View allAll Photos Tagged Iconic
Our first sunrise of our recent Moab weekend proved the nicest sunrise (or sunset) of the long weekend trip. The clouds came ablaze with color to the east, which fortunately we had a view of from our perch behind the North Window in Arches National Park. We were set up there to shoot the iconic shot of Turret Arch through the North Window which I'll post in the future, but the shot of the morning was this grove of monolith's just east of the Windows. Not bad considering when we left for the weekend the forecast for the next 10 days was sunny days and clear nights. It's not very often that we go out the weather blows away our expectations.
I shot this scene by auto bracketing 5 exposures , though when I went through them on my computer, this one shot was all that was needed. A testimony to the enormous 14 stop dynamic range of the D800. I got in the habit of bracketing when I was learning HDR's and still find it a great way to ensure that I will capture the entire dynamic range of a scene.
Chrysis cf ignita
Ruby-tailed Wasp
Goldwespe
Guldhveps
Guldsteklar
Exposure time (= flash duration): 50 µs = 1/20.000 s
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If you like my pictures of insects in flight, you should visit my special website on insect flight:
Wenn Ihnen meine Bilder fliegender Insekten gefallen, besuchen Sie bitte meine Homepage speziell zu diesem Thema:
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PLEASE, NO AWARDS, no Copy and Paste Comments and no group icons like "your wonderful photo was seen in group xyz". They will all be deleted sooner or later.
BITTE KEINE AWARDS, kopierte Kommentare oder diese Gruppen-Icons wie "Ich habe Dein wunderbares Bild in Gruppe xyz gesehen". Die lösche ich früher oder später.
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'Iconic Site', at Liverpool's Royal Albert Dock, was part of the 2021 'River of Light' programme and was one of 12 installations in Liverpool City Centre. This large illuminated sign was approx 7 metres tall and 10 metres wide.
About the artist - Sans façon was the collaborative practice of artist duo Charles Blanc and Tristan Surtees.
A collection of icons of the Soviet era belongs to the teacher of the Moscow school Alexandra Kalashnikova.
Three logos and images are visible here that are as all American as baseball and apple pie!
On the building at left can be seen the Harley Davidson logo. Founded in 1903 their legendary motorcycles have a cult following. At right are the golden arches introduced in 1955 when the small McDonald's restaurant founded 15 years earlier in Southern California began to be franchised out and eventually spread to all the corners of the globe.
But front and center is the oldest of them all. The Providence and Worcester Railroad was chartered in 1844 and has been hauling freight and passengers on rails through the Blackstone Valley between its namesake cities for nearly two centuries! Here, local PR-3 is working Teknor Apex beside the industrial highway on the East Providence Running Track.
GP38-2 was built new for the railroad in November 1980 and has spent her entire 39 years working the rails of the Ocean State.
Pawtucket, Rhode Island
Thursday November 5, 2020
Car manufacturers would retool to produce a new and fresh design every year. This image shows and easily recognizable year and model.
A double exposure melds two of Wyoming's greatest icons.
www.instagram.com/michaelpaul.photoworks.com
Ms Neveah Niu rocking her iconic group gift (group closed) and meghindo's Trina skin with phat as appliers.
Few of the Universe’s residents are as iconic as the spiral galaxy. These limelight-hogging celestial objects combine whirling, pinwheeling arms with scatterings of sparkling stars, glowing bursts of gas, and dark, weaving lanes of cosmic dust, creating truly awesome scenes — especially when viewed through a telescope such as the NASA/ESA Hubble Space Telescope. In fact, this image from Hubble frames a perfect spiral specimen: the stunning NGC 2903.
More information: www.spacetelescope.org/images/potw1917a/
Credit:
ESA/Hubble & NASA, L. Ho et al.
The brand new 42 story Icon luxury rental aparments located on Las Olas Boulevard near Fort Lauderdale's Riverwalk Entertainment District.
For image licensing and prints visit:
Jumpy’s baby-sitter is BACK!
Former Slut Magazine Editor-In-Chief and two time Slut Magazine Cover Girl, Candace Flossberg becomes Virtual Icon Magazine’s premiere Virt Icon Cover Girl. Somebody has to be the first!
virt-icon.com/2020/08/30/cover-girl-pictorial-september-2...
