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Tsurugaoka Hachimangū (鶴岡八幡宮) is the most important Shinto shrine in the city of Kamakura, Kanagawa Prefecture, Japan. The shrine is at the geographical and cultural center of the city of Kamakura, which has largely grown around it and its 1.8 km approach. It is the venue of many of its most important festivals, and hosts two museums.

 

Tsurugaoka Hachimangū was for most of its history not only a Hachiman shrine, but also a Tendai Buddhist temple, a fact which explains its general layout, typical of Japanese Buddhist architecture.

 

At the left of its great stone stairway stood a 1000-year-old ginkgo tree, which was uprooted by a storm in the early hours of March 10, 2010. The shrine is an Important Cultural Property. (Wikipedia)

On the pavement of the Raekoja plats (Town Hall square) in Tallinn there is a stone disk with compass bearings and the text "Raekoja platsil asus vana Tallinna nullpunkt" - may not be visible with snow cover. The text translates to "Zero point of old Tallinn was located on the Town Hall Square". That is the place determining house numbering direction in all streets of Tallinn.

 

Town Hall Square is also the starting point of the oldest streets in Tallinn: Apteegi, Dunkri, Kinga, Kullassepa, Saiakang, Vanaturu kael, Voorimehe, Raekoja.

 

Tallinn, Estonia, 2018

title.

shutter.

  

( Nikon coolpix 8700 shot )

  

Newark Liberty International Airport. Newark city. NJ. USA. 2008.… 6 / 8

(Today's photo. It's unpublished.)

  

Images

Flwr Chyld …. Feel Your Love

youtu.be/L2XUnbAO8IA

  

Important Notices.

 

I have relaxed the following conditions.

I will distribute my T-shirt to the world for free.

m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...

m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...

  

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Exhibition in 2023

  

theme

Camera kisses time.

  

Mitsushiro-Nakagawa

  

organizer

design festa

designfesta.com

  

place

Tokyo Big Site

www.bigsight.jp/english/

  

schedule

Nov. 11th. Sat. 12th. Sun. 2023.

  

exhibition.mitsushiro.nakagawa@gmail.com

  

images.

SEVENTEEN(세븐틴)-All My Love

youtu.be/RQ4yMA5PWnw

  

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Latest news.

The following my T-shirt. Free distribution.

Due to the influence of corona # the method of transportation varies from country to country.

 

1/25

The first one has been decided.

It's a German.

m.flickr.com/photos/ute_kluge/favorites/

I thank you from the bottom of my heart. Thank you.

:)

December 3 # 2020. shipped.

It is a sea mail. It takes 2 to 3 months.

 

2/25

The second is a Thai woman.

youpic.com/photographer/Abbozzo/

I asked her to pick it up.

:)

December 10 # 2020. shipped.

It is a sea mail. It takes 2 to 3 months.

 

3/25

The third is a Mexican woman.

www.facebook.com/OvejaDeSion

She has supported me since the days of fotolog.

She gave me directions.

Thank you.

:)

Shipped on December 10 # 2020.

It is EMS. Maybe it will arrive within 1 to 2 months.

 

4/25

The fourth is a woman from the Republic of Serbia.

youpic.com/photographer/IvanaPopov/

Shipped on December 14 # 2020.

It is a sea mail. Maybe it will arrive within 2 to 3 months.

:)

 

5/25

The fifth is an Indonesian man.

www.flickr.com/photos/33836533@N04/

December 24 # 2020. shipped.

It is EMS. Maybe it will arrive within 1 to 2 months.

 

6/25

The sixth is from France.

youpic.com/image/18158054/ombre-chinoise-by-ce-pe

www.flickr.com/photos/191604817@N04/

January 7 # 2021.

I shipped it.

:)

 

7/25

The seventh person is also from France.

www.flickr.com/photos/151630891@N07/

www.flickr.com/people/liveworkcreate/

January 7 # 2021.

I shipped it.

:)

 

8/25

The eighth person is from Romania.

www.flickr.com/photos/63mr/

It will be shipped in January 2021.

:)

 

9/25

The ninth person is from Japan. He is 16 years old

www.instagram.com/kai.kawazu/

Award history

2017 Oguni Town Photo Contest 2 Division

2018 EPSON meet up selection Data Category Excellence Award

2020 Kumamoto Takafumiren First Half Photo Contest Excellence Award

Web Photo Contest Sponsoring Maker Award

 

10/25

The tenth person is from Brazil.

www.flickr.com/photos/mangelo/

It will be shipped in February 2021.

:)

  

11/25

11th person is from USA.

youpic.com/photographer/HeathBrunner/

www.flickr.com/photos/181948650@N04/

 

vmaxrecords.bandcamp.com

soundcloud.com/vmaxrecords

 

It will be shipped in February 2021.

:)

 

12/25

The 13th person is from Italy.

www.flickr.com/photos/122700703@N05/

youpic.com/photographer/raffadepa2019/

cacciatoredisogniblog.wordpress.com

It will be shipped in February 2021.

 

13/25

The 14th person is from Russia.

www.flickr.com/photos/183731920@N08/

youpic.com/photographer/Andjey/

It will be shipped in March 2021.

 

14/25

The 14th person is from the Philippines.

www.flickr.com/photos/44681455@N00/

youpic.com/photographer/Stitch/

Shipped on November 11, 2021.

  

Mitsu.

 

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Notice regarding "Lot No.402_”.

  

From now on # I will host "Lot No.402_".

 

The work of Leonardo da Vinci who was sleeping.

That is the number when it was put up for auction.

No sign was written on the work.

So this work couldn't conclude that it was his work.

However # as a result of various appraisals # it was exposed to the sun.

A work that no one notices. A work that speaks quietly without a title.

I will continue to strive to provide it to many people in various ways.

 

October 24 # 2020 by Mitsu - Nakagawa.

  

Mitsushiro Nakagawa belong to Lot No. 402 _.Copyright©︎2022 Lot No.402_ All rights reserved.

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Profile.

In November 2014 # we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model # and will conclude a confidentiality agreement with them.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

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Interviews and novels.

About my book.

 

I published a book a long time ago.

At that time # I uploaded my interview as a PDF on the internet.

Its Japanese and English.

 

I will publish it for free.

For details # I explained to the Amazon site.

 

How to write a novel.

How to take a picture.

A sense of distance to the work.

 

All of these have something in common.

I wrote down what I felt and left it.

 

I hope my text will be read by many people.

Thank you.

 

Mitsushiro.

 

1 Interview in English

 

2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)

 

3 Interview Japanese version

 

4 novels. unforgettable ' JPN version.

 

5 A streamlined trajectory. only Japanese.

 

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

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iBooks. Electronic Publishing. It is free now.

 

0.about the iBooks.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

 

2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

 

3. Streamlined trajectory.(For Japanese only.)

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11

 

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My Novel : Unforgettable'

 

(This book is Dedicated to the future artist.)

  

Synopsis

Kei Kitami # who is aiming for a university # meets Kaori Uemura # an event companion who is 6 years older than her on SNS.

Kaori's dream of coming to Tokyo is to become friends with famous artists.

For that purpose # the presence of radio station producer Ryo Osawa was necessary.

Osawa talks to Kaori during the live radio broadcast.

"I have a wife and a child # but I want to see you."

Kay's classmate # Rika Sanjo # who thinks of him # was exploring Kaori's trends. .. .. .. ..

Synopsis.

 

Kei Kitami who aims at university.

A 6 year old older event companion woman. Meet Kaori Uemura on SNS.

 

The dream of Kaori who has moved to Tokyo.

It is to be a friend of the artist.

 

The producer of the radio station for that. The existence of Ryo Osawa was necessary.

Live on the radio.Osawa talks to Kaori.

 

"I have a wife and a child # but I want to see you."

Kei’s classmate Rika Sanzyou who is thinking of him.

She was searching for Kaori.

   

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.fotolog.net/yuming/

  

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

  

Main story

 

There are two reasons why a person faces the sea.

One # to enjoy a slice of shine in the sea like children bubbling over in the beach.

The other # to brush the dust of memory like an old man who misses old days # staring at the shine

quietly.

Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.

I face myself to change tomorrow # a vague day into something certain.

That is the meaning of a rebirth.

I had a very sweet girlfriend when I was 18.

After she left # I knew the meaning of gentleness for the first time and also a true pain of loss. After

she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies

until I realized it is love?

I wonder whether a nobody like me could have given something to her who was struggling in the

daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.

I had been thinking about such a thing.

However # I guess what she saw in me was because I had nothing. That‘s why she tried to see

something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous # unstable

tomorrow. But I wasted days depending too much on her gentleness.

Now I finally can convey how I felt in those days when we met.

  

1/9

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

2/9

www.flickr.com/photos/stealaway/24209330259/in/dateposted...

3/9

www.flickr.com/photos/stealaway/23975215274/in/dateposted...

4/9

www.flickr.com/photos/stealaway/24515964952/in/dateposted...

5/9

www.flickr.com/photos/stealaway/24276473749/in/dateposted...

6/9

www.flickr.com/photos/stealaway/24548895082/in/dateposted...

7/9

www.flickr.com/photos/stealaway/24594603711/in/dateposted...

8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

  

Fin.

  

images.

U2 - No Line On The Horizon

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

 

_________________________________

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Title of my book : unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

 

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The schedule of the next novel.

Still would stand all time. (Unforgettable '2)

(It will not go away forever)

Please give me some more time. That is Japanese.

_________________________________

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Exhibition in 2023

  

theme

The camera kisses time.

  

Mitsushiro --Nakagawa

  

The schedule for 2023 is unstable.

I plan to do one of the following two.

Both are scheduled around November.

  

I give priority to museums.

  

1 This will be done when the 1st attached gallery is released in 2023.

place

DIC Kawamura Memorial Museum of Art 1st attached gallery

kawamura-museum.dic.co.jp/

  

2 This is planned as a spare.

place

Design Festa

designfesta.com

  

images.

BTS… Film out Lyrics (방탄 소년단 / BTS Film out Japanese subtitles 가사) [Color Coded Lyrics / Kan / Rom / Eng]

youtu.be/az_6PrN-biI

  

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My Works.

 

1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...

2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...

3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...

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Do you want to hear my voice?

:)

 

youtu.be/b1o6Xf-Mjhw

 

1

About the composition of the picture posted to Flicker. First type.

youtu.be/b1o6Xf-Mjhw

 

2

About the composition of the picture posted to Flicker. Second type.

youtu.be/b1o6Xf-Mjhw?t=443

 

3

About when I started Fotolog. Architect 's point of view.

youtu.be/b1o6Xf-Mjhw?t=649

 

4

Why did not you have a camera so far?

youtu.be/b1o6Xf-Mjhw?t=708

 

5

What is the coolest thing? The photo is as it is.

youtu.be/b1o6Xf-Mjhw?t=776

 

6

About the current YouTube bar. I also want to tell # I want to leave.

youtu.be/b1o6Xf-Mjhw?t=964

 

7

About Japanese photographers. Japanese YouTube bar is Pistols.

youtu.be/b1o6Xf-Mjhw?t=1059

 

8

The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.

youtu.be/b1o6Xf-Mjhw?t=1242

 

9

What is a good composition? What is a bad composition?

youtu.be/b1o6Xf-Mjhw?t=1482

 

10

What is the time to point the camera? It is slow if you are looking into the viewfinder or display.

youtu.be/b1o6Xf-Mjhw?t=1662

 

11

Family photos. I can not take pictures with others. The inside of the subject.

youtu.be/b1o6Xf-Mjhw?t=1745

 

12

About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.

youtu.be/b1o6Xf-Mjhw?t=2144

 

13

About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs # it will be useless.

youtu.be/b1o6Xf-Mjhw?t=2305

 

14

About Japanese photographers. About the exhibition.

Summary. I wrote a novel etc. What I want to tell the most.

youtu.be/b1o6Xf-Mjhw?t=2579

 

_________________________________

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I talked about how to make a work.

 

About work production 1/2

youtu.be/ZFjqUJn74kM

  

About work production 2/2

youtu.be/pZIbXmnXuCw

 

1 Photo exhibition up to that point. Did you want to go?

 

2 Well # what is an exhibition that you want to visit even if you go there?

 

3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.

 

4 works are materials and silhouettes. Similar to fashion.

 

5 Who is your favorite artist? What is it? Make it clear.

 

6 Creating a collage is exactly the same as taking photos. As I wrote in the interview # it is the same as writing a novel.

 

7 I want to show it to someone # but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.

 

8 What is copycat? Nowadays # it is suspected to be beaten. There is something called Mimesis?

 

ja.wikipedia.org/wiki/Mimesis

kotobank.jp/word/Mimesis-139464

 

9 What is Individuality? What is originality?

 

www.youtube.com/user/mitsushiro/

 

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Explanation of composition. 2

 

1.Composition explanation 2 ... 1/4

youtu.be/yVbvneBIMs8

 

2.Composition explanation 2 ... 2/4

youtu.be/LToFez9vOAw

 

3.Composition Explanation 2 ... 3/4

youtu.be/uTR0wVi9Z7M

 

4.Composition Explanation 2 ... 4/4

youtu.be/h2LjfU6Vvno

 

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My shutter feeling.

 

youtu.be/3JkbGiFLjAM

 

Today's photo.

It is a photo taken from Eurostar.

 

This video is an explanation.

 

I went to Milan in 2005.

At that time # I went from Milan to Venice.

We took Eurostar into the transportation.

 

This photo was not taken from a very fast Eurostar.

When I changed the track # I took a picture at the moment I slowed down.

  

Is there a Japanese beside you?

Please have my video translated.

:)

 

In the Eurostar to Venice . 2005. shot ... 1 / 2

www.flickr.com/photos/stealaway/49127115021/in/dateposted...

 

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Miles Davis sheet 1955-1976.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

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flickr.

www.flickr.com/photos/stealaway/

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instagram.

www.instagram.com/mitsushiro_nakagawa/

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Pinterest.

www.pinterest.jp/MitsushiroNakagawa/

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YouPic

youpic.com/photographer/mitsushironakagawa/

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twitter.

twitter.com/mitsushiro

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facebook.

www.facebook.com/mitsushiro.nakagawa

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Amazon.

www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...

_________________________________

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My statistics. (As of May 11 # 2021)

youtu.be/UpezrGm4HYA

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Japanese is the following.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2

 

Mitsu Nakagawa belong to Lot No. 204 _ . Copyright©︎2020 Lot No.402_ All rights reserved.

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title.

シャッター。

  

( Nikon coolpix 8700 shot )

  

ニューアーク・リバティー国際空港。ニューアーク市。 ニュージャージー州 。アメリカ合衆国。2008年 … 6 / 8

(今日の写真。それは未発表です。)

  

Images

Flwr Chyld …. Feel Your Love

youtu.be/L2XUnbAO8IA

   

次の小説のイメージ。

Still would stand all time.(unforgettable'2)

(いつまでもなくならないだろう)

    

重要なお知らせ。

 

僕は以下の条件を緩和します。

僕はTシャツを無料で世界中へ配布します。

m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...

m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...

 

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2023年の展示

  

テーマ

カメラは時間にキスをする。

  

Mitsushiro - Nakagawa

  

主催

デザインフェスタ

designfesta.com

 

場所

東京ビッグサイト

www.bigsight.jp

  

日程

11月11日。土曜日。12日。日曜日。2023年。

  

exhibition.mitsushiro.nakagawa@gmail.com

 

images.

