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The Renaissance Center (aka GM Renaissance Center) is a group of seven interconnected skyscrapers in downtown Detroit, on the shore of the Detroit River. The complex is owned by General Motors, which uses it as its world headquarters. The central tower, the Detroit Marriott at the Renaissance Center with its curved glass-clad facade, is the second tallest all-hotel skyscraper in the Western Hemisphere. It has been the tallest building in Michigan since it was erected in 1977. The principal architect was John Portman.
These two building are interconnected over an alley and represent 50 years of change in the treatment of the back facade.
Montreal's Underground City (officially RÉSEAU or La Ville Souterraine in French) is the set of interconnected complexes (both above and below ground) in and around Downtown Montreal, Quebec, Canada. It is also known as the indoor city (ville intérieure), and is the largest underground complex in the world.
The lower floors of the Eaton Centre between the McGill and Peel metro stations.Not all portions of the indoor city (ville intérieure) are underground. The connections are considered tunnels architecturally and technically, but have conditioned air and good lighting as any building's liveable space does. Many tunnels are large enough to have shops on both sides of the passage. With over 32 km (20 mi) of tunnels spread over more than 12 km2 (4.6 sq mi), connected areas include shopping malls, apartment buildings, hotels, condominiums, banks, offices, museums, universities, seven metro stations, two commuter train stations, a regional bus terminal and the Bell Centre amphitheatre and arena. There are more than 120 exterior access points to the underground city. Each access point is an entry point to one of 60 residential or commercial complexes comprising 3.6 km2 (1.4 sq mi) of floor space, including 80% of all office space and 35% of all commercial space in downtown Montreal. In winter, some 500,000 people use the underground city every day.
Source: Wikipedia
More pictures of Montreal are Here
Multiple stories of interconnected rooms - 875 have been counted -- surrounded an open courtyard. Square and circular kivas - underground chambers that recall the pithouse era - were spaces for informal gatherings as well as their religious ceremonies.
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El Morro National Monument
Grants, New Mexico
Dec 2016
The Renaissance Center (aka GM Renaissance Center) is a group of seven interconnected skyscrapers in downtown Detroit, on the shore of the Detroit River. The complex is owned by General Motors, which uses it as its world headquarters. The central tower, the Detroit Marriott at the Renaissance Center with its curved glass-clad facade, is the second tallest all-hotel skyscraper in the Western Hemisphere. It has been the tallest building in Michigan since it was erected in 1977. The principal architect was John Portman.
The navigli was a system of navigable and interconnected canals centred around Milan, in Lombardy, Northern Italy.
The "Naviglio Grande" was the first artificial canal in Europe and the most important of the Milan “navigli”.
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Ufa Crystal Palace
The design is characterized by two intricately interconnected building units: The Cinema Block, with eight cinemas and seating for 2600, and the Crystal, a glass shell which serves simultaneously as foyer and Public Square.
Team
Planning:
COOP HIMMELB(L)AU Wolf D. Prix, Helmut Swiczinsky + Partner
Project Architect: Verena Perius
Design Architect: Tom Wiscombe
Project Team: Eric Geddes, Alex Hagner, Spencer Hunt, Laura King, Johannes Kraus, Miro Krawczinski, Andreas Mieling, Stefanie Murero, Florian Pfeifer, James Puckhaber, Stefano Pujatti, Jennifer Rakow, Stephanie Reich, Andreas Schaller, Karolin Schmidbaur, Alexander Seitlinger, Bernd Spiess, Michael Volk, Andras Westhausser, Susanne Zottl
Construction Documents: Arge Eiger Nord Wien
Coop Himmelb(l)au – ATP
O cinema recebeu o prêmio de arquitetura alemã pelo imponente design em 1999. O design do escritório de arquitetos vienenses "Coop Himmelb(L)au" é um exemplo perfeito de desconstrutivismo. A fachada é feita de concreto e vidro, contrastando surpreendentemente com os pré-fabricados da área circundante.
Dresden 2017
Lost World Caverns, located just outside Lewisburg, West Virginia, is an underground natural series of caverns. In November 1973, the caverns were registered as a National Natural Landmark as they "feature terraced pedestal-like stalagmites, flowstone, curtains, rimstone, domepits, and waterfalls."
Originally named "Grapevine Cave", the only entrance was a long vertical drop into which farmers used to dump dead livestock and other trash. Virginia Polytechnic Institute and State University "discovered" the cave in 1942. It was surveyed in the 1960s and found to contain over a mile of interconnected passages that reach a depth of 245 feet below the surface. In 1967, the remains of a prehistoric cave bear (Arctodus pristinus) were unearthed in the cave.
In the early 1970s, a walking entrance was dug out, the trash was removed, walkways were installed and the cave was opened for tourism. In 1981, the gift shop and walking entrance were renovated. Since then subsequent owners have done extensive work on the lighting (making sure it doesn't allow the out-of-control growth of algae that old incandescent lamps cause) and many other cleaning and conservation projects as well as adding a dinosaur museum section to the gift shop.
In September 1971, Bob Addis set the unofficial World Record for "Stalagmite Sitting", staying atop the "Warclub" formation for 15 days, 23 hours, and 34 minutes with assistance from his "bucket man" Bob Leibman. The Greenbrier East Band provided in-cave fanfare for Bob's descent and shaky return to solid land from the top of the formation.
In 1992, the Weekly World News reported that Lost World Caverns was the home of "Bat Boy", and claimed that he was captured by the FBI in the caverns, where he reportedly survived by eating his weight in live insects every day.
The "walking" tour section of the cave consists of a large chamber (1000 feet long, 300 feet wide, and 120 feet high) with many formations like the Bridal Veil, Goliath, Snowy Chandelier, Ice Cream Wall, Castle and, perhaps the most storied, the War Club, where Bob Addis made it into the Guinness Book of World Records by sitting atop the 28-foot formation for nearly 16 days. In addition to the "walking" tour, one can opt for a rougher guided "wild" tour through the remote sections of the cave, visiting sights like the Angel's Roost, Birth Canal, Keyhole, Glitter Pits, the Hall of the Mountain King and other passages and formations.
