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Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Leica M6 TTL

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Gold 200

Tetenal Colortec C-41

Scan from negative film

Mamiya 7

Mamiya 65mm f/4

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film

The base plaza of the KLCC is very much populated even late into the night. A bright spot, and always gives a sense of security. This lady is waiting in the dark safely.

 

LEICA M3 double stroke, Leica 5cm F1.5 Summarit, Fujifilm Neopan 400 (courtesy of Hiro-san), Kodak Tmax Developer 1:100, Home - Development, 2hr 30 minutes, Ilfospeed Rapid Fixer 1/4 6 minutes, Wide Open

Olympus µ[mju:] Panorama

Fujifilm Neopan ACROS 100

 

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats

Mamiya 7 II

Mamiya 65mm f/4 L

Kodak Portra 400

Bellini Foto C41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film

Mamiya 7 II

Mamiya 65mm f/4 L

Kodak Ektar 100

Bellini Foto C41

Scan from negative film

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Olympus µ[mju:] Panorama

Fujifilm Neopan ACROS 100

 

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats

Olympus µ[mju:] Panorama

Fujifilm Neopan ACROS 100

 

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

I stumbled upon Mr.Chot's model shoot whilst on an outing round with Kupih, Mr.Pelican and Wer. I never knew that our High Court had these large porthole windows, and the prefabricated formed bare concrete wall was quite fascinating. Couldn't resist a shot - but I have still got to get used to the separate viewfinder eyepiece of the "ultrawide angle" lens.

 

Voigtlander R3M, Voigtlander Super Wide Heliar 15mm F4.5( Courtesy of Kupih), Fujifilm Super Neopan 1600(Courtesy of HIRO), Home-Development, Kodak Tmax, 1/4th@ 4 1/2Min., Ilford Rapidfix 1/4 6 Min.

Mamiya 7 II

Mamiya 65mm f/4 L

Kodak Ektar 100

Bellini Foto C41

Scan from negative film

Holga 120 CFN

Rollei IR

Hoya IR filter

Diafine 3+3

 

Fluidr

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Portra 400

Tetenal Colortec C-41

Scan from negative film

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Barrio Venecia, Bogotá (COL)

 

(1950) Voigtlander Vito III (lens: Ultron 50mm f/2) / Kodak TMax 400 pushed ISO 1600

Minolta Autometer IVF / Epson Perfection 4490

Self-developed with Agfa Rodinal 1:100 (semi-stand 5ml & 495ml water at 20 Celsius. 1 hour: 3 initial agitations, then other 3 at the 30 minutes mark)

Development details on FilmDev

 

© 2015 Prezioso PH

follow me or avoid me on instagram tumblr facebook twitter

 

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Don't tell me you didn't know that my street work can now be seen at my secondary Tumblr blog, www.tumblr.com/blog/smilefromthestreetsyoushoot. Amazing, isn't it? Enjoy it then, why not? Of course you will. I know it, you know it.

Mamiya 7

Mamiya 65mm f/4

Kodak Portra 800

Tetenal Colortec C-41

Scan from negative film

Asahi Pentax SP, SMC Takumar 3.5/28

Lomo Lady Grey 400

1/500, f16, yellow filter

 

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats

Lincoln Square, NY

 

Elliot and I were taking pictures when this man started reciting some (clever and flattering) improvised spoken word poetry to raise money for a MetroCard. We gave him a tenner without a thought, and I walked away grinning.

 

Nikon FM2 + Portra 400

Olympus µ[mju:] Panorama

Fujifilm Neopan ACROS 100

 

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Leica M6 TTL

Leica Summilux 50mm f/1.4 II

Kodak Gold 200

Tetenal Colortec C-41

Scan from negative film

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Portra 160

Tetenal Colortec C-41

Scan from negative film

Rolleiflex 2.8 E

Ilford FP4+

Rodinal 1+25

9 min 20°C

Scan from negative film

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

PENTAX MX

Fuji ACROS100 SpurSilversalt.dev(1+30)15min

canon AE1P

canon fd 135mm f3.5

multi image mirage filter

fd 2x telephoto extender

25m fd macro extension tube

foma 100

home development

v600 scan

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