SEVENTEEN(세븐틴)-All My Love

youtu.be/RQ4yMA5PWnw

  

_________________________________

_________________________________

   

最新のお知らせ。

以下の僕のTシャツ。無料配布。

コロナの影響で、運送方法は国によって変わります。

 

1/25

一人目が決まりました。

それはドイツの人です。

m.flickr.com/photos/ute_kluge/favorites/

僕は心から感謝します。ありがとう。

:)

2020年12月3日。発送しました。

船便です。2ヶ月から3ヶ月を要します。

 

2/25

二人目はタイの女性です。

youpic.com/photographer/Abbozzo/

僕は彼女へ受け取って欲しいとお願いしました。

:)

2020年12月10日。発送しました。

船便です。2ヶ月から3ヶ月を要します。

 

3/25

3人目はメキシコの女性です。

www.facebook.com/OvejaDeSion

彼女はfotologの頃からずっと僕を支えてくれました。

彼女は僕の道案内をしてくれました。

ありがとう。

:)

2020年12月10日発送しました。

EMSです。たぶん1ヶ月から2ヶ月以内で到着します。

 

4/25

4人目は、セルビア共和国の女性です。

youpic.com/photographer/IvanaPopov/

2020年12月14日発送しました。

船便です。たぶん2ヶ月から3ヶ月以内で到着します。

:)

 

5/25

5人目は、インドネシアの男性です。

www.flickr.com/photos/33836533@N04/

2020年12月24日。発送しました。

EMSです。たぶん1ヶ月から2ヶ月以内で到着します。

1月8日。到着しました。

 

6/25

6人目は、フランスの方です。

youpic.com/image/18158054/ombre-chinoise-by-ce-pe

www.flickr.com/photos/191604817@N04/

2021年1月7日。

僕は発送しました。

:)

 

7/25

7人目も、フランスの方です。

www.flickr.com/photos/151630891@N07/

www.flickr.com/people/liveworkcreate/

2021年1月7日。

僕は発送しました。

:)

 

8/25

8人目の 方はルーマニアの方です。

www.flickr.com/photos/63mr/

2021年1月中に発送します。

:)

 

9/25

9人目は日本の方です。16歳です。

www.instagram.com/kai.kawazu/

受賞歴

2017 小国町フォトコンテスト2部門

2018 EPSONmeet up selectionデータ部門優秀賞

2020 熊本高文連前期写真コンテスト優秀賞

Webフォトコンテスト協賛メーカー賞

  

10/25

10人目は、ブラジルの方です。

www.flickr.com/photos/mangelo/

2021年2月中に発送します。

:)

 

11/25

11人目は、アメリカの方です。

youpic.com/photographer/HeathBrunner/

www.flickr.com/photos/181948650@N04/

 

vmaxrecords.bandcamp.com

soundcloud.com/vmaxrecords

 

2021年2月中に発送します。

:)

  

12/25

12人目は、イタリアの方です。

www.flickr.com/photos/122700703@N05/

youpic.com/photographer/raffadepa2019/

cacciatoredisogniblog.wordpress.com

2021年2月中に発送します。

 

13/25

13人目は、 ロシアの方です。

www.flickr.com/photos/183731920@N08/

youpic.com/photographer/Andjey/

2021年3月中に発送します。

 

14/25

14人目は、フィリピンの方です。

www.flickr.com/photos/44681455@N00/

youpic.com/photographer/Stitch/

2021年11月11日に発送しました。

  

Mitsu.

 

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” Lot No.402_ ” に関するお知らせ。

  

今後、僕は、” Lot No.402_ ”を主催します。

 

このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。

作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。

しかし、様々な鑑定の結果、陽の光を浴びました。

誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。

僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。

 

2020年10月24日 by Mitsu - Nakagawa.

 

Copyright©︎2021 Lot No.402_ All rights reserved.

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プロフィール

2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

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インタビューと小説。

僕の本について。

 

僕は、昔に本を出版しました。

その際に、僕のインタビューをPDFでネット上へアップロードしていました。

その日本語と英語。

 

僕は、無料でを公開します。

詳細は、アマゾンのサイトへ解説しました。

 

小説の書き方。

写真の撮影方法。

作品への距離感。

 

これらはすべて共通項があります。

僕は、僕が感じたことを文章にして、残しました。

 

僕のテキストが多くの人に読んでもらえることを望みます。

ありがとう。

 

Mitsushiro.

 

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

  

1 インタビュー 英語版

 

2 小説。unforgettable’ 英語版。

 

3 インタビュー 日本語版

 

4 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)

(四百字詰め原稿用紙456枚)

 

 あらすじ

 大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。

 上京してきた香織の夢は、有名なアーティストの友達になるためだ。

 そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。

 大沢は、ラジオの生放送中、香織へ語りかける。

 「僕には妻子がある。しかし、僕は君に会いたいと思っている」

 ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。

  

本編

 

人が海へ向かう理由には、二つある。

 ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。

 もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。

 二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。

 再生だ。

 明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。

 それが再生の意味だ。

 

 十八歳だった僕には大切な人がいた。

 

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

  

5 流線形の軌跡。 日本語のみ。

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

_________________________________

_________________________________

 

iBooks.電子出版。(現在は無料)

 

0.about the iBooks.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

For Japanese only.

 

2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

 

3.流線形の軌跡。

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...

_________________________________

_________________________________

 

僕の小説。英語版 

My Novel Unforgettable' (This book is Dedicated to the future artist.)

 

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.fotolog.net/yuming/

   

1/9

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

2/9

www.flickr.com/photos/stealaway/24209330259/in/dateposted...

3/9

www.flickr.com/photos/stealaway/23975215274/in/dateposted...

4/9

www.flickr.com/photos/stealaway/24515964952/in/dateposted...

5/9

www.flickr.com/photos/stealaway/24276473749/in/dateposted...

6/9

www.flickr.com/photos/stealaway/24548895082/in/dateposted...

7/9

www.flickr.com/photos/stealaway/24594603711/in/dateposted...

8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

Fin.

  

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

_________________________________

_________________________________

 

Title of my book : unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

 

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

_________________________________

_________________________________

次の小説の予定。

Still would stand all time.(unforgettable'2)

(いつまでもなくならないだろう)

もう少し時間をください。それは日本語です。

_________________________________

_________________________________

 

僕の作品。

 

1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...

2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...

3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...

_________________________________

_________________________________

 

あなたは僕の声を聞きたいですか?

:)

 

youtu.be/b1o6Xf-Mjhw

  

1

フリッカーへ投稿した写真の構図について。1種類目。

youtu.be/b1o6Xf-Mjhw

 

2

フリッカーへ投稿した写真の構図について。2種類目。

youtu.be/b1o6Xf-Mjhw?t=443

 

3

Fotologを始めた時について。 建築家の視点。

youtu.be/b1o6Xf-Mjhw?t=649

 

4

なぜ、今までカメラを手にしなかったのか?

youtu.be/b1o6Xf-Mjhw?t=708

 

5

何が一番かっこいいのか? 写真はありのままに。

youtu.be/b1o6Xf-Mjhw?t=776

 

6

現在のユーチューバーについて。僕も伝え、残したい。

youtu.be/b1o6Xf-Mjhw?t=964

 

7

日本人の写真家について。日本のユーチューバーはピストルズ。

youtu.be/b1o6Xf-Mjhw?t=1059

 

8

写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。

youtu.be/b1o6Xf-Mjhw?t=1242

 

9

良い構図とは? 悪い構図とは?

youtu.be/b1o6Xf-Mjhw?t=1482

 

10

カメラを向ける時とは? ファインダーやディスプレイを覗いていては遅い。

youtu.be/b1o6Xf-Mjhw?t=1662

 

11

家族写真。他人では撮れない。被写体の内面。

youtu.be/b1o6Xf-Mjhw?t=1745

 

12

ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。

youtu.be/b1o6Xf-Mjhw?t=2144

 

13

日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。

youtu.be/b1o6Xf-Mjhw?t=2305

 

14

日本の写真家について。その展示について。

まとめ。僕が書いた小説など。僕が最も伝えたいこと。

youtu.be/b1o6Xf-Mjhw?t=2579

_________________________________

_________________________________

 

作品制作について 1/2

youtu.be/ZFjqUJn74kM

 

作品制作について 2/2

youtu.be/pZIbXmnXuCw

  

1 それまでの写真展。自分は行きたいと思ったか?

 

2 じゃ、自分が足を運んででも行きたい展示とは何か?

 

3 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。

 

4 作品とは、素材とシルエット。ファッションと似ている。

 

5 自分が好きなアーティストは誰か? どんなものなのか? そこをはっきりさせる。

 

6 コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。

 

7 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。

 

8 パクリとは何か? 昨今、叩かれるパクリ疑惑。ミメーシスとは?

 

  https://ja.wikipedia.org/wiki/ミメーシス

  https://kotobank.jp/word/ミメーシス-139464

  

9 個性とはなにか? オリジナリティってなに?

 

おまけ 眞子さまについて

 

という流れです。

お時間がある方は是非聴いてください。

:)

 

www.youtube.com/user/mitsushiro/

 

_________________________________

_________________________________

  

構図の解説2

 

1.構図の解説2 ... 1/4

youtu.be/yVbvneBIMs8

 

2.構図の解説2 ... 2/4

youtu.be/LToFez9vOAw

 

3.構図の解説2 ... 3/4

youtu.be/uTR0wVi9Z7M

 

4.構図の解説2 ... 4/4

youtu.be/h2LjfU6Vvno

 

_________________________________

_________________________________

 

僕のシャッター感覚

 

youtu.be/3JkbGiFLjAM

 

In the Eurostar to Venice . 2005. shot ... 1 / 2

www.flickr.com/photos/stealaway/49127115021/in/dateposted...

 

_________________________________

_________________________________

 

Miles Davis sheet 1955-1976.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

_________________________________

_________________________________

flickr.

www.flickr.com/photos/stealaway/

_________________________________

_________________________________

 

YouTube.

www.youtube.com/user/mitsushiro/

_________________________________

_________________________________

 

instagram.

www.instagram.com/mitsushiro_nakagawa/

_________________________________

_________________________________

 

Pinterest.

www.pinterest.jp/MitsushiroNakagawa/

_________________________________

_________________________________

 

YouPic

youpic.com/photographer/mitsushironakagawa/

_________________________________

_________________________________

 

fotolog

www.fotolog.com/stealaway/

_________________________________

_________________________________

 

twitter.

twitter.com/mitsushiro

_________________________________

_________________________________

 

facebook.

www.facebook.com/mitsushiro.nakagawa

_________________________________

_________________________________

 

Amazon.

www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...

_________________________________

_________________________________

 

僕の統計。(2021年5月11日現在)

youtu.be/UpezrGm4HYA

_________________________________

_________________________________

 

Japanese is the following.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2

 

Mitsushiro Nakagawa belong to Lot no.204_ . Copyright©︎2020 Lot no.204_ All rights reserved.

_________________________________

_________________________________

 

” Lot No.402_ ” に関するお知らせ。

  

今後、僕は、” Lot No.402_ ”を主催します。

 

このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。

作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。

しかし、様々な鑑定の結果、陽の光を浴びました。

誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。

僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。

 

2020年10月24日 by Mitsu - Nakagawa.

 

Copyright©︎2020 Lot No.402_ All rights reserved.

_________________________________

_________________________________

  

#USA #Nikon #写真 #NJ #Newarkcity #newarklibertyinternationalairport #アメリカ #ニコン #ニューアーク #ニュージャージー #空港 #airport #flwrchyld #feelyourlove #kawamuramemorialdicmuseumofart #川村記念美術館 #デザインフェスタ #デザフェス #designfesta #tokyobigsight #東京ビッグサイト #空間コンピューティング #spatialcomputing #アップルヴィジョンプロ #apple #visionpro #ヴィジョンプロ #アップルヴィジョンプロ家族で買おう #applevisionpro

  

ユーチューブ更新しました。

 

#アップルヴィジョンプロ #アップル #apple #appplevisionpro #アップルカー #アップルヴィジョンプロは争奪戦か #applecar #空間コンピュータ #空間コンピューティング #空間オーディオ #ヴィジョンOS

  

アップルヴィジョンプロは

やっぱり争奪戦!

とアップルカーとの連携は?😃

youtu.be/B2D-0AXIJ3E

 

動画内で言い忘れました。

 

アップルカーはたぶん、2023年内に発表するはず。

だからこそ、こんなにも早く、この時期にヴィジョンプロを発表したんだと思います。

これまでの動画で話した通り、アップルカーの発表はおそらく、2023年秋だと思いますよー😃

 

あ、そうそう。アップルはディスプレイを一掃するって、当てたでしょ?

やったね😃

  

0 今日は雑談的に話しましょう😃

1 生産台数少なくない?

Vision Pro用ソニー製マイクロOLEDの製造能力は年間90万台分と噂

iphone-mania.jp/vision_pro-54...

2 なぜ空間オーディオにこだわり続けていたか

3 ヴィジョンOSは、おそらくまだ圧倒的に未完成だった。

4 室内空間、と今は謳っているが、しれっと外歩き対応になる😅

   

Tsurugaoka Hachimangū (鶴岡八幡宮) is the most important Shinto shrine in the city of Kamakura, Kanagawa Prefecture, Japan. The shrine is at the geographical and cultural center of the city of Kamakura, which has largely grown around it and its 1.8 km approach. It is the venue of many of its most important festivals, and hosts two museums.

 

Tsurugaoka Hachimangū was for most of its history not only a Hachiman shrine, but also a Tendai Buddhist temple, a fact which explains its general layout, typical of Japanese Buddhist architecture.

 

At the left of its great stone stairway stood a 1000-year-old ginkgo tree, which was uprooted by a storm in the early hours of March 10, 2010. The shrine is an Important Cultural Property.

en.wikipedia.org/wiki/Tsurugaoka_Hachimangū

Sporting its important and inspiring mental health message of "Its time to talk, its time to change" LNER class 91 91132 stands in platform 2 at Newcastle Upon Tyne station working a delayed 1S23 from London Kings Cross to Glasgow Central

Rom - Forum Romanum

 

The Roman Forum, also known by its Latin name Forum Romanum (Italian: Foro Romano), is a rectangular forum (plaza) surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. Citizens of the ancient city referred to this space, originally a marketplace, as the Forum Magnum, or simply the Forum.

 

For centuries the Forum was the center of day-to-day life in Rome: the site of triumphal processions and elections; the venue for public speeches, criminal trials, and gladiatorial matches; and the nucleus of commercial affairs. Here statues and monuments commemorated the city's great men. The teeming heart of ancient Rome, it has been called the most celebrated meeting place in the world, and in all history. Located in the small valley between the Palatine and Capitoline Hills, the Forum today is a sprawling ruin of architectural fragments and intermittent archaeological excavations attracting 4.5 million or more sightseers yearly.

 

Many of the oldest and most important structures of the ancient city were located on or near the Forum. The Roman Kingdom's earliest shrines and temples were located on the southeastern edge. These included the ancient former royal residence, the Regia (8th century BC), and the Temple of Vesta (7th century BC), as well as the surrounding complex of the Vestal Virgins, all of which were rebuilt after the rise of imperial Rome.

 

Other archaic shrines to the northwest, such as the Umbilicus Urbis and the Vulcanal (Shrine of Vulcan), developed into the Republic's formal Comitium (assembly area). This is where the Senate—as well as Republican government itself—began. The Senate House, government offices, tribunals, temples, memorials and statues gradually cluttered the area.

 

Over time the archaic Comitium was replaced by the larger adjacent Forum and the focus of judicial activity moved to the new Basilica Aemilia (179 BC). Some 130 years later, Julius Caesar built the Basilica Julia, along with the new Curia Julia, refocusing both the judicial offices and the Senate itself. This new Forum, in what proved to be its final form, then served as a revitalized city square where the people of Rome could gather for commercial, political, judicial and religious pursuits in ever greater numbers.

