View allAll Photos Tagged Image_masking,

La Iglesia de San Francisco es una basílica católica que se levanta en medio del centro histórico de Quito, frente a la plaza del mismo nombre.

La estructura es el conjunto arquitectónico de mayor dimensión dentro de los centros históricos de toda América,​ y por ello es conocido como el "Escorial del Nuevo Mundo".​

 

Sobre sus tres hectáreas y media de superficie se han construido trece claustros (seis de ellos de gran magnitud), tres iglesias, un gran atrio, sumando aproximadamente cuarenta mil metros cuadrados de edificación. Allí se desarrollan múltiples actividades en la actualidad: las conventuales y religiosas, de atención pública en las áreas de salud, de comunicación, educativas y otras de corte popular que mantienen activo al edificio.​

 

Dentro de la iglesia se encuentran más de 3.500 obras de arte colonial, de múltiples manifestaciones artísticas y variadas técnicas, especialmente aquellas correspondientes a la Escuela Quiteña de Arte, que nació precisamente en este lugar.

Posee también una biblioteca franciscana, descrita en el siglo XVII como la mejor del Virreinato del Perú.​

 

Al conjunto le precede una plaza homónima que durante años abasteció a la ciudad de agua de su fuente central, y que ha funcionado como mercado popular, como espacio de concentraciones militares y políticas, y como lugar de encuentro y recreación social. La escalera cóncavo-convexa que comunica la plaza con el atrio, que resalta la fachada manierista-barroca del templo mayor, es considerada de gran importancia arquitectónica.​

 

En sus tres naves, San Francisco devela artesonados moriscos con lazos mudéjares, retablos profusamente decorados y columnas de diversos estilos. En el coro, la decoración mudéjar, original de finales del siglo XVI, se conserva íntegra porque la nave central se vino abajo con un terremoto y fue reemplazado por un artesonado barroco en 1770. Cielos mudéjares en los extremos, barrocos en la nave central, retablos llenos de imágenes, mascarones y querubines mirando al centro del Altar Mayor.

  

The Church of San Francisco is a Catholic basilica that stands in the middle of the historic center of Quito, in front of the square of the same name.

The structure is the largest architectural complex within the historic centers of all America, and for this reason it is known as the "Escorial of the New World."

 

On its three and a half hectares of surface area, thirteen cloisters have been built (six of them large), three churches, a large atrium, totaling approximately forty thousand square meters of building. Multiple activities are currently carried out there: conventual and religious, public attention in the areas of health, communication, education and others of a popular nature that keep the building active.

 

Inside the church there are more than 3,500 works of colonial art, of multiple artistic manifestations and varied techniques, especially those corresponding to the Quito School of art, which was born precisely in this place.

It also has a Franciscan library, described in the 17th century as the best in the Viceroyalty of Peru.

 

The complex is preceded by a plaza of the same name that for years supplied the city with water from its central fountain, and which has functioned as a popular market, as a space for military and political gatherings, and as a place for social gathering and recreation. The concave-convex staircase that connects the plaza with the atrium, which highlights the mannerist-baroque façade of the main temple, is considered of great architectural importance.

 

In its three naves, San Francisco reveals Moorish coffered ceilings with Mudejar ties, profusely decorated altarpieces and columns of various styles. In the choir, the Mudejar decoration, original from the end of the 16th century, is preserved intact because the central nave collapsed in an earthquake and was replaced by a Baroque coffered ceiling in 1770. Mudejar ceilings at the ends, Baroque in the central nave, altarpieces full of images, masks and cherubs looking towards the centre of the High Altar.

 

Oriental Mystic Venice by Daniel Arrhakis (2018)

 

With the music : Phil Rey Gibbons - Heavenly (feat. Felicia Farerre)

 

youtu.be/U6e60OZ7DVE

 

Work made with several images of mine, stock images, masks and sculptures. Art collage, digital painting, color saturation techniques and digital painting processes.

 

________________________________________________

 

Thank you for your nice visit, comments and invitations dear friends ! A wonderful final of the week and weekend !

 

I will be more in challenges and groups during these days, my best regards to all of you ! : )

In camera double exposure. Any blown highlights effectively become an image mask.

 

How to Guide: www.reddit.com/r/postprocessing/comments/xfqxe/double_exp...

"Fire and Ice"

 

Shooting through holes in icebergs that had floated onto the beach deep in the fjord lands of Chilean Patagonia!

.

For Sliders Sunday.

