View allAll Photos Tagged Imagination.
imagination quotes
(more inspirational quotes here www.embellishedminds.com/2824/inspirational-quotes/
The world is but a canvas to the imagination.
-Henry David Thoreau-
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Images may not be copied or used in any way without my written permission.
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
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Livraria Cultura turns 60 and is a reference in the Brazilian market
The company has three stores in São Paulo, one in Campinas, one in Porto Alegre, one in Brasília and one in Recife; in 2008, they will open one other store.
An entrepreneurship success story. This is how the trajectory of Livraria Cultura, that reached 60 years of activities in Brazil during 2007, can be defined. The company founded in 1947 by Eva Herz, is a reference in the domestic market.
Today, Cultura has seven units – three in São Paulo, one in Campinas, nearby São Paulo, one in Recife, another one in Porto Alegre and also one store in Brasília. In 2008, they will open one new store in São Paulo, at a new mall called Shopping Bourbon.
Livraria Cultura has over one thousand employees who are committed to offering the public a concept that goes beyond the mere book selling. “Each store is more than a bookstore, it''s an entertainment center where customers go not only to buy, but also to get updated and to debate ideas”, says Pedro Herz, who''s been running the company for 38 years. “Our employees are always ready to provide the customers advice while they''re buying, or help them finding the product they''re looking for. This has always been a feature in our business."
Another strong feature in Livraria Cultura is the diversity in its catalog, that includes over 2,5 million book titles, in addition of CDs and DVDs. Also, the stores are kept updated through the retailing of publications in several languages, such as Spanish, English, French and Italian, besides Portuguese, of course. Each store keeps an average collection of 150,000 titles.
The store at the building Conjunto Nacional, in São Paulo, located on one of the most important avenues in town, Paulista Avenue, that opened in May 2007, is the largest bookstore in the country. It''s an area of 46,280 square feet distributed among three floors. After being renovated in December 2007, Livraria Cultura opened an store exclusively dedicated to the Art sector at the same building.
A traditional gathering spot for authors and readers, all Cultura units have an auditorium that features concerts, shows, Jazz nights, conferences, philosophical cafes and autograph parties. And all these events are free. However, the Conjunto Nacional unit has a theater, the Eva Herz Theater, with a capacity for 166 people, where all the above events take place, besides children and adult plays, but for these tickets must be paid for.
Story
The story of Livraria Cultura began when Eva Herz, mother of the current president of the network, thought of starting a service of book rental, at the living room of her own home in São Paulo. Those were difficult times. Escaping from the Nazi persecution, the family had left Berlin in 1938 and had to find ways of increasing their income.
In 1950, Eva decided to enhance the business and besides renting books, she began to sell them.
By then, her reputation was established among the mothers in town, who would send their children to her, not only to rent or buy books, but also to get her advice on what to read.
In 1969, she gave up the rental service, keeping only the bookstore, then established in a house where the two front rooms were used for the store, while the back was the family home.
That same year, Pedro took over the administration of their business and made his mother''s dream come true: that of settling at a largest place, at Conjunto Nacional. It was in that address that the company established the profile that made it known: a large bookstore with quality, diversity and good services.
During the 70''s they start the process of enlarging the Cultura unit at Conjunto Nacional. In 1990, Fabio and Sergio Herz, Pedro''s sons, start working at the company. By the end of 1997 Cultura had four stores dispersed around Conjunto Nacional.
In 1995, Livraria Cultura created its internet site, and following the world trend, became the first Brazilian bookstore to sell on-line. In 2000, another great project of the board was accomplished: Cultura opened its first branch. A space of 32,290 square feet at Shopping Villa-Lobos, in São Paulo.
In 2003, Cultura opened its first branch in another town, at Bourbon Shopping Country, in Porto Alegre, Rio Grande do Sul state. In 2004, that happened in Recife, Pernambuco, and the following year in Brasília, the country''s capital. In July 2006, it would be the turn for another mall in São Paulo to get a store: Market Place.