Lost World Caverns is a publicly accessible cave for those who want to experience and understand the karst topography within the Greenbrier River watershed. Environmental interests such as local schools and the Greenbrier River Watershed Association encourage the public to take educational tours in order to understand the unique relationship between surface water and groundwater. Surrounded by farmland on all sides, the cave interacts with a constant influx of air, water, clastic and other additives and pollutants. As part of Greenbrier County's karst plateau or "Great Savannah" where the average number of sinkholes are 18 per square kilometer, the cave system has much to offer the curious and the ongoing scientist.
There are wooden walkways and the option of wild caving in the deeper "wild" portions of the system. The cave drains into the Greenbrier River at Fort Spring through the Davis Spring, and there is much to be discovered about the underlying aquifers and science behind this drainage. The public tour section contains a stratum of hex (six-sided) stones. Cavers on the Wild Tour are asked to respect the encroaching threat of white nose syndrome in the Appalachian bat population, and perform sterilization protocols with their gear and clothing before they come in.
The site is open daily, except for holidays such as Thanksgiving, Christmas Day, and New Year's Day. Currently, the standard self-guided tour rates are as follows: adults: $12, children 6–12: $6, under 6 free. If planning to visit, one should wear shoes with sufficient tread and dress for a temperature of 52 degrees F (Wikipedia).
[From Wikipedia]
The Citroën Bijou is a small coupé manufactured by Citroën at the premises they had occupied since 1925 in Slough, England. The Bijou was assembled from 1959 until 1964. It was based on the same platform chassis as the Citroën 2CV, sharing its advanced independent front to rear interconnected suspension. The car's appearance was thought to be more in line with the conservative taste of British consumers than the unconventional and uncompromisingly utilitarian rural look of the standard 2CV.
The body was made of fibreglass, and the car featured the two-cylinder 425 cc 12 bhp engine also seen in the 2CV. Only 210 were produced, plus two prototypes. It incorporated some components from the DS, most noticeably the single-spoke steering wheel.
It was designed by Peter Kirwan-Taylor, by now already known as the stylist of the elegant 1957 Lotus Elite, another fibreglass-bodied car. Bijou bodies were initially moulded by a company called "Whitson & Co", close to Citroën's Slough premises, but it later proved necessary to transfer this work to another supplier.
Disappointing sales levels for the UK's own Citroën seem to have been down to the Bijou's price, which at the time of the 1959 motor show was £674. At this time the British market was acutely price sensitive, and buyers could choose a Ford Popular with four doors, four seats and a much larger engine for £494.
The Bijou's more modern styling gave it a higher top speed and lower cruising fuel consumption than the equivalent 2CV; however, the greater weight of the bodywork had an adverse impact on the car's more general performance, especially its acceleration. The Bijou was considered expensive by the testers. It was also more expensive than the Austin Mini, but the Bijou was supposed to be more distinguished.
As of 2013, nearly 150 Bijous were on the 2CVGB club register, but fewer than 40 are still on the roads.
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When I was growing up, the president of the Citroen owners club for the city that I lived in, lived up the road. He had a whole bunch of kooky cars that he owned, or that regularly came to visit, but a pale yellow small car always sat near the fence, with its butt poking out. I never knew what it was until the interweb allowed some research, and I discovered it was on of these Bijou. One of only 210 built.
© all rights reserved by B℮n
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The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday. Infinite sea of ice is perfect for ice skating journeys. Ice skating is not only a Dutch sport, it also underwrites the history, art and culture of the Netherlands. Perhaps most importantly a good freeze provides the Dutch a chance to discover the wilderness and an outdoor challenge within their own landscape. The Netherlands are a long distance skater's dream. Hundreds of kilometres of potential routes can carry the skater to the heart of a wild landscape. Today same as last year we could ice skating on the Gouwsea. Ice skating can be done from Monnickendam - Nes - Marken and from Marken back. Infinite sea of ice is perfect for ice skating journeys. Besides ice skating Dutch also love Ice yachting. This is the sport of sailing and racing iceboats and is very popular in the Netherlands. Ice boats are racing at a speed of 100 km an hour over the ice of the Gouwsea.
Waterland in the winter is a real skater’s paradise. As temperatures plunge across Europe, many are cursing the cold. But not in the Netherlands. Many are hoping for further frigid conditions. Photo taken of a Dutch skaters on the vast frozen Gouwsea. A historical moment since crossing the Gouwsea by skates is such a rare occurrence. Today I skate from Monnickendam - Nes - Marken - Nes and back to Monnickendam a trip of 16km, such a beautiful sea of ice to enjoy. Look at the many geese flying in the background. At this time of year they are easy to find in Waterland.
Op 25 januari 2013 een schaatstocht gemaakt rond de Gouwzee van Monnickendam - Nes - Marken - Monnickendam. Bij Volendam lag dit keer te veel sneeuw en onbegaanbaar. Eindelijk weer een dag waarin Waterlanders de ijzers konden onderbinden. De Gouwzee helemaal dichtbevroren en dit is nu al vier van de drie laatste winters gebeurd. Maar het blijft een historische ijstocht. Vele honderden schaatsenrijders zoeken vandaag de bevroren oppervlakte van de Gouwzee op voor een schaatstocht langs alle havens. Mensen kunnen een rondje Gouwzee schaatsen. Een groot ijsoppervlakte tussen Monickendam en Marken met prima ijs. Een oneindig mooi gezicht op deze ijszee anno 2013. Het was genieten. De weilanden zijn hier wit, de Gouwzee totaal bevroren en de adem komt in kleine grijze pufjes uit mijn mond. Handen op de rug. Rustig ademen. Ik geniet van het geluid van de ijzers over het ijs en het prachtige uitzicht over de besneeuwde landschap. Het ijs is geweldig hier. Ik stop nog even voor het maken van foto. De schaatsers schaatsen hier richting Marken met een heerlijke rugwind. Met minimale inspanning kan je hier wel 50km/uur schaatsen. Het levert een prachtig plaatje op. De Grauwe gans, grijsbruine gans met forse oranje snavel en roze poten is hier heel veel te zien in Waterland. Duizenden ganzen vliegen altijd in V-formatie waardoor de krachtsinspanningen over de groep worden verdeeld.
Tower at the Lighthouse Building, Glasgow
From Wikipedia -
The Lighthouse in Glasgow is Scotland's Centre for Design and Architecture. It was opened as part of Glasgow's status as UK City of Architecture and Design in 1999.
