Hindu deities are the gods and goddesses in Hinduism. The terms and epithets found in Indian culture, that are translated as deity, varies with the text and diverse traditions within Hinduism, and include Deva, Devi, Ishvara, Bhagavan and Bhagavathi.[1][2][note 1]

 

The deities of Hinduism have evolved from Vedic era (2nd millennium BCE) through medieval era (1st millennium CE), regionally within India and in southeast Asia, and across Hinduism's diverse traditions.[3][4] The Hindu deity concept varies from a personal god as in Yoga school of Hindu philosophy,[5][6] to 33 Vedic deities,[7] to hundreds of Puranic deities, to millions of deities in Tantra traditions of Hinduism.[8] Illustrations of major deities include Vishnu, Sri (Lakshmi), Shiva, Parvati (Durga), Brahma and Saraswati. These deities have distinct and complex personalities, yet often viewed as aspects of the same Ultimate Reality called Brahman.[9][note 2] From ancient times, the idea of equivalence has been cherished in Hinduism, in its texts and in early 1st millennium sculpture with concepts such as Harihara (half Shiva, half Vishnu),[10] Ardhanarishvara (half Shiva, half Parvati) or Vaikuntha Kamalaja (half Vishnu, half Lakshmi),[11] with mythologies and temples that feature them together, declaring they are the same.[12][13][14] Major deities have inspired their own Hindu traditions, such as Vaishnavism, Shaivism and Shaktism, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism.[15][16][17] Some Hindu traditions such as Smartism from mid 1st millennium CE, have included multiple major deities as henotheistic manifestations of Saguna Brahman, and as a means to realizing Nirguna Brahman.[18][19][20]

 

Hindu deities are represented with various icons and anicons, in paintings and sculptures, called Murtis and Pratimas.[21][22][23] Some Hindu traditions, such as ancient Charvakas rejected all deities and concept of god or goddess,[24][25][26] while 19th-century British colonial era movements such as the Arya Samaj and Brahmo Samaj rejected deities and adopted monotheistic concepts similar to Abrahamic religions.[27][28] Hindu deities have been adopted in other religions such as Jainism,[29] and in regions outside India such as predominantly Buddhist Thailand and Japan where they continue to be revered in regional temples or arts.[30][31][32]

 

In ancient and medieval era texts of Hinduism, the human body is described as a temple,[33][34] and deities are described to be parts residing within it,[35][36] while the Brahman (Absolute Reality, God)[18][37] is described to be the same, or of similar nature, as the Atman (self, soul), which Hindus believe is eternal and within every living being.[38][39][40] Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic or humanist.[41][42][43]

Deities in Hinduism are referred to as Deva (masculine) and Devi (feminine).[44][45][46] The root of these terms mean "heavenly, divine, anything of excellence".[47] According to Douglas Harper, the etymological roots of Deva mean "a shining one," from *div- "to shine," and it is a cognate with Greek dios "divine" and Zeus, and Latin deus (Old Latin deivos).[48]

 

In the earliest Vedic literature, all supernatural beings are called Asuras.[49][50] By the late Vedic period (~500 BCE), benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad.[3][4] In some medieval Indian literature, Devas are also referred to as Suras and contrasted with their equally powerful, but malevolent half-brothers referred to as the Asuras.[51]

 

Hindu deities are part of Indian mythology, both Devas and Devis feature in one of many cosmological theories in Hinduism.[52][53]

 

Characteristics of Vedic era deities[edit]

In Vedic literature, Devas and Devis represent the forces of nature and some represent moral values (such as the Adityas, Varuna, and Mitra), each symbolizing the epitome of a specialized knowledge, creative energy, exalted and magical powers (Siddhis).[54][55]

The most referred to Devas in the Rig Veda are Indra, Agni (fire) and Soma, with "fire deity" called the friend of all humanity, it and Soma being the two celebrated in a yajna fire ritual that marks major Hindu ceremonies. Savitr, Vishnu, Rudra (later given the exclusive epithet of Shiva), and Prajapati (later Brahma) are gods and hence Devas.[30]

 

The Vedas describes a number of significant Devis such as Ushas (dawn), Prithvi (earth), Aditi (cosmic moral order), Saraswati (river, knowledge), Vāc (sound), Nirṛti (destruction), Ratri (night), Aranyani (forest), and bounty goddesses such as Dinsana, Raka, Puramdhi, Parendi, Bharati, Mahi among others are mentioned in the Rigveda.[58] Sri, also called Lakshmi, appears in late Vedic texts dated to be pre-Buddhist, but verses dedicated to her do not suggest that her characteristics were fully developed in the Vedic era.[59] All gods and goddesses are distinguished in the Vedic times, but in the post-Vedic texts (~500 BCE to 200 CE), and particularly in the early medieval era literature, they are ultimately seen as aspects or manifestations of one Brahman, the Supreme power.[59][60]

 

Ananda Coomaraswamy states that Devas and Asuras in the Vedic lore are similar to Angels-Theoi-Gods and Titans of Greek mythology, both are powerful but have different orientations and inclinations, the Devas representing the powers of Light and the Asuras representing the powers of Darkness in Hindu mythology.[61][62] According to Coomaraswamy's interpretation of Devas and Asuras, both these natures exist in each human being, the tyrant and the angel is within each being, the best and the worst within each person struggles before choices and one's own nature, and the Hindu formulation of Devas and Asuras is an eternal dance between these within each person.[63][64]

 

The Devas and Asuras, Angels and Titans, powers of Light and powers of Darkness in Rigveda, although distinct and opposite in operation, are in essence consubstantial, their distinction being a matter not of essence but of orientation, revolution or transformation. In this case, the Titan is potentially an Angel, the Angel still by nature a Titan; the Darkness in actu is Light, the Light in potentia Darkness; whence the designations Asura and Deva may be applied to one and the same Person according to the mode of operation, as in Rigveda 1.163.3, "Trita art thou (Agni) by interior operation".

 

— Ananda Coomaraswamy, Journal of the American Oriental Society[65]

Characteristics of medieval era deities[edit]

In the Puranas and the Itihasas with the embedded Bhagavad Gita, the Devas represent the good, and the Asuras the bad.[3][4] According to the Bhagavad Gita (16.6-16.7), all beings in the universe have both the divine qualities (daivi sampad) and the demonic qualities (asuri sampad) within each.[4][66] The sixteenth chapter of the Bhagavad Gita states that pure god-like saints are rare and pure demon-like evil are rare among human beings, and the bulk of humanity is multi-charactered with a few or many faults.[4] According to Jeaneane Fowler, the Gita states that desires, aversions, greed, needs, emotions in various forms "are facets of ordinary lives", and it is only when they turn to lust, hate, cravings, arrogance, conceit, anger, harshness, hypocrisy, violence, cruelty and such negativity- and destruction-inclined that natural human inclinations metamorphose into something demonic (Asura).[4][66]

The Epics and medieval era texts, particularly the Puranas, developed extensive and richly varying mythologies associated with Hindu deities, including their genealogies.[67][68][69] Several of the Purana texts are named after major Hindu deities such as Vishnu, Shiva and Devi.[67] Other texts and commentators such as Adi Shankara explain that Hindu deities live or rule over the cosmic body as well in the temple of human body.[33][70] They remark that the Sun deity is the giver of vision, the Vayu deity the nose, the Prajapati the sexual organs, the Lokapalas (directions) are the ears, moon deity the mind, Mitra deity is the inward breath, Varuna deity is the outward breath, Indra deity the arms, Brhaspati the speech, Vishnu whose stride is great is the feet, and Maya is the smile.[70]

 

Symbolism[edit]

Edelmann states that gods and anti-gods of Hinduism are symbolism for spiritual concepts. For example, god Indra (a Deva) and the antigod Virocana (an Asura) question a sage for insights into the knowledge of the self.[71] Virocana leaves with the first given answer, believing now he can use the knowledge as a weapon. In contrast, Indra keeps pressing the sage, churning the ideas, and learning about means to inner happiness and power. Edelmann suggests that the Deva-Asura dichotomies in Hindu mythology may be seen as "narrative depictions of tendencies within our selves".[71] Hindu deities in Vedic era, states Mahoney, are those artists with "powerfully inward transformative, effective and creative mental powers".[72]

 

In Hindu mythology, everyone starts as an Asura, born of the same father. "Asuras who remain Asura" share the character of powerful beings craving for more power, more wealth, ego, anger, unprincipled nature, force and violence.[73][74] The "Asuras who become Devas" in contrast are driven by an inner voice, seek understanding and meaning, prefer moderation, principled behavior, aligned with Ṛta and Dharma, knowledge and harmony.[73][74][75]

 

The god (Deva) and antigod (Asura), states Edelmann, are also symbolically the contradictory forces that motivate each individual and people, and thus Deva-Asura dichotomy is a spiritual concept rather than mere genealogical category or species of being.[76] In the Bhāgavata Purana, saints and gods are born in families of Asuras, such as Mahabali and Prahlada, conveying the symbolism that motivations, beliefs and actions rather than one's birth and family circumstances define whether one is Deva-like or Asura-like.[76]

Another Hindu term that is sometimes translated as deity is Ishvara, or alternatively various deities are described, state Sorajjakool et al., as "the personifications of various aspects of one and the same Ishvara".[77] The term Ishvara has a wide range of meanings that depend on the era and the school of Hinduism.[78][79][80] In ancient texts of Indian philosophy, Ishvara means supreme soul, Brahman (Highest Reality), ruler, king or husband depending on the context.[78] In medieval era texts, Ishvara means God, Supreme Being, personal god, or special Self depending on the school of Hinduism.[2][80][81]

 

Among the six systems of Hindu philosophy, Samkhya and Mimamsa do not consider the concept of Ishvara, i.e., a supreme being, relevant. Yoga, Vaisheshika, Vedanta and Nyaya schools of Hinduism discuss Ishvara, but assign different meanings.