 

Eventually much economic and judicial business would transfer away from the Forum Romanum to the larger and more extravagant structures (Trajan's Forum and the Basilica Ulpia) to the north. The reign of Constantine the Great saw the construction of the last major expansion of the Forum complex—the Basilica of Maxentius (312 AD). This returned the political center to the Forum until the fall of the Western Roman Empire almost two centuries later.

 

(Wikipedia)

 

Das Forum Romanum (Römischer Marktplatz) in Rom ist das älteste römische Forum und war Mittelpunkt des politischen, wirtschaftlichen, kulturellen und religiösen Lebens. Es liegt in einer Senke zwischen den drei Stadthügeln Kapitol, Palatin und Esquilin und war der Ort vieler öffentlicher Gebäude und Denkmäler.

 

Ursprünglich ein von einem Bach durchzogenes, sumpfiges Tal, wurde es laut der antiken Überlieferung, die nicht mit dem bis wohl ins 8. Jahrhundert v. Chr. zurückreichenden archäologischen Befund übereinstimmt, erst unter dem legendären etruskischen König Lucius Tarquinius Priscus zu Beginn des 6. Jahrhunderts v. Chr. in die Stadt einbezogen. Den Höhepunkt seines prachtvollen Ausbaus erlebte es in der Römischen Kaiserzeit. Es ist heute eine der wichtigsten Ausgrabungsstätten des antiken Roms.

 

(Wikipedia)

I think this is the most important chart in technology business.

 

(It's an updated version of Ray Kurzweil's published work, posted with permission, and updated here through 2016. Further UPDATE here, post Tesla AI Day.)

 

In this abstraction of Moore’s Law, Kurzweil plots computational power on a logarithmic scale, and finds a double exponential curve that holds over 100 years (a straight line would represent a geometrically compounding curve of progress).

 

In the modern era of accelerating change in the tech industry, it is hard to find even five-year trends with any predictive value, let alone trends that span the centuries.

 

Ray argues that through five paradigm shifts – such as electro-mechanical calculators and vacuum tube computers – the computational power that $1000 buys has doubled every two years. For the past 30 years, it has been doubling every year.

 

Each dot is the frontier of computational price performance of the day. One machine was used in the 1890 Census; one cracked the Nazi Enigma cipher in World War II; one predicted Eisenhower’s win in the 1956 Presidential election.

 

Each dot represents a human drama. They did not realize that they were on a predictive curve. Each dot represents an attempt to build the best computer with the tools of the day. Of course, we use these computers to make better design software and manufacturing control algorithms. And so the progress continues.

 

Notice that the pace of innovation is exogenous to the economy. The Great Depression and the World Wars and various recessions do not introduce a meaningful change in the long-term trajectory of Moore’s Law. Certainly, the adoption rates, revenue, profits and economic fates of the computer companies behind the various dots on the graph may go though wild oscillations, but the long-term trend emerges nevertheless.

 

Any one technology, such as the CMOS transistor, follows an elongated S-shaped curve of slow progress during initial development, upward progress during a rapid adoption phase, and then slower growth from market saturation over time. But a more generalized capability, such as computation, storage, or bandwidth, tends to follow a pure exponential – bridging across a variety of technologies and their cascade of S-curves.

 

Moore’s Law is commonly reported as a doubling of transistor density every 18 months. But this is not something the co-founder of Intel, Gordon Moore, has ever said. It is a nice blending of his two predictions; in 1965, he predicted an annual doubling of transistor counts in the most cost effective chip and revised it in 1975 to every 24 months. With a little hand waving, most reports attribute 18 months to Moore’s Law, but there is quite a bit of variability. The popular perception of Moore’s Law is that computer chips are compounding in their complexity at near constant per unit cost. This is one of the many abstractions of Moore’s Law, and it relates to the compounding of transistor density in two dimensions. Others relate to speed (the signals have less distance to travel) and computational power (speed x density).

 

Unless you work for a chip company and focus on fab-yield optimization, you do not care about transistor counts. Integrated circuit customers do not buy transistors. Consumers of technology purchase computational speed and data storage density. When recast in these terms, Moore’s Law is no longer a transistor-centric metric, and this abstraction allows for longer-term analysis.

 

What Moore observed in the belly of the early IC industry was a derivative metric, a refracted signal, from the bigger trend, the trend that begs various philosophical questions and predicts mind-bending futures.

 

Moore’s Law is a primary driver of disruptive innovation, such as the iPod usurping the Sony Walkman franchise , and it drives not only IT and Communications and has become the primary driver in drug discovery and bioinformatics, medical imaging and diagnostics. As Moore’s Law crosses critical thresholds, a formerly lab science of trial and error experimentation becomes a simulation science and the pace of progress accelerates dramatically, creating opportunities for new entrants in new industries.

 

This non-linear pace of progress has been the primary juggernaut of perpetual market disruption, spawning wave after wave of opportunities for new companies.

 

I just watched Transcendent Man, so I have Kurzweil on the mind.

IMPORTANT NOTE: This is NOT a true original image. It is produced virtually via the Zyler shopping website that allows you to see how you might look in an item before purchasing. You just upload a clear middle-distance image showing your face, provide a few basic vital statistics (height, bra size and dress size) and then away you go. And it's free!.

Important bit of emergency kit equipment for any Wick resident an Old Pulteney Distillery 12 year old single malt scotch whisky miniature. Soon to be consumed, probably on new year's eve!

Important legal note.

All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.

***IMPORTANT: For the whole 5:23 video you have to watch it on YouTube! Flickr only shows 3 minutes. I'll be grateful if you share it in social media too. Thanks.: youtu.be/HUsQkM3IeEg

 

Info:

In Sweden is a huge car graveyard in the woods. The number of vehicles still left is a bit uncertain, but between 700 and 1000 is a rough estimate.

 

Two brothers’ started the scrapyard in the 1950. They collected cars, many of them abandoned by American soldiers after the Second World War (ww2). The demand for car parts was huge after the war and lots of Norwegians came over and bought parts here.

 

Cars from 1930s to 1970s are still on the site which attracts car enthusiasts and photographers from the entire world.

 

This is my first attempt to make a film with my DSLR and my idea was to make something moody.

 

I used the great tool FocusMaker for the focus shifting. Check it out here: goo.gl/WlLY4S

 

The time-lapse in the end is done with a GoPro attached to the sign with Gorillapod. 30 second intervals in 3 hours.

 

Urban explorers and decay photographers AndreasS and OlavXo took a day of to visit this magic place in wintertime.

AndreasS flickr stream (me): www.flickr.com/photos/norue/

OlavXO flickr stream: www.flickr.com/photos/olavxo

 

Music credits:

First piece - "Trio for Piano, Cello, and Clarinet" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0, creativecommons.org/licenses/by/3.0/"

 

Second piece - www.bensound.com

It is the most important and with the longest history building of the city.

 

The first castle was built between 1307 and 1315 as the residence of the Hungarian King Charles I of Anjou, who ruled from here between 1316-1323. John Hunyadi, voivode of Transylvania and regent of Hungary, rebuilt the castle on the ruins of the older residence (destroyed by an earthquake) between 1442 and 1447. This medieval fortified residence will last until 1856. During the occupation by the Ottoman Empire in 1552-1716, the fortified palace was the seat of pasha who ruled over the Temeşvar Eyalet (Pashalik of Banat). During the siege of the city by Prince Eugene of Savoy, the castle was damaged in 1716, but then repaired. During the revolution of 1848, the castle was again damaged. In 1856 was demolished to the ground and the present structure was erected. Nevertheless, the new building remained loyal to the original, 14th century plan with a massif keep (the one in foreground in photo) at one corner.

 

It currently houses the History Section and the Natural Sciences Section of the Banat Museum.

 

In front of the museum there are two lamps reminding that Timişoara was the first European town to have introduced electric public lighting in 1864.

   

Important legal note.

All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.

Important legal note.

All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.

Important legal note.

All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liable to prosecution.

Important legal note.

All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.

© Important notice: Do not use my images without my written permission, even for a non commercial use. If you're interested in any of my photos you must contact me first. All my images are under full copyright.

© All rights reserved.

 

Very few people have seen the Hingol National Park in the Balochistan province of Pakistan. Its nearest approach is from Karachi. Most visitors tend to go to the Hinglaj temple, an important sight for Hindu pilgrims but we managed to go deep into the national park with the Offroad pakistan who have made numerous visits there. Their website is worth a look :- offroadpakistan.com/

   

Hingol National Park or Hungol National Park (Urdu: ہنگول) is the largest of National Parks of Pakistan. It is on the Makran coast in Balochistan and is approximately 190 km from Karachi. The area was declared reserved in 1988.[1]

 

The park area covers parts of the three districts: Lasbela, Gwadar and Owaran of Balochistan province. It contains a variety of topographical features and vegetation, varying from arid sub tropical forest in the north to arid montane in the west. Large tracts of the NP are covered with drift sand and can be classified as coastal semi desert. The National Park includes the estuary of the Hingol river which supports a significant diversity of bird and fish species.

 

Currently, 20 staff members including 18 game watchers, two deputy rangers are responsible for the management of the Park under the guidance of the park Manager who reports to the Conservator and the Secretary Wildlife, Forest, Livestock, Environment and Tourism.

 

The shrine of Devi Hinglaj, the holiest among the 51 Shakti Peeths of Hinduism is situated in the park. It is a 15km trek from the main road. There is also a dirt track that leads to the site. Several thousand pilgrims visit the shrine each year.

 

Detailed inventories of wildlife were undertaken in 2006 and will be completed in the first half of 2007. Hingol is known to support at least 35 species of mammals, 65 species of amphibians and reptiles and 185 species of birds. Some 250 plant species were recorded in the initial surveys including 7 yet undescribed species. Many more species are yet to be collected.

 

The park forms an excellent habitat to wild Sindh Ibex, Afghan Urial and Chinkara Gazelle. Ibex is found in all steep mountain ranges and numerous in the Hinglaj and Rodani Kacho Mountain areas. Total population is estimated over 3000. The Urial populations are small and occur in isolated populations. The Machi and Upper Pachhri Mountains harbour the largest populations. Total population is less than 1000. The Chinkara occurs in good numbers along the great rivers (Nal-Hingol, Arra, Babro-Mar) in the Northern Plains and in the Harian and Maniji-Gurangatti valley areas. Elsewhere populations have been extirpated are very low. The total populations are preliminary estimated between 800-1200.

 

The Hingol River banks, estuary and mudflats forms an important habitat for migratory birds. About 40% of the bird species is related to water habitats. Migratory birds listed to visit Hingol include Dalmatian and Spot-billed Pelican, Sociable Plover, Spoonbills, Black Ibis, Black and White Stork. The Houbara Bustard (Chlamydotis undulata) visits the plains and valleys.

 

The River Hingol has been nurturing crocodiles for centuries. The Marsh Crocodile (Crocodylus palustris) occurs over large areas along the Hingol-Nal and some tributaries up to more than 100 km inland. The total population is about 50. There are several beaches along the more than 100 km coastline, however few tirtles visit the beaches nowadays. Historical records includes Olive Ridley (Lepidochelys olivacea) and Green Marine Turtles (Chelonia mydas). The vulnerable Spiny Tail Lizard (Uromastyx hardwickii) a mainly vegetarian lizard finds its most western distribution in Hingol.

 

Mammals in the park include Leopard, Jungle Cat, Caracal and Indian Desert Cat, Indian Fox, Bengal Fox and Sand Fox, Golden Jackal, Sindh Ibex, Afghan Urial, Chinkara Gazelle, Honey Badger, Indian Pangolin, Hedgehog (probably more than one species), Indian Crested Porcupine, Indian Grey Mongoose, Five striped Palm Squirrel, Wild Boar, Cape Hare and Desert Hare, Cairo Spiny mouse, Grey Spiny Mouse, Persian Jird, Indian Desert Jird and Libyian Jird, House Mouse, Roof Rat, and Mouse like Hamster. Wolf (Canis lupus pallipes) and Striped Hyena (Hyaena hyaena) are on the brink of extinction. The Leopard and Caracal populations are low.

 

The park has very few caves/ grottos, including one in the Dhrun Mountains with a bat population.

 

Birds in the park include Houbara Bustard, Dalmatian and Spot-billed Pelican, Bonnelli's eagle, Imperial eagle, Tawny eagle, Golden eagle, Eurasian griffon vulture, Egyptian vulture, Cinereous vulture, Lagger falcon, Red-headed merlin, Kestrel, Close-Barred sandgrouse, Grey partridge, See See partridge, Stone Curlew, Indian sand grouse, Coronetted sand grouse, Painted sand grouse, Eagle owl, Sind pied woodpecker, Hume's chat, Brown rock pipit, Striped buning, Finche larks, Hoopoe, Shrikes and Wheatears.

 

The Marsh Crocodile, Olive Ridley and Green Marine Turtles, Desert Monitor lizard, Yellow Monitor lizard, and different species of lizard and chameleon have been found in the park.

 

The government is all set to slice land off the Hingol National Park, the country’s largest, as the Pakistan Air Force and another defence-related organisation eye the prized real estate near the estuary whose value is likely to increase phenomenally once the Gwadar port starts functioning.

 

Sources in the Balochistan revenue department told Dawn that while the PAF has asked for around 80,000 acres (320 km²), including 23,000 acres (93 km²) in the national park, Pakistan Space and Upper Atmosphere Research Commission’s demand is for eight mauzas. [2]

 

en.wikipedia.org/wiki/Hingol_National_Park

it's important to remember that both wear and cleaning are inherently somewhat destructive to garments. The less stressed your corset is throughout both processes, the longer it will last.👍 Ideally, a corset should be dry cleaned, but unfortunately cleaners who would handle corsets are few and far between unless you know of a theatrical cleaner in your area. If you must wash one do it so: 1. Wash the corset by hand in warm not hot water, NEVER in a washing machine, and wash in a mild powder and in a non-biological detergent, as they tend to attack the materials. They are all right for modern clothing that aren't expected to last very long, but corsets are put under a lot of stress and any deterioration will vastly shorten its life. 2. Rinse well in running cold water - do not try to wring it, just swish around until the water runs clear. 3. Wrap in a highly absorbent towel and rub gently to remove as much moisture as possible. 4. Dry on a frame, as you would a real wool garment, and NEVER place near a heat source like a radiator, as it can warp the steels and cause uneven drying, which will warp the garment itself.

 

Regarding washing corsets with water, I am entirely agree with this method other than the part about using very hot water. The water should be warm, not very hot. This will cause less thermal stress on the fabric. The final rinse can be a little hotter but not very hot. We know that this means drying takes a little longer, but from personal experience we feel that the less thermal shock the fabric is subjected to, the longer it will last. Also, some of the flat bones and some busk types have a painted or plastic coating which can start to crack or flake off when the metal gets very hot and then cools down again. The best busks are not, contrary to popular belief, stainless steel, but are spring carbon steel, and this will rust if water gets into little cracks in the coating. The amount of rusting will be very small and may not be visible under the coating but, will weaken the steel eventually. This is also the reason that dry cleaning very often is not recommended.

🌟 plus airing in fresh air are the best way to avoid the need to wash the corset much.…

Bridges are an intermittent but important theme in French painter Claude Monet's art, as seen from the docks of La Grenouillere to the end of his career, with the extended series of paintings he devoted to the Japanese bridge in his garden at Giverny. It was in Argenteuil, though, that the theme first rose to prominence, in the years 1872-1878. The bridge pictured here had been erected in the early 1830's, but it was damaged during the Franco-Prussian War by French troops to hinder the opposing force's march on Paris. Scaffolding can be seen on the right side, indicating the structure's repair.

 

This Monet original was photographed on exhibition ('Monet, The Early Years') at The Legion of Honor in San Francisco. This was the first major US exhibition devoted to the initial phase of Claude Monet’s career.