The Lighthouse is the renamed conversion of the former offices of the Glasgow Herald newspaper. Completed in 1895, it was designed by the architect Charles Rennie Mackintosh.[1] The centre's vision is to develop the links between design, architecture, and the creative industries, seeing these as interconnected social, educational, economic and cultural issues of concern to everyone.
This shiny object that seemed to consist of two interconnected balloon-like structures flew over this evening .
Driving through mountainous north-western Slovenia, close to the borders with Italy and Austria, starting in Kobarid (Caporetto) towards Lake Bohinj. The road ran along the Soca river.
Jasna Lake ( close to Kranjska Gora) consists of two interconnected artificial lakes at the confluence of the Velika Pišnica and Mala Pišnica streams.
This planet is an exquisitely arranged and interconnected system. What's controlled in one place is going to have consequences in another place. Our job as gardeners is to try and figure this out no matter how small our allotted space might be. Discipline has to be the watchword for our controlling hands. It means not gardening without thinking of the garden as a habitat: for mice, for squirrels, for bees and wasps. For other living creatures beyond ourselves.
Marjorie Harris
Tai O est le village des Tankas, communauté de pêcheurs qui construisent depuis des générations leurs maisons sur pilotis au-dessus des vasières. Ces bâtisses inhabituelles sont toutes interconnectées, formant ainsi une communauté très liée qui vit littéralement sur l'eau.
Montreal's Underground City (officially RÉSEAU or La Ville Souterraine in French) is the set of interconnected complexes (both above and below ground) in and around Downtown Montreal, Quebec, Canada. It is also known as the indoor city (ville intérieure), and is the largest underground complex in the world.
The lower floors of the Eaton Centre between the McGill and Peel metro stations.Not all portions of the indoor city (ville intérieure) are underground. The connections are considered tunnels architecturally and technically, but have conditioned air and good lighting as any building's liveable space does. Many tunnels are large enough to have shops on both sides of the passage. With over 32 km (20 mi) of tunnels spread over more than 12 km2 (4.6 sq mi), connected areas include shopping malls, apartment buildings, hotels, condominiums, banks, offices, museums, universities, seven metro stations, two commuter train stations, a regional bus terminal and the Bell Centre amphitheatre and arena. There are more than 120 exterior access points to the underground city. Each access point is an entry point to one of 60 residential or commercial complexes comprising 3.6 km2 (1.4 sq mi) of floor space, including 80% of all office space and 35% of all commercial space in downtown Montreal. In winter, some 500,000 people use the underground city every day.
Source: Wikipedia
More pictures of Montreal are Here
Plitvice Lakes National Park, Croatia
Plitvice is famous for its 16 lakes interconnected with cascading waterfalls. A trail/boardwalk takes you around the 16 lakes, and with every turn, another series of waterfalls emerges.
"Don’t say things. What you are stands over you the while, and thunders so that I cannot hear what you say to the contrary." ~Ralph Waldo Emerson, Social Aims
I ran into Chris, leading his crew on the Hadlock Brook Trail. Walking past me with extra-large strides, he’s a bundle of energy. He was happy that I stopped in to visit with the group and was really eager to talk about and show me the re-route they were building on the trail system. This section included some newly constructed granite stone steps, several interconnected staircases in actuality, cut into the hillside far above Hadlock Pond – dry stone masonry at its most elegant. Watching the work progress, it became clear that Chris is a person of action who leads and mentors by example. He has very high work standards for himself and pushes hard for success. Tenacity and perseverance; this is Chris. Working hard is something innate. Chis proved to be nonstop hands in the dirt, splitting and moving rock with the crew. …describing, aligning, and implementing the cable system set for hoisting boulders across the landscape. …but most importantly, encouraging everyone through act and action. It’s clear that his crew really enjoys working with him and am sure they learn lots about themselves and develop refined skill as part of business. Thanks, Chris, for being one of those few out there who show possibility.
Hasselblad 500C medium format SLR camera + Zeiss 80mm f/2.8 lens+ Kodak Professional Tri-X 400 black and white film
~Dan Grenier
2015 Artist in Residence
Schoodic Institute at Acadia National Park
Our Daily Challenge:
FULL FRAME ONE OBJECT is the topic for Friday, July 12 - Thursday July 18, 2024
American Museum of Natural History. New York. Jan/2017
The American Museum of Natural History (abbreviated as AMNH), located on the Upper West Side of Manhattan, New York City, is one of the largest museums in the world. Located in park-like grounds across the street from Central Park, the museum complex comprises 28 interconnected buildings housing 45 permanent exhibition halls, in addition to a planetarium and a library. The museum collections contain over 33 million specimens of plants, animals, fossils, minerals, rocks, meteorites, human remains, and human cultural artifacts, of which only a small fraction can be displayed at any given time, and occupies more than 2,000,000 square feet (190,000 m2). The museum has a full-time scientific staff of 225, sponsors over 120 special field expeditions each year, and averages about five million visits annually.
The one mission statement of the American Museum of Natural History is: "To discover, interpret, and disseminate—through scientific research and education—knowledge about human cultures, the natural world, and the universe.
Source: Wikipedia
O Museu Americano de História Natural (American Museum of Natural History, em inglês) é um museu dos Estados Unidos da América, localizado em Nova Iorque e fundado em 1869. É especialmente reconhecido pela sua vasta coleção de fósseis, incluindo de espécies de Dinossauros. Uma das grandes atrações do museu é uma coleção de esqueletos de dinossauro, com mais de 30 milhões de fósseis e artefatos espalhados por 42 salas de exibição.Um T-Rex de aproximadamente 15 metros e dá as boas vindas aos visitantes na entrada.
Theodore Roosevelt está ligado à sua fundação e é lembrado no actual museu por um memorial. O primeiro edifício do museu acabou de ser construído em 1877, a partir do projecto de Calvert Vaux e Jacob Wrey Mould, a partir de uma ideia de Albert Smith Bickmore, discípulo de Louis Agassiz no Museu de Zoologia Comparativa de Harvard, em 1860. O museu serviu como cenário para o filme "Uma Noite no Museu" (2006).
Fonte: Wikipedia
Details best viewed in Original Size.
