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(Ending Scene) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Sanitized Alone) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(I See My Light Come Shinin') by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
by mathias is still around
Some more shots from the C-41 test roll... by Florian Schäfer

Olympus XA2, D-Zuiko 35mm f3.5, Kodak Ultramax 400, C41 Digibase Kit.

 

Developed at room temperature (~ 20°C / 68°F):

Developer: 21m

Bleach: 10m

Fix: 10m
untitled by Andy Jenkins

Canon AE-1 Program

Adox Color Implosion

 

Fluidr
(Stuck Outside a Fiat 124 With The Pinetamare Blues Back Again) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Steamy Yeti by Elliot Alder

The Yeti, Kitchener ON

 

Nikon F3, Fuji S400 pushed to 800

 

web / instagram / facebook / flickr / 500px
(Back In The Sixties) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Taste The Mushroom) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Un Giorno, All'Improvviso) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
6am bird by Carl Fieler

canon F1

canon fd 500mm f8 mirror reflex

fd 2x telephoto extender

fuji superia 1600 expired

home development c41

v600 scan
(Resonance) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Lunatic Preserve) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Written On Human Canvas) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Color Plus 200

Bellini Foto C-41

Scan from negative film
(Acceleration) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Umberto O Magone - The King of The Sea) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Fujicolor C200

Bellini Foto C-41

Scan from negative film
(Trails) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Asimmetry) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Pink Hour) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Pro 160 NS

Tetenal Colortec C-41

Scan from negative film
(Breakfast For No One) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(We Have All Been Here Before) by Robbie McIntosh

Rolleiflex 2.8 E

Adox Pan 25

Studional 1+30

6 min 20°C

Scan from negative film
(Information Technology) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Un Bene Comune Affidato E' Un Bene Liberato) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
by seth bittersull
Buoy at metal recycling Apeldoorn by Ric Evers

Ricoh TLS, Domiplan 50mm 2.8, fomapan 100, adonal 1/100
(Ford Anglia 105E Deluxe) by Robbie McIntosh

Rolleiflex 2.8 E

Fuji Pro 160 NS

Tetenal Colortec C-41

Scan from negative film
bologna by seth bittersull
(Jazzed) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Off Side) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(All I Leave Behind Me Is Only What I Found) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(Breakfast in Mondragone) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(All Dreams End In Destra Volturno) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(For Kobe & Gigi) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Italian Clichè) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Hot Seat) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Body of Evidence) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Caught In The Middle) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Last Tango in Mondragone) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(You Really Like To Shmooze, Well Now You're On The News) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Pro Image 100

Bellini Foto C-41

Scan from negative film
(Kick Off) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(The Last Bite) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Look Who's Back) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
by seth bittersull
SSP by Khairil

Sugar, soya and pepper....three ingredients for the kopitiam. We take half boiled eggs with soya beans and pepper for breakfast.

 

Olympus Trip35, D-Zuiko 40mm f2.8, Zuiko Close up attachment, Fuji Neopan 400, Home Development, Stand Development, TMax 1/50th for 90 minutes, 6 minutes fix

 
(I'm Welcome No More) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Ilford Delta 100

Ars Imago FD 1+59

5 min 45 sec 20°C

Scan from negative film
(The Revealing Science of God) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(The Inked Lovebirds of Mappatella Beach) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Pick & Roll) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Legends Live Forever) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

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