In 2007, in addition of starting operations at its new premises at Conjunto Nacional, Cultura invested in renovating its visual identity. In 2008, they opened one store in April, in Campinas, and they are get prepared for the opening of one other store during the second semester.
Inspired by all those days spent as a kid staring into the clouds playing the game to see what you can see in the clouds. Blogged here: blockpartypress.blogspot.com/2008/09/you-were-inspired-by...
Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:
"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."
For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."
Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.
The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.
The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.
An extract of the files of the correctional court of Montfort:
"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.
The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:
Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.
Legendary history of Britain
It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.
The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".
More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.
William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.
Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.
The Arthurian cycle
"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)
The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).
The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.
Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).
Sources wikipedia
Camera Club exercise to use imagination. Who would have thought there was so much engineering inside.
Fashion with Passion, Hajvery University has organized a Fashion & Textile Exhibition on 2nd February 2013. Students of HU School of Fashion & Textile Design have exhibited their work. The exhibition attracted a distinguished audience from all walks of life, including Renowned Fashion Designers of Pakistan and the Fashion Conscious public also participated to encourage the young Fashion Designers, and offer critique on their work. Fashion & Textile by the Students of HU School of Fashion & Textile Design is a visual compendium of ideas and expressions of creativity and what is possible for the human imagination. The students produce day by day, week by week swatches of creativity: a new theme, a unique color combination, experimentation with fabrics. The HU Fashion Display is the University’s way of scooping up all this creativity and presenting it to Lahore’s fashion design industry. The HU Fashion Exhibition proved to be very successful as it met its objectives, and the event was covered by all the leading TV Channels, such as GEO, HUM TV, ARY, Style360, City42, Express News, Urooj, Saama, and many others. Hajvery University (HU) is one of the leading Universities in Pakistan. HU is Chartered by Govt. Of Pakistan, Accredited by Higher Education Commission of Pakistan (HEC) and rated W category. HU is a progressive, Student Centric University, focused on offering rigorous, market driven courses in Business, Fashion, Engineering, Computer sciences, Textile Design, Media Studies, Economics, Commerce, Pharmacy & English For details: Web: www.hup.edu.pk, UAN: 042-111-777-007 email: info@hup.edu.pk
The current sign of the Imagination Pavilion at EPCOT. There is quite a bit of speculation that a version 4 of the attraction may not be to far down the road.
“I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.”
"I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world. -- Albert Einstein
Imagine That! Labelscar from IMAGINATION, once a local Spencer's gifts/Hot Topic style gift and novelty store it since has closed and it's space as far as I can find out was merged with fye's space.
Note: Does anyone remember seeing an Imagination store in North County Fair by JCPenney, next to the old Wherehouse Music (now a days Gap), I remember seeing it a couple times back in 2001 until I moved to Riverside County in 2003 but I can't be sure, does anyone remember? I remember it was Red Robin, Wherehouse Music, Imagination, Hickory Farms, some place that sold frames and posters, some stores and Penneys, anyone remembers?
World Boadypainting Festival Body &Circus a stunning venue.
The World Bodypainting Festival, pushing the boundaries and leting your imagination run free. Its a greart gig, Guests show up in fantasy costumes from Drag Queens to bodypainting, decoration, masks, extreme make-up, bizarre fashion, and latex outfits. Unleash yourself from your normal day surroundings. Dive into a wild night with the most enchanting artists, latest club tunes from our international DJ's and provocative stage shows. For those who need help or want to get ready with others, the styling jam session is the place to be. Transformed and ready for circus, are also the girls behind the bars, serving Champagne, Cocktails and juggling buckets of Vodka through the dancing crowd filled with decorated bodies - Roll up, Roll up!