 

Early Nyaya school scholars considered the hypothesis of a deity as a creator God with the power to grant blessings, boons and fruits; but these early Nyaya scholars then rejected this hypothesis, and were non-theistic or atheists.[25][82] Later scholars of Nyaya school reconsidered this question and offered counter arguments for what is Ishvara and various arguments to prove the existence of omniscient, omnipresent, omnipotent deity (God).[83]

 

Vaisheshika school of Hinduism, as founded by Kanada in 1st millennium BC, neither required nor relied on creator deity.[84][85] Later Vaisheshika school adopted the concept of Ishvara, states Klaus Klostermaier, but as an eternal God who co-exists in the universe with eternal substances and atoms, but He "winds up the clock, and lets it run its course".[84]

 

Ancient Mimamsa scholars of Hinduism questioned what is Ishvara (deity, God)?[86] They considered deity concept unnecessary for a consistent philosophy and moksha (soteriology).[86][87]

 

In Samkhya school of Hindu philosophy, Isvara is neither a creator-God, nor a savior-God.[88] This is called one of the several major atheistic schools of Hinduism by some scholars.[89][90][91] Others, such as Jacobsen, state that Samkhya is more accurately described as non-theistic.[92] Deity is considered an irrelevant concept, neither defined nor denied, in Samkhya school of Hindu philosophy.[93]

 

In Yoga school of Hinduism, it is any "personal deity" (Ishta Deva or Ishta Devata)[94] or "spiritual inspiration", but not a creator God.[81][89] Whicher explains that while Patanjali's terse verses in the Yogasutras can be interpreted both as theistic or non-theistic, Patanjali's concept of Isvara in Yoga philosophy functions as a "transformative catalyst or guide for aiding the yogin on the path to spiritual emancipation".[95]

 

The Advaita Vedanta school of Hinduism asserted that there is no dualistic existence of deity (or deities).[96][97] There is no otherness nor distinction between Jiva and Ishvara.[98][99] God (Ishvara, Brahman) is identical with the Atman (soul) within each human being in Advaita Vedanta school,[100] and there is a monistic Universal Absolute Oneness that connects everyone and everything, states this school of Hinduism.[39][99][101] This school, states Anantanand Rambachan, has "perhaps exerted the most widespread influence".[102]

 

The Dvaita sub-school of Vedanta Hinduism, founded in medieval era, Ishvara is defined as a creator God that is distinct from Jiva (individual souls in living beings).[40] In this school, God creates individual souls, but the individual soul never was and never will become one with God; the best it can do is to experience bliss by getting infinitely close to God.[20]

 

Number of deities[edit]

Yāska, the earliest known language scholar of India (~ 500 BCE), notes Wilkins, mentions that there are three deities (Devas) according to the Vedas, "Agni (fire), whose place is on the earth; Vayu (wind), whose place is the air; and Surya (sun), whose place is in the sky".[107] This principle of three worlds (or zones), and its multiples is found thereafter in many ancient texts. The Samhitas, which are the oldest layer of text in Vedas enumerate 33 devas,[note 3] either 11 each for the three worlds, or as 12 Adityas, 11 Rudras, 8 Vasus and 2 Ashvins in the Brahmanas layer of Vedic texts.[7][47]

 

The Rigveda states in hymn 1.139.11,

 

ये देवासो दिव्येकादश स्थ पृथिव्यामध्येकादश स्थ ।

अप्सुक्षितो महिनैकादश स्थ ते देवासो यज्ञमिमं जुषध्वम् ॥११॥[111]

 

O ye eleven gods whose home is heaven, O ye eleven who make earth your dwelling,

Ye who with might, eleven, live in waters, accept this sacrifice, O gods, with pleasure.

– Translated by Ralph T. H. Griffith[112]

 

Gods who are eleven in heaven; who are eleven on earth;

and who are eleven dwelling with glory in mid-air; may ye be pleased with this our sacrifice.

– Translated by HH Wilson[113]

 

— Rigveda 1.139.11

Millions, one or one-ness?[edit]

Thirty-three divinities are mentioned in other ancient texts, such as the Yajurveda,[114] however, there is no fixed "number of deities" in Hinduism any more than a standard representation of "deity".[115] There is, however, a popular perception stating that there are 330 million (or "33 crore") deities in Hinduism.[116] Most, by far, are goddesses, state Foulston and Abbott, suggesting "how important and popular goddesses are" in Hindu culture.[115] No one has a list of the 330 million goddesses and gods, but all deities, state scholars, are typically viewed in Hinduism as "emanations or manifestation of genderless principle called Brahman, representing the many facets of Ultimate Reality".[115][116][117]

 

This concept of Brahman is not the same as the monotheistic separate God found in Abrahamic religions, where God is considered, states Brodd, as "creator of the world, above and independent of human existence", while in Hinduism "God, the universe, human beings and all else is essentially one thing" and everything is connected oneness, the same god is in every human being as Atman, the eternal Self.[117][118]

Hinduism has an ancient and extensive iconography tradition, particularly in the form of Murti (Sanskrit: मूर्ति, IAST: Mūrti), or Vigraha or Pratima.[22] A Murti is itself not the god in Hinduism, but it is an image of god and represents emotional and religious value.[124] A literal translation of Murti as idol is incorrect, states Jeaneane Fowler, when idol is understood as superstitious end in itself.[124] Just like the photograph of a person is not the real person, a Murti is an image in Hinduism but not the real thing, but in both cases the image reminds of something of emotional and real value to the viewer.[124] When a person worships a Murti, it is assumed to be a manifestation of the essence or spirit of the deity, the worshipper's spiritual ideas and needs are meditated through it, yet the idea of ultimate reality or Brahman is not confined in it.[124]

 

A Murti of a Hindu deity is typically made by carving stone, wood working, metal casting or through pottery. Medieval era texts describing their proper proportions, positions and gestures include the Puranas, Agamas and Samhitas particularly the Shilpa Shastras.[21] The expressions in a Murti vary in diverse Hindu traditions, ranging from Ugra symbolism to express destruction, fear and violence (Durga, Kali), as well as Saumya symbolism to express joy, knowledge and harmony (Saraswati, Lakshmi). Saumya images are most common in Hindu temples.[125] Other Murti forms found in Hinduism include the Linga.[126]

 

A Murti is an embodiment of the divine, the Ultimate Reality or Brahman to some Hindus.[21] In religious context, they are found in Hindu temples or homes, where they may be treated as a beloved guest and serve as a participant of Puja rituals in Hinduism.[127] A murti is installed by priests, in Hindu temples, through the Prana Pratishtha ceremony,[128] whereby state Harold Coward and David Goa, the "divine vital energy of the cosmos is infused into the sculpture" and then the divine is welcomed as one would welcome a friend.[129] In other occasions, it serves as the center of attention in annual festive processions and these are called Utsava Murti.[130]

In Hinduism, deities and their icons may be hosted in a Hindu temple, within a home or as an amulet. The worship performed by Hindus is known by a number of regional names, such as Puja.[134] This practice in front of a murti may be elaborate in large temples, or be a simple song or mantra muttered in home, or offering made to sunrise or river or symbolic anicon of a deity.[135][136][137] Archaeological evidence of deity worship in Hindu temples trace Puja rituals to Gupta Empire era (~4th century CE).[138][139] In Hindu temples, various pujas may be performed daily at various times of the day; in other temples, it may be occasional.[140][141]

 

The Puja practice is structured as an act of welcoming, hosting, honoring the deity of one's choice as one's honored guest,[142] and remembering the spiritual and emotional significance the deity represents the devotee.[124][134] Jan Gonda, as well as Diana L. Eck, states that a typical Puja involves one or more of 16 steps (Shodasha Upachara) traceable to ancient times: the deity is invited as a guest, the devotee hosts and takes care of the deity as an honored guest, praise (hymns) with Dhupa or Aarti along with food (Naivedhya) is offered to the deity, after an expression of love and respect the host takes leave, and with affection expresses good bye to the deity.[143][144] The worship practice may also involve reflecting on spiritual questions, with image serving as support for such meditation.[145]

 

Deity worship (Bhakti), visiting temples and Puja rituals are not mandatory and is optional in Hinduism; it is the choice of a Hindu, it may be a routine daily affair for some Hindus, periodic ritual or infrequent for some.[146][147] Worship practices in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic or humanist.[41]

 

Examples[edit]

Main articles: List of Hindu deities and Rigvedic deities

Major deities have inspired a vast genre of literature such as the Puranas and Agama texts as well their own Hindu traditions, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism.[16][17] Vishnu and his avatars are at the foundation of Vaishnavism, Shiva for Shaivism, Devi for Shaktism, and some Hindu traditions such as Smarta traditions who revere multiple major deities (five) as henotheistic manifestations of Brahman (absolute metaphysical Reality).[116][148][149]

 

While there are diverse deities in Hinduism, states Lawrence, "Exclusivism – which maintains that only one's own deity is real" is rare in Hinduism.[116] Julius Lipner, and other scholars, state that pluralism and "polycentrism" – where other deities are recognized and revered by members of different "denominations", has been the Hindu ethos and way of life.[16][150]

 

Trimurti and Tridevi[edit]

The concept of Triad (or Trimurti, Trinity) makes a relatively late appearance in Hindu literature, or in the second half of 1st millennium BCE.[151] The idea of triad, playing three roles in the cosmic affairs, is typically associated with Brahma, Vishnu and Shiva (also called Mahesh); however, this is not the only triad in Hindu literature.[152] Other triads include Tridevi, of three goddesses – Lakshmi, Saraswati and Durga in the text Devi Mahatmya, in the Shakta tradition, who further assert that Devi is the Brahman (Ultimate Reality) and it is her energy that empowers Brahma, Vishnu and Shiva.[151] The other triads, formulated as deities in ancient Indian literature, include Sun (creator), Air (sustainer) and Fire (destroyer); Prana (creator), Food (sustainer) and Time (destroyer).[151] These triads, states Jan Gonda, are in some mythologies grouped together without forming a Trinity, and in other times represented as equal, a unity and manifestations of one Brahman.[151] In the Puranas, for example, this idea of threefold "hypostatization" is expressed as follows,

 

They [Brahma, Vishnu, Shiva] exist through each other, and uphold each other; they are parts of one another; they subsist through one another; they are not for a moment separated; they never abandon one another.