I captured the image of this diorama at the Akely Hall of African Mammals of the American Museum of Natural History located on the Upper West Side of Manhattan in New York City. According to Wikipedia, the American Museum of Natural History (abbreviated as AMNH) is one of the largest and most celebrated museums in the world. Located in park-like grounds across the street from Central Park, the Museum comprises 25 interconnected buildings that house 46 permanent exhibition halls, research laboratories, and its renowned library. The collections contain over 32 million specimens, of which only a small fraction can be displayed at any given time. The Museum has a scientific staff of more than 200, sponsors over 100 special field expeditions each year, and averages about five million visits annually.
Walker Lake, Nevada is featured in this image photographed by an Expedition 32 crew member on the International Space Station. According to scientists, the Pleistocene landscape of western Nevada approximately 15,000 years ago was one of narrow mountain ranges and numerous interconnected lakes that together formed the extensive glacial Lake Lahontan. Scientists believe drying and warming of the regional climate since the last Ice Age led to the disappearance of the glaciers feeding meltwater to Lake Lahontan, and eventual disappearance of the lake itself. Today, few remnants of Lahontan remain; most of its arms have become dry enclosed basins known as playas. This photograph highlights Walker Lake, one of only two remnant lakes that contain water throughout the year (Pyramid Lake in Nevada is the other). The lake is located in an enclosed basin bounded by the Wassuk Range to the west and the Gillis Range to the east. It is fed by the Walker River flowing from the north. The current dimensions of the lake are approximately 21 kilometers north-south by 9 kilometers east-west. Shoreline deposits at higher elevations than the current lake level form concentric bands that are just visible in the image (bottom center) -- these record varying lake levels in the geologic past. The nearest town is Hawthorne, Nevada to the southeast. To the southwest the highest peak of the Wassuk Range, Mount Grant (elevation 3,496 meters above sea level), dominates the skyline. Green agricultural fields, primarily alfalfa, located to the west of the Wassuk Range (lower right) provide a striking contrast to the surrounding Great Basin desert. These fields are irrigated using water from the nearby East Fork of the Walker River (right, just visible alongside the fields).
Image credit: NASA/JSC
Original image:
spaceflight.nasa.gov/gallery/images/station/crew-32/html/...
More about space station research:
www.nasa.gov/mission_pages/station/research/index.html
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www.flickr.com/photos/28634332@N05/
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The Jeita Grotto (Arabic: مغارة جعيتا) is a system of two separate, but interconnected limestone caves spanning 5.6 miles. Visitors can walk through the upper cave, but the lower cave contains an underwater river and lake. It is only accessible in summer and then only by boat.
These pictures were all taken in water filled lower cave. The water flows through at 1–2 m3/s, providing drinking water for 1.5 million people in Beirut. Cameras are normally taken and secured from visitors while in the caverns. These photos were taken with special permission.
We met at the Jacob's Ladder Festival in Kibbutz Geinosar on the Kinneret, a.k.a. Lake of Galilee. It was a wonderful music event with a lovely audience which I attended for the first time ever.
I also met many new people such as Deborah & her beautiful family. I love the message she shared for my photo project:
"No matter our background, our tribe, religion, ethnicity, education, where we come from, our nationality... we are all interconnected. We are all part of the human family, the bigger picture, part of God, all of us have a divine spark within us which has the capacity to recognise, honour and love the divine spark in others."
Deborah's advice to herself:
"Stop trying to be perfect, stop trying to please. Focus more on what really makes you feel alive, loved and joyful."
When asking about challenges in her life, Deborah said:
"I have faced many personal challenges. For much of my adult life I now realise I have struggled with depression and anxiety, but was unaware of what it was until fairly late in my life.
I have also supported my husband through a very serious form of cancer (pancreatic stage 3b). He was diagnosed when our children were only 4 years old, 2 years old and 7 months old. It was quite a trauma. Thankfully there is no evidence of disease three and a half years later."
"What do you love about yourself, Deborah?"
"I am still learning who I am and to love myself. It is quite a journey."
"Can you tell me a bit about your background?"
"I am a former divorce lawyer from London and made Aliyah seven years ago. Now I teach yoga with Torah and am training in TRE--tension and trauma releasing exercises--. I am fascinated by mind-body-spirituality connections."
It was a real privilege to meet Deborah and her family. The memories of the Festival will stay with me thanks to people like them. I hope our paths will cross once again.
Thank you so much for sharing your life story, Deborah. It is most enlightening.
I wish you all happiness and good health, especially to David.
This is my 743rd submission to The Human Family group.
Visit the group here to see more portraits and stories: The Human Family
You can read more here about the Festival:
"Jacob's Ladder Folk Festival is a unique musical and social event which takes place twice a year in two different formats for lovers of all aspects of folk music from Bluegrass to World music, from Irish jigs to Country Rock, from Blues to Bagpipes.
This year's spring festival, to be held at Nof Ginosar Hotel and its surrounding lawns, swimming pool and beach on the edge of Lake Kinneret (Sea of Galilee) will be full of surprises. Three days of great music outside at the Main stage near the beach or indoors at smaller venues in the Hotel, NEW dance workshops, Yoga, Tai Chi/Chi Kong, Guitar Workshops and much more. The festival will have something for everyone, Teens and Seniors, Families and Singles, Children and Couples.
Out of the 40 musical happenings, 23 of the performances will be FIRST TIME performances at Jacob's Ladder Festival. Get ready to enjoy an amazing authentic folk band called BRIGAN from South Italy, the Israeli Gypsy Band SUMSUM, the Israeli Swing Band, ELI & THE CHOCOLATE FACTORY, the alternative electro folk band of MAYA ISAC, Hypnotic beats and melodies from the Blue Desert with Grammy nominated YOSSI FINE & BEN AYLON, and many more exciting bands.
The prizewinning Bluegrass and Old-Time music band NEFESH MOUNTAIN will be joining us from the USA and we are excited to present the Howling totally authentic Hebrew Blues artist, this time with his full band, ITAMAR BECK AND P'KIDEI HAKABALA. And of course, no Jacob's Ladder Festival will be complete without traditional country music with SHAY TOCHNER, YONATAN MILLER, GABRIELLA LEWIS, MAYA JOHANNA and the SUPER BAND."
Red Sands Army Fort [U6] was a Maunsell army fort built near the Thames estuary for anti-aircraft defence. It is made up of several once interconnected towers.
Derelict, the remains of the Fort Towers are still standing.
Cityscape on a molecular level.
© Andy Brandl (2013) // PhotonMix Photography // Andy Brandl @ Getty Images
Don´t redistribute - don´t use on webpages, blogs or any other media without my explicit written permission.
