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Applebroog, Ida. I Can't: A Performance. [s.l.]: Blue Books, 1981.
See MCAD Library's catalog record for this book.
Her work deals primarily with everyday, private moments and awkward attempts at communication; feelings of isolation and alienation, frequently tinged with humor. Applebroog is first and foremost a social commentator presenting the vulnerability of human relationships.
Applebroog, Ida. Stop Crying: A Performance. [s.l.]: Blue Books, 1981.
See MCAD Library's catalog record for this book.
Applebroog, Ida. But I Wasn't There: A Performance. [New York?]: Dyspepsia Works, 1979.
See MCAD Library's catalog record for this book.
Applebroog, Ida. You What?: A Performance. [New York, N.Y.?]: I. Applebroog, Dyspepsia Works, 1979.
See MCAD Library's catalog record for this book.
The spectator-participation, which Applebroog always forces upon us, also pervades her etchings and "Window Pieces." We are caught in the act of intruding upon the intimate actions of others, observing them through windows. The scenes evoke feelings of uncomfortable familiarity – we know these people – we've been there.
Applebroog, Ida. But I Wasn't There: A Performance. [New York?]: Dyspepsia Works, 1979.
See MCAD Library's catalog record for this book.
Day 123
Ida Applebroog, 1929
Crimson Gardens, 1986
Like Louise Bourgeois, Ida Applebroog has come to the attention of the art world in the last 30 years, although she has drawn and painted for most of her life. As a housewife and mother she made work whilst in the bath, her ‘room of one’s own’, drawing her own body. Other works look at domestic life, where the home is not only a place of safety and pleasure, but also of violence and perversion.
Applebroog, Ida. It Is My Lunch Hour: A Performance. [s.l.]: Galileo Works, 1977.
See MCAD Library's catalog record for this book.
Applebroog's commentary remains elusive and ambiguous, provoking the viewers to make their own connections between domestic strife and political conflict, between plotlessness and paranoia, between what goes on "at home" and what is happening "out there."
Applebroog, Ida. It Isn't True: A Performance. [s.l.]: Dyspepsia Works, 1979.
See MCAD Library's catalog record for this book.
Applebroog's work has long been concerned with "performance," not only as represented by actors on stage, but also with each performance resulting in an object – an artifact – something that exists in space as well as time – images of frozen theatre.
Applebroog, Ida. You What?: A Performance. [New York, N.Y.?]: I. Applebroog, Dyspepsia Works, 1979.
See MCAD Library's catalog record for this book.
The books juxtapose domestic dramas and political utterances. In each, the domestic scene, with its sparse, ambiguous text, is repeated several times, only to be shattered by the final panel.
Applebroog, Ida. It Is My Lunch Hour: A Performance. [s.l.]: Galileo Works, 1977.
See MCAD Library's catalog record for this book.
Applebroog, Ida. I Can't: A Performance. [s.l.]: Blue Books, 1981.
See MCAD Library's catalog record for this book.
Applebroog, Ida. It Isn't True: A Performance. [s.l.]: Dyspepsia Works, 1979.
See MCAD Library's catalog record for this book.
In Applebroog's series of artists' books we invade the private space of people. Their feelings are universal – funny, sad, human.
Applebroog, Ida. I Can't: A Performance. [s.l.]: Blue Books, 1981.
See MCAD Library's catalog record for this book.
Applebroog, Ida. It Isn't True: A Performance. [s.l.]: Dyspepsia Works, 1979.
See MCAD Library's catalog record for this book.
Applebroog, Ida. Stop Crying: A Performance. [s.l.]: Blue Books, 1981.
See MCAD Library's catalog record for this book.
Applebroog, Ida. You What?: A Performance. [New York, N.Y.?]: I. Applebroog, Dyspepsia Works, 1979.
See MCAD Library's catalog record for this book.
Applebroog's social dramas come increasingly under the pressure of political change and are punctuated with "Abortion is murder," "South Africa appears to be stable," "Why else did God give us the bomb??" they become part of her stories, of her performances.
Applebroog, Ida. So?: A Performance. [s.l.]: Blue Books, 1981.
See MCAD Library's catalog record for this book.
Applebroog, Ida. So?: A Performance. [s.l.]: Blue Books, 1981.
See MCAD Library's catalog record for this book.
Applebroog, Ida. Stop Crying: A Performance. [s.l.]: Blue Books, 1981.
See MCAD Library's catalog record for this book.
Applebroog, Ida. So?: A Performance. [s.l.]: Blue Books, 1981.
See MCAD Library's catalog record for this book.
Im Mittelpunkt von Ida Applebroogs Werk steht die menschliche Gestalt mit all ihren Neurosen und ihrer ganzen Vielschichtigkeit. (...)
Für die dOCUMENTA 13 schlägt sie ein (...) Kapitel aus ihrem privaten Archiv auf. (...)
Ihre Installation besteht aus Offsetdruck-Reproduktionen zahlreicher privater Aufzeichnungen und Papiere, die an die Wände geheftet sind und in Stapeln bereitliegen; die Besucher können sie herunterreißen oder mitnehmen.
Quelle: //Katalog d13//
Webseite: idaapplebroog.com
Exhibition Review - Etel Adnan, Ida Applebroog, Philip Guston, Sergej Jensen, Hans Josephsohn, Oscar Murillo, Andreas Slominski and Michael E. Smith: 'Albert the kid is ghosting' David Roberts Arts Foundation, London till Dec 12th 2015.
With curator Honoré, i am a voyeur
in a clandestine den of inquiry
into the activation and ghosting
of some extraordinary art. - Drenched Co
Comment: "With Ida Applebroog's paintings and the cages and curtains and colors and wallpapers, I felt like a voyeur in a shady world peeking around corners surreptitiously looking through gaps at an unfolding scene."- Jayzee
See davidrobertsartfoundation.com/projects/exhibition-albert-...
See also www.woundsthatbind.com/2015/10/exhibition-review-etel-adn...
See also www.soaked.space/2015/10/exhibition-review-etel-adnan-ida...
Caption: Installation view of 'Albert the kid is ghosting'. Photo: Tim Bowditch
Image Courtesy of the artists and David Roberts Arts Foundation, London. Curated by Vincent Honoré with Nicoletta Lambertucci.
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
#cutsoverart #drenchedco #soakedspace #draf #DavidRobertsArtsFoundation #artinlondon #londonart #artlondon #artreview #contemporaryart #painting #paintings #art #artists #artexhibition #EtelAdnan #IdaApplebroog #PhilipGuston #SergejJensen #HansJosephsohn #OscarMurillo #AndreasSlominski #MichaelESmith
Ida Applebroog, Jessika, 2007, diptych, mixed media, 14 1/16 x 24 1/16 x 1 3/8 inches; from the exhibition Photogenetics
Ida Applebroog, Tobias, 2007, mixed media, 8 x 10 1/16 x 1 3/8 inches; from the exhibition Photogenetics
Ida Applebroog, Vera Mae, 2007, mixed media, 14 1/8 x 16 x 1 3/8 inches; from the exhibition Photogenetics
Ida Applebroog, Good Women, 2007, inkjet on Arches, 19 x 13 inches; from the exhibition Photogenetics
Ida Applebroog, It Is My Lunch Hour, 1977, from the series Galilleo Works, offset lithography, 7 3/4 x 6 1/4 inches; from the exhibition Photogenetics