So I'll be perfectly honest in saying that the scene in this photograph never existed in reality. It's not a composite, but it goes beyond a typical blend. It is comprised of 3 different images. One image was used for the water - a long exposure to get the smooth lines. One image was used for the foreground and the glow on the Watchman, while the third was used for the sky. It was the strangest thing, when there were hints of light and color on the dark cloud, there was no light/glow on the Watchman - and that's why I combined the two. I'm still trying to figure out what my "style" is and how far I am willing to go with post-processing. This is more than I typically do. Blending in the long exposure waer shot does not bother me. And if I used a separate sky image simply for exposure issues I would not mind. But I am a little uncomfortable with introducing different lighting with a blend...
Anyway, I don't want to get into what constitutes too much processing. Photography is a creative art and people should be free to go as far as they'd like. In the end, I just think it is important to be honest about the finished result.
The Tate Britain Art Gallery on the bank of the river Thames in London. Well worth visiting along with the Tate Modern
One of my favourite photos from my first roll of Ilford HP5 Plus 400, featuring a couple of Vancouver landmarks of very different proportions, The Steam Clock and Harbour Centre. There's also a tour trolley down the street, and the artist on the corner of Cambie and Water Street does wood burning art with a magnifying glass. He is there all the time, and tourists were crowding and watching him work earlier. Maybe he was going to get up and stretch his legs, but saw me taking a photograph and stayed still for a pose. I was just concentrating in trying to get everything into the frame, so I didn't notice he was looking at me, but I'm really happy how the shot came out.
Olympus XA2
Ilford HP5 Plus 400
Blazinal 1:25, 6 minutes, 68°F/20°C
"the artists of the "Casa del Musical" group (House of Musical)".
“gli artisti del gruppo "Casa del Musical".
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. Press the “L” button to zoom in the image;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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A history of Taormina: chronicles of a forbidden love and its great secret (not only Paolo and Francesca) with an unexpected "scoop".
This story is an integral part of the story previously told, the historical period is the same, the place is the same, the various characters often meet each other because they know each other; Taormina, between the end of the 1800s and the beginning of the 1900s, in an ever increasing growth, became the place of residence of elite tourism, thanks to the international interest aroused by writers and artists, such as Johann Wolfgang von Goethe , or great personalities like Lady Florence Trevelyan: Taormina becomes so famous, thanks to the paintings of the painter Otto Geleng and the photographs of the young Sicilian models by Wilhelm von Gloeden; in the air of Taormina there is a sense of libertine, its famous and histrionic visitors never fail to create scandal, even surpassing the famous Capri, in which, to cite just one example, the German gunsmith Krupp, trying to recreate the he environment of Arcadia that one breathed in Taormina (thanks to the photos of von Gloeden) was overwhelmed by the scandal for homosexuality, and took his own life. Taormina thus becomes a heavenly-like place, far from industrial civilizations, where you can freely live your life and sexuality; this is the socio-cultural environment in which the two protagonists of this story move, the British painter Robert Hawthorn Kitson (1873 - 1947) and the painter Carlo Siligato (born in Taormina in 1875, and died there in 1959). Robert H. Kitson, born in Leeds in England, belonged to a more than wealthy family, as a young engineer he had begun to replace his father in the family locomotive construction company (Kitson & Co.), on the death of his father in 1899 sells everything and decides to move very rich in Sicily to Taormina (he had been there the previous year with a trip made with his parents, here he had met, in addition to Baron von Gloeden, also the writer and poet Oscar Wilde who came to Italy, immediately after having served two years in prison in forced labor, on charges of sodomy); Kitson settled there because he was suffering from a severe form of rheumatic fever (like von Gloeden was advised to treat himself in the Mediterranean climate milder), and because as a homosexual, he leaves England because the Labouchere amendment considered homosexuality a crime. The other protagonist of this story is Carlo Siligato, he was from Taormina, he had attended the Academy of Fine Arts in Venice, a very gifted painter, he was very good at oil painting (he exhibited his paintings in an art workshop, even now existing, in via Teatro Greco in Taormina), the meeting with the painter Robert Kitson, led him to adopt the watercolor technique: almost to relive Dante's verses on Paolo and Francesca "Galeotto was the book and who wrote it" the common passion for painting led the two artists to live an intense love story. Kitson built his home in the "Cuseni" district of Taormina, called for this "Casa Cuseni", the house was built between 1900 and 1905, its decorations were entrusted to the artists Alfred East (realist landscape painter, president of the Royal Society ), and Frank Brangwyn (painter, decorator, designer), he was a pupil of William Morris, leader of the English movement "Arts and Crafts" which spread to England in the second half of the nineteenth century (the Arts and Crafts was a response to the industrialization of Europe, of mass production operated by factories, all this at the expense of traditional craftsmanship, from this movement originated the Art Nouveau, in Italy also known as Liberty Style or Floral Style, which distinguished itself for having been a artistic