* Kodak Duo Six-20 Series II (1937-1940) with 6x4,5 format

* Ilford FP4 plus (re-spooled to 620 film rolls)

* Kodak D76 1+1

 

Johan Sverdrup (1816 – 1892) was the first prime minister of Norway after the introduction of parliamentarism, from 1884 to 1889. The statue is made by Stinius Fredriksen in 1964.

 

I used this camera: flic.kr/p/2kVZ6EF

Important legal note.

All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.

How do I get random non-Lego accounts to stop liking/following me!?

Hambantota was an important maritime city since ancient times. The inland harbour on the Walawe river and the sea harbour on the bay of Godavaya were an important component in the economy of ancient Sri Lanka, This port was first known to be operational in the general area of Hambantota around 250 BC, when Chinese and Arabian merchants used it as part of the maritime silk route. Around the 1st century CE, a furnace powered by monsoon winds was built near Embilipitiya, which used wind based air supply to produce high carbon steel. This steel was exported to Rome and other European areas for the manufacture of armor and swords, with ships sailing to a port in Hambantota to obtain steel.

Proposals to build a port in Hambantota date back over three decades, but plans never got out of conceptual stages till 2005. Launched on 15 January 2008, the first phase of the port was opened on 18 November 2010, When completed, the port will be the biggest port constructed on land to date in the 21st century

The mouth of the natural harbor at Hambantota has a 22m depth. When completed, the port will have a 1.5 km long breakwater, with a minimum basin depth of 17m. The turning circle will be 600m. A dam will also be built to prevent flooding in nearby areas, and a seawall made of interlocking concrete blocks will protect the port from high seas

View of the administrative building.

 

Important legal note.

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Town Hall Square (Vienna)

The inner part of the town square

Street sign town square

The Town Hall Square is located in the first District of Vienna, Inner City. It is named after the erected here (new) Vienna City Hall. Due to its size, design and architecture of the buildings bordering the square it is considered one of the most important places in the center of Vienna.

History

Vienna City Hall, View from 1891

In the area of today's town square was once the Josefstädter Glacis, a meadow terrain held as a free field of fire before the walls of Vienna and later the parade and drill ground of the Imperial Army. During the construction of the Ring Road from 1858 this military site remained untouched for some time until the army after long efforts of Mayor Cajetan Felder had renounced and the City Expansion Found could develop a Baulinienplan (building line plan) for the area. During this time, other locations were considered for the City Hall.

Now the Town Hall Square, the largest square in the recessed ring road zone was provided. The northern and southern part of the square shaped city gardener Rudolf Siebeck 1872/1873 as City Hall Park, the central part of the square, the axis Town Hall-Burgtheater, was kept free. 1873, the foundation stone was laid for the construction of the New Town Hall. 1874, work began on the Town Hall at the former Franzensring opposite the Burgtheater and the south of the square adjacent parliament building (north side front: Town Square 6). From 1877 on, the new main building of the University of Vienna (southern side front: Town Square 5 ) was built. Are installed on the three sides of the square five blocks with nine house numbers (No. 1 to No. 9), the fourth side is bordered by the Ring.

In course of time the name of the place changed four times. In 1870 it was created as Town Hall Square, renamed in 1907 after the incumbent Christian Social mayor in Dr.-Karl-Lueger square. The since 1919 dominant Red Vienna this appeared to be inappropriate, as Lueger in Vienna had prevented the universal and equal male suffrage, in 1907 introduced at state level. Therefore, the of a private committee donated Lueger monument under the rule of mayor Karl Seitz was not, as intended by the Committee, on the Town Square erected but built in 1926 on a previously unnamed square corner Wool Line/Stubenring and this place in the same year named Dr.-Karl-Lueger square named. The Town Square was returned its original name. In 1938, the place was again renamed into Adolf Hitler square, what was reversed in 1945.

Christmas Market at City Hall

The large space between City Hall and the Burgtheater was used by all the rulers for political rallies. Since 1921, its current form dating back to 1929 and interrupted from 1933 to 1945, it is the traditional final rally of the Vienna SPÖ Maiaufmarsches (May-Procession) on 1 In May at the Town Hall Square. In addition, the space is exploited for most of the year for cultural and social events. The most important of them since 1975, the Christmas market in November and December, the Vienna Ice Dream in January and February, the opening of the Vienna Festival in May and open-air cinema screenings with classical music in July and August. The Life Ball at Vienna City Hall refers also to the town square. Traditionally, a since 1959 every year from one of the states erected large Christmas tree as a gift to the federal capital.

Location and characteristics

The Town Hall Square is located between the extended Grillparzer street to the north, the University Ring to the east, the extended Stadion alley in the south and the extended Reichsrats street in the West. Except the ring on which there are no buildings on this side of the street, bear the buildings that are in the course of these streets at the place, house numbers of the Town Square. Stadion alley and Grillparzer street end before the square, the Reichsrats street is interrupted by the square.

About two-thirds of the space area of 40,000 m² are occupied by the City Hall park which is divided by a blocked to traffic, very wide access road between the Burgtheater and the Rathaus, offering space for events, into a northern and southern half. The Town Square is lined by some of the most important monumental Rings Road constructions in historicist style. In the square itself is a large number of monuments and statues. Thus, the town square is one of the most representative places in Vienna.

The tram lines 1 and D operate on the Ring Road and have at the City Hall Square opposite the Burg Theatre and at the corner of Parliament stops. Coming from the south and turning from the ring, operates tram line 2 on the southern edge of the Town Square to Stadiongasse. The individual passage traffic runs heading north on the eastern edge of the square on the Ring Road in the opposite direction behind the Town Hall on the two-line (Zweierlinie). Cycling trails pass off on the Ring Road and at the Grillparzer street and Stadion alley. Behind the Town Hall runs the subway line U2 to the City Hall with the subway station as shuttle to City Hall and City Hall Square.

Building

City hall

The central building in the middle of the west side of the Town Square is the City Hall, built in 1873-1883 by Friedrich von Schmidt, New Town Hall, Town Hall called only since about 1970. The powerful, dominating the square building was designed by the Dutch Gothic models. It should express the political power of the strengthened bourgeosie against the monarch and the aristocracy.

The City Council has at the Town Hall no main entrance or direct access to the arcade court, they are located on the side fronts of Felder Street and Lichtenfels alley, another entrance is at the rear front at the Friedrich-Schmidt square. From the Town Hall itself essentially the so-called People's Hall on the ground floor of the Town Hall via a staircase outdoors is accessible (entrances centered under the Town Hall Tower and left and right). The People's Hall is occasionally used for exhibitions. At the corner towards Felder street there is the exit to the restaurant Rathauskeller/Town hall cellar.

Arcade, Town Hall Square 2-4

Foyer with ceiling painting Apotheosis of Vindobona, Town Hall Square 4

No. 2, 3 and 4: Arcade Shops

The block north of City Hall was built in 1880-1883 by Franz von Neumann. Plan requirement was to equip the buildings (such as on the west side of the Imperial Parliament Street, in the course of which they are) at the town square with arcades. Held in the old German style, houses have remarkable corner projections made ​​with domes. At the central projection there are respectively balconies on herma. The attic floor is decorated with stucco relief female figures. The rib-vaulted arcades are painted with grotesques by Franz and Carl Jobst and equipped with cast iron lanterns. Particularly important are the foyers on No. 4 (and at the back of the block on the Ebendorfer street 4). Frieze reliefs show the allegories of commerce, the arts and trading. A large ceiling painting depicts the apotheosis of Vindobona. Lanterns and railings are made of wrought iron.

No. 5: University of Vienna, Main Building

Town Hall Square and front side of the university's main building in 1900

The Town Hall Square side facing the front of the main university building today (2007 )

On the north side of the town square is the front side of the main building of the University of Vienna. The main work of the late phase of the strict historicism was built in 1873-1884 by Heinrich von Ferstel. The 29-axle side facade is broken repeatedly by risalits as well as by half and full columns. Statues of Anton Schmidgruber and Franz Koch stand in relation to the Philosophical faculty. The building has no open entrance here.

No. 6: Parliament

On the south side of the town square is the side front of the parliament building, which was built as Reichsratsgebäude for Cisleithania. It is the most important work of the architect Theophil von Hansen that the latter one founded 1871-1883 by ancient Greek models. At the Town Hall Square, the Parliament has a covered side entrance, originally a carriage way.

No. 7, 8 and 9 houses with arcades

Dome on the corner risalt, Town Hall Square 7

South of the Town Hall is located one block of houses with arcades, built 1877/1878 of City Hall architect Friedrich von Schmidt and Franz Neumann in old German forms. These were the first houses with arcades of City Hall district. Dominant are domes on corner risalit and central dome, bay windows, balconies, putti frieze and statues of Venus and Mars on the facade. In the rib-vaulted arcades are embedded gates with half column portals and acroterion figures. The lobbies are decorated with stucco ceilings, among other rich and grotesque painting. At No. 8 is located under the arcades the in City Hall circles famous café and pastry shop Sluka.

City Hall Park

At the request of Mayor Felder the City Hall Park was created as a complementary recreation area in the Ring Road zone. It is a strictly historicist Park, which was created as the city park of city gardener Rudolf Siebeck. The green area is north and south of a link road from the Burgtheater on the Ring to the City Hall laid out, which extends space-like in front of City Hall. In each of the two parts is a Rondeau Park with fountains, which are intended to highlight the two Viennese spring water lines and were financed by the builder Antonio Gabrielli.

Orientation plan

Under the old trees of the park there are five trees that are designated as natural monuments in Vienna. A lime in the southern part of the park was planted on the occasion of the 50th anniversary jubilee of Emperor Franz Joseph I in 1898, an oak tree, also in the southern part of the park in 1906 for the then incumbent mayor Karl Lueger. Winding paths lead through the two parts of the park. The garden fence is original historicist. In the northern part of the park is a large children's play area. A 1890 in the southern part of the park built weather house, destroyed during the Second World War, was renewed in 1955 with mosaics of Mary Biljan-Bilger. The modern toilet facilities were designed by Luigi Blau.

Monuments

Waldmüllerdenkmal (Monument) by Josef Engelhart, 1913

The Town Hall Square is home of a number of monuments, they are described here from the ring road starting.

(Disabled) access from the Burgtheater to City Hall

At the beginning of this approach is, turning off the Ring Road, left the monument to Theodor Körner, mayor, then President of the Second Republic, by Hilde Uray, bronze statue, 1963,

right of the monument to Karl Seitz, first head of state of the First Republic, then mayor in Red Vienna, by Gottfried Buchberger, bronze statue, 1962.

Directly between the two parts of the park in 1902 eight stone monuments of significant figures in the history of Vienna were placed four at each park side facing each other. They had been established in 1867 on the balustrades of the former Elizabeth Bridge over the river (Wienfluss) on Karlsplatz. When in 1897 the bridge was demolished in this area because of the light rail construction and the resulting vaulting of the Wienfluss, the eight monuments first have been put along the then still in the incision extending new light rail line on the Karlsplatz, where they but heavily by the soot of steam locomotives polluted monuments were popularly called eight chimney sweepers. Therefore, they were transferred to the town square later:

left ( south side):

Margrave Henry II Jasomirgott from the House of Babenberg, by Franz Melnitzky

Duke Rudolf the founder of the House of Habsburg, of Josef Gasser

Ernst Rüdiger von Starhemberg, defender of Vienna (second Turkish siege), by Johann Baptist Fessler

Johann Bernhard Fischer von Erlach, Baroque architect, Josef Cesar

right (north side):

Duke Leopold the Glorious from the House of Babenberg, by Johann Preleuthner

Niklas Graf Salm, defender of Vienna (first siege of Vienna), by Matthias Purkartshofer

Archbishop Charles Leopold of Kollonitsch, spiritual leader of Vienna (second Turkish siege), Vincenz Pilz

Joseph of Sonnenfels, judicial and administrative reformer of Maria Theresa, by Hanns Gasser (replaced in the Nazi era in 1939 by a statue of the composer Christoph Willibald Gluck, re-erected after 1945)

Next to the town hall (tower), outside of the southern part of the park: replica of the Vienna City Hall man at the top of City Hall tower in scale 1: 1, by Fritz Tiefenthaler, 1985

Southern part of the city hall park (towards Parliament)

At the corner of Park Ring/Parliament, addressed to the ring: Karl Renner, the first Chancellor of the First and first president of the Second Republic, portrait head of Alfred Hrdlicka on monument structure of Josef Krawina, 1965-1967

Josef Popper-Lynkeus, social ethicist, stone bust of Hugo Taglang, 1926. As artist and represented were Jews, the bust was removed in the Nazi regime in 1938, restored in 1951 according to the plaster model.

Johann Strauss (father ) and Joseph Lanner, statues of Franz Seifert, 1905, Art Nouveau, the bronze sculptures stand in front of a curved wall with marble reliefs of ball scenes and a poem by Edward von Bauernfeld. This concept and the architecture created Robert Oerley.

Northern part of the city hall park (towards the University)

Ferdinand Georg Waldmüller, marble monument of Josef Engelhart, 1913, Art Nouveau

Ernst Mach, physicist, of Heinz Peteri, 1926

Adolf Schärf, vice chancellor, then president of the Second Republic, bronze bust of Alfred Hrdlicka, 1985

The most recent monument in the park, built in 1993, commemorates the wartime destruction of Vienna in 1945 and was by Hubert Wilfan under the title Yesterday - Today created from stone.

de.wikipedia.org/wiki/Rathausplatz_(Wien)

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Important legal note.

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Mare mosso e nuvoloni all'orizzonte stamattina...

 

Taken today close to Catania, Sicily

  

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Very few people have seen the Hingol National Park in the Balochistan province of Pakistan. Its nearest approach is from Karachi. Most visitors tend to go to the Hinglaj temple, an important sight for Hindu pilgrims but we managed to go deep into the national park with the Offroad pakistan who have made numerous visits there. Their website is worth a look :- offroadpakistan.com/

   

Hingol National Park or Hungol National Park (Urdu: ہنگول) is the largest of National Parks of Pakistan. It is on the Makran coast in Balochistan and is approximately 190 km from Karachi. The area was declared reserved in 1988.[1]

 

The park area covers parts of the three districts: Lasbela, Gwadar and Owaran of Balochistan province. It contains a variety of topographical features and vegetation, varying from arid sub tropical forest in the north to arid montane in the west. Large tracts of the NP are covered with drift sand and can be classified as coastal semi desert. The National Park includes the estuary of the Hingol river which supports a significant diversity of bird and fish species.

 

Currently, 20 staff members including 18 game watchers, two deputy rangers are responsible for the management of the Park under the guidance of the park Manager who reports to the Conservator and the Secretary Wildlife, Forest, Livestock, Environment and Tourism.

 

The shrine of Devi Hinglaj, the holiest among the 51 Shakti Peeths of Hinduism is situated in the park. It is a 15km trek from the main road. There is also a dirt track that leads to the site. Several thousand pilgrims visit the shrine each year.

 

Detailed inventories of wildlife were undertaken in 2006 and will be completed in the first half of 2007. Hingol is known to support at least 35 species of mammals, 65 species of amphibians and reptiles and 185 species of birds. Some 250 plant species were recorded in the initial surveys including 7 yet undescribed species. Many more species are yet to be collected.

 

The park forms an excellent habitat to wild Sindh Ibex, Afghan Urial and Chinkara Gazelle. Ibex is found in all steep mountain ranges and numerous in the Hinglaj and Rodani Kacho Mountain areas. Total population is estimated over 3000. The Urial populations are small and occur in isolated populations. The Machi and Upper Pachhri Mountains harbour the largest populations. Total population is less than 1000. The Chinkara occurs in good numbers along the great rivers (Nal-Hingol, Arra, Babro-Mar) in the Northern Plains and in the Harian and Maniji-Gurangatti valley areas. Elsewhere populations have been extirpated are very low. The total populations are preliminary estimated between 800-1200.