 

— Vayu Purana, 5.17, Translated by Jan Gonda[151]

The triad appears in Maitrayaniya Upanishad, for the first time in recognized roles known ever since, where they are deployed to present the concept of three Guṇa – the innate nature, tendencies and inner forces found within every being and everything, whose balance transform and keeps changing the individual and the world.[152][153] It is in the medieval Puranic texts, Trimurti concepts appears in various context, from rituals to spiritual concepts.[151] The Bhagavad Gita, in verses 9.18, 10.21-23 and 11.15, asserts that the triad or trinity is manifestation of one Brahman, which Krishna affirms himself to be.[154] However, suggests Bailey, the mythology of triad is "not the influence nor the most important one" in Hindu traditions, rather the ideologies and spiritual concepts develop on their own foundations.[152]

 

Avatars of Hindu deities[edit]

Hindu mythology has nurtured the concept of Avatar, which represents the descent of a deity on earth.[155][156] This concept is commonly translated as "incarnation",[155] and is an "appearance" or "manifestation".[157][158]

 

The concept of Avatar is most developed in Vaishnavism tradition, and associated with Vishnu, particularly with Rama and Krishna.[159][160] Vishnu takes numerous avatars in Hindu mythology. He becomes female, during the Samudra manthan, in the form of Mohini, to resolve a conflict between the Devas and Asuras. His male avatars include Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Buddha, and Kalki.[160] Various texts, particularly the Bhagavad Gita, discuss the idea of Avatar of Vishnu appearing to restore the cosmic balance whenever the power of evil becomes excessive and causes persistent oppression in the world.[156]

 

In Shaktism traditions, the concept appears in its legends as the various manifestations of Devi, the Divine Mother principal in Hinduism.[161] The avatars of Devi or Parvati include Durga and Kali, who are particularly revered in eastern states of India, as well as Tantra traditions.[162][163][164] Twenty one avatars of Shiva are also described in Shaivism texts, but unlike Vaishnava traditions, Shaiva traditions have focussed directly on Shiva rather than the Avatar concept.[155]

 

dog taxi

DAYCARE + TRAINING

 

A day with Dog Taxi is more than just fun and fetch, it also includes obedience training – for beginner, intermediate, and advanced pooches.

  

Listen up, pups: join the Dog Taxi pack and have a great time! We make it easy for you and your parents.

 

HERE’S HOW IT WORKS:

 

We pick you up at your house

 

We go to the beach or to the park for two hours with all of your best furry friends.You get to run, play, learn, socialize, and get dirty.

 

We even give you a little schooling – one-on-one and group training with all your favourite distractions around

(Balls! Scents! Other dogs!). Mom and Dad are amazed when you get home!

 

When the day is done, we drop you off at home for dinner with your tail wagging.

If dogs could smile, you would.

  

BOARDING + TRAINING

 

We believe that every dog deserves a fluffy bed and good night’s sleep.

We don’t do crates and cement floors. All of our dog’s stay in the Dog Taxi home – they have rooms and beds and plenty of space to run, play, and sleep.

  

GROOMING

 

Dirty dogs are no match for our grooming team. We offer washing, drying, shaving, and nail clipping.

  

TAXI SERVICES

 

We will transport your dog just about anywhere – to the vet, the groomer’s, and even grandma’s house. Prices start at $25.

From a wander around the Woods Mill Nature Reserve.

Flickr interestingness fluctuations: Includes dropped, of course. I liked the symmetry of the 8x8.

 

Thanks to you all for your views, kind comments and invites! I'm learning a lot!

 

1. look up!, 2. afternoon autumn light, 3. more leaves!, 4. leaf sampling, 5. Canandaigua Lake, 6. meditation on orange, 7. Mt. Rainier & lenticular clouds, 8. autumn evening light,

 

9. two, 10. cane burning, 11. Cairns birdwing, 12. Lake Champlain Sunset (again), 13. standing in the sky, 14. desert sunrise, 15. Japanese flowering quince, 16. troublemaker,

 

17. London Bridge fell down, 18. Australian king parrots, 19. got fish?, 20. morning pasture, 21. just come a little closer..., 22. orange lacewing, 23. blue waves, 24. Queen Victoria Building,

 

25. rainbow lorikeet, 26. Sydney Harbor sunset, 27. web detail, 28. Seal Bay, 29. headed out..., 30. Lake Champlain sunset, 31. tigers flying among us, 32. on the road again,

 

33. Canandaigua pier, 34. Sonnenberg tulips, 35. Boulder Brook, 36. tree (with canyon), 37. Niagara Falls revisited, 38. blissed out at the buffet, 39. Canandaigua Lake Sunset, 40. Hemlock Lake reflection,

 

41. sunny tulip, 42. mountain goat surprise, 43. The Weeping Wall, 44. St. Mary Lake, Glacier National Park, 45. Seneca white deer, 46. mountain morning, 47. "helluva place to lose a cow", 48. Horseshoe Bend,

 

49. Park Avenue at Arches National Park, 50. bristlecone pine, 51. desert color, 52. tulip surprise, 53. "Maid of the Mist" in the mist, 54. Enter Here, 55. Waterlilies, 56. Penstamen,

 

57. White peacock, 58. Care to go for a walk?, 59. Winter beech, 60. slurp, slurp, slurp!, 61. Sunbathing, 62. Flower Power, 63. Glass Menagerie, 64. Huddled together for warmth

Lumbinī (Nepali and Sanskrit: लुम्बिनी, "the lovely") is a Buddhist pilgrimage site in the Rupandehi District of Nepal. It is the place where, according to Buddhist tradition, Queen Mayadevi gave birth to Siddhartha Gautama in 623 BCE. Gautama, who achieved Enlightenment some time around 588 BCE, became the Gautama Buddha and founded Buddhism. Lumbini is one of many magnets for pilgrimage that sprang up in places pivotal to the life of Gautama Buddha; other notable pilgrimage sites include Kushinagar, Bodh Gaya and Sarnath.

 

Lumbini has a number of temples, including the Mayadevi Temple and several others which are still under construction. Many monuments, monasteries and a museum — the Lumbini International Research Institute — are also located within the holy site. Also located there is the Puskarini or Holy Pond where the Buddha's mother took the ritual dip prior to his birth and where he, too, had his first bath. At other sites near Lumbini, earlier Buddhas were, according to tradition, born, achieved ultimate Enlightenment and finally relinquished their earthly forms.

 

Lumbini was granted World Heritage status by UNESCO in 1997.

 

IN BUDDHA´S TIME

In the Buddha's time, Lumbini was situated between Kapilavastu and Devadaha (both in Nepal). It was there, that the Buddha was born. A pillar now marks the spot of Ashoka's visit to Lumbiní. According to an inscription on the pillar, it was placed there by the people then in charge of the park to commemorate Ashoka's visit and gifts. The park was previously known as Rummindei, 3.2 km north of Bhagavanpura.

 

In the Sutta Nipáta (vs. 683) it is stated that the Buddha was born in a village of the Sákyans in the Lumbineyya Janapada. The Buddha stayed in Lumbinívana during his visit to Devadaha and there preached the Devadaha Sutta.

 

REDISCOVERY

In 1896, Nepalese archaeologists (led by Khadga Samsher Rana and assisted by Alois Anton Führer) discovered a great stone pillar at Lumbini. Führer postulated that the pillar was placed at the site by Ashoka (emperor of the Maurya Empire) circa 245 BCE. Records made by the Chinese pilgrim Faxian in the early fifth century CE were also used in the process of identifying this religiously acclaimed site.

 

Recent excavations beneath existing brick structures at the Mayadevi Temple at Lumbini have uncovered evidence for an older timber structure beneath the walls of the newer brick Buddhist shrine, which was constructed during the Ashokan era. The layout of the Ashokan shrine closely follows that of the earlier timber structure, which suggests a continuity of worship at the site. The pre-Mauryan timber structure appears to be an ancient bodhigara (tree shrine), consisting of postholes and a wooden railing surrounding a clay floor containing mineralized tree roots that appears to have been worn smooth by visitors. Radiocarbon dating of charcoal from the wooden postholes and optically stimulated luminescence dating of elements in the soil suggests human activity (possibly pre-Buddhist tree worship) began at the site around 1000 BCE, followed by the development of a Buddhist monastery-like community by approximately 550 BCE.

 

PRESENT-DAY

The present-day Lumbini historic site is 4.8 km in length and 1.6 km in width. The holy site of Lumbini is bordered by a large monastic zone in which only monasteries can be built, no shops, hotels or restaurants. It is separated into an eastern and western monastic zone, the eastern having the Theravadin monasteries, the western having Mahayana and Vajrayana monasteries.

 

The holy site of Lumbini has ruins of ancient monasteries, a sacred Bodhi tree, an ancient bathing pond, the Ashokan pillar and the Mayadevi Temple, where the supposed place of birth of Buddha is located. From early morning to early evening, pilgrims from various countries perform chanting and meditation at the site.

 

A non-governmental organization named Samriddhi Foundation started in 2013 working extensively in the field of education and health specially in government schools of the area where underprivileged children study. A non-governmental organisation called "Asia Pacific Exchange and Cooperation Foundation" (APECF) backed by chairman of the Unified Communist Party of Nepal (Maoist) and then Prime Minister Prachanda, the Chinese government and a UN group called "United Nations Industrial Development Organization" (UNIDO) signed a deal to develop Lumbini into a "special development zone" with funds worth $3 billion. The venture was a China-UN joint project. A broader 'Lumbini Development National Director Committee' under the leadership of Pushpa Kamal Dahal was formed on 17 October 2011. The six-member committee included Communist Party of Nepal (Unified Marxist-Leninist) leader Mangal Siddhi Manandhar, Nepali Congress leader Minendra Rijal, Forest Minister Mohammad Wakil Musalman, among other leaders. The committee was given the authority to "draft a master plan to develop Lumbini as a peaceful and tourism area and table the proposal" and the responsibility to gather international support for the same.

 

Nipponzan Myohoji decided to build a Peace Pagoda in the park in 2001, which is visited by many different cultures and religions every day.

 

Hindus regard the Buddha as an incarnation of Vishnu and thousands of Hindu pilgrims go there on the full moon of the Nepali month of Baisakh (April–May) to worship Queen Mayadevi as Rupa Devi, the mother goddess of Lumbini.

Lumbini was granted World Heritage status by UNESCO in 1997.

 

ON THE NEPALI RUPEE

Nepal's central bank has introduced a 100-rupee Nepali note featuring Lumbini, the birthplace of Buddha. The Nepal Rastra Bank said the new note would be accessible only during the Dashain, Nepal's major festival in October 2013. It displays the portrait of Mayadevi, Gautam Buddha's mother in silver metallic on the front. The note also has a black dot which would help the blind recognise the note. The name of the central bank in Latin script would be printed on the note along with the date of printing in both the Christian Era and the Bikram Era. The new note is being issued following a cabinet decision 27 August.

 

TRANSPORT

Lumbini is a 9-hour drive from Kathmandu and a 30-minute drive from Bhairahawa. The closest airport is Gautam Buddha Airport at Bhairahawa, with flights to and from Kathmandu.

 

WIKIPEDIA

Rental includes a GPS guided voice narration. Also in San Francisco. Top Speed = 30 mph; Weight = 380 lbs.; Width = 51"; Length = 92"; Fuel Tank = 1.5 gallons; Motor = 49 cc, 2 stroke 2 HP; Body = Fiberglass / Gel Coat.