and philosophical movement, which developed between the end of the 19th century and the first decade of the 20th century, whose style spread in such a way as to be present everywhere). Casa Cuseni has kept a secret for 100 years that goes far beyond the forbidden love lived by Robert and Carlo, a secret hidden inside the "secret room", that dinning room that was reopened in 2012; entering the dining room, you can witness a series of murals painted on the four walls by Frank Brangwyn, in Art Nouveau style, which portray the life and love story between the painter Robert Kitson, and his life partner, the Carlo Siligato from Taormina, but the thing that makes these murals even more special, full of tenderness and sweetness, is that "their secret" (!) is represented in them, it is described visually, as in an "episodic" story that really happened in their lives: Messina (and Reggio Calabria) are destroyed by the terrible earthquake with a tsunami on December 28, 1908, Carlo Siligato, Robert Kitson, Wilhelm von Gloeden and Anatole France leave for Messina, to see and document in person the tragedy, the city was a pile of rubble, many dead, Robert and Carlo see a baby, Francesco, he is alone in the world, without parents who died in the earthquake, abandoned to a certain and sad destiny, a deep desire for protection is born in the two of them, a maternal and paternal desire is born, they decide to takes that little child with them even knowing that they are risking a lot ... (!), what they want to do is something absolutely unthinkable in that historical period, they are a homosexual couple, what they are about to do is absolutely forbidden ..(!) but now there is Francesco in their life, thus becoming, in fact, the first homogenitorial family (with a more generic term, rainbow family) in world history: hence the need to keep the whole story absolutely hidden, both from an artistic point of view , represented by the murals (for more than 100 years, the "dinning room" will be kept hidden), both of what happens in real life, with little Francesco cared for lovingly, but with great risk or. I have allegorically inserted, in the photographic story, some photographs of the artists of the company "Casa del Musical", who came to Taormina to perform during the Christmas period: today as yesterday, Taormina has always been (starting from the last 20 years of the 19th century) center of a crossroads of artists and great personalities, Casa Cuseni also in this has an enormous palmares of illustrious guests, too long to state. The young boys painted on the murals of Casa Cuseni, wear white, this is a sign of purity, they wanted to represent their ideal homosexual world, fighting against the figure dressed in black, short in stature, disturbing, which acquires a negative value, an allegorical figure of the English society of the time, indicating the Victorian morality that did not hesitate to condemn Oscar Wilde, depriving him of all his assets and rights, even preventing him from giving the surname to his children. The boys are inspired by the young Sicilian models photographed by Wilhelm von Gloeden, dressed in white tunics, with their heads surrounded by local flowers. The only female figure present has given rise to various interpretations, one could be Kitson's detachment from his motherland, or his detachment from his mother. On the third wall we witness the birth of the homogenitorial family, both (allegorically Carlo and Kitson with the child in their arms) are in profile, they are walking, the younger man has a long, Greek-style robe, placed on the front, next to him behind him, the sturdier companion holds and gently protects the little child in his arms, as if to spare the companion the effort of a long and uncertain journey, there is in the representation of the family the idea of a long journey, in fact the man holding the child wears heavy shoes, their faces are full of apprehension and concern: in front of them an empty wall, so deliberately left by Frank Brangwin, since their future is unknown, in front of them they have a destiny full of unknowns (at the same time, their path points east, they go towards the rising sun: opening the large window the sun floods everything in the room). In the "secret room" there is the picture painted in 1912 by Alfred E. East, an oil on canvas, representing Lake Bourget. Carlo Siligato later married Costanza, she was my father's grandmother's sister, they had a son, Nino, who for many years lived and worked as a merchant in his father's art workshop. I sincerely thank my colleague Dr. Francesco Spadaro, doctor and esteemed surgeon, owner and director of the "Casa Cuseni" House-Garden-Museum, who, affectionately acting as a guide, gave me the precious opportunity to create "this photographic tour" inside the house- museum and in the "metaphysical garden" of Casa Cuseni. … And the scoop that I announced in the title ..? After photographing the tomb of Carlo Siligato, in the Catholic cemetery of Taormina, I started looking for that of Robert Kitson, in the non-Catholic cemetery of Taormina: when I finally found it (with him lies his niece Daphne Phelps, buried later in 2005) ... I felt a very strong emotion, first of all I was expecting a mausoleum, instead I found a small, very modest tomb on this is not a photo of him, not an epitaph, not a Cross, not a praying Angel to point it out, but ... unexpectedly for a funerary tombstone ... a small bas-relief carved on marble (or stone) depicting ... the Birth ... (!), obviously , having chosen her could have a very specific meaning: a desire to transmit a message, something very profound about him, his tomb thus testified that in his soul, what was really important in life was having a family, with Carlo and baby Francesco, certainly beloved, saved from a certain and sad fate, in the terrible Messina earthquake-tsunami of 28 December 1908 ... almost recalling in an absolute synthesis, at the end of his life, what had already been told in the "secret murals" of Casa Cuseni.