 

The Hingol River banks, estuary and mudflats forms an important habitat for migratory birds. About 40% of the bird species is related to water habitats. Migratory birds listed to visit Hingol include Dalmatian and Spot-billed Pelican, Sociable Plover, Spoonbills, Black Ibis, Black and White Stork. The Houbara Bustard (Chlamydotis undulata) visits the plains and valleys.

 

The River Hingol has been nurturing crocodiles for centuries. The Marsh Crocodile (Crocodylus palustris) occurs over large areas along the Hingol-Nal and some tributaries up to more than 100 km inland. The total population is about 50. There are several beaches along the more than 100 km coastline, however few tirtles visit the beaches nowadays. Historical records includes Olive Ridley (Lepidochelys olivacea) and Green Marine Turtles (Chelonia mydas). The vulnerable Spiny Tail Lizard (Uromastyx hardwickii) a mainly vegetarian lizard finds its most western distribution in Hingol.

 

Mammals in the park include Leopard, Jungle Cat, Caracal and Indian Desert Cat, Indian Fox, Bengal Fox and Sand Fox, Golden Jackal, Sindh Ibex, Afghan Urial, Chinkara Gazelle, Honey Badger, Indian Pangolin, Hedgehog (probably more than one species), Indian Crested Porcupine, Indian Grey Mongoose, Five striped Palm Squirrel, Wild Boar, Cape Hare and Desert Hare, Cairo Spiny mouse, Grey Spiny Mouse, Persian Jird, Indian Desert Jird and Libyian Jird, House Mouse, Roof Rat, and Mouse like Hamster. Wolf (Canis lupus pallipes) and Striped Hyena (Hyaena hyaena) are on the brink of extinction. The Leopard and Caracal populations are low.

 

The park has very few caves/ grottos, including one in the Dhrun Mountains with a bat population.

 

Birds in the park include Houbara Bustard, Dalmatian and Spot-billed Pelican, Bonnelli's eagle, Imperial eagle, Tawny eagle, Golden eagle, Eurasian griffon vulture, Egyptian vulture, Cinereous vulture, Lagger falcon, Red-headed merlin, Kestrel, Close-Barred sandgrouse, Grey partridge, See See partridge, Stone Curlew, Indian sand grouse, Coronetted sand grouse, Painted sand grouse, Eagle owl, Sind pied woodpecker, Hume's chat, Brown rock pipit, Striped buning, Finche larks, Hoopoe, Shrikes and Wheatears.

 

The Marsh Crocodile, Olive Ridley and Green Marine Turtles, Desert Monitor lizard, Yellow Monitor lizard, and different species of lizard and chameleon have been found in the park.

 

The government is all set to slice land off the Hingol National Park, the country’s largest, as the Pakistan Air Force and another defence-related organisation eye the prized real estate near the estuary whose value is likely to increase phenomenally once the Gwadar port starts functioning.

 

Sources in the Balochistan revenue department told Dawn that while the PAF has asked for around 80,000 acres (320 km²), including 23,000 acres (93 km²) in the national park, Pakistan Space and Upper Atmosphere Research Commission’s demand is for eight mauzas. [2]

 

en.wikipedia.org/wiki/Hingol_National_Park

Important legal note.

All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.

The rooftop of the Círculo de Bellas Artes has one of the most spectacular views of Madrid, an incomparable perspective of the urban fabric of the city, with views of the Gran Vía, the street sometimes referred to as the "Spanish Broadway", which is one of the city's most important shopping areas

Círculo de Bellas Artes

Madrid, Spain

Jenna looked across at Jake, taking a minute from the cleaning of her automatic rifle, "If it moves I can shoot it! If I can hit it, it will bleed., and if it bleeds, I can kill it!" smiled Jenna.

Thank you for putting up with our Airplane images, this is important to me as my Dad was in the military. We hope everyone has a great Veterans Day !!! Linda and I were invited by our family down in Key Largo to go to the Homestead Air Force Base Air Show on this past Sunday. We thought that with Veteran's Day coming on November 11, we would put up our images from the Air Show to honor Veterans no matter which country they served for !!! You will see lots of images grouped together on each day. On next Monday we will make them all public so that you may see each one large. We hope you enjoy our efforts at photographing these amazing planes. Thanks for looking and enjoy the amazing images !!! All images were shot with a Canon 100-400 5.6mm L Zoom Len...

 

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Sbusi Zulu Umemulo Coming of Age Ceremony South African Zulu Cultural Singing and Dancing Umlazi Durban November 2019

 

Umemulo also known as the Coming of Age is an important Zulu ritual that celebrates a young girl's journey into womanhood. The ceremony indicates that the young girl has transitioned from a child and into an adult woman who can now get married

Heidelberg - Heidelberger Schloss

 

Heidelberg Castle (German: Heidelberger Schloss) is a ruin in Germany and landmark of Heidelberg. The castle ruins are among the most important Renaissance structures north of the Alps.

 

The castle has only been partially rebuilt since its demolition in the 17th and 18th centuries. It is located 80 metres (260 ft) up the northern part of the Königstuhl hillside, and thereby dominates the view of the old downtown. It is served by an intermediate station on the Heidelberger Bergbahn funicular railway that runs from Heidelberg's Kornmarkt to the summit of the Königstuhl.

 

The earliest castle structure was built before 1214 and later expanded into two castles circa 1294; however, in 1537, a lightning bolt destroyed the upper castle. The present structures had been expanded by 1650, before damage by later wars and fires. In 1764, another lightning bolt caused a fire which destroyed some rebuilt sections.

 

Before destruction

 

Early history

 

Heidelberg was first mentioned in 1196 as "Heidelberch". In 1155 Conrad of Hohenstaufen was made the Count Palatine by his half-brother Frederick Barbarossa, and the region became known as the Electoral Palatinate. The claim that Conrad's main residence was on the Schlossberg (Castle Hill), known as the Jettenbühl, cannot be substantiated. The name "Jettenbühl" comes from the soothsayer Jetta, who was said to have lived there. She is also associated with Wolfsbrunnen (Wolf's Spring) and the Heidenloch (Heathens' Well). The first mention of a castle in Heidelberg (Latin: "castrum in Heidelberg cum burgo ipsius castri") is in 1214, when Louis I, Duke of Bavaria of the House of Wittelsbach received it from Hohenstaufen Emperor Friedrich II. The last mention of a single castle is in 1294. In another document from 1303, two castles are mentioned for the first time:

 

The upper castle on Kleiner Gaisberg Mountain, near today's Hotel Molkenkur (destroyed in 1537);

The lower castle on the Jettenbühl (the present castle site).

 

All that is known about the founding of the lower castle is that it took place sometime between 1294 and 1303. The oldest documented references to Heidelberg Castle are found during the 1600s:

 

The Thesaurus Pictuarum of the Palatinate church counsel Markus zum Lamb (1559 to 1606);

The "Annales Academici Heidelbergenses" by the Heidelberg librarian and professor Pithopoeus (started in 1587);

The "Originum Palatinarum Commentarius" by Marquard Freher (1599);

The "Teutsche Reyssebuch" by Martin Zeiller (Strasbourg 1632, reprinted in 1674 as the "Itinerarium Germaniae").

 

All of these works are for the most part superficial and do not contain much information. In 1615, Merian's Topographia Palatinatus Rheni described Prince Elector Ludwig V as he "started building a new castle one hundred and more years ago". Most of the descriptions of the castle up until the 18th century are based on Merian's information. Under Ruprecht I, the court chapel was erected on the Jettenbühl.

 

Palace of kings

 

When Ruprecht became the King of Germany in 1401, the castle was so small that on his return from his coronation, he had to camp out in the Augustinians' monastery, on the site of today's University Square. What he desired was more space for his entourage and court and to impress his guests, but also additional defences to turn the castle into a fortress.

 

After Ruprecht's death in 1410, his land was divided between his four sons. The Palatinate, the heart of his territories, was given to the eldest son, Ludwig III. Ludwig was the representative of the emperor and the supreme judge, and it was in this capacity that he, after the Council of Constance in 1415 and at the behest of Emperor Sigismund, held the deposed Antipope John XXIII in custody before he was taken to Burg Eichelsheim (today Mannheim-Lindenhof).

 

On a visit to Heidelberg in 1838, the French author Victor Hugo took particular pleasure in strolling among the ruins of the castle. He summarised its history in this letter:

 

But let me talk of its castle. (This is absolutely essential, and I should actually have begun with it.) What times it has been through! Five hundred years long it has been victim to everything that has shaken Europe, and now it has collapsed under its weight. That is because this Heidelberg Castle, the residence of the counts Palatine, who were answerable only to kings, emperors, and popes, and was of too much significance to bend to their whims, but couldn't raise his head without coming into conflict with them, and that is because, in my opinion, that the Heidelberg Castle has always taken up some position of opposition towards the powerful. Circa 1300, the time of its founding, it starts with a Thebes analogy; in Count Rudolf and Emperor Ludwig, these degenerate brothers, it has its Eteocles and its Polynices [warring sons of Oedipus]. Then the prince elector begins to grow in power. In 1400 the Palatine Ruprecht II, supported by three Rhenish prince electors, deposes Emperor Wenceslaus and usurps his position; 120 years later in 1519, Count Palatine Frederick II was to create the young King Charles I of Spain Emperor Charles V.

 

Reformation and the Thirty Years Wars

 

It was during the reign of Louis V, Elector Palatine (1508–1544) that Martin Luther came to Heidelberg to defend one of his theses (Heidelberg Disputation) and paid a visit to the castle. He was shown around by Louis's younger brother, Wolfgang, Count Palatine, and in a letter to his friend George Spalatin praises the castle's beauty and its defenses.

 

In 1619, Protestants rebelling against the Holy Roman Empire offered the crown of Bohemia to Frederick V, Elector Palatine who accepted despite misgivings and in doing so triggered the outbreak of the Thirty Years War. It was during the Thirty Years War that arms were raised against the castle for the first time. This period marks the end of the castle's construction; the centuries to follow brought with them destruction and rebuilding.

 

Destruction

 

After his defeat at the Battle of White Mountain on 8 November 1620, Frederick V was on the run as an outlaw and had to release his troops prematurely, leaving the Palatinate undefended against General Tilly, the supreme commander of the Imperial and Holy Roman Empire's troops. On 26 August 1622, Tilly commenced his attack on Heidelberg, taking the town on 16 September, and the castle a few days later.

 

When the Swedes captured Heidelberg on 5 May 1633 and opened fire on the castle from the Königstuhl hill behind it, Tilly handed over the castle. The following year, the emperor's troops tried to recapture the castle, but it was not until July 1635 that they succeeded. It remained in their possession until the Peace of Westphalia ending the Thirty Years War was signed. The new ruler, Charles Louis (Karl Ludwig) and his family did not move into the ruined castle until 7 October 1649.

 

Victor Hugo summarized these and the following events:

 

In 1619, Frederick V, then a young man, took the crown of the kings of Bohemia, against the will of the emperor, and in 1687, Philip William, Count Palatine, by then an old man, assumes the title of prince-elector, against the will of the king of France. This was to cause Heidelberg battles and never-ending tribuluations, the Thirty Years War, Gustav Adolfs Ruhmesblatt and finally the War of the Grand Alliance, the Turennes mission. All of these terrible events have blighted the castle. Three emperors, Louis the Bavarian, Adolf of Nassau, and Leopold of Austria, have laid siege to it; Pio II condemned it; Louis XIV wreaked havoc on it.

— quoted from Victor Hugo: "Heidelberg"

 

Nine Years' War

 

After the death of Charles II, Elector Palatine, the last in line of the House of Palatinate-Simmern, Louis XIV of France demanded the surrender of the allodial title in favor of the Duchess of Orléans, Elizabeth Charlotte, Princess Palatine who he claimed was the rightful heir to the Simmern lands. On 29 September 1688, the French troops marched into the Palatinate of the Rhine and on 24 October moved into Heidelberg, which had been deserted by Philipp Wilhelm, the new Elector Palatine from the line of Palatinate-Neuburg. At war against the allied European powers, France's war council decided to destroy all fortifications and to lay waste to the Palatinate (Brûlez le Palatinat!), in order to prevent an enemy attack from this area. As the French withdrew from the castle on 2 March 1689, they set fire to it and blew the front off the Fat Tower. Portions of the town were also burned, but the mercy of a French general, René de Froulay de Tessé, who told the townspeople to set small fires in their homes to create smoke and the illusion of widespread burning, prevented wider destruction.

 

Immediately upon his accession in 1690, Johann Wilhelm, Elector Palatine had the walls and towers rebuilt. When the French again reached the gates of Heidelberg in 1691 and 1692, the town's defenses were so good that they did not gain entry. On 18 May 1693 the French were yet again at the town's gates and took it on 22 May. However, they did not attain control of the castle and destroyed the town in attempt to weaken the castle's main support base. The castle's occupants capitulated the next day. Now the French took the opportunity to finish off the work started in 1689, after their hurried exit from the town. The towers and walls that had survived the last wave of destruction, were blown up with mines.

 

Removal of the court to Mannheim

 

In 1697 the Treaty of Ryswick was signed, marking the end of the War of the Grand Alliance and finally bringing peace to the town. Plans were made to pull down the castle and to reuse parts of it for a new palace in the valley. When difficulties with this plan became apparent, the castle was patched up. At the same time, Charles III Philip, Elector Palatine played with the idea of completely redesigning the castle, but shelved the project due to lack of funds. He did, however, install his favorite court jester, Perkeo of Heidelberg to famously watch over the castle's wine stock. Perkeo later became the unofficial mascot of the city. In 1720, he came into conflict with the town's Protestants as a result of fully handing over the Church of the Holy Spirit to the Catholics (it had previously been split by a partition and used by both congregations), the Catholic prince-elector moved his court to Mannheim and lost all interest in the castle. When on 12 April 1720, Charles announced the removal of the court and all its administrative bodies to Mannheim, he wished that "Grass may grow on her streets".

 

The religious conflict was probably only one reason for the move to Mannheim. In addition, converting the old-fashioned hill-top castle into a Baroque palace would have been difficult and costly. By moving down into the plain, the prince-elector was able to construct a new palace, Mannheim Palace, that met his every wish.

 

Karl Phillip's successor Karl Theodor planned to move his court back to Heidelberg Castle. However, on 24 June 1764, lightning struck the Saalbau (court building) twice in a row, again setting the castle on fire, which he regarded as a sign from heaven and changed his plans. Victor Hugo, who had come to love the ruins of the castle, also saw it as a divine signal:

 

One could even say that the very heavens had intervened. On 23 June 1764, the day before Karl Theodor was to move into the castle and make it his seat (which, by the bye, would have been a great disaster, for if Karl Theodor had spent his thirty years there, these austere ruins which we today so admire would certainly have been decorated in the pompadour style); on this day, then, with the prince's furnishings already arrived and waiting in the Church of the Holy Spirit, fire from heaven hit the octagonal tower, set light to the roof, and destroyed this five-hundred-year-old castle in very few hours.

— Victor Hugo, Heidelberg

 

In the following decades, basic repairs were made, but Heidelberg Castle remained essentially a ruin.

 

Since destruction

 

Slow decay and Romantic enthusiasm

 

In 1777, Karl Theodor became ruler of Bavaria in addition to the Palatinate and removed his court from Mannheim to Munich. Heidelberg Castle receded even further from his thoughts and the rooms which had still had roofs were taken over by craftsmen. Even as early as 1767, the south wall was quarried for stone to build Schwetzingen Castle. In 1784, the vaults in the Ottoheinrich wing were filled in, and the castle used as a source of building materials.

