is called Sthanumalayan (Sthanu-Shiva; Maal-Vishnu and Ayan-Brahma) kovil. The temple is rich in sculpture and architecture and a visitor to this temple is amply rewarded with the sight of such exquisite art of hundreds of years old
Location
Suchindram is about 11 km from Kanyakumari and about 7 km from Nagarkoil lying between these two towns. Busses ply from Thirunelveli, Kanyakumari and Trivandram. The nearest railway station is Nagarkoil on the Trivandrum - Kanyakumari section of the Southern Railway.
The Temple
The entrance tower to this temple is visible from a distance as it rises majestically for 134 feet. The face of the tower is covered with sculptures and statues from Hindu mythology. There is a covered area in front of the main entrance and the entrance itself is about 24 feet high with a beautifully carved door. There is only one corridor running along the outer wall of the temple with many shrines and mandapams scattered in the inner area. This temple attracts both Vaishnavites and Saivites in large numbers. About 30 shrines to various deities within the temple complex, the large Lingam in the sanctum, the idol of Vishnu in the adjacent shrine and a large idol of Hanuman at the Eastern end of the Northern corridor represent almost all the deities of the Hindu pantheon.
Legends
There are many legends associated with this temple. Anasuya, the wife of Aarti Maharishi was famous for her chastity and her devotion to her husband - an embodiment of a Hindu wife. She could perform miracles by sprinkling the 'paatha theertham' (water with which she washed her husband's feet) to bring rain to a parched earth or to transform objects to her desire.
When the three Devis, - Goddesses Luxmi, Saraswathy and Parvathy heard through Sage Naradha the powers of this earthly woman they wanted to test her chastity. They approached their husbands Lords Brahma, Vishnu and Shiva to test Anasuya's devotion to her husband. The three Moorthys transformed into three old mendicants and went to the hermitage where Anasuya was living and sought alms from her. When Anasuya was about to serve them food they told her that they had taken a vow whereby they could not accept alms from a person wearing clothes. As it was a sin to refuse alms to mendicants she prayed to her Lord and sprinkled a little 'paatha theertham' on the three old beggars. They were all immediately transformed into babies and throwing off her clothes she offered them food.
The Goddesses learning what had happened pleaded with Anasuya to grant them 'maankalya biksha' (gift of married life) and to give them back their husbands. Anasuya showed them the three babies. The Devis ran to the cradle and picked one baby each. Anasuya then prayed to her Lord to restore them back to their original form. Lo and behold! Brahma was in Luxmi's embrace, Siva in Saraswathy's lap and Parvathy cuddling Vishnu. They accepted that Anasuya's fame as the chastest woman on earth was justified. Thus the Thrimoorthy came to be represented by the Lingam at Suchindram; the bottom represents Brahma, the middle represents Vishnu and the top Shiva.
There is another lore associated with this temple. Once Indra was infatuated with Ahalya, the wife of Rishi Gautama. One night he came to the hermitage where Gautama was living and crowed like a cock indicating the approach of dawn. Rishi Gautama thinking that dawn was imminent awoke from his sleep and went to the river for his ablutions prior to commencing his prayers. Realising that it was too dark for dawn and too early for morning to break he returned to his hut. In the meantime Lord Indra took the physical appearance of Rishi Gautama, approached Ahalya and satisfied his desire. Rishi Gautama returning from the river was enraged when he saw his wife in another man´s embrace and cursed the man's entire body be covered with 'yoni' (the female organ) and his wife Ahalya to become a statue of stone. Lord Indra in order to get rid of this curse went to Gnanaranya and prayed to the Three Moorthys to rid him of this curse. When he was rid of his curse and transformed into his original form he built a temple and installed the Lingam to represent the three Moorthy - Thanu-Maal-Ayan, and the name of the place came to be known as Suchi-Indran (the place where Indran was purified).
Festivals
There are two important festivals, one in Markazhi (December/January) and the other in Chiththirai (April/May). During the Markazhi festival, on the 9th day the deities are taken out in procession around the streets on three festival cars.