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Una storia di Taormina: cronache di un amore proibito e del suo grande segreto (non solo Paolo e Francesca) con inaspettato “scoop”.
Questa storia fa parte integrante della storia precedentemente raccontata, il periodo storico è lo stesso, il luogo è lo stesso, i vari personaggi spesso si frequentano tra loro poiché si conoscono; Taormina, tra la fine dell’800 e l’inizio del’900, in un sempre maggiore crescendo, diventa luogo di residenza del turismo d’élite, grazie all’interesse internazionale suscitato ad opera di scrittori ed artisti, come Johann Wolfgang von Goethe, o grandi personalità come Lady Florence Trevelyan: Taormina diventa così famosa, complici i quadri del pittore Otto Geleng e le fotografie dei giovani modelli siciliani di Wilhelm von Gloeden; nell’aria di Taormina si respira un che di libertino, i suoi famosi ed istrionici frequentatori non mancano mai di creare scandalo, superando persino la famosa Capri, nella quale, per citare solo un esempio, l’armiere tedesco Krupp, cercando di ricreare l’ambiente dell’Arcadia che si respirava a Taormina (grazie alle foto di von Gloeden) viene travolto dallo scandalo per omosessualità, e si toglie la vita. Taormina diviene quindi un luogo simil-paradisiaco, lontana dalle civiltà industriali, nella quale poter vivere liberamente la propria vita e la propria sessualità; questo è l’ambiente socio-culturale nel quale si muovono i due protagonisti di questa vicenda, il pittore britannico Robert Hawthorn Kitson (1873 – 1947) ed il pittore Carlo Siligato (nato a Taormina nel 1875, ed ivi morto nel 1959). Robert H. Kitson, nacque a Leeds in Inghilterra, apparteneva ad una famiglia più che benestante, da giovane ingegnere aveva cominciato a sostituire il padre nell’impresa familiare di costruzioni di locomotive (la Kitson & Co.), alla morte del padre nel 1899 vende tutto e decide di trasferirsi ricchissimo in Sicilia a Taormina (vi era stato l’anno precedente con un viaggio fatto coi suoi genitori, qui aveva conosciuto, oltre al barone von Gloeden, anche lo scrittore e poeta Oscar Wilde venuto in Italia, subito dopo aver scontato due anni di prigione ai lavori forzati, con l’accusa di sodomia); Kitson vi si stabilisce perché affetto da una grave forma di febbre reumatica (come von Gloeden gli fu consigliato di curarsi nel clima mediterraneo più mite), sia perché in quanto omosessuale, lascia l’Inghilterra perché l’emendamento Labouchere considerava l’omosessualità un crimine. L’altro protagonista di questa storia è Carlo Siligato, egli era taorminese, aveva frequentato l’Accademia di Belle Arti di Venezia, pittore molto dotato, era bravissimo nel dipingere ad olio (esponeva i suoi quadri in una bottega d’arte, ancora adesso esistente, in via Teatro Greco a Taormina), l’incontro col pittore Robert Kitson, lo portò ad adottare la tecnica dell’acquarello: quasi a rivivere i versi di Dante su Paolo e Francesca “Galeotto fu ‘l libro e chi lo scrisse” la comune passione per la pittura condusse i due artisti a vivere una intensa storia d’amore. Kitson costruì nel quartiere “Cuseni” di Taormina la sua abitazione, detta per questo “Casa Cuseni”, la casa fu costruita tra il 1900 ed il 1905, le sue decorazioni furono affidate agli artisti Alfred East (pittore verista paesaggista, presidente della Royal Society), e Frank Brangwyn (pittore, decoratore, designer, progettista), egli era allievo di William Morris, leader del movimento inglese “Arts and Crafts” (Arti e Mestieri) che si diffuse in Inghilterra nella seconda metà del XIX secolo (l’Arts and Crafts era una risposta alla industrializzazione dell’Europa, della produzione in massa operata dalle fabbriche, tutto ciò a scapito dell’artigianato tradizionale, da questo movimento ebbe origine l’Art Nouveau, in Italia conosciuta anche come Stile Liberty o Stile Floreale, che si distinse per essere stata un movimento artistico e filosofico, che si sviluppò tra la fine dell’800 ed il primo decennio del ‘900, il cui stile si diffuse in tal modo da essere presente dappertutto). Casa Cuseni ha custodito per 100 anni un segreto che va ben oltre quell’amore proibito