 

As a result of the German mediatisation of 1803, Heidelberg and Mannheim became part of Baden. Charles Frederick, Grand Duke of Baden welcomed the addition to his territory, although he regarded Heidelberg Castle as an unwanted addition. The structure was decaying and the townsfolk were helping themselves to stone, wood, and iron from the castle to build their own houses. The statuary and ornaments were also fair game. August von Kotzebue expressed his indignation in 1803 at the government of Baden's intention to pull down the ruins. At the beginning of the nineteenth century, the ruined castle had become a symbol for the patriotic movement against Napoleon.

 

Even before 1800, artists had come to see the river, the hills and the ruins of the castle as an ideal ensemble. The best depictions are those of England's J. M. W. Turner, who stayed in Heidelberg several times between 1817 and 1844, and painted Heidelberg and the castle many times. He and his fellow Romantic painters were not interested in faithful portrayals of the building and gave artistic licence free rein. For example, Turner's paintings of the castle show it perched far higher up on the hill than it actually is.

 

The saviour of the castle was the French count Charles de Graimberg. He fought the government of Baden, which viewed the castle as an "old ruin with a multitude of tasteless, crumbling ornaments", for the preservation of the building. Until 1822, he served as a voluntary castle warden, and lived for a while in the Glass Wing (Gläserner Saalbau), where he could keep an eye on the courtyard. Long before the origin of historic preservation in Germany, he was the first person to take an interest in the conservation and documentation of the castle, which may never have occurred to any of the Romantics. Graimberg asked Thomas A. Leger to prepare the first castle guide. With his pictures of the castle, of which many copies were produced, Graimberg promoted the castle ruins and drew many tourists to the town.

 

Planning and restoration

 

The question of whether the castle should be completely restored was discussed for a long time. In 1868, the poet Wolfgang Müller von Königswinter argued for a complete reconstruction, leading to a strong backlash in public meetings and in the press.

 

In 1883, the Grand Duchy of Baden established a "Castle field office", supervised by building director Josef Durm in Karlsruhe, district building supervisor Julius Koch and architect Fritz Seitz. The office made a detailed plan for preserving or repairing the main building. They completed their work in 1890, which led a commission of specialists from across Germany to decide that while a complete or partial rebuilding of the castle was not possible, it was possible to preserve it in its current condition. Only the Friedrich Building, whose interiors were fire damaged, but not ruined, would be restored. This reconstruction was done from 1897 to 1900 by Karl Schäfer at the enormous cost of 520,000 Marks.

 

Castle ruins and tourism

 

The oldest description of Heidelberg from 1465 mentions that the city is "frequented by strangers", but it did not really become a tourist attraction until the beginning of the 19th century. Count Graimberg made the castle a pervasive subject for pictures which became forerunners of the postcard. At the same time, the castle was also found on souvenir cups. Tourism received a big boost when Heidelberg was connected to the railway network in 1840.

 

Mark Twain, the American author, described the Heidelberg Castle in his 1880 travel book A Tramp Abroad:

 

A ruin must be rightly situated, to be effective. This one could not have been better placed. It stands upon a commanding elevation, it is buried in green woods, there is no level ground about it, but, on the contrary, there are wooded terraces upon terraces, and one looks down through shining leaves into profound chasms and abysses where twilight reigns and the sun cannot intrude. Nature knows how to garnish a ruin to get the best effect. One of these old towers is split down the middle, and one half has tumbled aside. It tumbled in such a way as to establish itself in a picturesque attitude. Then all it lacked was a fitting drapery, and Nature has furnished that; she has robed the rugged mass in flowers and verdure, and made it a charm to the eye. The standing half exposes its arched and cavernous rooms to you, like open, toothless mouths; there, too, the vines and flowers have done their work of grace. The rear portion of the tower has not been neglected, either, but is clothed with a clinging garment of polished ivy which hides the wounds and stains of time. Even the top is not left bare, but is crowned with a flourishing group of trees & shrubs. Misfortune has done for this old tower what it has done for the human character sometimes – improved it.

— Mark Twain

 

In the 20th century, Americans spread Heidelberg's reputation outside Europe. Thus, Japanese also often visit the Heidelberg Castle during their trips to Europe. Heidelberg has, at the beginning of the 21st century, more than three million visitors a year and about 1,000,000 overnight stays. Most of the foreign visitors come either from the USA or Japan. The most important attraction, according to surveys by the Geographical Institute of the University of Heidelberg, is the castle with its observation terraces.

 

Chronology

 

Timeline of events for Heidelberg Castle:

 

1225: first documented mention as "Castrum".

1303: mention of two castles.

1537: destruction of the upper castle by lightning bolt.

1610: creation of the palace garden ("Hortus Palatinus").

1622: Tilly conquers city and castle in the Thirty Years War.

1642: renewal of the Castle plants.

1688/1689: destruction by French troops.

1693: renewed destruction in the Palatinate succession war.

1697: (start) reconstruction.

1720: transfer of the residence to Mannheim.

1742: (start) reconstruction.

1764: destruction by lightning bolt.

1810: Charles de Graimberg dedicates himself to the preservation of the Castle ruins.

1860: first Castle lighting.

1883: establishment of the "office of building of castles of Baden."

1890: stocktaking by Julius Koch and Fritz Seitz.

1900: (circa) restorations and historical development.

 

(Wikipedi)

 

Das Heidelberger Schloss ist eine der berühmtesten Ruinen Deutschlands und das Wahrzeichen der Stadt Heidelberg. Bis zu seiner Zerstörung im Pfälzischen Erbfolgekrieg war es die Residenz der Kurfürsten von der Pfalz. Seit den Zerstörungen durch die Soldaten Ludwigs XIV. 1689 und der Sprengung durch französische Pioniere am 6. September 1693 wurde das Heidelberger Schloss nur teilweise restauriert. Nachdem am 24. Juni 1764 Blitze die teilweise renovierte Anlage in Brand gesetzt hatten, wurde die Wiederherstellung aufgegeben. Die Schlossruine aus rotem Neckartäler Sandstein erhebt sich 80 Meter über dem Talgrund am Nordhang des Königstuhls und dominiert von dort das Bild der Altstadt. Der Ottheinrichsbau, einer der Palastbauten des Schlosses, zählt zu den bedeutendsten Bauwerken des deutschen Manierismus. In der kulturgeschichtlichen Epoche der Romantik wurde die Schlossruine zu einem Inbegriff einer vergangenen und bewundernswerten Epoche stilisiert. Es zählt heute zu den meistbesuchten touristischen Sehenswürdigkeiten Europas.

 

Geschichte

 

Bis zu den Zerstörungen

 

Erste Erwähnungen

 

Um das Jahr 1182 verlegte Konrad der Staufer, Halbbruder von Kaiser Friedrich I. Barbarossa und seit 1156 Pfalzgraf bei Rhein, seine Hofhaltung von der Burg Stahleck bei Bacharach am Mittelrhein auf die Burg Heidelberg, seinem Sitz als Vogt des Klosters Schönau im Odenwald.

 

Die Stadt Heidelberg wird im Jahr 1196 zum ersten Mal in einer Urkunde genannt. Eine Burg in Heidelberg („castrum in Heidelberg cum burgo ipsius castri“) wird im Jahr 1225 erwähnt, als Ludwig der Kelheimer diese Burg vom Bischof Heinrich von Worms als Lehen erhielt. 1214 waren die Herzöge von Bayern aus dem Haus Wittelsbach mit der Pfalzgrafschaft belehnt worden.

 

Von einer Burg ist zuletzt im Jahr 1294 die Rede. In einer Urkunde des Jahres 1303 werden zum ersten Mal zwei Burgen aufgeführt: die obere Burg auf dem Kleinen Gaisberg bei der jetzigen Molkenkur und die untere Burg auf dem Jettenbühl. Lange Zeit hatte sich deshalb in der Forschung die Auffassung durchgesetzt, dass die Gründung der unteren Burg zwischen 1294 und 1303 entstanden sein müsse, zumal die vom Schlossbaubüro in der zweiten Hälfte des 19. Jahrhunderts akribisch durchgeführte Bauaufnahme zum Schluss gelangte, dass die Bausubstanz keine Datierung des Schlosses vor das 15. Jahrhundert gerechtfertigt habe. Aufgrund von Architekturfunden und neueren bauarchäologischen Untersuchungen wird in der jüngeren Forschung zum Heidelberger Schloss die Entstehung der unteren Burg dagegen mittlerweile auf die erste Hälfte des 13. Jahrhunderts datiert. Bereits 1897 wurde ein vermauertes spätromanisches Fenster in der Trennwand zwischen Gläsernem Saalbau und Friedrichsbau entdeckt. 1976 förderten Ausschachtungsarbeiten an der Nordostecke des Ruprechtbaues in einer um 1400 abgelagerten Schutt- und Abbruchschicht ein Fensterfragment in Form eines Kleeblattbogens zutage, wie es sich in ähnlicher Form in den Arkadenfenstern der Burg Wildenberg findet. Eine im Jahr 1999 im Bereich des Ludwigsbaus durchgeführte archäologische Untersuchung verdichtete die Hinweise auf eine Bebauung des Schlossareals in der ersten Hälfte des 13. Jahrhunderts.

 

Die ältesten Werke, die das Heidelberger Schloss erwähnen, sind:

 

der Thesaurus Picturarum des pfälzischen Kirchenrats Markus zum Lamb (1559 bis 1606)

die Annales Academici Heidelbergenses des Heidelberger Bibliothekars und Professors Pithopoeus (1587 begonnen)

der Originum Palatinarum Commentarius von Marquard Freher (1599)

das Teutsche Reyssebuch von Martin Zeiller (Straßburg 1632, als Itinerarium Germaniae 1674 wieder abgedruckt)

 

Alle diese Werke sind meist oberflächlich und enthalten nichts Ernsthaftes. Anders verhält es sich mit Matthäus Merian Topographia Palatinatus Rheni aus dem Jahr 1615, in der Kurfürst Ludwig V. als derjenige genannt wird, der „vor hundert und etlichen Jahren hat ein neu Schloß angefangen zu bauen“. Auf Merians Angaben stützen sich die meisten Beschreibungen des Schlosses bis ins 18. Jahrhundert hinein. Das Bestreben, die Gründungszeit des Schlosses weiter rückwärts zu verlegen, führt später zu Hinweisen, dass bereits unter Ruprecht I. die berühmte Hofkapelle auf dem Jettenbühl errichtet worden sei.

Königsschloss und Papstgefängnis

 

Als Ruprecht III. im Jahr 1401 Deutscher König (Ruprecht I.) wurde, herrschte im Schloss so großer Raummangel, dass er bei seiner Rückkehr von der Königskrönung sein Hoflager im Augustinerkloster (heute: Universitätsplatz) aufschlagen musste. Jetzt galt es, Raum zur Repräsentation und zur Unterbringung des Beamten- und Hofstaates zu schaffen. Gleichzeitig musste die Burg zu einer Festung ausgebaut werden. Etwa aus der Zeit Ruprechts III. stammen die ältesten heute sichtbaren Teile des Schlosses.

 

Nach Ruprechts Tod im Jahr 1410 wurde der Herrschaftsbereich unter seinen vier Söhnen aufgeteilt. Die pfälzischen Stammlande gingen an den ältesten Sohn Ludwig III. Nach dem Konzil von Konstanz brachte dieser als Stellvertreter des Kaisers und oberster Richter im Jahr 1415 im Auftrag König Sigismunds den abgesetzten Papst Johannes XXIII. auf dem Schloss in Gewahrsam, bevor er auf Burg Eichelsheim (heute Mannheim-Lindenhof) gebracht wurde.

 

Der französische Dichter Victor Hugo besuchte 1838 Heidelberg und spazierte dabei besonders gerne in den Ruinen des Schlosses herum, dessen Geschichte er in einem Brief zusammenfasst:

 

„Lassen Sie mich nur von seinem Schloß sprechen. (Das ist absolut unerläßlich, und eigentlich hätte ich damit beginnen sollen). Was hat es nicht alles durchgemacht! Fünfhundert Jahre lang hat es die Rückwirkungen von allem hinnehmen müssen, was Europa erschüttert hat, und am Ende ist es darunter zusammengebrochen. Das liegt daran, daß dieses Heidelberger Schloß, die Residenz des Pfalzgrafen, der über sich nur Könige, Kaiser und Päpste hatte und zu bedeutend war, um sich unter deren Füßen zu krümmen, aber nicht den Kopf heben konnte, ohne mit ihnen aneinanderzugeraten, das liegt daran, meine ich, daß das Heidelberger Schloß immer irgendeine Oppositionshaltung gegenüber den Mächtigen eingenommen hat. Schon um 1300, der Zeit seiner Gründung, beginnt es mit einer Thebais; in dem Grafen Rudolf und dem Kaiser Ludwig, diesen beiden entarteten Brüdern, hat es seinen Eteokles und seinen Polyneikes. Darin nimmt der Kurfürst an Macht zu. Im Jahre 1400 setzt der Pfälzer Ruprecht II., unterstützt von drei rheinischen Kurfürsten, Kaiser Wenzeslaus ab und nimmt dessen Stelle ein; hundertzwanzig Jahre später, 1519, sollte Pfalzgraf Friedrich II. den jungen König Karl I. von Spanien zu Kaiser Karl V. machen.“

 

– Victor Hugo: Heidelberg

 

Badisch-Pfälzischer Krieg

 

Im Badisch-Pfälzischen Krieg 1462 setzte Kurfürst Friedrich I. von der Pfalz (der „Pfälzer Fritz“) den Markgrafen Karl I. von Baden, den Bischof Georg von Metz und den Grafen Ulrich V. von Württemberg auf dem Schloss fest. Friedrich ließ die Gefangenen bei harter Kost in Ketten legen, bis sie bereit waren, die geforderten Lösegeldzahlungen zu leisten. Markgraf Karl I. musste zur Freilassung 25.000 Gulden zahlen, seinen Anteil an der Grafschaft Sponheim als Pfand abgeben und Pforzheim zum pfälzischen Lehen erklären. Der Metzer Bischof musste 45.000 Gulden zahlen. Das Wichtigste war aber, dass Friedrich I. von der Pfalz seinen Anspruch als Kurfürst gesichert hatte. Die Sage berichtet, Friedrich habe seinen unfreiwilligen Gästen das Fehlen von Brot bei der Mahlzeit dadurch begreiflich gemacht, dass er sie durch das Fenster auf das verwüstete Land hinab blicken ließ. Dies wird in einem Gedicht von Gustav Schwab mit dem Titel „Das Mahl zu Heidelberg“ nacherzählt.

 

Reformation und Dreißigjähriger Krieg

 

Während der Regierung Ludwigs V. besichtigte Martin Luther, der zu einer Verteidigung seiner Thesen (Heidelberger Disputation) nach Heidelberg gekommen war, das Schloss. Er wurde dabei von Pfalzgraf Wolfgang, dem Bruder Ludwigs V., herumgeführt und lobte später in einem Brief an seinen Freund Georg Spalatin vom 18. Mai 1518 die Schönheit und kriegerische Ausrüstung des Schlosses.

 

Im Dreißigjährigen Krieg flogen zum ersten Mal Kugeln gegen das Heidelberger Schloss. Hiermit endet auch die eigentliche Geschichte des Schlossbaus. Die folgenden Jahrhunderte bringen hauptsächlich Zerstörungen und Wiederherstellungen.