See my "profile" page for my portfolio´s web address and information regarding licensing of this image for personal or commercial use.
ArchesAndAngles - Architectural Photography Architectural Photography
I thought of this artpiece when I stayed with my mom earlier this year and she was reading the Dalai Lama's book (in collaboration with Franz Alt) :
“An Appeal to the World: The Way to Peace in a Time of Division.”
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"When the president of the United States says “America first,” he is making his voters happy. I can understand that. But from a global perspective, this statement isn’t relevant. Everything is interconnected today.
The new reality is that everyone is interdependent with everyone else. The United States is a leading nation of the free world. For this reason, I call on its president to think more about global-level issues. There are no national boundaries for climate protection or the global economy. No religious boundaries, either. The time has come to understand that we are the same human beings on this planet. Whether we want to or not, we must coexist.
History tells us that when people pursue only their own national interests, there is strife and war. This is shortsighted and narrow-minded. It is also unrealistic and outdated. Living together as brothers and sisters is the only way to peace, compassion, mindfulness and more justice.
The time has come to understand that we are the same human beings on this planet. Whether we want to or not, we must coexist.
Religion can to a certain degree help to overcome division. But religion alone will not be enough. Global secular ethics are now more important than the classical religions. We need a global ethic that can accept both believers and nonbelievers, including atheists.
My wish is that, one day, formal education will pay attention to the education of the heart, teaching love, compassion, justice, forgiveness, mindfulness, tolerance and peace. This education is necessary, from kindergarten to secondary schools and universities. I mean social, emotional and ethical learning. We need a worldwide initiative for educating heart and mind in this modern age.
At present our educational systems are oriented mainly toward material values and training one’s understanding. But reality teaches us that we do not come to reason through understanding alone. We should place greater emphasis on inner values.
Intolerance leads to hatred and division. Our children should grow up with the idea that dialogue, not violence, is the best and most practical way to solve conflicts. The young generations have a great responsibility to ensure that the world becomes a more peaceful place for all. But this can become reality only if we educate, not just the brain, but also the heart. The educational systems of the future should place greater emphasis on strengthening human abilities, such as warm-heartedness, a sense of oneness, humanity and love.
I see with ever greater clarity that our spiritual well-being depends not on religion, but on our innate human nature — our natural affinity for goodness, compassion and caring for others. Regardless of whether we belong to a religion, we all have a fundamental and profoundly human wellspring of ethics within ourselves. We need to nurture that shared ethical basis.
Ethics, as opposed to religion, are grounded in human nature. Through ethics, we can work on preserving creation. Empathy is the basis of human coexistence. It is my belief that human development relies on cooperation, not competition. Science tells us this.
We must learn that humanity is one big family. We are all brothers and sisters: physically, mentally and emotionally. But we are still focusing far too much on our differences instead of our commonalities. After all, every one of us is born the same way and dies the same way."
- The 14th Dalai Lama, Tenzin Gyatso
The 1,800 kilometer (1,100 mile) Tucurí transmission line crosses the Rio Trombetas just north of Oriximiná, with huge towers and span.
Lighting The Sails 'Songlines'
World Premiere, Sydney Only
Directed by the Head of Indigenous Programming at Sydney Opera House Rhoda Roberts
Co-curated by Sydney Opera House and Destination NSW
Visual content and animation created by Artists in Motion
Lighting the Sails for the eighth year of Vivid Sydney, Sydney Opera House will transform into an animated canvas of Australian indigenous art featuring iconic contemporary works from Karla Dickens, Djon Mundine, Gabriella Possum Nungurrayi, Reko Rennie, Donny Woolagoodja, and the late Gulumbu Yunupingu.
Celebrating First Nations' spirituality and culture through the songlines of our land and sky, this year’s Lighting the Sails is about painting and celebrating country through a pattern of sharing systems, interconnected history lines and trade routes. Lighting the Sails Director and Head of Indigenous Programming at Sydney Opera House Rhoda Roberts has selected six artists of different clans, national estates and territories for an immersive projected artwork that weaves through time and distance.
As the first indigenous work commissioned exclusively for the sails of the Sydney Opera House, this visual tapestry will weave through personal journeys, while celebrating the timeless themes and enduring art of Australia's most influential contemporary First Nations artists, exclusive to Vivid Sydney.
ABOUT THE ARTISTS
Karla Dickens (Wiradjuri)
Karla Dickens was born in Sydney in 1967; the Year of the Referendum that gave Aboriginal people human status. A double dawn for Aboriginal people; a major national political and social shift, and an innocent newborn seemingly as yet without any connection to her history and Aboriginal heritage. Karla’s Aboriginality and sexuality profoundly inform her work – her insight and breadth of artistic practice both deeply embraces the notion of identity politics and yet works with universal human experiences.
Djon Mundine OAM (Bandjalung)
Djon Mundine is a member of the Bandjalung people of northern New South Wales. Djon has an extended career as a curator, activist, writer, and occasional artist and is renown as the concept curator for the Aboriginal Memorial installation permanently exhibited at the National Gallery of Australia. Djon was awarded an OAM in 1993 and is currently Indigenous Curator-Contemporary Art at the Campbelltown Art Centre.
Gabriella Possum (Nungurrayi)
Gabriella Possum was born in 1967 and she is the eldest daughter of the internationally renowned artist Clifford Possum Tjapaltjarri who was awarded the Order of Australia in 2002. Gabriella is best known for her Seven Sisters paintings, with her iconic depiction of the Milky Way and she also paints Bush Tucker and Grandmother's Country stories.
Reko Rennie (Kamilaroi/Gamilaraay/Gummaroi)
Through his art Reko explores what it means to be an urban Aboriginal in contemporary Australian society. Rennie received no formal artistic training but as a teenager discovered graffiti which became an all-consuming passion. His art and installations continually explore issues of identity, race, law & justice, land rights, stolen generations and other issues affecting Aboriginal and Torres Strait Islanders in contemporary society.
Donny Woolagoodja (Worora)
Donny, Mowanjum Artists Spirit of the Wandjina Aboriginal Corporation (MASWAC) chairman, is the fourth eldest of ten children. His father, Sam, was the last of the Worora banmen (lawman and medicine man).