Interesting Features
One should visit this temple, if not for its presiding deity, at least for the sculptures and art found in this temple. One can appreciate the splendour and the beauty of the sculptor's art only by seeing them. No amount of words can justify or reflect the grandeur, exquisiteness, ethos or the nuances of the artists' creation.
In the 'Alankara mandapam' adjacent to the Northern corridor there are four large pillars each formed by a group of smaller pillars all carved from a single stone. Two of these large pillars have 33 smaller pillars and the other two 25 each. These are the famous musical pillars. Each of these smaller pillars produce a different musical note when tapped. Unfortunately these pillars are surrounded by iron grills to prevent vandalism.
Step out of the 'Alankara mandapam' and you come face to face with a gigantic figure of Hanuman. The figure is 18 feet high and depicts 'visuvaroopam'. There are other carvings and sculptures on every pillar and panel throughout the temple, which are a feast to the eye and the imagination.
Indra et Indrani
Indra, dieu cosmique et Indrani son épouse, assis dans la pose du délassement royal
Népal
Vallée de Katmandou, Malla
XVème siècle
Cuivre fondu à la cire perdue et doré, incrustation de pierres
Achat 2003 avec l'aide du FRAM
Musée des arts asiatiques
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Le musée, inauguré en 1998, a été conçu par l'architecte japonais Kenzo Tange (1913-2005) au sein du parc Phoenix à Nice (le parc Phoenix est un parc floral situé près de l'aéroport).
L'initiative de cette construction remonte à l'époque de Jacques Médecin (1928-1998) , maire de Nice de 1966 à 1990 qui souhaitait y exposer des oeuvres de Pierre-Yves Trémois et des pièces d'art asiatique que l'artiste se proposait de donner à la ville de Nice. C'est P.-Y. Trémois qui aurait incité les responsables politiques à choisir ce célèbre architecte plutôt qu'un architecte local. En raison de la fuite à l'étranger de Jacques Médecin et de sa condamnation pour corruption, le projet initial a été abandonné et l'édifice est resté inoccupé durant plusieurs années.
Le projet a été par la suite transformé par le conseil général des Alpes maritimes en musée des arts asiatiques, avec le soutien de la direction des musées de France et le concours du musée Guimet.
Le premier conservateur du musée Marie-Pierre Foissy-Aufrère a brillamment relevé le défi de faire un musée évoquant les grandes civilisations asiatiques, de l'antiquité à aujourd'hui, dans un espace certes exceptionnel mais extrêmement exiguë.
___________________
"Le plan du musée repose sur deux formes géométriques fondamentales de la tradition japonaise; le carré, symbole de la terre,et le cercle, symbole du ciel....." Kenzô Tange
site officiel
article de Wikiipedia sur l'architecte
fr.wikipedia.org/wiki/Kenz%C5%8D_Tange
Source: livinghistories.newcastle.edu.au/nodes/view/43785
Staff and students of Asian and Pacific Centre for Clinical Epidemiology, with Dr Scott B. Halstead, of the Rockefeller Foundation. Back Row Dr Rusdi Lamsudin (Indonesia), Dr Suwana Ruangtzanchanaxtr (Thai), Dr Pyatat Tatsanavivat (Thai), Dr Azizi Bin Maji Omar (Malay), Dr Michael Abramson PhD Student, Dr Eric Erikkon (Aust.), Dr Johaanes Schmit (Switzerland), Dr Saroja Indran (Malay), Dr Griselda Susana Calabrese (Argentina), Dr Sayoporn Sirinavan (Thailand), Miss Elinor Sanvictories (The Phillippines) Front Mrs Margaret Darby, Dr Halstead, Professor Richard Heller and Dr Michael Gliksman.
This photo appeared in the News, Volume 12, Number 7, May 12 to 26, 1986. The text was:
"Praise for epidemiology centre
In 1981, the Faculty of Medicine set up a centre to teach epidemiology to doctors from developing countries in South East Asia. Up to the present, 39 students ha arrived at the centre to do the one-year Master’s Course.