The backlit, red tinged Autumn leaves were the obvious stars at Wakehurst Place this weekend

 

Magical #16 in 52 pictures

This cute set includes:

 

* 2 inch circle tags (use as cupcake toppers, tags, decorating cups, etc.) (4 designs)

(The ninja design with the outer black circle measures 2.4 inches, and the graphic extends outside the circle)

* 4 inch circle tag (use as fans, decorations, etc.)

* Cupcake wrappers

* Flag toppers (3 designs)

* Birthday Party sign (personalize with name and age)

* Napkin rings (2 designs)

* 5" x 7" Invitation

* 4.5" x 6" Envelope template

* Water bottle labels

* Place holders

* Happy Birthday Banner

* Goody Box

 

Buy it at : www.etsy.com/shop/bonetgraphics

INCLUDES FOSSIL LEAF:

 

ALNUS JULIANIFORMIS

TAXODIUM DUBIUM

ULMUS PYRAMIDALIS

ACER TRICUSPIDATUM

SALIX HAIDINGERI

LIQUIDAMBAR EUROPAEA

Kindly contributed by Patrice Louinet, from Conan.com.

 

Diablerie 4, May 1944.

 

Of special interest to Robert E. Howard collectors; because it includes the first appearance of E. Hoffmann Price's essay "Robert Ervin Howard".

 

The fanzine is mimeographed, in color, and all the photos are pasted over the "printed" page. I can't imagine all the work that went into this for a fanzine. For all of that, it was nearly distributed as "Diablepie"!

 

The Contents page gives the print run as 75 copies.

 

Posted 20 November 2011 by Patrice Louinet to the "Show Us Your Howards!" forum of Conan.com.

We have expanded the color range of PRECIOSA Rocailles for you to include new natural colors!

 

We offer you the PRECIOSA Traditional Czech Beads™ rocaille range in newly developed and unique shades of light lilac and pink. This involves an exceptional change in our standard extensive color range after many years.

 

Don't miss the opportunity to get your hands on the seed beads in these delicate tones. They are excellent in children's costume jewelry collections, hair decorations or various tassels. The time of brides is also fast approaching. Decorate and adorn your unforgettable day with seed beads in the new glass colors!

 

The shades of delicate pink and lilac in opaque colors and transparent lilac can also be beautified with the sfinx and rainbow surface finishes. See for yourself.

 

You will love the unique extended color range of these glass seed beads!

 

TECHNICAL DATA:

PRECIOSA Rocailles

 

Article number: 311 19 001

Size: 1/0, 6/0, 8/0, 10/0, 11/0 (opaque pink 73420 and opaque lilac 23420)

Size: 1/0, 6/0, 8/0 (transparent lilac 20420)

 

Article number: 331 19 001

Size: 6/0 (the sfinx and rainbow finishes)

 

The Sfinx Finish

78420 (on opaque pink)

28420 (on opaque lilac)

28420 (on opaque lilac)

 

The Rainbow Finish

74420 (on opaque pink)

24420 (on opaque lilac)

21420 (on transparent lilac)

 

Visit our website for more information about the PRECIOSA New Seed Beads Colors

 

WEBSITE | FACEBOOK | YOUTUBE | GOOGLE+ | PINTEREST

INSTAGRAM

Includes

Ankara fabric, Thread

 

Hand stitched

 

This piece is a reflection of a phrase, a term a yoruba Nigerian parent would sometimes use to discipline or guilt trip their child. Another way you could say it is...

"I feel sorry for the trouble you're about to get into" as if it's a warning. I wanted to experiment with hand stitching and common yoruba phrases on traditional fabric. To maybe alter its actual use. However I also I liked the aspect of the writing being hard to read amongst the busy patterned Ankara material.

   

Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various metals (such as silverpoint), and electronic drawing.

 

An artist who practices or works in technical drawing may be called a drafter, draftsman, or draughtsman.[1]

 

A drawing instrument releases small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas.[2] The wide availability of drawing instruments makes drawing one of the most common artistic activities.

Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper, where the accurate representation of the visual world is expressed upon a plane surface.[3] Traditional drawings were monochrome, or at least had little colour,[4] while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an underdrawing is drawn first on that same support.

Drawing is often exploratory, with considerable emphasis on observation, problem-solving and composition. Drawing is also regularly used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies.

 

There are several categories of drawing, including figure drawing, cartooning, doodling and shading. There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper, around the outline of preexisting shapes that show through the paper).

 

A quick, unrefined drawing may be called a sketch.

 

In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.

Drawing as a Form of Communication Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication.[5] It is believed that drawing was used as a specialised form of communication before the invent of the written language,[5][6] demonstrated by the production of cave and rock paintings created by Homo sapiens sapiens around 30,000 years ago.[7] These drawings, known as pictograms, depicted objects and abstract concepts.[8] The sketches and paintings produced in prehistoric times were eventually stylised and simplified, leading to the development of the written language as we know it today.

 

Drawing in the Arts Drawing is used to express one's creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise.[9] Initially, artists used and reused wooden tablets for the production of their drawings.[10] Following the widespread availability of paper in the 14th century, the use of drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work.[11][12] In a period of artistic flourish, the Renaissance brought about drawings exhibiting realistic representational qualities,[13] where there was a lot of influence from geometry and philosophy.[14]

 

The invention of the first widely available form of photography led to a shift in the use of drawing in the arts.[15] Photography took over from drawing as a more superior method for accurately representing visual phenomena, and artists began to abandon traditional drawing practises.[16] Modernism in the arts encouraged "imaginative originality"[17] and artists' approach to drawing became more abstract.

 

Drawing Outside of the Arts Although the use of drawing is extensive in the arts, its practice is not confined purely to this field. Before the widespread availability of paper, 12th century monks in European monasteries used intricate drawings to prepare illustrated, illuminated manuscripts on vellum and parchment. Drawing has also been used extensively in the field of science, as a method of discovery, understanding and explanation. In 1616, astronomer Galileo Galilei explained the changing phases of the moon through his observational telescopic drawings.[16] Additionally, in 1924, geophysicist Alfred Wegener used illustrations to visually demonstrate the origin of the continents.[16]

 

Notable draftsmen[edit]

Since the 14th century, each century has produced artists who have created great drawings.

 

Notable draftsmen of the 14th, 15th and 16th centuries include Leonardo da Vinci, Albrecht Dürer, Michelangelo and Raphael.

Notable draftsmen of the 17th century include Claude, Nicolas Poussin, Rembrandt, Guercino, and Peter Paul Rubens.

Notable draftsmen of the 18th century include Jean-Honoré Fragonard, Giovanni Battista Tiepolo, and Antoine Watteau.

Notable draftsmen of the 19th century include Paul Cézanne, Aubrey Beardsley, Jacques-Louis David, Pierre-Paul Prud'hon, Edgar Degas, Théodore Géricault, Francisco Goya, Jean Ingres, Odilon Redon, Henri de Toulouse-Lautrec, Honoré Daumier, and Vincent van Gogh.

Notable draftsmen of the 20th century include Käthe Kollwitz, Max Beckmann, Jean Dubuffet, George Grosz, Egon Schiele, Arshile Gorky, Paul Klee, Oscar Kokoschka, Alphonse Mucha, M. C. Escher, André Masson, Jules Pascin, and Pablo Picasso.

The medium is the means by which ink, pigment or color are delivered onto the drawing surface. Most drawing media are either dry (e.g. graphite, charcoal, pastels, Conté, silverpoint), or use a fluid solvent or carrier (marker, pen and ink). Watercolor pencils can be used dry like ordinary pencils, then moistened with a wet brush to get various painterly effects. Very rarely, artists have drawn with (usually decoded) invisible ink. Metalpoint drawing usually employs either of two metals: silver or lead.[18] More rarely used are gold, platinum, copper, brass, bronze, and tinpoint.

 

Paper comes in a variety of different sizes and qualities, ranging from newspaper grade up to high quality and relatively expensive paper sold as individual sheets.[19] Papers can vary in texture, hue, acidity, and strength when wet. Smooth paper is good for rendering fine detail, but a more "toothy" paper holds the drawing material better. Thus a coarser material is useful for producing deeper contrast.

 

Newsprint and typing paper may be useful for practice and rough sketches. Tracing paper is used to experiment over a half-finished drawing, and to transfer a design from one sheet to another. Cartridge paper is the basic type of drawing paper sold in pads. Bristol board and even heavier acid-free boards, frequently with smooth finishes, are used for drawing fine detail and do not distort when wet media (ink, washes) are applied. Vellum is extremely smooth and suitable for very fine detail. Coldpressed watercolor paper may be favored for ink drawing due to its texture.

 

Acid-free, archival quality paper keeps its color and texture far longer than wood pulp based paper such as newsprint, which turns yellow and become brittle much sooner.

 

The basic tools are a drawing board or table, pencil sharpener and eraser, and for ink drawing, blotting paper. Other tools used are circle compass, ruler, and set square. Fixative is used to prevent pencil and crayon marks from smudging. Drafting tape is used to secure paper to drawing surface, and also to mask an area to keep it free of accidental marks sprayed or spattered materials and washes. An easel or slanted table is used to keep the drawing surface in a suitable position, which is generally more horizontal than the position used in painting.

Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.[20]

 

Prior to working on an image, the artist typically explores how various media work. They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects.

 

The artist's choice of drawing strokes affects the appearance of the image. Pen and ink drawings often use hatching—groups of parallel lines.[21] Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones—and controlling the density of the breaks achieves a gradation of tone. Stippling, uses dots to produce tone, texture or shade. Different textures can be achieved depending on the method used to build tone.[22]

 

Drawings in dry media often use similar techniques, though pencils and drawing sticks can achieve continuous variations in tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image. Erasers can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.

 

Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with masking fluid or cut out of a frisket and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.

 

Another method to preserve a section of the image is to apply a spray-on fixative to the surface. This holds loose material more firmly to the sheet and prevents it from smearing. However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors.

 

Another technique is subtractive drawing in which the drawing surface is covered with graphite or charcoal and then erased to make the image.[23]

Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image.

 

Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stump, tissue, a kneaded eraser, a fingertip, or any combination of them. A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.

 

Shading techniques that also introduce texture to the drawing include hatching and stippling. A number of other methods produce texture. In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface.

 

Form and proportion[edit]Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject. Tools such as a compass can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other. A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image. A ruler can be used both as a straightedge and a device to compute proportions.