 

Friedrich V. von der Pfalz nahm – trotz vieler Bedenken – die Königswürde von Böhmen an und löste damit eine Katastrophe aus. Nach der Schlacht am Weißen Berg war er als Geächteter auf der Flucht und hatte voreilig seine Truppen entlassen, so dass General Tilly, der Oberbefehlshaber der katholischen Liga-Truppen im Dienst des Kurfürsten von Bayern, eine unverteidigte Pfalz vor sich hatte. Am 26. August 1622 eröffnete er die Beschießung Heidelbergs und nahm am 16. September die Stadt und wenige Tage darauf das Schloss ein. Nachdem die Schweden am 5. Mai 1633 die Stadt Heidelberg eingenommen und vom Königstuhl aus das Feuer auf das Schloss eröffnet hatten, übergab der kaiserliche Kommandant am 26. Mai 1633 die Festung an die Schweden. Nach der schweren Niederlage der Schweden in der Schlacht bei Nördlingen im September 1634 besetzten Truppen des Kaisers erneut die Stadt. In der Absicht, das Schloss zu sprengen, wurden innerhalb von 14 Tagen 24 Tonnen Pulver in Stollen unter den Mauern des Schlosses deponiert. Das überraschende Erscheinen einer französischen Armee mit 30.000 Mann verhinderte die geplante Sprengung. Erst im Juli 1635 kam die Stadt erneut in die Gewalt der kaiserlichen Truppen, in der es dann bis zum Friedensschluss blieb. Erst am 7. Oktober 1649 zog der neue Herrscher wieder in das zerstörte Stammschloss seiner Familie ein.

 

Im Pfälzischen Erbfolgekrieg

 

Der französische König Ludwig XIV. verlangte nach dem Tode des kinderlosen Kurfürsten Karl II., des letzten Fürsten der Linie Pfalz-Simmern, im Namen der Herzogin von Orléans die Herausgabe des pfälzischen Allodialgutes. Am 29. September 1688 rückten die französischen Heere im Pfälzischen Erbfolgekrieg in die Pfalz und zogen am 24. Oktober in das von Philipp Wilhelm, dem neuen Kurfürsten aus der Linie Pfalz-Neuburg, verlassene Heidelberg ein.

 

Gegen die verbündeten europäischen Mächte beschloss der französische Kriegsrat, durch Zerstörung aller Festungswerke und durch Verwüstung des pfälzischen Landes dem Feinde die Möglichkeit des Angriffes von dieser Gegend her zu entziehen. Beim Ausrücken aus der Stadt am 2. März 1689 steckten die Franzosen das Schloss und auch die Stadt an vielen Ecken zugleich in Brand.

 

Johann Wilhelm ließ sofort nach seinem Einzug in die verwüstete Stadt die Mauern und Türme wiederherstellen. Als die Franzosen 1691 und 1692 erneut bis vor die Tore Heidelbergs gelangten, fanden sie die Stadt in einem so guten Verteidigungszustand vor, dass sie unverrichteter Dinge abziehen mussten. Am 18. Mai 1693 standen die Franzosen allerdings wieder vor der Stadt und nahmen sie am 22. Mai ein. Sie versuchten vermutlich, mit der Zerstörung der Stadt die Hauptoperationsbasis gegen das Schloss zu schaffen. Am folgenden Tage kapitulierte die Schlossbesatzung, und nun holten die Franzosen nach, was sie 1689 in der Eile ihres Abzugs nur unvollständig ausgeführt hatten: Sie sprengten nun durch Minen die Türme und Mauern, die beim letzten Mal der Zerstörung entgangen waren. Das Heidelberger Schloss wurde eine Ruine.

 

Verlegung der Residenz nach Mannheim

 

Der Frieden von Rijswijk, mit dem der Pfälzische Erbfolgekrieg beendet wurde, brachte im Jahr 1697 endlich etwas Ruhe. Es war geplant, das Schloss abzureißen und die brauchbaren Teile zur Errichtung eines neuen Palastes im Tal zu verwenden. Als sich aber der Durchführung dieses Planes Schwierigkeiten entgegenstellten, wurde das Schloss notdürftig wiederhergestellt. Gleichzeitig trug sich Karl Philipp mit dem Gedanken eines vollständigen Umbaues des Schlosses, aber der Mangel an finanziellen Mitteln schob dieses Projekt auf, und als der Kurfürst 1720 mit den Protestanten der Stadt wegen Überlassung der Heiliggeistkirche an die Katholiken in Streit geriet, der die Verlegung der Residenz nach Mannheim zur Folge hatte, endete das Interesse des Kurfürsten am Heidelberger Schloss. Seine Absicht war es, die Heiliggeistkirche zur katholischen Hofkirche umzuwidmen, was die Heidelberger Reformierten mit allen Mitteln zu verhindern suchten. Als er am 12. April 1720 die Verlegung seiner Residenz mit allen Behörden nach Mannheim verkündete, überließ der Kurfürst die alte Hauptstadt ihrem Schicksal und wünschte ihr, dass „Gras auf ihren Straßen wachsen“ solle. Der religiöse Konflikt war vermutlich aber nur der letzte Anstoß gewesen, das alte, schwer zu einer barocken Anlage umzubauende Bergschloss aufzugeben und in die Ebene zu ziehen, wo er eine ganz seinem Willen entspringende Neugründung vornehmen konnte.

 

Sein Nachfolger Karl Theodor plante vorübergehend, seinen Wohnsitz wieder ins Heidelberger Schloss zu verlegen. Er nahm davon allerdings wieder Abstand, als am 24. Juni 1764 der Blitz zweimal hintereinander in den Saalbau einschlug und das Schloss abermals brannte. Victor Hugo hielt dies später für einen Wink des Himmels:

 

„Man könnte sogar sagen, daß der Himmel sich eingemischt hat. Am 23. Juni 1764, einen Tag, bevor Karl-Theodor in das Schloß einziehen und es zu seiner Residenz machen sollte (was, nebenbei gesagt, ein großes Unglück gewesen wäre; denn wenn Karl-Theodor seine dreißig Jahre dort verbracht hätte, wäre die strenge Ruine, die wir heute bewundern, sicher mit einer schrecklichen Pompadour-Verzierung versehen worden), an diesem Vortag also, als die Möbel des Fürsten bereits vor der Tür, in der Heiliggeistkirche, standen, traf das Feuer des Himmels den achteckigen Turm, setzte das Dach in Brand und zerstörte in wenigen Stunden dieses fünfhundert Jahre alte Schloß.“

 

– Victor Hugo: Heidelberg.

 

In den folgenden Jahrzehnten wurden zwar noch notwendige Erneuerungen vorgenommen, aber das Heidelberger Schloss blieb von nun an hauptsächlich eine Ruine.

 

Seit den Zerstörungen

 

Langsamer Zerfall und romantische Begeisterung

 

Im Jahr 1777 verlegte Kurfürst Karl Theodor seine Residenz von Mannheim nach München. Damit verlor er das Heidelberger Schloss noch mehr aus den Augen. Die überdachten Räume wurden nun von Handwerksbetrieben genutzt. Schon 1767 hatte man begonnen, die Quader des Südwalles als Baumaterial für das Schwetzinger Schloss zu verwenden. Im Jahr 1784 wurden gar die Gewölbe im Erdgeschoss des Ottheinrichsbaus eingelegt und das Schloss als Steinbruch verwendet.

 

Durch den Reichsdeputationshauptschluss von 1803 gingen Heidelberg und Mannheim an Baden über. Der große Gebietszuwachs war Großherzog Karl Friedrich willkommen, das Heidelberger Schloss betrachtete er jedoch als unerwünschte Zugabe. Die Bauten verfielen, Heidelberger Bürger holten aus dem Schloss Steine, Holz und Eisen zum Bau ihrer Häuser. Auch Figuren und Verzierungen wurden abgeschlagen. August von Kotzebue äußerte sich 1803 voller Empörung über die Absicht der badischen Regierung, die Ruinen abtragen zu lassen. Das zerstörte Schloss wurde am Beginn des 19. Jahrhunderts zum Sinnbild für die patriotische Gesinnung, die sich gegen die napoleonische Unterdrückung richtete.

 

Schon vor 1800 erkannten Maler und Zeichner in der Schlossruine und der bergigen Flusslandschaft ein idealtypisches Ensemble. Den Höhepunkt bilden die Gemälde des Engländers William Turner, der sich zwischen 1817 und 1844 mehrfach in Heidelberg aufhielt und etliche Gemälde von Heidelberg und dem Schloss anfertigte. Ihm und anderen Künstlern der Romantik ging es dabei nicht um eine detailgetreue Bauaufnahme. Sie pflegten eher einen recht freien Umgang mit der Wirklichkeit. So ist bei seinem Gemälde des Schlosses das Gelände mehrfach überhöht dargestellt.

 

Der Begriff Romantik wurde von dem Philosophen Friedrich Schlegel Ende des 18. Jahrhunderts zu einer Universalpoesie erklärt – ein literaturtheoretischer Begriff aus der Frühromantik. In ihr würden alle Künste und Gattungen zu einer Form verschmelzen. Jedoch wandelte sich dies im allgemeinen Verständnis zu einem verklärenden sentimentalen Gefühl der Sehnsucht. Diese Empfindung fand insbesondere in der sogenannten Heidelberger Romantik ihren Ausdruck. So zum Beispiel in Liedersammlungen der Autoren Achim von Arnim und Clemens Brentano, die sich oft in Heidelberg aufhielten. Landschaftsmaler machten die Schlossreste zum zentralen Motiv ihrer Gemälde, in denen häufig das Anmutige der umgebenden Landschaft in Kontrast gestellt wurde zum Feierlich-Düsteren der Ruine. Clemens Brentano dichtete:

 

„Und da ich um die Ecke bog, – ein kühles Lüftlein mir entgegen zog – Der Neckar rauscht aus grünen Hallen – Und giebt am Fels ein freudig Schallen, – Die Stadt streckt sich den Fluss hinunter, – Mit viel Geräusch und lärmt ganz munter, – Und drüber an grüner Berge Brust, – Ruht groß das Schloss und sieht die Lust.“

 

– Clemens Brentano: Lied von eines Studenten Ankunft in Heidelberg und seinem Traum auf der Brücke, worin ein schöner Dialogus zwischen Frau Pallas und Karl Theodor.

 

Die auf Poetik beruhenden Konzepte der Romantik wurden in brieflichen Diskussionen zwischen Achim und Jacob Grimm über das Verhältnis von Natur- und Kunstpoesie entwickelt. Abkehrend von den Elementen der Reflexion, Kritik und Rhetorik in der Kunstpoesie, beschäftigt sich die „Heidelberger Romantik“ mit der Naturpoesie. Im Laufe des 19. Jahrhunderts wurde Heidelberg mit seinem Schloss und der heimischen Natur auch bei Reisenden und Wanderern zunehmend bekannt und beliebt. Stadt und Schloss wurden zum Inbegriff romantischer Stimmung.

 

Der Retter des Schlosses war der französische Graf Charles de Graimberg. Er kämpfte gegen Pläne der badischen Regierung, für die das Heidelberger Schloss das „alte Gemäuer mit seinen vielfältigen, geschmacklosen, ruinösen Verzierungen“ war, für die Erhaltung der Schlossruinen. Er versah bis 1822 das Amt eines freiwilligen Schlosswächters und wohnte eine Zeit lang im Vorbau des Gläsernen Saalbaues, von dem aus er den Schlosshof am besten übersehen konnte. Lange bevor es in Deutschland eine Denkmalpflege gab, war er der erste, der sich um den Erhalt und die Dokumentation des Schlosses kümmerte, als bei der romantischen Schwärmerei noch niemand daran dachte, den Verfall zu unterbinden. In Auftrag Graimbergs verfasste Thomas A. Leger den ersten Schlossführer. Mit seinen in hoher Auflage produzierten druckgraphischen Ansichten verhalf Graimberg der Schlossruine zu einem Bekanntheitsgrad, der den Tourismus nach Heidelberg lenkte.

 

Bestandsaufnahme und Restaurierung – der Heidelberger Schlossstreit

 

Die Frage, ob das Schloss vollständig wiederhergestellt werden solle, führte zu langen Diskussionen. Der Dichter Wolfgang Müller von Königswinter machte sich im Jahr 1868 für eine vollständige Erneuerung stark und rief damit heftige Reaktionen hervor, die in der Presse und in Versammlungen ausgetragen wurden. Aus dem Streit um den richtigen Umgang mit der Schlossruine entwickelte sich eine Grundsatzdiskussion über die Aufgaben der Denkmalpflege. Die Ergebnisse dieser Debatte, die als der „Heidelberger Schlossstreit“ in die Geschichte eingegangen sind, prägten die Prinzipien der Bewahrung historischer Bauwerke nachhaltig.

 

Die Großherzogliche badische Regierung errichtete im Jahr 1883 ein Schloßbaubüro, das unter Oberaufsicht des Baudirektors Josef Durm in Karlsruhe vom Bezirksbauinspektor Julius Koch und dem Architekten Fritz Seitz geleitet wurde. Aufgabe des Büros war es, eine möglichst genaue Bestandsaufnahme zu machen und zugleich Maßnahmen zur Erhaltung oder Instandsetzung der Hauptgebäude vorzuschlagen. Die Arbeiten dieses Büros endeten 1890 und bildeten die Grundlage für eine Kommission von Fachleuten aus ganz Deutschland. Die Kommission kam zu der einhelligen Überzeugung, dass eine völlige oder teilweise Wiederherstellung des Schlosses nicht in Betracht komme, dagegen eine Erhaltung des jetzigen Zustandes mit allen Mitteln zu erstreben sei. Nur der Friedrichsbau, dessen Innenräume zwar durch Feuer zerstört worden waren, der aber nie Ruine war, sollte wiederhergestellt werden. Diese Wiederherstellung geschah schließlich in der Zeit von 1897 bis 1900 durch Carl Schäfer mit dem enormen Kostenaufwand von 520.000 Mark. Im Jahr 2019 entspricht der Aufwand Inflationsbereinigt 3.700.000 €.

 

Schlossruine und Tourismus

 

Schon die älteste Beschreibung Heidelbergs aus dem Jahr 1465 erwähnt, dass die Stadt „vielbesucht von Fremden“ sei. Doch ein eigentlicher Städtetourismus setzte frühestens zu Beginn des 19. Jahrhunderts ein. Graf Graimberg sorgte mit seinen Zeichnungen dafür, dass das Schloss als Bildmotiv eine große Verbreitung fand. Sie wurden praktisch zu Vorläufern der Postkarte. Zur gleichen Zeit gab es auch schon das Schloss als Souvenir auf Tassen. Den entscheidenden Schub erhielt der Tourismus aber erst mit dem Anschluss Heidelbergs ans Eisenbahnnetz im Jahr 1840.

 

Mark Twain beschrieb 1878 in seinem Buch Bummel durch Europa (A Tramp Abroad) das Heidelberger Schloss folgendermaßen:

 

„Um gut zu wirken, muss eine Ruine den richtigen Standort haben. Diese hier hätte nicht günstiger gelegen sein können. Sie steht auf einer die Umgebung beherrschenden Höhe, sie ist in grünen Wäldern verborgen, um sie herum gibt es keinen ebenen Grund, sondern im Gegenteil bewaldete Terrassen, man blickt durch glänzende Blätter in tiefe Klüfte und Abgründe hinab, wo Dämmer herrscht und die Sonne nicht eindringen kann. Die Natur versteht es, eine Ruine zu schmücken, um die beste Wirkung zu erzielen.“

 

– Mark Twain: Bummel durch Europa.

 

Bei einem am 18. Mai 1978 verübten Brandanschlag, der den Revolutionären Zellen zugerechnet wird, entstand ein Sachschaden von 97.000 DM am Schloss.

 

Im 20. Jahrhundert verfielen die US-Amerikaner noch mehr dem Heidelberg-Mythos und trugen ihn hinaus in die Welt. So kommt es, dass auch viele andere Nationalitäten das Heidelberger Schloss auf ihren Kurzreisen durch Europa zu den wenigen Zwischenstopps zählen.