The impetus for the Epidemiology Centre came from the Rockefeller Foundation, New York, which supports an international network for the teaching of epidemiology.
The Newcastle centre, located in the David Maddison Clinical Sciences Building, is one of three (soon to be four) set up by the Rockefeller Foundation to train students from developing countries.
During a visit to the University on May 1, the Foundation’s Associate Director for Health Sciences Dr. Scott B. Halstead, said that the other were at McMaster University in Canada and the University of Pennsylvania in the United States. One centre at the University of North Carolina in the US would begin teaching epidemiology shortly. So far, 91 students, or Fellows, have undertaken training under the scheme.
Students are derived from such countries as China, The Philippines, Indonesia, Thailand, India, Ethiopia, Nigeria, Mexico, Colombia, Chile and Brazil, Dr. Halstead.
Notwithstanding the exciting and important partnership that the Newcastle Centre had formed with countries in South East Asia. It was expected that the centre would also play a significant role in teaching doctors from India and Africa. The Foundation has approved new grants to the two countries.
Dr. Halstead said he was particularly pleased with the decision to provide funds for academic staff from the training centres to travel overseas to see the Fellows working in their own countries. Following a decision at a recent meeting of directors of the centres, Newcastle would supervise students from two medical Schools on a long term basis.
Finding ideas were swapped at meeting of students and staff members involved in Rockefeller’s international clinical epidemiological network held recently in Shanghai in China.
Dr. Halstead said he had learnt that the work done by the said students at the training centres and the application of the knowledge gained had improved health and reduced expenditure in several countries. Although the programme was still in the early stages, the goal of improving health care in the clinicians’ communities was being achieved.
“We are grateful to Newcastle University for the time and effort that has been devoted to teaching students how to better epidemiologists. One of the dividends for Rockefeller Foundation is that other patrons have heard about the centre and are availing themselves of its facilities, “Dr Halstead added. "
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, or would like a higher resolution copy, please contact us or leave a comment.
The Vedagiriswarar temple is situated in Kanchipuram district, on the Chengulpet-Mahabalipuram road. It is also known by other names - Uruthrakodi, Nandipuri, Indrapuri, Narayanapuri, Brahmapuri, Dinakarapuri, Muniganapuri, Patchi Theertham, etc.
The Moolavar is Vedagiriswarar and Ambal is Tirupurasundari. The theertham is Changu theertham and the sthala vriksham is kadali (plantain) tree. Several Saivaite saints and poets such as Appar, Sundarar, Manickavaasagar, Pattinathaar, Arunagirinathar, Tiruporur Chidambaram Swaamigal, Andagakavi Veeraraga Mudaliar, Ramalinga Adigalar, Ramanathapuram Somasundaram Pillai, Kanchipuram Mahavidwan Sabapathi Mudaliar have sung the praise of this sthalam.
It is believed that the four vedas appear as four hills and the Lord is seated in a temple atop the hill which is Atharvana Veda. For this reason, the four Saivaite saints sang the praise of the Lord from the foot of the hill, unwilling to step on the veda (hill).
Lord Siva gives darshan as a swayambu Lingam with a kavasam. Ambaal temple is situated at the foot of the hill. It is believed that Indran worships the Lord on the hill by Idi (thunder) abhishekam. Normally, the abhishekam to Ambaal is only for her feet. Only thrice, in the months of Adi (Uthram), Puratasi (Navami) and Panguni (Uthram), Abhishekam is done to the entire idol.
The speciality of this temple is the fact that two kites visit the temple everyday and take the naivedya prasadam offered by the priest.
The story behind this:
The eight Brahmaputras prayed to Lord Siva to achieve Sarooba Padavi. When Siva appeared before them to grant the boon, they changed their minds and asked for Sayujya Padavi. Enraged by their deceit Siva cursed them to be born as kites. When they begged for forgiveness, Siva gave liberation from the curse. They were to born as holy kites, two in each yugam and attain Sayujya Padavi by worshiping him sincerely. Thus it is believed that Sandan, Prasandan, Sambathi, Jadayu, Samburuthan, Maguthan have already attained their wish.