Donny's remarkable upbringing bridges the white Christian beliefs he became aware of at the mission churches and the ancient Wandjina laws his father taught him allowing him to move easily between his Aboriginal people and non-Aboriginal people.
Gulumbu Yunupingu (1954-2012, Gumatj)
Using distinctive white and black crosses on a red ground, Yolgnu artist Gulumbu Yunupingu (1945-2012) painted Garak, the starry universe, on barks and poles. She came to national prominence when she won the National Aboriginal and Torres Strait Islander Award (2004), and to international acclaim in 2006 with her scaled-up version of Garak on permanent display at Musee du Quai Branly (2006).
Artists In Motion
Artists in Motion is a Creative Project company that are highly regarded as pioneers of the industry. Known for their work around the world they still remain a proudly home grown creative force that produces all of their creations from their Sydney studio.
AIM is a collective of unique talent and experienced artists who have worked as a united team for several years. From the Epic to culturally emotional, they continue to transfix audiences of all kinds.
Under the creative leadership of Richard Lindsay, previous projects include content creation for the Beijing Olympics Ceremonies, Vancouver Winter Olympic Ceremonies, Hong Kong Pulse Shows, Alfa Bank Projection Moscow, 1st European Games Baku, the iconic UAE production “Clusters of Light”, as well as previous works for VIVID, including the popular Play projection on the Sydney Opera House.
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lovely quote by Ian Somerhalder :)
"...The trees are our lungs, the rivers our bloodstream. We are all interconnected, and what you do to the environment, ultimately you do to yourself."
Nederlands: Zevenster
English: Chickweed Wintergreen
Scientific name: Trientalis europaea
Français: Trientale
Deutsch: Siebenstern
Wetenschappelijk: Trientalis europaea (Lysimachia trientalis)
Familie: Sleutelbloemfamilie, Primulaceae
Geslacht: Trientalis, Zevenster
Koude streken in Europa, in Siberië en in noordwestelijk Noord-Amerika. In het laagland zuidelijk tot in Nederland. Verder zuidelijk komt Zevenster nog wel voor op plateaus en in gebergten.
Vrij zeldzaam in Drenthe, zeldzaam op de Veluwe, in Twente en op Ameland en Terschelling en zeer zeldzaam in Zuid-Limburg bij Vaals.
Rode lijst 2012. Thans niet bedreigd. Trend sinds 1950: stabiel of toegenomen. Zeldzaam. Oorspronkelijk inheems.
Zeer zeldzaam in Voeren. Ook eenmaal gevonden in de Kempen.
Rode lijst. Zeer zeldzaam. Beschermd.
Wallonië Vrij zeldzaam in de Hoge Ardennen en zeer zeldzaam in de Ardennen.
Trientalis europaea is a plant in the Primulaceae family, called by the common name chickweed-wintergreen or arctic starflower. It is a small herbaceous perennial plant with one or more whorls of obovate leaves. The leaves take on a copper hue in late summer. The solitary white flowers (1–2 cm diameter, usually with 6-8 petals) appear in midsummer. Trientalis europaea occurs throughout boreal regions of Europe and Asia, but is largely replaced by Trientalis borealis in corresponding habitats in North America.
This is a woodland indicator species, and in Scotland it is found on acid, organic soils, mainly in pine, birch and oak woodland and moorland which has supported woodland in the past. The plant is a weak competitor, rarely reproducing by seed but forming extensive clonal populations interconnected by rhizomes during the growing season. The rhizomes and above-ground parts are deciduous, the plant forming overwintering tubers. The range of the plant is changing little in Scotland, but it has declined in northern England due to woodland clearance and moor burning. It is classified as an endangered plant in some areas..
The flower is the provincial flower of the Värmland province in Sweden.
A lone tree, on the shore of Loch Ness, in Scotland.
Loch Ness is a large, deep, freshwater loch in the Scottish Highlands extending for approximately 23 miles (37 km) southwest of Inverness. Its surface is 52 ft (16 m) above sea level. Loch Ness is best known for alleged sightings of the cryptozoological Loch Ness Monster, also known affectionately as "Nessie". It is connected at the southern end by the River Oich and a section of the Caledonian Canal to Loch Oich. At the northern end there is the Bona Narrows which opens out into Loch Dochfour, which feeds the River Ness and a further section of canal to Inverness. It is one of a series of interconnected, murky bodies of water in Scotland; its water visibility is exceptionally low due to a high peat content in the surrounding soil.
Loch Ness is the second largest Scottish loch by surface area at 22 sq mi (56 km2) after Loch Lomond, but due to its great depth, it is the largest by volume in the British Isles. Its deepest point is 755 ft (230 m), making it the second deepest loch in Scotland after Loch Morar. A 2016 survey claimed to have discovered a crevice that pushed the depth to 889 ft (271 m) but further research determined it to be a sonar anomaly. It contains more fresh water than all the lakes in England and Wales combined, and is the largest body of water on the Great Glen Fault, which runs from Inverness in the north to Fort William in the south.
Montreal's Underground City (officially RÉSEAU or La Ville Souterraine in French) is the set of interconnected complexes (both above and below ground) in and around Downtown Montreal, Quebec, Canada. It is also known as the indoor city (ville intérieure), and is the largest underground complex in the world.
The lower floors of the Eaton Centre between the McGill and Peel metro stations.Not all portions of the indoor city (ville intérieure) are underground. The connections are considered tunnels architecturally and technically, but have conditioned air and good lighting as any building's liveable space does. Many tunnels are large enough to have shops on both sides of the passage. With over 32 km (20 mi) of tunnels spread over more than 12 km2 (4.6 sq mi), connected areas include shopping malls, apartment buildings, hotels, condominiums, banks, offices, museums, universities, seven metro stations, two commuter train stations, a regional bus terminal and the Bell Centre amphitheatre and arena. There are more than 120 exterior access points to the underground city. Each access point is an entry point to one of 60 residential or commercial complexes comprising 3.6 km2 (1.4 sq mi) of floor space, including 80% of all office space and 35% of all commercial space in downtown Montreal. In winter, some 500,000 people use the underground city every day.