 

When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive shapes. Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic shapes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form. The lines of the primitive shapes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools. Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent.[24]

 

A more refined art of figure drawing relies upon the artist possessing a deep understanding of anatomy and the human proportions. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement. This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait.

 

Perspective[edit]

Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance. Each set of parallel, straight edges of any object, whether a building or a table, follows lines that eventually converge at a vanishing point. Typically this convergence point is somewhere along the horizon, as buildings are built level with the flat surface. When multiple structures are aligned with each other, such as buildings along a street, the horizontal tops and bottoms of the structures typically converge at a vanishing point.When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective.[25] Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective.

 

Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer. Thus the back wheel of a cart appears slightly smaller than the front wheel. Depth can be portrayed through the use of texture. As the texture of an object gets further away it becomes more compressed and busy, taking on an entirely different character than if it was close. Depth can also be portrayed by reducing the contrast in more distant objects, and by making their colors less saturated. This reproduces the effect of atmospheric haze, and cause the eye to focus primarily on objects drawn in the foreground.

 

More from this afternoon's windsurfer action off Shoreham Beach.

Warm and sunny for Brighton's Pride Parade today - a riot of fun, colour and music.

Bosnia and Herzegovina, sometimes known as Bosnia-Herzegovina and informally as Bosnia, is a country in Southeast Europe. Situated on the Balkan Peninsula, it borders Serbia to the east, Montenegro to the southeast, and Croatia to the north and southwest. In the south it has a 20-kilometre-long (12-mile) coast on the Adriatic Sea. Bosnia has a moderate continental climate with hot summers and cold, snowy winters. In the central and eastern regions, the geography is mountainous, in the northwest it is moderately hilly, and in the northeast it is predominantly flat. Herzegovina, the smaller, southern region, has a Mediterranean climate and is mostly mountainous. Sarajevo is the capital and the largest city.

 

The area has been inhabited since at least the Upper Paleolithic, but evidence suggests that during the Neolithic age, permanent human settlements were established, including those that belonged to the Butmir, Kakanj, and Vučedol cultures. After the arrival of the first Indo-Europeans, the area was populated by several Illyrian and Celtic civilizations. The ancestors of the South Slavic peoples that populate the area today arrived during the 6th through the 9th century. In the 12th century, the Banate of Bosnia was established; by the 14th century, this had evolved into the Kingdom of Bosnia. In the mid-15th century, it was annexed into the Ottoman Empire, under whose rule it remained until the late 19th century; the Ottomans brought Islam to the region. From the late 19th century until World War I, the country was annexed into the Austro-Hungarian monarchy. In the interwar period, Bosnia and Herzegovina was part of the Kingdom of Yugoslavia. After World War II, it was granted full republic status in the newly formed Socialist Federal Republic of Yugoslavia. In 1992, following the breakup of Yugoslavia, the republic proclaimed independence. This was followed by the Bosnian War, which lasted until late 1995 and ended with the signing of the Dayton Agreement.

 

The country is home to three main ethnic groups: Bosniaks are the largest group, Serbs the second-largest, and Croats the third-largest. Minorities include Jews, Roma, Albanians, Montenegrins, Ukrainians and Turks. Bosnia and Herzegovina has a bicameral legislature and a presidency made up of one member from each of the three major ethnic groups. However, the central government's power is highly limited, as the country is largely decentralized. It comprises two autonomous entities—the Federation of Bosnia and Herzegovina and Republika Srpska—and a third unit, the Brčko District, governed by its own local government.

 

Bosnia and Herzegovina is a developing country. Its economy is dominated by industry and agriculture, followed by tourism and the service sector. Tourism has increased significantly in recent years. The country has a social security and universal healthcare system, and primary and secondary education is free. Bosnia and Herzegovina is an EU candidate country and has also been a candidate for NATO membership since April 2010.

The other rules include not taking the last beer out of his refrigerator without asking, and don't experience flatulence at the dinner table and blame the dog, especially if your future father in law DOESN'T have a dog.

 

Dressing to impress your future father in law can only take you so far.

 

This scan includes my stocking pattern and the pattern that Fritz provided on the ED forum (for comparison). Fritz's pattern was meant for one way stretch fabric and I've only made mine with fabric that has stretch in both directions.

 

My pattern is very roughly based on the stockings that came with Alice. Both Alice and those stockings were made by Marina Bychkova.

 

This pattern is on 1/4 inch graph paper. I'm sorry the ruler's a bit hard to read. It was the only one I could find in my house that had both metric and inches on it.

 

My pattern is free to use for any non-commercial purpose. Fitz's pattern is not mine, so you'll need to ask for permission to use it for anything non-trivial.

 

If you make stockings from my pattern please send me a picture! :)

Looking back to the Henfield Garden and Arts Festival - the chosen venue for the Club Photohunt.

Alexander Hülsmann (Brand Manager - Product Unit Comfort Derby Cycle Werke GmbH) informiert im Interview. Zum Artikel: extraenergy.org/main.php?language=de&category=&su...

It was an open day at the High Salvington Windmill, with a gathering of classic cars. Inside, a flour sack with the mill's logo.

From a wander around Wakehurst Place

Action from the much delayed 78th Members' Meeting Goodwood.

The nose of an Alfa Giulia Sprint "step front" at the Classic Alfa Trackday, Goodwood

Sales Price：$40

 

Size: M

Colour: Red

Material：Acrylic+ Spandex

 

2 Piece Hot Devil Costume includes Tube Dress with Built-in Petticoat and Bow, Ears.

Includes signature hair loopies

This outfit includes a blue jeans skirt, veil tights, red shirt, long whool cardigan, bobble hat and a leather bag. This is a creation of Miss B. Couture, entirely handmade with recycled fabrics. You can find the tutos on www.missbcouture.com

 

Easter Road Stadium plays host to a Hibernian ‘Family Reunion’ on Sunday 20 November, with a 3pm head-to-head between two sets of Hibs heroes with the aim of raising as much money as possible for HSF-supported causes in the local community.

 

Two team managed by Paul Hanlon with Alan Stubbs and Lewis Stevenson with Darren McGregor

 

Former players involved include:

 

Colin Nish

Craig Brewster

Danny Swanson

Darren Dods

Dean Shiels

Derek Riordan

Dirk Lehmann

Dylan McGeouch

Gareth Evans

Garry O’Connor

 

Gary Smith

Gordon Hunter

Ian Murray

Ivan Sproule

James McPake

John Hughes

John O’Neill

John Rankin

Kevin Harper

Leigh Griffiths

 

Liam Craig

Liam Fontaine

Michael Weir

Niklas Gunnarsson

Rob Jones

Scott Allan

Steven Tweed

Stuart Lovell

Tam McManus

Willie Miller

  

Picture: Alan Rennie

 

nrhp # 73001971- Fort Stockton Historic District- Historic Fort Stockton is located on the east side of town at the intersection of Fifth and Rooney streets. Today the site includes three buildings from the original Officers’ Row (one is a private residence), the original limestone Guard House, two reconstructed Enlisted Men’s Barracks and Kitchens, and the original parade ground.

 

Military presence began here with the establishment of Camp Stockton in 1858 by troops of from the 1st and 8th Infantry, US Army. This first site was southwest of the present location, near the Pecos County Courthouse.

 

The post protected travelers and settlers on the numerous roads and trails (including the stage lines) heading west to Mexico and California from San Antonio. The abundant water supply of Comanche Springs made Fort Stockton a regular stop on these frontier crossroads, and it was here that these trails intersected the Comanche War Trail.

 

The US Army withdrew from Texas during the Civil War and abandoned Camp Stockton in 1861. Confederate troops briefly occupied the site until they too, withdrew. By the end of the war little remained of this first post.

 

In July 1867, Colonel Edward Hatch, Commander of the 9th Cavalry, re-established Fort Stockton at its present location. The new fort was garrisoned by four companies of the 9th Cavalry, one of the new regiments created for the black men knows as “Buffalo Soldiers” who sought security in the US Army after the Civil War. The post- war fort was occupied for nineteen years (1867-1886). The fort’s 960 acres were leased from civilian landowners. An additional 25 acres on Comanche Creek were leased for the fort’s garden. By the early 1880’s the “Indian menace” was no longer a threat, and the future of the fort was limited. It was finally abandoned in 1886 as the frontier moved west.

 

The fort consisted of about 35 buildings, two of them, the Guard House and Powder Magazine were built of locally quarried limestone from surrounding mesas, and the remainders were constructed of adobe brick with limestone foundations. Of the original buildings, only four remain: the Guard House and three of the eight Officers’ Quarters (one of which is a private residence).

 

The two Enlisted Men’s Barracks and Kitchens were reconstructed from original blueprints, following extensive archaeological excavations.

 

Historic Fort Stockton, listed on the National Register of Historic Sites, is owned by the City of Fort Stockton and managed by the Fort Stockton Historical Society.

 

from historicfortstocktontx.com

Photographic distractions as I was hacking about in the garden this afternoon.

Washington Park is a public urban park in Portland, Oregon, USA. It includes a zoo, forestry museum, arboretum, children's museum, rose garden, Japanese garden, amphitheatre, memorials, archery range, tennis courts, soccer field, picnic areas, playgrounds, public art and many acres of wild forest with miles of trails. Washington Park covers more than 410 acres (166 hectares) on mostly steep, wooded hillsides which range in elevation from 200 feet (61 m) at 24th & W Burnside to 870 feet (265 m) at SW Fairview Blvd. It comprises 159.7 acres (64.63 hectares) of city park land that has been officially designated as "Washington Park" by the City of Portland,[1] as well as the adjacent 64 acre Oregon Zoo and the 187 acre Hoyt Arboretum, which together make up the area described as "Washington Park" on signs and maps.[2]

 

Contents

 

1 History

2 Notable features

2.1 Statues and fountains

3 Public access

4 See also

5 References

6 External links

 

History

Garden near north entrance

A blossoming tree at night in Washington park.

 

The City of Portland purchased the original 40.78 acres (16.5 hectares) in 1871 from Amos King for $32,624, a controversially high price for the time.[3][4] The area, designated "City Park", was wilderness with few roads. Thick brush, trees and roaming cougar discouraged access. In the mid-1880s, Charles M. Meyers was hired as park keeper. A former seaman without landscape training, he transformed the park by drawing on memories of his native Germany and European parks. By 1900, there were roads, trails, landscaped areas with lawns, manicured hedges, flower gardens, and a zoo. Cable cars were added in 1890 and operated until the 1930s.