In this yugam Boosha and Vidatha have been born as kites and they worship the Lord everyday to get rid of the curse. The changu theertham is the place where Maarkandeya Munivar did thavam. Every twelve years the changu appears in the theertham.
22 feet height tallest principal idol of Viswaroopa Anjaneya at Thanumalayan Temple is located at Suchindram (sometimes Suchindrum) belongs to Kanyakumari district in the Indian state of Tamil Nadu.
It is situated about 13 kms from Kanyakumari city, 8 kms from Nagarcoil town, 87 kms from adjacent Tirunelveli district and approximately 80 kms from Trivandrum city.
The presiding deity Anjaneyar statue is carved of a single granite block. It is also of historical interest that this statue was buried in the temple in 1740, fearing an attack by Tipu Sultan and was subsequently forgotten. It was rediscovered in 1930.
The seven-storey white Raja Gopuram entrance tower to this temple is visible from a distance as it rises majestically for 134 feet. Its facade is adorned with sculptures of various deities from Hindu mythology.
This is unique temple complex in the whole of India in that it is dedicated to three different deities (Trinity) represented by one image in the sanctum and is called Sthanumalayan (Sthanu-Shiva; Maal-Vishnu and Ayan-Brahma) kovil as well as giving the temple its name.
As per legends, once Devraj Indra (King of Swarg) was infatuated with Ahalya, the wife of Rishi Gautam. One night he came to the hermitage where Gautam was living and crowed like a cock indicating the approach of dawn. Rishi Gautam thinking that dawn was imminent awoke from his sleep and went to the river for his ablutions prior to commencing his prayers.
Realising that it was too dark for dawn and too early for morning to break he returned to his hut. In the meantime Swargraj Indra took the physical appearance of Rishi Gautam, approached Ahalya and satisfied his desire. Rishi Gautam returning from the river was enraged when he saw his wife in another man´s embrace and cursed the man's entire body be covered with 'yoni' (the female organ) and his wife Ahalya to become a statue of stone.
Devraj Indra in order to get rid of this curse went to Gnanaranya (earlier Suchindram was known as Gnanaranya) and prayed to the Three Moorthys to rid him of this curse. When he was rid of his curse and transformed into his original form he built a temple and installed the Lingam to represent the Trimurti - Thanu-Maal-Ayan (hence temple name Thanumalayan) and the name of the place came to be known as Suchi-Indran (Suchindram), the place where Indra was purified.
A rare staging these days, of Ninam(Nakrathundi in blood after her nose and breasts cut by Jayanthan,son of Indran)shot from Madan Nada temple,Chavara,Kollam
It was very difficult capturing it amidst the commotiion....
March 6, 2010
I was struggling with the lousy lighting condition. Strong video light was an added pain. Then I remembered what I've read in "The Hot-shoe Diaries"!!! Used an off-camera flash with a deep orange gel and everything changed like magic!!
BTW, Will you dare shooting a wedding with a 135mm f/2.0 ??
Dieu Cosmique Indra.
Statuette en cuivre fondu et doré.
Provenance : Népal. XVème siècle.
Pour voir les deux statuettes côte à côte, Indra et Indira :
Indrani, épouse du Dieu Cosmique Indra.
Statuette en cuivre fondu et doré.
Provenance : Népal. XVème siècle.
All Rights Reserved © NEWNMEDIA™.
'Oh, girl! Who are you?'; Jayanthan, the son of Lord Indran asks the pretty girl appeared before him. Kalamandalam Arun Warrier in the role of Jayanthan and Sadanam Bhasi as Lalitha. A scene from the 'NarakasuraVadham' Kathakali.
All Rights Reserved © NEWNMEDIA™.