Source: Wikipedia
More pictures of Montreal are Here
American Museum of Natural History. New York. Jan/2017
The American Museum of Natural History (abbreviated as AMNH), located on the Upper West Side of Manhattan, New York City, is one of the largest museums in the world. Located in park-like grounds across the street from Central Park, the museum complex comprises 28 interconnected buildings housing 45 permanent exhibition halls, in addition to a planetarium and a library. The museum collections contain over 33 million specimens of plants, animals, fossils, minerals, rocks, meteorites, human remains, and human cultural artifacts, of which only a small fraction can be displayed at any given time, and occupies more than 2,000,000 square feet (190,000 m2). The museum has a full-time scientific staff of 225, sponsors over 120 special field expeditions each year, and averages about five million visits annually.
The one mission statement of the American Museum of Natural History is: "To discover, interpret, and disseminate—through scientific research and education—knowledge about human cultures, the natural world, and the universe.
Source: Wikipedia
O Museu Americano de História Natural (American Museum of Natural History, em inglês) é um museu dos Estados Unidos da América, localizado em Nova Iorque e fundado em 1869. É especialmente reconhecido pela sua vasta coleção de fósseis, incluindo de espécies de Dinossauros. Uma das grandes atrações do museu é uma coleção de esqueletos de dinossauro, com mais de 30 milhões de fósseis e artefatos espalhados por 42 salas de exibição.Um T-Rex de aproximadamente 15 metros e dá as boas vindas aos visitantes na entrada.
Theodore Roosevelt está ligado à sua fundação e é lembrado no actual museu por um memorial. O primeiro edifício do museu acabou de ser construído em 1877, a partir do projecto de Calvert Vaux e Jacob Wrey Mould, a partir de uma ideia de Albert Smith Bickmore, discípulo de Louis Agassiz no Museu de Zoologia Comparativa de Harvard, em 1860. O museu serviu como cenário para o filme "Uma Noite no Museu" (2006).
Fonte: Wikipedia
The real jet looks most attractive with the wings swept back and so does the model, but the swing wings are fully functional and interconnected to move in tandem.
Valle de los Ingenios, also named Valley de los Ingenios or Valley of the Sugar Mills, is a series of three interconnected valleys about 12 kilometres (7.5 mi) outside of Trinidad, Cuba. The three valleys, San Luis, Santa Rosa, and Meyer, were a centre for sugar production from the late 18th century until the late 19th century.
At the peak of the industry in Cuba there were over fifty sugar cane mills in operation in the three valleys, with over 30,000 slaves working in the mills and on the sugar cane plantations that surrounded them.
The 45 metre (147 ft) tower was constructed sometime in 1816 by the owner, Alejo Maria Iznaga y Borrell. According to experts, the bell that formerly hung on top of the tower announced the beginning and the end of the work day for the slaves, as well as the times for prayers to the Holy Virgin in the morning, midday, and afternoon. It was also used to sound an alarm in case of fire or slave escape. The height and magnificence of the tower served to display Iznaga's power over his slaves and his stature in the sugar industry and local society; at one time it was the tallest structure in Cuba. A recognised landmark of the region, the Iznaga Tower testifies to the area's flourishing material culture in the Spanish colonial period. The large bell now rests at the foot of the tower. [Wikipedia]
Live Oaks have a shallow, sprawling root system. I've read that they are sometimes even interconnected. I've heard of redwoods in the pacific northwest (USA) doing something similar. As in the case of the redwoods, they are "families" of related trees and actually "care" for one another by passing carbon and other nutrients from one to another; and that's just what we know so far. I wonder if the live oaks at Fort Fisher are just one big family, too! And if so, do you think they ever argue?
Yalu is a crocodile nest, a termite mound, a womb, a home - a sanctuary that protects new life. It serves as the foundation that connects us to our birth, people, land, and saltwater.
- The Mulka Project, 2025
Grounded in ideas of sanctuary, origin and kinship, Yalu evokes the shifting cycles of land and sea and the interconnected flow of culture in Yolnu country in north-east Arnhem Land in the Northern Territory.
The Kö-Bogen I and II projects in Düsseldorf, Germany, represent a major urban revitalization effort that has transformed a former elevated motorway and traffic hub into a modern, pedestrian-friendly city center. The projects were conceived as two distinct but interconnected architectural ensembles that re-establish the connection between the city's main shopping street, Königsallee, and the Hofgarten park. Both projects feature cutting-edge, sustainable design and have received international recognition for their innovative approach to urban planning and architecture. The overall goal was to create a new, vibrant public space that prioritizes pedestrians and greenery, while also housing high-end retail and office spaces.
Kö-Bogen I was the first phase of the project, completed in 2013, and was designed by the renowned architect Daniel Libeskind. The ensemble consists of two curved buildings, connected by a bridge, which sit on the site of the former elevated motorway. The buildings are characterized by their striking façade of white natural stone and glass, with diagonal incisions that are planted with greenery. These "cuts" are a signature element of Libeskind's design, creating a dynamic visual effect and providing additional shading. The complex houses luxury retail spaces and high-end offices, and its design was intended to create a seamless transition between the urban environment of Königsallee and the natural landscape of the Hofgarten.
Kö-Bogen II, completed in 2020, is perhaps the most iconic part of the development. Designed by Ingenhoven Architects, this commercial and office building ensemble features a spectacular and sustainable design element: Europe's largest green façade. The building is covered in more than 30,000 hornbeam hedges, a native hardwood species that retains its leaves in winter. This greening concept is not just for aesthetics; it plays a crucial role in improving the city's microclimate by absorbing carbon dioxide, reducing urban heat, dampening noise, and promoting biodiversity. The building's sloping facades, which are inspired by Land Art, face the Hofgarten and create a deliberate visual conversation with the neighboring post-war modernist landmarks like the Dreischeibenhaus and Schauspielhaus.
Together, the Kö-Bogen I and II projects have successfully redefined a key area of Düsseldorf's city center. By dismantling a 1960s motorway and replacing it with these architecturally significant and environmentally conscious buildings, the city has transformed a car-centric space into a vibrant, green, and walkable urban destination. The project as a whole has received numerous awards and is considered a lighthouse example of modern "city repair," demonstrating how cities can address climate change and urban design challenges through innovative, sustainable, and people-oriented architecture.
The Calouste Gulbenkian Foundation and Museum is one of the jewels of architecture known in Portugal. Architects Ruy Jervis d'Athouguia, Pedro Cid and Alberto Pessoa designed the campus and the buildings in memory of the foundation of the same name.