vissuto da Robert e Carlo, segreto celato all’interno della “stanza segreta”, quella dinning room che è stata riaperta nel 2012; entrando nella sala da pranzo, si assiste ad una serie di murales realizzati sulle quattro pareti da Frank Brangwyn, in stile Art Nouveau, che ritraggono la vita e la storia d’amore tra il pittore Robert Kitson, ed il suo compagno di vita, il pittore taorminese Carlo Siligato, ma la cosa che rende questi murales ancora più particolari, carichi di tenerezza e dolcezza, è che in essi viene rappresentato “il loro segreto” (!), viene descritto visivamente, come in un racconto “ad episodi” quello che è realmente avvenuto nella loro vita: Messina (e Reggio Calabria) vengono distrutte dal terribile sisma con maremoto il 28 dicembre del 1908, partono per Messina, Carlo Siligato, Robert Kitson, Wilhelm von Gloeden ed Anatole France, per vedere e documentare di persona la tragedia, la città era un cumulo di macerie, moltissimi i morti, Robert e Carlo vedono un piccolo bimbo, Francesco, egli è solo al mondo, privo dei genitori periti nel terremoto, abbandonato ad un certo e triste destino, nasce in loro due un profondo desiderio di protezione, nasce un desiderio materno e paterno, decidono di prende quel piccolo bimbo con loro pur sapendo che stanno rischiando moltissimo…(!) , quello che vogliono fare è una cosa assolutamente impensabile in quel periodo storico, loro sono una coppia omosessuale, quello che stanno per fare è assolutamente proibito..(!) ma oramai c’è Francesco nella loro vita, divenendo così, di fatto, la prima famiglia omogenitoriale (con termine più generico, famiglia arcobaleno) nella storia mondiale: da qui la necessità di tenere assolutamente nascosta tutta la vicenda, sia dal punto di vista artistico, rappresentata dai murales (per più di 100 anni, la “dinning room” verrà tenuta nascosta), sia di quanto accade nella vita reale, col piccolo Francesco accudito amorevolmente, ma con grandissimo rischio. Ho inserito allegoricamente, nel racconto fotografico, alcune fotografie degli artisti della compagnia “Casa del Musical”, giunti a Taormina per esibirsi durante il periodo natalizio: oggi come ieri, Taormina è sempre stata (a partire dagli ultimi 20 anni dell’800) al centro di un crocevia di artisti e grandi personalità, Casa Cuseni anche in questo ha un enorme palmares di ospiti illustri, troppo lungo da enunciare. I giovani ragazzi dipinti sui murales di Casa Cuseni, vestono di bianco, questo è segno di purezza, si è voluto in tal modo rappresentare il loro mondo ideale omosessuale, in lotta contro la figura vestita di nero, bassa di statura, inquietante, che acquista un valore negativo, figura allegorica della società inglese dell’epoca, indicante la morale Vittoriana che non ha esitato a condannare Oscar Wilde, privandolo di tutti i suoi beni e diritti, impedendogli persino di dare il cognome ai suoi figli. I ragazzi sono ispirati ai giovani modelli siciliani fotografati da Wilhelm von Gloeden, vestiti con tuniche bianche, col capo cinto dei fiori locali. L’unica figura femminile presente, ha dato spunto a varie interpretazioni, una potrebbe essere il distacco da parte di Kitson dalla sua madre patria, oppure il distacco da sua madre. Sulla terza parete si assiste alla nascita della famiglia omogenitoriale, entrambi (allegoricamente Carlo e Kitson col bimbo in braccio) sono di profilo, sono in cammino, l’uomo più giovane ha una veste lunga, alla greca, posto sul davanti, accanto a lui, alle sue spalle, il compagno più robusto sostiene in braccio e protegge con dolcezza il piccolo bimbo, quasi a voler risparmiare al compagno la fatica di un lungo ed incerto percorso, vi è nella rappresentazione della famiglia l’idea di un lungo percorso, infatti l’uomo che regge il bimbo indossa delle calzature pesanti, i loro volti sono carichi di apprensione e preoccupazione: davanti a loro una parete vuota, così volutamente lasciata da Frank Brangwin, poiché il loro futuro è ignoto, davanti hanno un destino pieno di incognite (al tempo stesso, il loro cammino indica l’est, vanno verso il sole nascente: aprendo la grande finestra il sole inonda ogni cosa nella stanza).