 

In 1903, John Charles Olmsted of Olmsted Brothers, a nationally known landscape architecture firm, recommended several changes to the park including the present name, location of the entrance, separate roads and pedestrian paths, and replacement of formal gardens with native species. The name was officially changed from City Park to Washington Park in 1909.[5]

 

When the county poor farm closed in 1922, the 160 acres (64.75 hectares) were added to Washington Park.

 

Portland's zoo was founded in Washington Park in 1887 near where the reservoirs are presently located. It moved in 1925 to what is now the Japanese Garden, and moved again in 1959 to its present location at the park's southern edge. The only surviving structure from the old zoo is the elephant barn, now converted into a picnic shelter and decorated with tile mosaic of various animals and a life-size brick relief sculpture of an elephant and calf.

 

The City of Portland plans to demolish the existing number 3 and 4 outdoor reservoirs, then replace them with underground reservoirs covered by reflecting pools, due to their age and a federal mandate to cover all reservoirs.[6] The $67 million project has attracted opposition from historical preservationists and residents concerned about construction impacts.[7]

Skunk Anansie are an English rock band whose members include Skin (born Deborah Dyer, 3 August 1967, Brixton), Cass (born Richard Keith Lewis, 1 September 1960, London), Ace (born Martin Ivor Kent, 30 March 1967, Cheltenham) and Mark Richardson (born 28 May 1970, Leeds).

 

Skunk Anansie formed in March 1994, disbanded in 2001 and reformed in 2009. The name is taken from the West African folk tales of Anansi the spider-man, with “Skunk” added to "make the name nastier". They are often grouped as part of a Britrock movement, running alongside Britpop. The band, in 2004, was named as one of the most successful UK chart acts between 1952 and 2003 by the Guinness Book of British Hit Singles & Albums, with a total of 141 weeks on both the singles and album charts ranking them at #491. When the book first published this annual top 500 list in 2000, it only involved weeks spent on the singles chart until 2004's 17th edition, meaning the band's highest ranking has not been notified in any of the past editions. Their longest running release is 1996's Stoosh album with 55 weeks and a peak of #9. The band released their fourth studio album Wonderlustre (their first studio album after their reformation) internationally on 13 September 2010, preceded in August by its first single "My Ugly Boy".

 

skunkanansie.net

This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.

 

The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.

 

The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.

 

Electronic timing was provided by RedTagTiming: www.redtagtiming.com/

Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/

 

This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.

 

Viewing this on a smartphone device?

If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".

 

Overall Race Summary

Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.

Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.

Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.

Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails

Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.

 

Some Useful Links

Official Race Event Website: www.forestmarathon.com/

The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371

A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781

Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/

Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/

Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...

A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...

Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O

Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park

Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115

Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...

More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...

 

How can I get a full resolution copy of these photographs?

 

All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.

 

If you would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets

  

Flowers include Crocosmia 'Lucifer' (Montbretia 'Lucifer'), Crocosmia 'Paul's Best Yellow', Astilbe chinensis, Cosmos bipinnatus, Phlox, Leucanthemum (Shasta daisy), Hemerocallis (daylilies). However, please,

does anyone know the name of the tall hardy pink perennial in the upper left of the photo?

A lovely evening at Woods Mill, with several Barn Owl encounters and a good chat with a couple of other photographers. This shot was very late in the evening as the light had gone, hence the ISO 16000. I liked the dynamic on this, as the Owl dived in to the grass after a Vole, or some such.

 

I may have to go again tomorrow,

includes stop on Lolo Pass Road, Clackamas County

Some of the signs and symptoms of breast cancer include:

 

a change in size or shape

a lump or area that feels thicker than the rest of the breast

a change in skin texture such as puckering or dimpling (like the skin of an orange)

redness or rash on the skin and/or around the nipple

your nipple has become pulled in or looks different, for example, changed its position or shape

a liquid that comes from the nipple without squeezing

pain in your breast or your armpit that’s where all or almost all of the time

swelling in your armpit or around your collarbone

Many symptoms of breast cancer, such as breast pain or a lump, may in fact be caused by normal breast changes or a benign (not cancer) breast condition. However, if you notice a change, it’s important to see your GP (local doctor) as soon as you can.

 

Some people think that having breast cancer will cause other symptoms apart from a breast change, such as feeling tired, having less energy or weight loss, but this is not the case. If you notice a change, even if you feel well, it’s important to visit your GP.

 

» Learn more about how to check your breasts

  

Not just a lump

TV presenter Emma Willis explains what signs and symptoms to look out for.

  

Tell your doctor as soon as you notice a change to your breasts

Most breast changes will not be cancer. However, breast cancer is the most common cancer in the UK so it is important that you find out what’s causing the change.

 

If your GP is male and you don’t feel comfortable going to see him, you can ask if there’s a female doctor available. You can also ask for a female nurse or member of staff to be present during your examination, or you can take a friend or relative with you.

 

When your GP examines your breasts they may feel that there is no need for further investigation, they may ask to see you again after a short time or they may refer you to a breast clinic. This doesn’t necessarily mean that you have breast cancer, just that further tests are needed to find out what is going on.

pinkhealth.in/child-care/

 

Gloriously muddy conditions for this afternoon's rugby match at Buckingham Park, Shoreham vs. Sussex Police

Jenna dewan plastic surgery includes cheek implant. This surgery has made her cheeks look fuller and plumper. The surgery is making her look younger and her skin seems to look tighter.

 

celebritiesbrasize.com/jenna-dewan-plastic-surgery/

A day at the point-to-point racing at Parham

 

Apparently, the locals pronounce it as "pa-rum" not "par-ham"

Includes a fire place, table with lamp, couch, kitchen and bed.

ROCKTROPOLIS is a progressive rock band that is like a volcano ready to explode upon your ears. Members include guitarist ROCKTROPOLIS, Bassist and Keyboardist Sam Metropoulos and Drummer Marc Stemmler. Influences are Dream Theater, Rush, Yngwie, Yes, Deep Purple and Iron Maiden to name a few. Guitarist ROCKTROPOLIS has worked with The Process, Gabe Gonzalez (George Clinton) and former drummer John Macaluso (Yngwie Malmsteen, ARK and VOX). Multi instrumentalist Sam Metropoulos has collaborated on several albums with The Process, played with John Macaluso and has opened for Yngwie Malmsteen. Akin to the pillars of the great Parthenon, drummer Marc Stemmler provides the foundation for which ROCKTROPOLIS bridges the hemispheres between classical and progressive rock music. ROCKTROPOLIS is a Nominee of the 2013 Detroit Music Awards.

 

ROCKTROPOLIS is represented by Howard Hertz/Joseph Bellanca (Hertz Schram, p.c.) Mr. Hertz’s impressive roster includes George Clinton, Sippie Wallace, The Romantics, The Bass Brothers, Eminem, Marilyn Manson, Russell Simmons, O-Town, Pantera, Marcus Belgrave, The GO, Mike Posner, Elmore Leonard, Warner Tamerlane and Atlantic Records.

 

ROCKTROPOLIS is currently recording/producing their debut album, with Chris Lewis as their recording engineer (Fire Hyena Studio). Projected release date is summer 2013. Be prepared to own a collection of brilliant compositions that are melodic, epic and infectious to the soul.

 

www.RocktropolisMusic.com (c) 2012

Friday at the Goodwood Revival

Washington Park is a public urban park in Portland, Oregon, USA. It includes a zoo, forestry museum, arboretum, children's museum, rose garden, Japanese garden, amphitheatre, memorials, archery range, tennis courts, soccer field, picnic areas, playgrounds, public art and many acres of wild forest with miles of trails. Washington Park covers more than 410 acres (166 hectares) on mostly steep, wooded hillsides which range in elevation from 200 feet (61 m) at 24th & W Burnside to 870 feet (265 m) at SW Fairview Blvd. It comprises 159.7 acres (64.63 hectares) of city park land that has been officially designated as "Washington Park" by the City of Portland,[1] as well as the adjacent 64 acre Oregon Zoo and the 187 acre Hoyt Arboretum, which together make up the area described as "Washington Park" on signs and maps.[2]

 

Contents

 

1 History

2 Notable features

2.1 Statues and fountains

3 Public access

4 See also

5 References

6 External links

 

History

Garden near north entrance

A blossoming tree at night in Washington park.

 

The City of Portland purchased the original 40.78 acres (16.5 hectares) in 1871 from Amos King for $32,624, a controversially high price for the time.[3][4] The area, designated "City Park", was wilderness with few roads. Thick brush, trees and roaming cougar discouraged access. In the mid-1880s, Charles M. Meyers was hired as park keeper. A former seaman without landscape training, he transformed the park by drawing on memories of his native Germany and European parks. By 1900, there were roads, trails, landscaped areas with lawns, manicured hedges, flower gardens, and a zoo. Cable cars were added in 1890 and operated until the 1930s.

 

In 1903, John Charles Olmsted of Olmsted Brothers, a nationally known landscape architecture firm, recommended several changes to the park including the present name, location of the entrance, separate roads and pedestrian paths, and replacement of formal gardens with native species. The name was officially changed from City Park to Washington Park in 1909.[5]

 

When the county poor farm closed in 1922, the 160 acres (64.75 hectares) were added to Washington Park.

 

Portland's zoo was founded in Washington Park in 1887 near where the reservoirs are presently located. It moved in 1925 to what is now the Japanese Garden, and moved again in 1959 to its present location at the park's southern edge. The only surviving structure from the old zoo is the elephant barn, now converted into a picnic shelter and decorated with tile mosaic of various animals and a life-size brick relief sculpture of an elephant and calf.

 

The City of Portland plans to demolish the existing number 3 and 4 outdoor reservoirs, then replace them with underground reservoirs covered by reflecting pools, due to their age and a federal mandate to cover all reservoirs.[6] The $67 million project has attracted opposition from historical preservationists and residents concerned about construction impacts.[7]

Washington Park is a public urban park in Portland, Oregon, USA. It includes a zoo, forestry museum, arboretum, children's museum, rose garden, Japanese garden, amphitheatre, memorials, archery range, tennis courts, soccer field, picnic areas, playgrounds, public art and many acres of wild forest with miles of trails. Washington Park covers more than 410 acres (166 hectares) on mostly steep, wooded hillsides which range in elevation from 200 feet (61 m) at 24th & W Burnside to 870 feet (265 m) at SW Fairview Blvd. It comprises 159.7 acres (64.63 hectares) of city park land that has been officially designated as "Washington Park" by the City of Portland,[1] as well as the adjacent 64 acre Oregon Zoo and the 187 acre Hoyt Arboretum, which together make up the area described as "Washington Park" on signs and maps.[2]

 

Contents

 

1 History

2 Notable features

2.1 Statues and fountains

3 Public access

4 See also

5 References

6 External links

 

History

Garden near north entrance

A blossoming tree at night in Washington park.