 

Heidelberg hat zu Beginn des 21. Jahrhunderts jährlich mehr als eine Million Besucher und etwa 900.000 Übernachtungen. Wichtigster Anlaufpunkt ist laut einer Befragung des geografischen Instituts der Universität Heidelberg das Schloss mit seinen Aussichtsterrassen.

 

Das Heidelberger Schloss zählt heute zu den landeseigenen Monumenten und wird von der Einrichtung „Staatliche Schlösser und Gärten Baden-Württemberg“ betreut. Aus dem Landesinfrastrukturprogramm Baden-Württemberg wurden für den Neubau eines von Max Dudler entworfenen Besucherzentrums 3 Millionen Euro zur Verfügung gestellt. Es wurde 2012 eröffnet.

 

Zudem ist das Schloss nach Angaben der Schlösserverwaltung das größte Fledermaus-Winterquartier in Nordbaden. Wegen der dort überwinternden Zwergfledermaus sowie dem Großen Mausohr wurde im Jahr 2016 der im Stückgarten vor dem Schloss stattfindende Teil des Weihnachtsmarktes auf den Friedrich-Ebert-Platz verlegt.

 

(Wikipdia)

says so on the envelope.

Konstanz, Baden-Württemberg, Deutschland.

 

Konstanz es una ciudad alemana del estado federado de Baden-Wurtemberg ubicada en la orilla sur del lago de Constanza (Bodensee en alemán) y fronteriza con Suiza. Es la ciudad más grande y de mayor densidad poblacional de este gran lago, el más extenso de Alemania, alimentado por el río Rin y que comparte con dos países más: Suiza y Austria. La ciudad de Constanza forma un solo casco urbano real junto con la localidad suiza de Kreuzlingen, sobrepasando entre ambas los 100.000 habitantes.

 

Hay un puente que divide la ciudad en dos zonas, bajo el cual el Rin alimenta el lago de Constanza.

 

A pesar de ser una ciudad pequeña, su climatología la convierte en destino turístico e incrementa notablemente sus habitantes estacionales.

 

El casco antiguo y, por lo tanto, lugar de máximo interés de la ciudad se encuentra en la orilla sur del Rin, donde sólo existe esta porción de tierra alemana rodeada por territorio suizo. Desde el mismo puente sobre el Rin (Rheinbrücke) que accede al casco antiguo desde el norte de la ciudad, se observan dos de los monumentos más característicos de la ciudad: las torres de Pulverturm y Rheintorturm, de origen medieval.

 

Más hacia el centro de la ciudad antigua destacan las plazas más importantes, la Markstätte y la Münsterplatz, donde, como indica su nombre, se halla la catedral de Nuestra Señora. Dentro de la misma es destacable la cripta románica primigenia, construida entre los años 1052 y 1089 y situada bajo el altar actual. En los meses de verano, la torre de 76 metros del edificio está abierta al público y permite unas espléndidas vistas del lago. Como cabe esperar en todo edificio europeo de estas características, el edificio románico original tiene importantes elementos y modificaciones góticas y barrocas posteriores.

 

También en la Münsterplatz se encuentran los restos de una fortaleza romana, los cuales son perfectamente visibles por medio de una pirámide acristalada en el suelo de la plaza, a los pies mismos de la catedral.

La puerta "Schnetztor" desde el interior de la muralla de Constanza.

 

Numerosas calles del centro histórico de la ciudad, como la Wessenbergstrasse o la Rosgartenstrasse, poseen gran cantidad de edificios medievales con bonitos balcones y pinturas en las que se puede leer la fecha de su construcción, nombre o gremio. Muchas de ellas son anteriores al siglo XV y entre las posteriores destacan también interesantes edificios barrocos.

 

La Wessenbergstrasse, una de las arterias principales del casco antiguo de la ciudad, desemboca en la Hussenstrasse y esta a su vez en la torre Schnetztor, puerta principal de la muralla antigua de la ciudad, parte de la cual todavía se conserva, y salida directa hacia la ciudad de Kreuzlingen, ya en Suiza, pero completamente integrada con Constanza, con la que forma un mismo núcleo urbano.

 

Konstanz is a German city in the federal state of Baden-Württemberg located on the southern shore of Lake Constance (Bodensee in German) and bordering Switzerland. It is the largest and most densely populated city of this great lake, the largest in Germany, fed by the Rhine River and shared with two other countries: Switzerland and Austria. The city of Constanza forms a single real urban area together with the Swiss town of Kreuzlingen, surpassing both 100,000 inhabitants.

 

There is a bridge that divides the city into two zones, under which the Rhine feeds Lake Constance.

 

In spite of being a small city, its climatology turns it into a tourist destination and it increases remarkably its seasonal inhabitants.

 

The old town and, therefore, place of maximum interest of the city is on the southern bank of the Rhine, where only this portion of German land surrounded by Swiss territory exists. From the same bridge over the Rhine (Rheinbrücke) that accesses the old town from the north of the city, there are two of the most characteristic monuments of the city: the Pulverturm and Rheintorturm towers, of medieval origin.

 

More towards the center of the old city, the most important squares stand out, the Markstätte and the Münsterplatz, where, as its name indicates, there is the Cathedral of Our Lady. Inside it is remarkable the original Romanesque crypt, built between 1052 and 1089 and located under the current altar. In the summer months, the 76-meter tower of the building is open to the public and allows a splendid view of the lake. As expected in any European building of these characteristics, the original Romanesque building has important elements and subsequent Gothic and Baroque modifications.

 

Also on the Münsterplatz are the remains of a Roman fortress, which are perfectly visible by means of a glass pyramid on the floor of the square, at the very foot of the cathedral.

The "Schnetztor" door from inside the wall of Constance.

 

Numerous streets in the historic center of the city, such as the Wessenbergstrasse or the Rosgartenstrasse, have a large number of medieval buildings with beautiful balconies and paintings in which you can read the date of its construction, name or guild. Many of them date from before the 15th century and interesting baroque buildings also stand out among the later ones.

 

The Wessenbergstrasse, one of the main arteries of the old part of the city, flows into the Hussenstrasse and this in turn into the Schnetztor tower, the main gate of the old city wall, part of which is still preserved, and direct exit towards the city of Kreuzlingen, already in Switzerland, but completely integrated with Constance, with which it forms the same urban nucleus.

... TieNen uN PATO CeRCa!!!!

Important legal note.

All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.

The poor bird maybe escaped a cat? It was catching some heat and sunlight, for quite a few feathers were missing.

But still, and most important, it was well able to fly. 😯☺

Engaku-ji (円覚寺) es uno de los complejos de templos de Budismo Zen más importantes de Japón. Se encuentra en la ciudad de Kamakura, dentro de la prefectura de Kanagawa, al sur de Tokio, muy cerca de la estación de ferrocarril de Kita-Kamakura en la línea férrea entre Tokio y Yokosuka.

Un monje budista de origen chino fundó el templo en 1282 a solicitud del entonces gobernante de Japón, el regente Hōjō Tokimune que había repelido los intentos de invasión de los mongoles entre 1274 y 1281. Tokimune era un ferviente seguidor del Zen y el templo se erigió para honrar a los caídos en ambos bandos de la guerra y para que sirviera como un centro desde el que extender la influencia del Zen. Según los registros de la época, al comenzar las obras se extrajo de la colina un ejemplar enterrado del Engaku-kyo, sutra de la Perfecta Iluminación, hecho que dio nombre al templo.

La forma actual del templo se debe al sacerdote budista Seisetsu, que lo reconstruyó y consolidó hacia el final del período Edo. En el período Meiji, Engaku-ji se convirtió en el principal centro de educación Zen en la región de Kantō; Kosen Roshi y Soyen Shaku fueron abades en este período y Daisetsu Teitaro Suzuki estudió bajo su dirección. Aún se ofrecen cursos de Zazen en el templo.

Los incendios han dañado varios de los edificios en diferentes ocasiones, y las fechas que se ofrecen a continuación se refieren a la construcción de las estructuras en su forma actual. Desde la entrada, los edificios del templo se sitúan a lo largo de una colina arbolada, estando situados los edificios principales en línea recta, al estilo chino; la mezcla de edificios austeros y árboles supone una composición agradable. En total hay 18 templos en el recinto. Entre los edificios y demás monumentos se encuentran:

La puerta principal, San-mon (1783), con caligrafía del Emperador Fushimi;

Un gran salón de Buda, moderno o Butsu-den (1964);

Shari-den, construido en el siglo XVI al estilo de la dinastía Song de China, que se dice que alberga un diente de Buda;

El Butsunichi-an, techado, que es el lugar donde se encuentran enterrados los restos de Hōjō Tokimune;

Ōbai-in, un pequeño templo con tejado que contiene una estatua de Kannon;

Ōgune (1301), la mayor de las campanas de los templos de Kamakura, de más de 2,5 metros de altura.

De todos ellos, Shari-den y Ōgune han sido declarados Tesoros Nacionales de Japón.

Los visitantes deben pagar una entrada de 300 yenes (marzo de 2007) para acceder al recinto.

El fuego ha dañado muchos de los edificios en diferentes ocasiones, y las fechas que se dan a continuación se refieren a la construcción de las estructuras que se ven actualmente. Desde la entrada, los edificios del templo se elevan por una ladera boscosa, con los edificios principales en línea recta al estilo chino; los edificios austeros y los árboles se mezclan en una composición general satisfactoria. Hay en total 18 templos en el sitio.

 

Engaku-ji - Wikipedia, la enciclopedia libre

 

Zuirokusan Engaku Kōshō Zenji (瑞鹿山円覚興聖禅寺), or Engaku-ji (円覚寺), is one of the most important Zen Buddhist temple complexes in Japan and is ranked second among Kamakura's Five Mountains. It is situated in the city of Kamakura, in Kanagawa prefecture to the south of Tokyo.

Founded in 1282 (Kamakura period, the temple maintains the classical Chinese Zen monastic design, and both the Shariden and the Great Bell (大鐘, Ogane) are designated National Treasures. Engaku-ji is one of the twenty-two historic sites included in Kamakura's proposal for inclusion in UNESCO's World Heritage Sites.

It is located in Kita-Kamakura, very close to Kita-Kamakura Station on the Yokosuka Line, and indeed the railway tracks cut across the formal entrance to the temple compound, which is by a path beside a pond which is crossed by a small bridge

The temple was founded in 1282 by a Chinese Zen monk Mugaku Sōgen (1226-1286) at the request of the then ruler of Japan, the regent Hōjō Tokimune after he had repelled a Mongolian invasion in the period 1274 to 1281. Tokimune had a long-standing commitment to Zen and the temple was intended to honour those of both sides who died in the war, as well as serving as a centre from which the influence of Zen could be spread. According to the records of the time, when building work started a copy of the Sutra of Perfect Enlightenment (in Japanese, engaku-kyō 円覚経) was dug out of the hillside in a stone chest during the initial building works, giving its name to the temple.

The fortunes of the temple have waxed and waned over the centuries. Its present form is owed to the Zen priest Seisetsu Shucho (1745–1820), also known as Daiyu Kokushi, who reconstructed and consolidated it towards the end of the Edo era. A particularly important year for these reforms and the history of the temple was 1785, the "500th Anniversary of the Foundation". In the Meiji era, Engaku-ji became the chief centre for Zen instruction in the Kantō region; Kosen Roshi and Soyen Shaku were successively abbots in this period, and Daisetz Teitaro Suzuki was a student under them.

Zazen courses are still held in the temple, with open meditations sessions every morning (except for New Year's and early October) and every Saturday afternoon (except for August). There's also a sermon the 2nd and 4th Sunday of the month at 9:00 am, followed by a session of zazen. These activities are held at the main hall (Butsuden), Kojirin and Hojo buildings respectively. A four-day "Summer Lecture Series" is organized yearly in late July.

Fire has damaged many of the buildings at different times, and the dates given below refer to the building of the structures currently seen. From the entrance, the buildings of the temple rise up a wooded hillside, with the major buildings in a straight line in the Chinese style; the austere buildings and the trees blending in a satisfying overall composition. There are altogether 18 temples on the site.

Sanmon

The two-storied main gate, or Sanmon (山門), was rebuilt in 1785, as part of the reconstruction works lead by Seisetsu. A wooden plaque of calligraphic work by the Emperor Fushimi (1265-1317) reads "Engaku Kōshō Zenji". On the upper floor there are statues enshrined of Bodhisattva, the Sixteen Arhats and the Twelve Heavenly Generals. The roof is covered with copper.

It is designated an Important Cultural Property of the Kanagawa Prefecture.

Butsuden

The large modern Butsuden (仏殿) (; main hall;) at the center of the Engaku-ji complex was rebuilt in 1964, after it was destroyed by the Great Kanto Earthquake. The construction of this new building, surrounded by junipers, was made following closely a plan from 1573.

It is dedicated to Hokan Shaka Nyorai (Shakyamuni with a Jeweled Crown), enshrined there, the main object of worship of the temple. This seated statue dates from the late Kamakura period. Statues of Bonten and Taishakuten in the same hall date from 1692. A painting of a dragon in the ceiling was painted by Tadashi Moriya under the supervision of Seison Maeda.

Above the front entrance there is a plaque of calligraphy from Emperor Go-Kogon (1338–74) which reads Daikomyohoden.

Sembutsudo and Kojirin

Sembutsudo (選仏堂) is a thatch-roofed hall for Zen meditation and a sutra repository, built in 1699.

The Kojirin (居士林) is a Zen meditation hall for lay trainees (Koji). Meditation sessions are held here most Sundays, both for first-time participants and for the general public.

Both building stand left of the Butsuden, and are open to the public.

Ogane (National Treasure) and Bentendo

Cast by Mononobe Kunimitsu in August 1301, the Great Bell (大鐘, Ogane) of Engaku-ji is at 2.6 metres tall the largest of all the many temple bells of Kamakura (in fact the largest in Kantō. It was made by order of Hojo Sadatoki (1271-1311), after he confined himself in the Benzaiten shrine in Enoshima.

This bell and the one at Kenchō-ji are the only ones designated National Treasure in that category of crafts in the Kanagawa prefecture (also the only ones from the Kamakura period).

A waniguchi gong from 1540 hangs in the belfry. It designated an Important Cultural Property.

Bentendo (弁天堂) is dedicated to the Benzaiten shrine in Enoshima. According to the legend, the cast of the Ogane successful thanks to the protection of Benzaiten. Once every 60 years a grand ceremony is held between both temples.

Shariden (National Treasure)

The Shariden (舎利殿) (reliquary hall), is a 3×3 hall, single-storied, irimoya style, with a pent roof enclosure, covered with hinoki cypress bark shingles. It is the only building with the designation of National Treasure in the Kanagawa prefecture.

The original structure, built in 1285 by Hōjō Sadatoki (1271-1311), was destroyed by a fire in 1563. The current building was transferred from the Taiheiji convent in Nishi Mikado, but it still dates from the Muromachi period.

The structure is typical of kara-yo (Chinese-style architecture), also called Zenshu-yo (Zen-sect-style), introduced from China in the Kamakura period, with a style close to that of the Song dynasty. It houses what is claimed to be a tooth of Shakyamuni, presented by the Noninji Temple in China to Minamoto no Sanetomo.

There is an admission fee (as of 2017, 300 yen) for visitors to enter the temple complex, and additional similar charges to enter a few of the buildings. Booths selling tourist items are located near the entrance, below the Sanmon, and there are refreshment facilities in the garden of the Shariden and at the platform where the Great Bell is located, from where there are extensive views across the valley to other temple complexes in the Kita-Kamakura neighbourhood, such as Jōchi-ji and Tōkei-ji (another temple of the Engaku-ji school).

 

Engaku-ji - Wikipedia

 

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