Nella “stanza segreta” c’è il quadro dipinto nel 1912 da Alfred E. East, un olio su tela, rappresentante il lago Bourget.
Carlo Siligato, successivamente si sposò con Costanza, una sorella della nonna di mio padre, da lei ebbe un figlio, Nino, il quale per tantissimi anni ha vissuto e lavorato come commerciante nella bottega d’arte del padre. Ringrazio di cuore il mio collega dott. Francesco Spadaro, medico e stimato chirurgo, proprietario e direttore della Casa-Giardino-Museo “Casa Cuseni”, il quale, facendomi affettuosamente da cicerone, mi ha dato la preziosa opportunità di realizzare “questo tour fotografico” all’interno dell’abitazione-museo e nel “giardino-metafisico” di Casa Cuseni.
…E lo scoop che ho annunciato nel titolo..? Dopo aver fotografato la tomba di Carlo Siligato, nel cimitero cattolico di Taormina, mi sono messo alla ricerca di quella di Robert Kitson, nel cimitero acattolico di Taormina: quando finalmente l’ho trovata (insieme a lui giace sua nipote Daphne Phelps, seppellita successivamente nel 2005)…ho provato una fortissima commozione, innanzitutto mi aspettavo un mausoleo, invece ho trovato una tomba piccola, molto modesta, su questa non una sua foto, non un epitaffio, non una Croce, non un Angelo pregante ad indicarla, ma … inaspettatamente per una lapide funeraria…un piccolo bassorilievo scolpito su marmo (o su pietra) raffigurante…la Natalità…(!), evidentemente, l’averla scelta potrebbe avere un significato ben preciso: un desiderio di trasmettere un messaggio, qualcosa di molto profondo di lui, la sua tomba testimoniava così che nel suo animo, ciò che in vita fu davvero importante fu l’aver avuto una famiglia, con Carlo e col piccolo Francesco, certamente amatissimo, salvato da un molto probabile triste destino, nel terribile terremoto-maremoto di Messina del 28 dicembre del 1908…quasi rievocando in una sintesi assoluta, al termine della sua vita, ciò che era già stato raccontato nei “murales segreti” di Casa Cuseni.
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We photographers are always on the lookout for that special shot! When I photographed this statue of Marylin Monroe among other memorabilia . I spared a thought for the photographer who captured this iconic moment - a shot that tens of millions have seen and admired and that still stands the test of time! A shot that hangs in rooms and garages all over the world and that is even reproduced as a statue!! Wow! Imagine being able to say "I took that shot!"
Happy Hump day!
"An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I've left the opera house." - Maria Callas
This photo won a Silver Award at the Focus Awards 2015 and was voted in the top 50 in the Cityscape category.
The controversial monument in Riga's Victory park. Erected by the Soviets to commemorate the liberation of Latvia from the Nazis. Powerful iconic Soviet statues have become a divisive subject in the relatively new independent Latvia. By themselves, they are objects of beauty.
Nikon f6 with a Voigtlander 58mm F1.4 Nokton lens and Ektar 100 film.
Iconic view of Plymouth's Crown Jewels - Smeaton's Tower.
To see more of my work visit www.andyfox.co.uk
© 2013 Andy Fox - Canon 5D Mark II - Photoshop CS6
One of my new favourites.
I originally didn’t want to build famous engines like Scotsman or Mallard, but eventually gave into building this iconic and beautiful engine.
First starting out in a wartime black livery, then into (a much lighter) BR blue and then finally into it’s proper LNER green livery.
Another Scotsman for the LEGO train community :p
Enjoy!
Drove over to Sheffield (avoiding the Peak District moors because of freezing temperatures and ungritted narrow lanes). Went to see the Everly Pregnant Brothers Christmas show and had lunch in Fagan's with my youngest niece. Even though she lives less than 100 yards away from the iconic pub, she'd never been in until today.