I'd shot this a little wide so I could crop to the composition I wanted, with the A on a third and the wall it's on occupying two-thirds of frame. Then in Lr and Ps used sliders to warm up that wall, enhance the texturing a bit with Clarity, and cool down the right side. I most likely used in Lr, the black slider and white slider of the basic exposure module to enhance contrast. I think I used a gradient in Lr to so that I could boost saturation a little on just the right side, especially of blue. I might have also used the high pass filter in Ps on the warm side of the image, masking out all but the shaded part to again enhance texture. And I think I either used the adjustment brush in Lr and the exposure slider or created a dodge/burn layer in Ps to paint in burning of some of the shadows for greater contrast. I had played with this one a couple weeks ago so I'm not sure about everything I'd done. But I thought it'd be a good one for Sliders Sunday. Original in first comment box below. If it doesn't show, hit refresh a time or two. That worked for me at others' photos today.

 

HSS everyone!

La Iglesia de San Francisco es una basílica católica que se levanta en medio del centro histórico de Quito, frente a la plaza del mismo nombre.

La estructura es el conjunto arquitectónico de mayor dimensión dentro de los centros históricos de toda América,​ y por ello es conocido como el "Escorial del Nuevo Mundo".​

 

Sobre sus tres hectáreas y media de superficie se han construido trece claustros (seis de ellos de gran magnitud), tres iglesias, un gran atrio, sumando aproximadamente cuarenta mil metros cuadrados de edificación. Allí se desarrollan múltiples actividades en la actualidad: las conventuales y religiosas, de atención pública en las áreas de salud, de comunicación, educativas y otras de corte popular que mantienen activo al edificio.​

 

Dentro de la iglesia se encuentran más de 3.500 obras de arte colonial, de múltiples manifestaciones artísticas y variadas técnicas, especialmente aquellas correspondientes a la Escuela Quiteña de Arte, que nació precisamente en este lugar.

Posee también una biblioteca franciscana, descrita en el siglo XVII como la mejor del Virreinato del Perú.​

 

Al conjunto le precede una plaza homónima que durante años abasteció a la ciudad de agua de su fuente central, y que ha funcionado como mercado popular, como espacio de concentraciones militares y políticas, y como lugar de encuentro y recreación social. La escalera cóncavo-convexa que comunica la plaza con el atrio, que resalta la fachada manierista-barroca del templo mayor, es considerada de gran importancia arquitectónica.​

 

En sus tres naves, San Francisco devela artesonados moriscos con lazos mudéjares, retablos profusamente decorados y columnas de diversos estilos. En el coro, la decoración mudéjar, original de finales del siglo XVI, se conserva íntegra porque la nave central se vino abajo con un terremoto y fue reemplazado por un artesonado barroco en 1770. Cielos mudéjares en los extremos, barrocos en la nave central, retablos llenos de imágenes, mascarones y querubines mirando al centro del Altar Mayor.

  

The Church of San Francisco is a Catholic basilica that stands in the middle of the historic center of Quito, in front of the square of the same name.

The structure is the largest architectural complex within the historic centers of all America, and for this reason it is known as the "Escorial of the New World."

 

On its three and a half hectares of surface area, thirteen cloisters have been built (six of them large), three churches, a large atrium, totaling approximately forty thousand square meters of building. Multiple activities are currently carried out there: conventual and religious, public attention in the areas of health, communication, education and others of a popular nature that keep the building active.

 

Inside the church there are more than 3,500 works of colonial art, of multiple artistic manifestations and varied techniques, especially those corresponding to the Quito School of art, which was born precisely in this place.

It also has a Franciscan library, described in the 17th century as the best in the Viceroyalty of Peru.

 

The complex is preceded by a plaza of the same name that for years supplied the city with water from its central fountain, and which has functioned as a popular market, as a space for military and political gatherings, and as a place for social gathering and recreation. The concave-convex staircase that connects the plaza with the atrium, which highlights the mannerist-baroque façade of the main temple, is considered of great architectural importance.

 

In its three naves, San Francisco reveals Moorish coffered ceilings with Mudejar ties, profusely decorated altarpieces and columns of various styles. In the choir, the Mudejar decoration, original from the end of the 16th century, is preserved intact because the central nave collapsed in an earthquake and was replaced by a Baroque coffered ceiling in 1770. Mudejar ceilings at the ends, Baroque in the central nave, altarpieces full of images, masks and cherubs looking towards the centre of the High Altar.

 

tis october, ai image

 

Masks at Halloween were initially worn to ward off evil spirits.

 

People believed that at Halloween, souls would come back to walk the earth, looking for lives to take with them.

 

So the theory was that if you wore a scary mask, you would scare off the evil spirits. I may have been an exception.