These important architects were responsible for implementing the project of the Foundation and Museum after winning a competition in 1959. The contest invited three teams of three architects to propose ideas for these buildings, which would serve as a cultural center and museum for the impressive art collection Calouste Gulbenkian. In late 1969, the execution of the project was completed.
The winning proposal involved austere modern buildings, which, as is said, reflect the personality of Calouste Gulbenkian. These concrete structures in buildings are separate but interconnected pathways through relaxing campus.
The landscaping was developed by Gonçalo Ribeiro Telles Barreto and Antonio Viana, and has great value in itself. The vegetation is proposed on the entire campus on the lawn, trees and water features. Spaces lead visitors to the city for a quiet place where they can enjoy the buildings and works of art.
The Calouste Gulbenkian Foundation and Museum was recognized as a National Monument in Portugal in 2010. The buildings are seen as a significant representation of modern Portuguese architecture of the 60's, and continue to inspire young architects today.
This guy is a fixture in the neighborhood, and I always notice him because of his beard. I took one photo of him in the same area around lunchtime, and uploaded it to Instagram and Facebook; and then I took another photo of him a couple days later, sound asleep on a park bench down on 95th Street.
He does seem to like his newspapers ...
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As I’ve mentioned in a couple of recent Tumblr blog postings, I’m working on an exercise for a new class that I’ve started taking at the International Center of Photography (ICP) in the fall of 2015.( You can see the earlier Tumblr postings here and here.)
In addition to taking a bunch of photos (see the other Tumblr postings for details and descriptions of what the photos are supposed to illustrate), we also have the task of editing our images down to a maximum of 10 “presentation images” that we will share with the ICP class next week. When our instructor, Joanne Dugan, asked me last week if I anticipated having any problems with this aspect of the assignment, I shrugged and said, “No, I do this all the time …”
Well, yes and no: I do do a lot of editing/winnowing of my photos before deciding which ones should be shared with anyone else. But I had forgotten that I also do a lot of cropping, color-adjustment, tweaking, and general post-processing before I upload my photos to Flickr, Facebook, or even Instagram. For this particular ICP exercise, we were also told not to crop the photos, and not to do any post-processing. That makes things a lot more difficult …
On the other hand, part of the exercise is to assemble and share a maximum of ten photos that collectively tell a “story” of some kind – and to “tell” that story with anywhere from a word, to a sentence, to a paragraph for each of the photos. That makes things a lot easier … after all, if a photo has to be presented in isolation, then it truly stands alone. And it is intended to be viewed without any accompanying text, then it really stands alone. There’s nothing wrong with that; indeed, one might argue that that’s the whole point of photography: a picture should “tell” a story all by itself, without any extraneous verbiage to “explain” what might not be obvious to the viewer.
But not very many things exist in complete isolation of the rest of the universe, especially in today’s interconnected world. I suppose some people would debate that point quite vigorously; and some people might argue that a photograph of a person, place, or thing should be able to “stand alone” without anything else. I certainly have seen photos that fall into this category, and I suppose I’ve taken a few like that, too. Or, maybe if I never intended my photos to be considered in complete isolation from one another, perhaps that’s how some people prefer to look at them …
But for me, that’s a pretty rare phenomenon. Almost always, I find myself telling a story. The photographs obviously present one “dimension” of the story, in a visual form; and I’ve been trying to remind myself lately that videos can present can present one, and sometimes two, additional dimensions (motion and sound) that can add enormously to the viewer’s understanding and appreciation of the underlying story.
But even if one uses only traditional photos, I find that it’s almost impossible for me to crate (or make, or take) one photo by itself; invariably, I take dozens, if not hundreds or even thousands, which collectively tell a story. It may be a story about someplace I’ve been, or some event in which I’ve participated, or some individual (or group of individuals) that I want the viewer to know and appreciate in more detail than would be possible to communicate in a single photo.
And then there are the words … maybe it’s because I spend part of my time as a writer and teacher that I find it almost impossible not to augment my photos with words. Lots of words. Indeed, sometimes far too many words; and sometimes clumsy words, or the wrong words. And I do realize that there are times when the situation would be improved if I would just shut up, and let the photograph do all of the communication. But for better or worse, I guess I’m a photojournalist.
With that in mind, I began the process of editing the photos for my recent ICP assignment. Here’s what I found:
1. It’s not as easy as one might think, when you start with a large number. I began winnowing the original images when I had 2,700 (after 9 days of shooting), and I still had 5 days of shooting left).
2. It’s much more difficult than I had imagined, given the constraints of my ICP class: no cropping, no post-processing, and a maximum of only 10 images. I’ve worked within those constraints for the final images that I’m submitting to the ICP class; but for these Flickr uploads, I’ve ended up with 40-45 images – and they have been heavily cropped, tilted, color-corrected, noise-dusted, and tweaked in various other ways. C’est la vie…
3. Using the collection of photos to “tell a story” is both easier and harder than I thought it would be. I’m including these background notes in all of the photos that get uploaded to Flickr … because I’ve learned (form past experience) that some visitor will zoom in on just one particular photo, without necessarily looking at all of them, and/or without seeing the overall notes for the entire album. And I don’t think I’ll find it difficult to write a few sentences to provide the background details for each photo … but whether they “flow” and create one overall, coherent “story” remains to be seen.
4. Aside from a narrative “story,” there are some “themes” that I noticed throughout this entire two-week exercise. The most significant one was exactly what I had anticipated: patterns. If you are lucky enough to sit in the same spot at the same time, day after day, you see the same rhythms, the same people, the same repetitions of life’s little actions and emotions. Many people have the opportunity to see these patterns, because they do follow the same schedule, day after day, on their way to their job or their school. But some of us have irregular routines, and any, most of us don’t pay any attention. If you slow down, and pay attention, you’ll see the patterns.
But sometimes the pattern involves uniqueness – i.e. strange and unusual people or events that seem to happen only once. But I have to keep reminding myself that my visits have lasted only two weeks; if I was here for a month, or a full season, or perhaps an entire year – then perhaps I would see these strange incidents repeating themselves
5. Another theme – which I did not anticipate, but was delighted to see – was the pervasive sense of affection and caring between and among everyone on the street. Mostly it was apparent in the interactions between parents and children; but sometimes it was between dog-owners and the dogs they were walking; sometimes it was between friends who happened to be walking along together; and sometimes it was between complete strangers and me, as the strangers would smile and nod and say “hello” if they noticed I was watching them. It was a great experience.