After we returned from Wyoming and our visit to the glorious Grand Teton National Park, we watched a DVD of "Shane," the classic 1950s western film that was shot in this area. The Tetons played a significant role in this film, much as Alan Ladd, Brandon deWilde and Jean Arthur did. This image spurs that association for me. This is truly Shane country.
music:
Shostakovich - 5 Preludes - No.3 in G major (Opus 2, No.2) - Part 2/5 Andante
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"Only the religious picture [icon] shows the full ontological power of the picture... in it we can see without doubt that a picture is not a copy of a copied being [as in Plato], but is in ontological communion with what is copied.
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Essential to an emanation is that what emanates is an overflow. What it flows from does not thereby become less. The development of this concept by Neoplatonic philosophy, which uses it to get beyond Greek substance ontology, is the basis of the positive ontological status of the picture. For if the original One is not diminished by the outflow of the many from it, this means that being increases.
It seems that the Greek fathers [of the Church] used this kind of Neoplatonic thinking in overcoming the Old Testament's hatred of images when it came to christology. They regarded the incarnation of God as a fundamental acknowledgement of the worth of visible appearance, and thus they legitimated works of art. In their overcoming the ban on images we can see the decisive event that enabled the development of plastic arts in the Christian West."
fragments from "Truth and Method" by Hans-Georg Gadamer
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photo:
mosaic icon of the Theotokos, temporary resting outside the Trinity church at Cheia Monastery
www.monumenteromania.ro/index.php/monumente/detalii/en/Ma...
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Well, Gregory Peck really - a screen icon in his most iconic role.
Restored and coloured for you by internationally unknown restorer and all-round good egg, Billyfish Photographic Art
The Torre de Belém (in English: "Belém Tower") in the city of Lisbon’s district Belém on the northern bank of the Tejo river (in English: "Tagus river"), Lisbon, Portugal
Some background information:
The Torre de Belém, officially the Tower of Saint Vincent, is a 16th-century fortification located in Lisbon that served as a point of embarkation and disembarkation for Portuguese explorers and as a ceremonial gateway to Lisbon. The tower was finished in 1519 and symbolizes Portugal's maritime and colonial power in early modern Europe. It was built during the height of the Portuguese Renaissance, and is a prominent example of the Portuguese Manueline style, but it also incorporates other architectural styles, such as the minarets, which are inspired by Moorish architecture. The structure was built from lioz limestone and is composed of a bastion and a 30-metre (100 feet) four-storey tower.
Since 1983, the tower has been a UNESCO World Heritage Site, along with the Jerónimos Monastery. It is often portrayed as a symbol of Europe's Age of Discoveries and as a metonym for Portugal or Lisbon, given its landmark status. It has incorrectly been stated that the tower was built in the middle of the Tagus and now sits near the shore because the river was redirected after the 1755 Lisbon earthquake. But in fact, the tower was built on a small island in the Tagus river near the Lisbon shore.
With an estimated population of almost 568,000 within its administrative limits and 2,961,177 within its metropolitan area, Lisbon is the capital and largest city of Portugal. It is mainland Europe's westernmost capital city and the only one along the Atlantic coast. Situated on the northern shore of the Tejo river near its estuary, Lisbon’s port can be called at by ships of any size.
Lisbon is one of the oldest cities in the world and the second-oldest European capital city (after Athens). Although the first fortifications on Lisbon's castle hill are known to be no older than the 2nd century BC, recent archaeological finds have shown that Iron Age people already occupied the site from the 8th to 6th centuries BC. The Phoenicians and later the Carthaginians, are said to have called the place Alis Ubbo and used it as the only major natural harbor on the Iberian Atlantic coast. There are also evidences that Lisbon once was a Greek city, but its Greek name is unknown.
Under Roman rule, starting around 205 BC, the city was initially called Olisipo. In 48 BC, the town was granted Roman municipal rights and subsequently became known as Colonia Felicitas Iulia, growing into a larger town in the province of Lusitania. From 409 AD, barbarian tribes advanced onto the Iberian Peninsula from Gaul. During the late antique migration period, Alans, Suebi, Vandals, and Visigoths tried to occupy Lisbon.
In 719, Lisbon was conquered by Muslim Moors and later became part of the Emirate of Córdoba. The city, now known as al-Ushbuna, experienced its first major boom. During the Caliphate of Córdoba, the city was one of the most important ports, while Christian Galicians and Leonese repeatedly attempted to seize it. In 844, Vikings ravaged Lisbon and its surroundings.
In the 11th century, Lisbon was part of the Moorish Emirate of the Aftasids from Badajoz. Starting in 1093, Count Raymond of Armous, a younger son of Duke William I of Burgundy, was given rule over Galicia by King Alfonso VI of León. From there, he launched campaigns against the Moors in the south, temporarily managing to occupy Lisbon.