Object: IC1848

Optic: CA300 (300/1200mm Newton f4), GPU Corrector

Mount: Skywatcher EQ8

Camera: ZWO ASI 183MM-C @ -20°C, Gain=200, Offset=10

Filter: ZWO EFW 7x36mm, Baader 36mm Filter

Exposure: total 11.8h , Ha 87x4m, OIII 54x4m, SII 36x4m

183xBias, 51x Darks, 31-41x Flats per channel

Color: SHO

Date1/Location1: 2018-10-05, Zirndorf

Date2/Location2: 2018-15-11, Zirndorf

Date3/Location3: 2018-11-17, Zirndorf

  

Capture: INDI Lib, INDI Starter, CCDCiel (Sequencing, Autofocus, Dithering, AutomaticFlat)

Guiding: TS-OAG 9mm, ASI120MM, PHD2

 

Image Processing:

 

PI:

BatchPreprocessingScript, Blink, CosmeticCorrection, ImageIntegration, ChannelCombination, DBE

 

Starnet from Nikita Misiura:

SHO: Starless Image, Mask

 

Startools

H-Alpha Channel: DigitalDevelopment, HDR, WaveletSharping, Magic

 

PS:

CloneStamp, NIK Collection Dfine2 Noise Reduction, Dynamic, 5x SelectiveColors, Dynamic,

Ha as LuminanceLayer, Levels, Curves, HLV Green, Dynamic, SelectiveColors, Levels

 

Portrait 35mm Nikon FM2,Nikkor-H 85mm lens,Kodak Portra 400

In camera double exposure. Any blown highlights effectively become an image mask.

 

How to Guide: www.reddit.com/r/postprocessing/comments/xfqxe/double_exp...

 

It was a gray day, but the trees were wonderful in the twilight. All that was needed was color.

You can find other pictures at www.dzphotography.it

 

Puoi trovare altre immagini su www.dzphotography.it

 

*********** Please press L or left-click to view on black ***********

You can find other pictures at www.dzphotography.it

 

Puoi trovare altre immagini su www.dzphotography.it

 

*********** Please press L or left-click to view on black ***********

You can find other pictures at www.dzphotography.it

 

Puoi trovare altre immagini su www.dzphotography.it

 

*********** Please press L or left-click to view on black ***********

You can find other pictures at www.dzphotography.it

 

Puoi trovare altre immagini su www.dzphotography.it

 

*********** Please press L or left-click to view on black ***********

 

Rework of an earlier image, this one tries to capture of wonderful yellows of sunrise. Getting the light right isn't natural or easy for me, and I'm working on getting it right.

You can find other pictures at www.dzphotography.it

 

Puoi trovare altre immagini su www.dzphotography.it

 

*********** Please press L or left-click to view on black ***********

www.clippingserviceindia.com/index.php is clipping path service provider outsourcing organization which is situated in the emerging Asian economic region where it is geologically and technologically opportune with low cost. As a consequence; we can provide all kinds of graphic editing services like clipping path, multi clipping path, image masking, background removal

16 Image Mask Set for the Rolleiflex T and the Rolleimagic.

 

Produced between 1958 (1960 onwards with Rolleimagic mask) and 1978.

  

With this set it is possible to shoot smaller images with the T and Magic.

 

1) Case.

2) 4x5,5 cm Mask for the Filmgate.

3) 4x4 cm Mask for the Viewfinder Screen.

4) 4x4 cm Mask for the Sports finder.

5) 4x5,5 cm Mask for the Rollei Magic Viewfinder Screen.

6) 4x5,5 cm Mask for the Viewfinder Screen.

7) 4x5,5 cm Mask for the Sports finder.

 

Normally these TLR's can get 12 images 6x6 cm on a 120 type rollfilm. With this set they can get 16 images on that same type of film.

 

Note that even when using the 4x4 cm Viewfinder Mask you still will get a 4x5,5 cm size image as there is no 4x4 cm Filmgate Mask in this set.

I found this photograph among my grandmother's stash of pictures after she died. The caption was what she wrote on the back; apparently, these were guests at a Halloween party she attended sometime in the 1940s or 1950s. There is a calendar on the wall in the background, but I am unable to make out a date. It's hard to imagine going to a costume party and seeing people in blackface (they are actually wearing masks, but same concept)--definitely an image from a different era!

(Colour version of the previous image)

Mask: Oxumarê, depicting the God of transformation Yorubá with the sacred Python.

Hand-carved in wood, polychrome-painted and mounted with natural seashells.

Artist: Sandro Lumumba.

Size: approx. 40cm. x 25cm.

Pricetag: USD$250 or 180 Euros + freight. (in support of CARF's work in Brazil)

I had a few goals with this design:

 

1. Reduce the size of photos so they’re still big and nice but they don’t cannibalize the rest of the content. The past two designs made the photos bigger and bigger and a paragraph of text next to one looked ridiculous. Besides, if you really want to see my photos huge, you can always click over to Flickr.

