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[North Oak] Kylan Fridge
[North Oak] Modern Kitchen (texture changed)
[North Oak] + Gemma Bar Stool (White)
[North Oak] + Plaster on Canvas (texture changed)
[North Oak] + Quint Rug
*+SAIKIN Kitchen Countertop Cement Mortar Finish (texture changed)
Midwest - 90’s - Radio - White
Dust Bunny . At home. Baking. Lemon Plant
Dust Bunny . Tiered Hanging Baskets. Brown
Pitaya - La Cusine - Coffee Mugs
.spruce. Grandma’s recipe tin {fall solids 2}
{vespertine} - alpaca natural cushion
{vespertine} - potted Alocasia micholitziana.
Apple Fall Cut Tulip Arrangement - White
Hive // Modern Farmhouse Kitchen Wood Shelf
Mithral * Monstera Deliciosa (Pack A)
Atelier Burgundy . Cook Book Holder w/ book
{what next} Kitchenette Coffee Maker
{what next} Kitchenette Toaster
[Tangsai] Rattan Lights (Side)
Closed Mondays? Stari Grad is an ancient little town on one of the larger islands along the Dalmatian Coast just off Split, accessible by ferry.
12:55 CDT 1 Oct
Why "XVIth London." ? Because Mayfair is literally like the 16th arrondissement of Paris but in London (wealthy and rich.. là là là!)
I wanted to take this picture when my sweet Francois made this scene!
🏡 Actually do you think we should do a proper living community and rentals? 💰
Kalopsia - Recycled Bed @ Kustom9
Kalopsia - Lace Tapestry@ kustom9
Boogers - Yellow Flower Bear
8f8 - Our Secret Hideout - Arts 'n' Crafts
8f8 - Our Secret Hideout - Butterfly light
:CP: Picardy Canvas Text Vacano
:CP: Manly Chill Chair
[zerkalo] Shiny Shabby Boho-colored kitchen - Rug
HIDEKI - A case of Hope
-tb- Bon Voyage - Stacked Suitcases
floorplan - traveler's chest
,:Standby Inc.: Synthesizer
xin - turtle container
[keke] twinkle pendel dark
Apt B - Manny wings Black
HPMD - Lamp Bottle
[Breno] A fishing getaway - Basket of flowers 2
.Lame. - Henry Rug
/XIAJ/ now xin - Luana TV table
Maronda Homes is a designer and builder of quality, affordable and Energy Star®-rated homes, townhomes, and condos in Pennsylvania, Ohio, Georgia, Florida and Kentucky for nearly 40 years.
A free Spirit
Mirit Ben-Nun was born in Beer- Sheva in 1966. Over the years she has presented in solo exhibitions and participated in group exhibitions in Israel and around the world.
When she was six, her father was killed in a car accident, leaving behind his wife and two daughters, Mirit and Dana.
Ben-Nun had difficulty concentrating on studies, which caused behavioral problems, and at the age of fourteen she dropped out of the education system and went to work. The colors and writing tools gave her a quiet private space and her own way of surviving. Creativity eased her tumultuous soul.
Until her early 30’s she worked as a telemarketer and for the next fourteen years she doodled and doodled. While talking to customers she filled thousands of pages with lines and dots that resembled hundreds of compressed eggs and seeds which she threw away.
In a large portion of each page she would pick a random word and would write it down over and over while concentrating on her hand movements.
Even then she noticed the rising of her need and obsession as she practiced the endless doodling and writing.
Ben-Nun testifies that the lack of artistic training to paint "correctly" freed her from adhering to the rules of painting and allowed her freedom and spirit of rebellion.
In 1998, she received a bunch of canvases and acrylic paints as a gift from her sister.
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.
This is also the moment when Ben-Nun began to refer to herself as a painter.
and when art became the center of her life.
The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.
Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.
It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.
Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.
Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.
Mirela Tal
my jadeite collection. purchased all off of ebay in the 90s. up top is a cannister set by droll designs.
Teenage Girl Bedroom Makeover Ideas from newest inspiration Bedroom Decorating Ideas. #homedecor #homedesign #decoration Check more details here bit.ly/1ZYulwj
A free Spirit
Mirit Ben-Nun was born in Beer- Sheva in 1966. Over the years she has presented in solo exhibitions and participated in group exhibitions in Israel and around the world.
When she was six, her father was killed in a car accident, leaving behind his wife and two daughters, Mirit and Dana.
Ben-Nun had difficulty concentrating on studies, which caused behavioral problems, and at the age of fourteen she dropped out of the education system and went to work. The colors and writing tools gave her a quiet private space and her own way of surviving. Creativity eased her tumultuous soul.
Until her early 30’s she worked as a telemarketer and for the next fourteen years she doodled and doodled. While talking to customers she filled thousands of pages with lines and dots that resembled hundreds of compressed eggs and seeds which she threw away.
In a large portion of each page she would pick a random word and would write it down over and over while concentrating on her hand movements.