While the pavilion itself has technically existed since 1982, it has so far gone through three significant phases. The original started out as an area in which the 3-D film Magic Journeys was played with a song by the same name by the Sherman Brothers. The Makin' Memories slide presentation, a history of photography was the pre-show presentation. When Journey Into Imagination opened a year later, the area was dubbed The Journey Into Imagination Pavilion. From 1983 to 1986 it held Journey Into Imagination, the (upstairs) ImageWorks, and Magic Journeys. In 1986, however, Magic Journeys was replaced by Captain EO, a more advanced 3-D film created by George Lucas and starring Michael Jackson as the title character. In 1994, Captain EO was replaced by Honey, I Shrunk the Audience, starring Rick Moranis as Professor Wayne Szalinski and Eric Idle as the Imagination Institute chairman, Dr. Nigel Channing. The pavilion was renamed Imagination! in 1999, (when the new ride opened) after the alternative title of the Dreamfinder's song. The actual name of the song however, is "One Little Spark" (which was also a Sherman Brothers creation) and is the Imagineers unofficial theme song, although some believe the title to be the former.
In 1997, Fujifilm, (Kodak's biggest rival at the time) came to Disney with an offer: make Journey into Imagination into a thrill ride that had nothing to do with imagination. Kodak's sponsorship contract was almost up, and Fujifilm knew that when the contract ran out, Disney would need someone to sponsor the building. Kodak, however, wished to stay with Disney and continue the contract. Kodak realized that in order to compete with Fujifilm, they too must come up with a new attraction to go into the building. Their proposal was to make Journey Into Imagination, already an E-Ticket attraction, into something more scientific. The ride would also be shorter and have cheaper special effects. At the time, Journey Into Imagination was the most expensive ride in Epcot to keep running, despite the fact that it got more visitors in a day than Epcot's flagship ride Spaceship Earth. The guests made it all worthwhile for Disney to keep it running, but Disney still wasn't satisfied with it. It was the most technologically advanced dark ride in history. A roller coaster would mean much more money to build and keep running, and they feared it wouldn't be nearly as popular as Journey Into Imagination. Therefore, by the end of 1997, Disney accepted Kodak's idea.
In 1998, the original Journey Into Imagination went down for a rehab. During this rehab, the upstairs ImageWorks was closed and the building's white and blue painting exterior was replaced with different colors, navy blue being primary. The original glass sign was replaced by one made of wood and metal. The leap frog fountains were reduced in size to accommodate the new gift shop at the exit of the new Journey Into Imagination. Despite the fact that the pavilion already had a gift shop right next to the 3-D film playing at the time, Disney felt that this one would be more successful. The glass pyramids remained intact, although the upstairs ImageWorks was closed, to be replaced by the downstairs ImageWorks.
The attraction opened in 1999, in time for the Millennium Celebration. Fans were upset that Dreamfinder, a popular character from the previous ride, was gone. Furthermore, Figment, another popular character, only made cameo appearances until his short dialogue at the end of the ride. They felt that Disney tried too hard to theme the attraction as The Imagination Institute and the ride was designed to be a poor tie-in with Honey, I Shrunk The Audience. In addition, for some fans, the downstairs Imageworks appeared to be little more than an advertisement for Kodak.
Fans of the original attraction took action and boycotted the new ride and Kodak products. This campaign proved to be successful, especially with additional pressure from Kodak. By the end of 2001, Disney closed the ride and modified the attraction, bringing Figment back into a more prominent role, although the Dreamfinder remained absent.
In the summer of 2006, the finale of a Kim Possible interactive activity was set up temporarily in the upstairs ImageWorks as a test, themed as Dr. Drakken's base, with a station in World Showcase loaning out "Kimunicators" for interactive activities
Imagination Pavilion
Walt Disney World Epcot Orlando Fl
"Without leaps of imagination, or dreaming, we lose the excitement of possibilities. Dreaming, after all, is a form of planning." Gloria Steinem
the next few uploads will be a fairly obvious deviation from my normal style into the land of textures. I'm not sure why, but that seemed to be what the photos needed.
oh, and. 8000+ views. wheeee.
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Last year, I started Christmas gifts for some friends, and then, with the birth of my first grandson, I didn't have time to finish them. I am happy to say, that only one year late (lol), I have finished Kathy's gift.
Kathy had a Marx Imagination Dollhouse when she was little, so I decided that her Kathy doll needed one, too. I thought it would be fun to reveal the gift here before sending it to her. Now it's onward to finish more gifts! :)