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(The Future Is Uncertain And The End Is Always Near) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Paesaggio Italiano) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Bacoli a Mano Armata) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Neopan 400

Kodak HC-110 dil.B (1+31)

5 min 20°C

Scan from negative film
(Napoli, Preso Ndombele) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
64L-MX_kodak 400TriX rolleisupergrain(1+15)7.30min by hase.roundmidnight

PENTAX MX

kodak 400TriX rolleisupergrain(1+15)7.30min
(Mangianapoli) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(The Future's Uncertain, And The End Is Always Near) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Son You're Playing With Fire The Kid Will Live And Learn) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(Decadence) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Understatement) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Pools) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(God Save The King) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 800

Bellini Foto C-41

Scan from negative film
(Just One More Score) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 800

Bellini Foto C-41

Scan from negative film
(Journey Into The Unknown) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Ferns by Jonathan Carr

Pentax MX with 28 mm lens, Kodak Ektar 100, First attempt at self development of colour film, C41 Process
Hike-4 by Keith Loh
Foggy morning by Brian

Sacramento, CA

 

Mamiya c330

80mm Lens

T-max 100
(Italia Anno Zero) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Lanzichenecchi Partenopei) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(The Neapolitan Job) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(At Last I Am Free) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(New Thing) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
The Woodwork Master's Workshop by Rolls-of-Film

Ilford XP2 400 iso 35mm film Expired 1996 shot at ISO 320.

 

Praktica Nova1 PL 1967.

No inbuilt light meter in this camera. The Pre Internal Light meter days.

Used external Weston Master V.

 

No filter, No crop, No Post Production, but a few Dust specs removed in Photoshop.

 

f5.6

 

Home developed in Bellini C41 Kit because the film although a true black and white film is processed in C41 chemicals.

(Stop Me From Dreaming Don't Be Absurd) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(Supernaturally Change Me) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(The Flyin' Dutchman's On The Reef) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Ranworth Church #1 by FearnPhoto

Intentional double exposure with bark of the overlooking horse-chestnut tree.

 

fearnphoto 35A home-made pinhole camera // RealitySoSubtle 0.15mm pinhole // Ilford FP4+ 125
Progress has not followed a straight ascending line, but a spiral... by Michael Peregrine
(Pop Life Between Pandemic Phases) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film
(Lupin III Goes To Mappatella Beach) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
crossing over by john grzinich

Canon EOS 30, Fujicolor C200

 

Color film developed in black and white chemicals.

 

website | instagram | bandcamp | soundcloud
by mathias is still around

Things by a wall by an entrance.
bone dry Angeles Forest by Carl Fieler

canon AE1P

canon fd 200mm f2.8

kodak double-x 5222 @1600

home development TD-16

v600 scan
(On The Same Wave) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Open Road In Front of Me) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Stranger Things) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Licola 6 Till 7) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(The Best Bite) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Neapolitan Honeymoon) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(My Feet Are So Tired, My Brain Is Too Wired) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Fuji Pro 400H

Bellini Foto C-41

Scan from negative film
(The Return of The Seasonal Beasts) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(And I Slept On Strange Pillows of My Wanderlust) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Heatstruck) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
KonicaT3_unknownfilm_test_ISO1_HC110_dilutionG_1hourstand439 by Michael Bartosek
Pompas by pablo mavricich

Nikon N75 AF Nikkor 50mm f 1:1,8 D Agfa Vista plus 200 homedevelopment con Kodak Flexicolor Epson V370
(Big Trouble In Mappatella Beach) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Fantastic Times Are Forgotten) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(First Sunday In December) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(I Sense The Power In The Fingers) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(I Don't Mind If You Forget Me) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film

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