 

The City of Portland purchased the original 40.78 acres (16.5 hectares) in 1871 from Amos King for $32,624, a controversially high price for the time.[3][4] The area, designated "City Park", was wilderness with few roads. Thick brush, trees and roaming cougar discouraged access. In the mid-1880s, Charles M. Meyers was hired as park keeper. A former seaman without landscape training, he transformed the park by drawing on memories of his native Germany and European parks. By 1900, there were roads, trails, landscaped areas with lawns, manicured hedges, flower gardens, and a zoo. Cable cars were added in 1890 and operated until the 1930s.

 

In 1903, John Charles Olmsted of Olmsted Brothers, a nationally known landscape architecture firm, recommended several changes to the park including the present name, location of the entrance, separate roads and pedestrian paths, and replacement of formal gardens with native species. The name was officially changed from City Park to Washington Park in 1909.[5]

 

When the county poor farm closed in 1922, the 160 acres (64.75 hectares) were added to Washington Park.

 

Portland's zoo was founded in Washington Park in 1887 near where the reservoirs are presently located. It moved in 1925 to what is now the Japanese Garden, and moved again in 1959 to its present location at the park's southern edge. The only surviving structure from the old zoo is the elephant barn, now converted into a picnic shelter and decorated with tile mosaic of various animals and a life-size brick relief sculpture of an elephant and calf.

 

The City of Portland plans to demolish the existing number 3 and 4 outdoor reservoirs, then replace them with underground reservoirs covered by reflecting pools, due to their age and a federal mandate to cover all reservoirs.[6] The $67 million project has attracted opposition from historical preservationists and residents concerned about construction impacts.[7]

The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.

 

Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.

 

The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.

Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.

 

Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).

 

YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria

 

Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.

 

Enquiries: Yarra Plenty Regional Library

  

North Country families serving with the Colours include the following: Mr. J. Stephenson, Springwell: 4 sons ans 1 son-in-law (C. Nutter)

 

This photograph was published in the Illustrated Chronicle on the 5th of May 1915.

 

During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.

 

The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images or have any stories or information to add please comment below.

 

Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.

Print ::: Printed canvas background with presents stretched over wood frame. Sides include the canvas print so no need for a frame. Is ready to hang on your wall.

Color ::: Muted blue, soft gold, brown & rose

Size ::: 13" x 11”

Paper ::: Canvas Textured archival

Ink ::: Archival inks will last for decades to come

Shipping ::: Ships securely to the address you supply on Etsy

 

This is a mixed media creation I made using my original artwork applied to a damask printed canvas background stretched over a canvas frame. The present background has hand cut and decoupaged "Frenchie Antoinette", Eiffle Tower, birds, Fluer De Lis, Crown and more on top of it. All is coated with matte sealer for waterproofing and preservation.

for sale on Etsy at www.etsy.com/shop/ArtFilledEye

NARMADA PARIKRAMA

The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).

The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".

To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.

The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.

There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.

Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.

Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.

Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.

The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

  

NARMADA PARIKRAMA

The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).

The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".

To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.

The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.

There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.

Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.

Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.

Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.

The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

  

NARMADA PARIKRAMA

The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).

The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".

To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.

The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.

There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.

Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.

Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.

Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.

The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

  

NARMADA PARIKRAMA

The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).

The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".

To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.

The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.

There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.

Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.

Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.

Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.

The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

Jon Magnuson, Executive Director of the nonprofit Cedar Tree Institute in Marquette Michigan th

906-2285494

magnusonx2@charter.net

www.earthkeepersup.org

www.cedartreeinstitute.org

 

EarthKeepers II (EK II) Project Coordinator Kyra Fillmore Ziomkowski explains creating 30 interfaith community gardens (2013-2014) across the Upper Peninsula of Michigan that include vegetables and native species plants that encourage and help pollinators like bees and butterflies.

 

The video was shot on April 5, 2013 at the Big Bay Point Lighthouse Bed and Breakfast in Big Bay, MI during a meeting of EK II representatives.

 

An Interfaith Energy Conservation and Community Garden Initiative Across the Upper Peninsula of Michigan to Restore Native Plants and Protect the Great Lakes from Toxins like Airborne Mercury in cooperation with the EPA Great Lakes Restoration Initiative, U.S. Forest Service, 10 faith traditions and Native American tribes such as Keweenaw Bay Indian Community

 

10 faiths: Roman Catholic" "Episcopal" "Jewish" "Lutheran" "Presbyterian" "United Methodist" "Bahá'í" "Unitarian Universalist" "American Friends" "Quaker" "Zen Buddhist" "

 

EK II website

EarthKeepersUP.org

 

Nonprofit Cedar Tree Institute

Marquette, MI

www.CedarTreeInstitute.org

 

Great Lakes Restoration Initiative

www.greatlakesrestoration.us

www.epa.gov

 

Deborah Lamberty

Program Analyst

U.S. Environmental Protection Agency

Great Lakes National Program Office

Chicago, IL

 

Lamberty.Deborah@epa.gov

312-886-6681

 

Pastor Albert Valentine II

Manistique, MI

Manistique Presbyterian Church of the Redeemer

Gould City Community Presbyterian Church

Presbytery of Mackinac

www.presbymac.org

 

Rev. Christine Bergquist

Bark River United Methodist Church

First UMC of Hermansville

United Methodist Church Marquette District

www.mqtdistrict.com

 

Rev. Elisabeth Zant

Eden Evangelical Lutheran Church

Munising, MI

www.edenevangelical.org

Evangelical Lutheran Church in America (ELCA) Northern Great Lakes Synod

www.nglsynod.org

 

Heidi Gould

Marquette, MI

Marquette Unitarian Universalist Congregation

www.mqtuu.org

twitter.com/Heidi_Gould

 

Rev. Pete Andersen

Marquette, MI

ELCA

 

Helen Grossman

Temple Beth Sholom

Jewish Synagogue

 

Rev. Stephen Gauger

Calvary Lutheran Church

Rapid River, MI

ELCA

 

Jan Schultz, Botanist

U.S. Forest Service (USFS)

Eastern Region 9

EK II Technical Advisor for Community Gardens

Milwaukee, WI

 

USFS

www.fs.fed.us/wildflowers/nativegardening

www.fs.fed.us/wildflowers

www.wildlifeforever.org

 

Pollinator photos by Nancy Parker Hill

www.nancyhillphoto.com

 

Rev. David Van Kley, Senior Pastor

Rev. Amanda Kossow, Associate Pastor

www.marquettelutherans.org

 

Messiah Lutheran Church

Evangelical Lutheran Church in America

Marquette, Michigan

 

Rev. David Van Kley, Senior Pastor

Rev. Amanda Kossow, Associate Pastor

www.marquettelutherans.org

  

NMU EK II Student Team

Katelin Bingner

Tom Merkel

Adam Magnuson

 

EK II social sites

www.youtube.com/EarthKeepersII

vimeo.com/EarthKeepersII

EarthKeepersII.blogspot.com

EarthKeepersII.wordpress.com

www.facebook.com/EarthKeepersII

www.twitter.com/EarthKeeperTeam

pinterest.com/EarthKeepersII

pinterest.com/EarthKeepersII/Great-Lakes-Restoration-Init...

pinterest.com/EarthKeepersII/EarthKeepers-II-and-the-EPA-...

Lake Superior Zendo

Zen Buddhist Temple

Marquette, Michigan

 

Rev. Tesshin Paul Lehmberg

906 226-6407

plehmber@nmu.edu

 

Dr. Michael Grossman, representing Jewish Temple Beth Sholom in Ishpeming, MI

Helen Grossman, representing Jewish Temple Beth Sholom in Ishpeming, MI

906-475-4009 (hm)

906-475-4127 (wk)

www.templebethsholom-ishpeming.org

www.templebethsholom-ishpeming.org/tikkun

www.templebethsholom-ishpeming.org/aboutus

 

Wild Rice: 8 videos

www.learningfromtheearth.org/video-interviews/wild-rice-m...

 

Birch – 2 videos

www.learningfromtheearth.org/video-interviews/paper-birch...

 

Photos (click on each name or topic to see the respective photo galleries):

www.learningfromtheearth.org/photo-gallery

 

www.picasaweb.google.com/Yoopernewsman/JonReport?authuser...

www.picasaweb.google.com/100329402090002004302/JonReport?...

 

“Albert Einstein speculated once that if bees disappeared off the surface of the earth, then humans would have only four years of life left.”

the late Todd Warner, KBIC Natural Resource Director

 

Links:

 

Zaagkii Wings and Seeds Project website:

www.wingsandseeds.org

 

Cedar Tree Institute: Zaagkii Project

www.cedartreeinstitute.org/2010/07/wings-seeds-zaagkii-pr...

www.cedartreeinstitute.org/2009/01/wings-seeds-the-zaagki...

 

Zaagkii Project Videos on youtube (also uploaded to dozens of internet sites):

www.youtube.com/ZaagkiiTV

 

KBIC Pollinator Preservation

www.indiancountrytodaymedianetwork.com/ictarchives/2008/0...

Zaagkii Project Indigenous Plants Help Give New Face to Sand Point on Keweenaw Bay www.indiancountrytodaymedianetwork.com/ictarchives/2008/0...

 

Zaagkii Project 2010: U.S. Forest Service & Keweenaw Bay Indian Community Native Plants Greenhouse

www.youtube.com/watch?v=Hoq5xXHDF4E

United States Forest Service sponsored Zaagkii Project featured on Pollinator Live

www.youtube.com/watch?v=8P3DPfxx7Jw

 

2009 Zaagkii Project Vid #9: Teens Painting Mason Bee Houses in Northern Michigan

www.youtube.com/watch?v=QIIV6jrlT20

 

2009 Zaagkii Project Vid #8: Marquette, Michigan Teens Build Mason Bee Houses

www.youtube.com/watch?v=c3MBfV7ION8

 

Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service

www.youtube.com/watch?v=hGQScEI9x7Q

 

2009 Zaagkii Project Vid #6: "The Butterfly Lady" Susan Payant teaches teens about Monarchs

www.youtube.com/watch?v=JlIgsuTFSuM

 

2009 Zaagkii Project Vid #5: Terracotta half-life, Marquette, MI band supports environment projects

www.youtube.com/watch?v=JqlFCHwW30o

 

2009 Zaagkii Video #4: Michigan teens meet 150,000 swarming honeybees with beekeeper Jim Hayward

www.youtube.com/watch?v=U2B4MEzM7w4

 

2009 Zaagkii Video #3: Michigan teens give away mason bee houses, honor supporters

www.youtube.com/watch?v=dqfWeEgDxTY

 

2009 Zaagkii Project #2: Historic KBIC native plants greenhouse, USFS protects pollinators

www.youtube.com/watch?v=vg8H5nhvzzc

 

2009 Zaagkii Project #1: Students make bee houses, plant native species plants

www.youtube.com/watch?v=E8jqJAQyXwE

 

Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service:

www.youtube.com/watch?v=hGQScEI9x7Q

 

Zaagkii Wings & Seeds Project: Northern Michigan teens, KBIC tribal youth protect pollinators

www.youtube.com/watch?v=VoPJOXHt7pI

 

Zaagkii Project – Northern Michigan University:

www.webb.nmu.edu/Centers/NativeAmericanStudies/SiteSectio...