Nakrathundi, is a female demon in 'NarakasuraVadham' Kathakali. Jayanthan, son of Indran disfigures her by cutting her nose and breasts. In this scene, she comes to see Narakasuran with her body soaked in blood, flowing from her nose and breasts. This scene is mentioned in Kathakali as 'Ninam' which means blood.
Performer: Kalamandalam Pradeep as Nakrathundi (Ninam)
Venue: Natya Thrithaya organized by Kunchu Nair Memorial Trust, Karalmanna.
All Rights Reserved © NEWNMEDIA™.
During vanavasam, Arjunan visited his father Indran in heaven. Seeing his charm, Urvasi, the heavenly beauty, got attracted towards him. Here she is sharing her feeling towards Arjunan to her Sakhi (maid). For her, Arjunan's lips are more red than a coral gem or a Thondippazham (a kind of fruit in deep-red color).
Performer: Margi Vijayakumar (Urvasi).
Stage: Margi, Thiruvananthapuram.
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@update operation went well, Kumar is all fine :)
Kumar at Kancipuram. (no he did not pose, caught him trying to snap the parrots with his cell cam :P )
He will be undergoing an operation today for his kidney ailments.
We tried in vain for a solution for him last January in Chennai. It seems there are no solutions left at moments, he is in his 5th year of dialysis, he is a chronic dialysis patient, and he could not get matching kidneys for transplant from his blood relations.
(India has banned live kidney donors long ago).
Indran and Marie Tanabalan are both Sandan (3rd Dan) black belt Karate instructors from the UK National Squad. They are seen above in Manila on their way for a family holiday. They look sooooo good together! Who'd believe that they had just got off 2 long flights from the UK?
Indran's background: www.kaizenryu.com/IndranTanabalan
CWC Photowalk on Bhogi festival
Woman burning the old things in a fire on bhogi day.
Bogi festival or Bhogi is the first day of Pongal and is celebrated in honor of Lord Indra, "the God of Clouds and Rains". Lord Indra is worshiped for the abundance of harvest, thereby bringing plenty and prosperity to the land. Thus, this day is also known as Indran. On Bhogi all people clean out their homes from top to bottom, and collect all unwanted goods. This day is meant for domestic activities and of being together with the family members.
I'm definitely loving this angles...just above the waterline :) hope one day I dont drop the d60 in there :D
Sunday Chumma Travel with Vj and Indran.
അറിയാതെ മമ: ദക്ഷയാഗം കഥകളിയിലെ പ്രശസ്തമായ പദം. വിവാഹാനന്തരം ആരേയും അറിയിക്കാതെ ശിവന് സതീ ദേവിയെ കൈലാസത്തിലേക്ക് കൂട്ടിക്കൊണ്ടു പോവുന്നു. ഇതറിയുന്ന ദക്ഷന്, തന്നെക്കാണുവാനെത്തുന്ന ഇന്ദ്രനോട്, അത്യധികം കോപത്തോടെ, തന്റെ മകളെ ശിവന് വിവാഹം കഴിച്ചുകൊടുത്തത് തെറ്റായിപ്പോയി എന്നു പറയുന്നതാണ് രംഗം. ചിത്രത്തില് ദക്ഷനായി(ഇടത്ത്) ഏറ്റുമാനൂര് കണ്ണന്.
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The Beris lake is an artificial lake formed by the construction of the Beris dam at the district of Sik, in Kedah. The larger Pedu lake from the Pedu dam is joined to this lake.
Check out some photos from our past travels to the lakes from the Pedu set.
Sunday Chumma Travel with Vj and Indran.
Four buddies of mine : From left : Indran, Alvin, Mith and Ren on their upcoming band into the scene in Malaysia this coming 2007. They are the local tamil band group which will be releasing their album soon.
I did this experimentational shots with them (this taken with a clear sky) ahead and since it was a misty afternoon it created the 'almost sillouthe' look among them. So I thought to myself, "cool, at least their identity is hidden but somewhat appearing, perphaps soon".
Added their brand as in a creation which is appearing towards the sky.
Anyways....another experimentation :)