 

2. Get away from Helvetica. I spend all day developing and designing iOS apps which means I see Helvetica 23.5 hours a day. I dream in Helvetica. I wanted a little break. Granted, I chose two fonts that are heavily overused (Proxima Nova and FF Tisa Web Pro), but I really enjoy them so that’s where we’re at.

 

3. Never open Photoshop, only use a single image for that smiling photo of me up top. And make that image mask scalable (thanks, SVG). Any other imagery is done with web fonts. Start and finish the project in 48 hours or less. It ended up being 51 hours from start to finish, but I’m okay with that.

 

maniacalrage.net

16 Image Mask Set for the Rolleiflex T and the Rolleimagic.

 

Top photo :

Without the 4x5,5 cm Mask the sense lever (see green arrow) is not depressed and the filmcounter window shows a white 12 (images) flag.

 

Bottom photo :

When the 4x5,5 cm Mask (see red arrow) is inserted the sense lever (see green arrow) is depressed by it and switches the filmcounter and its window flag to 16 (images).

 

This automatic switching over of the film counter mode is of course a very handy feature.

16 Image Mask Set for the Rolleiflex T and the Rolleimagic.

 

Also the Sports (Frame) finder can be adapted to size with a Mask.

 

Here shown with the 4x5,5 cm Mask (see red arrow) clicked onto the Hood.

 

16 Image Mask Set for the Rolleiflex T and the Rolleimagic.

 

Produced between 1958 (1960 onwards with Rolleimagic mask) and 1978.

 

4x5,5 cm Mask for the Rollei Magic Viewfinder Screen. Canon 8800F scanner at 600 ppi.

 

Ruler in mm.

Thickness is about 0,3 mm.

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i highly doubt any of these frames will make it past the cutting room. but i scanned this as a positive (even though i cross processed it into C-41). and i kinda liked the results.

 

only a couple more images to work on from my roll... my first experiments here with overlaying images and using photoshop image masks certainly will motivate me to try some more!

 

cheers.

--------------------

My photography blog has yummy ice cream you can download!

---------------------

If you’d like to view my images larger… While I only allow my contacts to view my larger images (I generally upload at least 800px images on the long axis)…

a quick workaround I might suggest is to view my photostream as a slideshow. Works well for me. This is frequently how I view others’ ‘streams, and it will put a large image on black. just click the projector screen icon next to the stream or set. : )

---------------------------

on 01 jan 2010, I began a new journey w/ a flickr 365 group that i formed. The idea is that I strive to push myself daily; by exploring techniques, ideas, and experiments.

~365: experimental~

-----------------------------

This instrument is themed after Alphonse Mucha’s cover for the magazine “La Plume,” #241, March 1899. “La Plume” was an important magazine, dedicated to literature, art, and Parisian society. Its cover with a young woman standing with arms outstretched and holding a giant feathered writing quill became an icon of the period. It exemplified Mucha’s ideals about bringing aesthetic values into crafts.

Photo credit: Nicholas Alan Cope

 

For promotional use only. Unauthorized use is prohibited.

 

For more information, please contact the Museum of Making Music at (760) 438-5996, ext. 170.

NOTE TO EDITOR: High-resolution photo includes image mask & outlines. Contact B.J. Morgan for artwork.

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This BJD artwork "Ruo Meng" is about animals.

 

The visual appearance of animals is only an image (Mask) we perceive with our eyes.

Beneath the Mask, they have souls as we do, too.

 

We are far from love and peace if unconscious discriminations still exist.

  

Ruo Meng

1st handmade artdoll

[SOLD]

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Design Name: BLACK ROCK SHOOTER - ramune re-edit

 

Purpose: New repeating background for YouTube page

 

Approx. Perfectionist Timespan: 8-10hrs.

 

Software: Photoshop CS3

 

Hardware: Mac Mini (KIHARU)

 

Inspiration: Love for BLACK ROCK SHOOTER and the song

 

New techniques done:

+ Doing a Dropshadow gradient effect w/o using Drop Shadow

+ Using a watermark text style as typesetting

+ Satin effect to create effect of shining light w/ shadows cast on their skin

+ Altering RGB Levels on image mask to create a colored outline

 

Epiphanies:

+ Working with vector images can be difficult to work with if done wrong.

+ Finally understand how to make repeating backgrounds - keep the edges simple.

 

Foolhearty Sacrifices: Lack of sleep

 

Original source art: img.photobucket.com/albums/v195/Alexiel-sama/brs_miku_vec...

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Coulrophobia - Fear of Clowns

 

i love this image, mask is from a local art student at my school.

Self-Portrait

January 2010

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