 

Native Village stories: Beautiful Layout by Owner Gina Boltz:

Zaagkii Wings and Seeds Project: A Project by Ojibwe Students from the Keweenah Bay Indian Community

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

 

NMU Students Join Pollinator Protection Initiative

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

 

KBIC Tribal youth protect pollinators

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

 

Teens Help with Sweet Nature Project

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

 

USFS Success Stories:

Restoring Native Plants on the Enchanted Island

www.fs.fed.us/r9/ssrs/story?id=6274

 

Keweenaw Bay Indian Community Native Plant Greenhouse & Workshop

www.fs.fed.us/r9/ssrs/story?id=5499

  

Intertribal Nursery Council Annual Meeting a Success

www.fs.fed.us/r9/ssrs/story?id=6276

 

New Greenhouse for KBIC Restoration

www.fs.fed.us/r9/ssrs/story?id=5336

  

Zaagkii Wings & Seeds - An Update

www.fs.fed.us/r9/ssrs/story?id=5076

 

Zaagkii Wings & Seeds Project

www.fs.fed.us/r9/ssrs/story?id=4025

 

News Stories:

U.P. teens build butterfly houses, grow 26,000 indigenous plants

www.miningjournal.net/page/content.detail/id/519835.html?...

 

Effort to protect pollinators launched

www.miningjournal.net/page/content.detail/id/512810.html

 

Marquette Monthly (Sept. 2009):

www.mmnow.com/mm_archive_folder/09/0909/feature.html

 

As bees die, Keweena Bay Indian Community adults, teens actively protect pollinators

www.nativetimes.com/index.php?option=com_content&view...

 

Michigan Teens Build Butterfly Houses and Plant 26,000 Native Plants through the Zaagkii Wings and Seeds Project

www.treehugger.com/culture/michigan-teens-build-butterfly...

 

Examples of numerous Gather.com articles with lots of photos/videos:

 

Zaagkii Wings and Seeds Project: Northern Michigan teens and KBIC tribal youth are protecting pollinators by building butterfly houses and planting native plants

www.gather.com/viewArticle.action?articleId=281474977550233

 

Zaagkii Wings & Seeds Project: Protecting Pollinators

www.gather.com/viewArticle.action?articleId=281474977428640

 

2009 Zaagkii Project #2: Keweenaw Bay Indian Community in 2010 to build first Native American native species plants greenhouse on tribal property in U.S.

www.gather.com/viewArticle.action?articleId=281474978040745

 

2009 Zaagkii Project #1: Northern Michigan Teens Protect Pollinators with U.S. Forest Service, Keweenaw Bay Indian Community, NMU Center for Native American Studies: Build mason bee houses, butterfly houses, distribute thousands of native species plants

www.gather.com/viewArticle.action?articleId=281474978040729

 

Zaagkii Project Internet sites – blogs, photos, videos etc.:

 

ZaagkiiProject on flickr

www.flickr.com/photos/zaagkiiproject

www.flickr.com/people/zaagkiiproject

 

Zaagkii on youtube:

www.youtube.com/ZaagkiiTV

 

Zaagkii on bliptv:

www.zaagkiitv.blip.tv

 

Zaagkii on word press:

www.zaagkiiproject.wordpress.com

 

Zaagkii on Blogger:

www.zaagkiiproject.blogspot.com

 

Zaagkii on Photobucket:

www.photobucket.com/ZaagkiiProjectWingsSeeds

www.photobucket.com/ZaagkiiProjectWingsSeeds/?start=all

 

Zaagkii Wings and Seeds Project website:

wingsandseeds.org

 

Cedar Tree Institute: Zaagkii Project

cedartreeinstitute.org/2010/07/wings-seeds-zaagkii-project

cedartreeinstitute.org/2009/01/wings-seeds-the-zaagkii-pr...

 

Zaagkii Project Videos on youtube (also uploaded to dozens of internet sites):

www.youtube.com/ZaagkiiTV

 

KBIC Pollinator Preservation

indiancountrytodaymedianetwork.com/ictarchives/2008/08/15...

Zaagkii Project Indigenous Plants Help Give New Face to Sand Point on Keweenaw Bay indiancountrytodaymedianetwork.com/ictarchives/2008/09/03...

 

Zaagkii Project 2010: U.S. Forest Service & Keweenaw Bay Indian Community Native Plants Greenhouse

www.youtube.com/watch?v=Hoq5xXHDF4E

United States Forest Service sponsored Zaagkii Project featured on Pollinator Live

www.youtube.com/watch?v=8P3DPfxx7Jw

 

2009 Zaagkii Project Vid #9: Teens Painting Mason Bee Houses in Northern Michigan

www.youtube.com/watch?v=QIIV6jrlT20

 

2009 Zaagkii Project Vid #8: Marquette, Michigan Teens Build Mason Bee Houses

www.youtube.com/watch?v=c3MBfV7ION8

 

Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service

www.youtube.com/watch?v=hGQScEI9x7Q

 

2009 Zaagkii Project Vid #6: "The Butterfly Lady" Susan Payant teaches teens about Monarchs

www.youtube.com/watch?v=JlIgsuTFSuM

 

2009 Zaagkii Project Vid #5: Terracotta half-life, Marquette, MI band supports environment projects

www.youtube.com/watch?v=JqlFCHwW30o

 

2009 Zaagkii Video #4: Michigan teens meet 150,000 swarming honeybees with beekeeper Jim Hayward

www.youtube.com/watch?v=U2B4MEzM7w4

 

2009 Zaagkii Video #3: Michigan teens give away mason bee houses, honor supporters

www.youtube.com/watch?v=dqfWeEgDxTY

 

2009 Zaagkii Project #2: Historic KBIC native plants greenhouse, USFS protects pollinators

www.youtube.com/watch?v=vg8H5nhvzzc

 

2009 Zaagkii Project #1: Students make bee houses, plant native species plants

www.youtube.com/watch?v=E8jqJAQyXwE

 

Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service:

www.youtube.com/watch?v=hGQScEI9x7Q

 

Zaagkii Wings & Seeds Project: Northern Michigan teens, KBIC tribal youth protect pollinators

www.youtube.com/watch?v=VoPJOXHt7pI

 

Zaagkii Project – Northern Michigan University:

webb.nmu.edu/Centers/NativeAmericanStudies/SiteSections/A...

 

Native Village stories: Beautiful Layout by Owner Gina Boltz:

Zaagkii Wings and Seeds Project: A Project by Ojibwe Students from the Keweenah Bay Indian Community

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

 

NMU Students Join Pollinator Protection Initiative

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

 

KBIC Tribal youth protect pollinators

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

 

Teens Help with Sweet Nature Project

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

 

USFS Success Stories:

Restoring Native Plants on the Enchanted Island

www.fs.fed.us/r9/ssrs/story?id=6274

 

Keweenaw Bay Indian Community Native Plant Greenhouse & Workshop

www.fs.fed.us/r9/ssrs/story?id=5499

 

Intertribal Nursery Council Annual Meeting a Success

www.fs.fed.us/r9/ssrs/story?id=6276

 

New Greenhouse for KBIC Restoration

www.fs.fed.us/r9/ssrs/story?id=5336

 

Zaagkii Wings & Seeds - An Update

www.fs.fed.us/r9/ssrs/story?id=5076

 

Zaagkii Wings & Seeds Project

www.fs.fed.us/r9/ssrs/story?id=4025

 

News Stories:

U.P. teens build butterfly houses, grow 26,000 indigenous plants

www.miningjournal.net/page/content.detail/id/519835.html?...

 

Effort to protect pollinators launched

www.miningjournal.net/page/content.detail/id/512810.html

 

Marquette Monthly (Sept. 2009):

mmnow.com/mm_archive_folder/09/0909/feature.html

 

As bees die, Keweena Bay Indian Community adults, teens actively protect pollinators

nativetimes.com/index.php?option=com_content&view=art...

 

Michigan Teens Build Butterfly Houses and Plant 26,000 Native Plants through the Zaagkii Wings and Seeds Project

www.treehugger.com/culture/michigan-teens-build-butterfly...

 

Examples of numerous Gather.com articles with lots of photos/videos:

 

Zaagkii Wings and Seeds Project: Northern Michigan teens and KBIC tribal youth are protecting pollinators by building butterfly houses and planting native plants

www.gather.com/viewArticle.action?articleId=281474977550233

 

Zaagkii Wings & Seeds Project: Protecting Pollinators

www.gather.com/viewArticle.action?articleId=281474977428640

 

2009 Zaagkii Project #2: Keweenaw Bay Indian Community in 2010 to build first Native American native species plants greenhouse on tribal property in U.S.

www.gather.com/viewArticle.action?articleId=281474978040745

 

2009 Zaagkii Project #1: Northern Michigan Teens Protect Pollinators with U.S. Forest Service, Keweenaw Bay Indian Community, NMU Center for Native American Studies: Build mason bee houses, butterfly houses, distribute thousands of native species plants

www.gather.com/viewArticle.action?articleId=281474978040729

 

Zaagkii Project Internet sites – blogs, photos, videos etc.:

 

ZaagkiiProject on flickr

www.flickr.com/photos/zaagkiiproject

www.flickr.com/people/zaagkiiproject

 

Zaagkii on youtube:

www.youtube.com/ZaagkiiTV

 

Zaagkii on bliptv:

www.zaagkiitv.blip.tv

 

Zaagkii on word press:

zaagkiiproject.wordpress.com

 

Zaagkii on Blogger:

zaagkiiproject.blogspot.com

 

Zaagkii on Photobucket:

photobucket.com/ZaagkiiProjectWingsSeeds

photobucket.com/ZaagkiiProjectWingsSeeds/?start=all