At the beginning of the 11th century, the south of the Iberian Peninsula was still under Moorish control. But in 1147, in the course of the so-called Reconquista, the Siege of Lisbon led to the city's final capture by the Portuguese under Alfonso I. In 1255, Lisbon became the capital city of the new Portuguese territory and in 1290, the first Portuguese university was founded in the town. During the last centuries of the Middle Ages, Lisbon expanded substantially and became an important trading post with both Northern European and Mediterranean cities.
When the Spaniards had expelled the Jews from Spanish territory, many of them fled to Lisbon. But even in Portugal they either had to convert to Christianity or leave. In 1506, an anti-semitic movement among the Old Christians of Lisbon culminated in a massacre lasting four days in which some 1,000 to 4,000 New Christian residents, converted descendants of Sephardic Jews, are estimated to have been killed.
Most of the Portuguese expeditions of the Age of Discovery set out from Lisbon during the period from the end of the 15th century to the beginning of the 17th century, including Vasco da Gama's expedition to India in 1498. In the 16th century, Lisbon’s golden era began: The city was the European hub of commerce between Africa, India, the Far East and later, Brazil, and acquired great riches by exploiting the trade of spices, slaves, sugar, textiles and other goods. This period also saw the rise of the exuberant Manueline style in architecture, which left its mark in many 16th-century monuments, including the Belém Tower and the Jerónimos Monastery.
The succession crisis of 1580 initiated a sixty-year period of dual monarchy in Portugal and Spain under the Spanish Habsburgs. In 1589, Lisbon was the target of an incursion by the English Armada led by Francis Drake. The Portuguese Restoration War, which began with a coup d'état organised by the nobility and bourgeoisie in Lisbon in 1640 amd ended with the Treaty of Lisbon in 1668, restored Portuguese independence.
In the early 18th century, gold from Brazil allowed King John V to sponsor the building of several Baroque churches and theatres in the city. Prior to the 18th century, Lisbon had experienced several significant earthquakes: eight in the 14th century, five in the 16th century, and three in the 17th century. But the earthquake of 1755 was the most davastating one. It destroyed 85 percent of the city's structures, including the Ribeira Palace and the hospital Real de Todos os Santos. An an estimated 30,000 to 40,000 Lisbon residents of a total population estimated of 200,000 to 275,000 wer killed. And in the coastal areas north of Lisbon even more people were killed by the following tsunami.
This catastrophic event shocked the whole of Europe and left a deep impression on its collective psyche. However, the city was rebuilt quickly and largely according to the plans of prime minister Sebastião José de Carvalho e Melo, the 1st Marquis of Pombal. He decided to demolish what remained after the earthquake and rebuild the city centre in accordance with principles of modern urban design. It was reconstructed in an open rectangular plan with two great squares: the Praça do Rossio and the Praça do Comércio.
In the first years of the 19th century, Portugal was invaded by the troops of Napoléon Bonaparte, forcing Queen Maria I and Prince-Regent John to flee temporarily to Brazil. By the time the new King John VI returned to Lisbon, many of the buildings and properties were pillaged, sacked or destroyed by the invaders. The development of industry and commerce determined the growth of the city and Lisbon grew farther from the Tejo river.
In 1911, Lisbon refounded its university after centuries of inactivity. In the 20th century, the city was also the site of three revolutions. The first ond of 1910 brought an end to the Portuguese monarchy and established the highly unstable and corrupt Portuguese First Republic. The second one of 1926 ended the first republic and firmly established the Portuguese Second Republic. And the third revolution of 1974, the so-called Carnation Revolution, put an end to the right-wing regime and reformed the country to what it is still today, the Portuguese Third Republic.
Modern Lisbon is the political centre of the country and hosts the government, the National Assembly, the Supreme Court of Justice and the Armed Forces. It is also the residence of the head of state and the centre of Portuguese diplomacy, with ambassadors from 86 countries residing in the city, as well as representations from Taiwan and Palestine. About 2.96 million people, who live in the Lisbon metropolitan area (representing almost 28 % of the Portugal's population), make Lisbon the third largest metropolitan area in the Iberian Peninsula after Madrid and Barcelona.
An ICON 4x4 version of my FJ40, inspired by Arctic`Fox's FJ40: www.flickr.com/photos/46754576@N06/15500327260/in/faves-4... .
Lxf Download: www.dropbox.com/s/lqcxz2xe0fofkwj/Icon