Even then she noticed the rising of her need and obsession as she practiced the endless doodling and writing.
Ben-Nun testifies that the lack of artistic training to paint "correctly" freed her from adhering to the rules of painting and allowed her freedom and spirit of rebellion.
In 1998, she received a bunch of canvases and acrylic paints as a gift from her sister.
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.
This is also the moment when Ben-Nun began to refer to herself as a painter.
and when art became the center of her life.
The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.
Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.
It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.
Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.
Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.
Mirela Tal
If you're looking for a great way to design a home, this design is a great starting point for inspiration. The colours and tones chosen for the walls start it off with a vibe of calmness and relaxation. The way the different rooms are connected seamlessly are perfect for a home of the present and future.
The lighting in the room consists of a great combination of cove lighting, downlighters, chandeliers, and natural lighting. The patterns in the room add a lot of personality and character to the room. These patterns can be seen in the flooring, rugs, balustrades, and more.
But what I AM interested in a doll house made of cardboard. Very simple way of packaging, isn't it?
Blogged
Woven Ball Ceiling Pendant Shade for Small Dining Room Ideas from newest inspiration Dining Room Sets. #homedecor #homedesign #decoration Check more details here bit.ly/1N5nCgi
A free Spirit
Mirit Ben-Nun was born in Beer- Sheva in 1966. Over the years she has presented in solo exhibitions and participated in group exhibitions in Israel and around the world.
When she was six, her father was killed in a car accident, leaving behind his wife and two daughters, Mirit and Dana.
Ben-Nun had difficulty concentrating on studies, which caused behavioral problems, and at the age of fourteen she dropped out of the education system and went to work. The colors and writing tools gave her a quiet private space and her own way of surviving. Creativity eased her tumultuous soul.
Until her early 30’s she worked as a telemarketer and for the next fourteen years she doodled and doodled. While talking to customers she filled thousands of pages with lines and dots that resembled hundreds of compressed eggs and seeds which she threw away.
In a large portion of each page she would pick a random word and would write it down over and over while concentrating on her hand movements.
Even then she noticed the rising of her need and obsession as she practiced the endless doodling and writing.
Ben-Nun testifies that the lack of artistic training to paint "correctly" freed her from adhering to the rules of painting and allowed her freedom and spirit of rebellion.
In 1998, she received a bunch of canvases and acrylic paints as a gift from her sister.
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.
This is also the moment when Ben-Nun began to refer to herself as a painter.
and when art became the center of her life.
The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.
Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.
It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.
Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.
Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.
Mirela Tal
This photostream is a collection of my favorite pics If anyone wants to chat about interior design, you can reach me via my Houzz page - ift.tt/IrzZEF
We put the television on a retractable/rotating arm. The future mantel is a piece of reclaimed timber. My dad and I made the dining room table and coffee table top from reclaimed oak barn siding. The legs on the coffee table are pipe fittings. I have plans for better legs in the future.
A free Spirit
Mirit Ben-Nun was born in Beer- Sheva in 1966. Over the years she has presented in solo exhibitions and participated in group exhibitions in Israel and around the world.
When she was six, her father was killed in a car accident, leaving behind his wife and two daughters, Mirit and Dana.
Ben-Nun had difficulty concentrating on studies, which caused behavioral problems, and at the age of fourteen she dropped out of the education system and went to work. The colors and writing tools gave her a quiet private space and her own way of surviving. Creativity eased her tumultuous soul.
Until her early 30’s she worked as a telemarketer and for the next fourteen years she doodled and doodled. While talking to customers she filled thousands of pages with lines and dots that resembled hundreds of compressed eggs and seeds which she threw away.
In a large portion of each page she would pick a random word and would write it down over and over while concentrating on her hand movements.
Even then she noticed the rising of her need and obsession as she practiced the endless doodling and writing.
Ben-Nun testifies that the lack of artistic training to paint "correctly" freed her from adhering to the rules of painting and allowed her freedom and spirit of rebellion.
In 1998, she received a bunch of canvases and acrylic paints as a gift from her sister.
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.
This is also the moment when Ben-Nun began to refer to herself as a painter.
and when art became the center of her life.
The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.
Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.
It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.
Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.
Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.
Mirela Tal
I love the color palette of this bedroom -- the turquoise, chartreuse, and mustard keep the gray from going gloomy. Walls are painted Winter Evening by Glidden. Photo from their website.
This photostream is a collection of my favorite pics If anyone wants to chat about interior design, you can reach me via my Houzz page - ift.tt/IrzZEF
Concerning to exterior window shutters as a part of fronting house design is very important. Some people believe that the shutter on the window will protect the house from the sunshine and a thief. This is why a house, especially a home living for a wealthy people has a window with shutter. If...
www.ruchidesigns.com/interesting-exterior-window-shutters...
Master Bedroom Chandelier with Beautiful Curtains and Interior Ideas from newest inspiration Bedroom Decorating Ideas. #homedecor #homedesign #decoration Check more details here bit.ly/1MHkdnG