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Closed Mondays? Stari Grad is an ancient little town on one of the larger islands along the Dalmatian Coast just off Split, accessible by ferry.
12:55 CDT 1 Oct
ZAKER: Boucle Modular Sofa
Available at the Hongdae Event
*+SAIKIN Concrete Coffee Table
.:revival:. Jay Votives
.:revival:. Sisal Rug
Soy. Clutterd Records
Soy. Record Shelf [little empty]
[Tangsai] Rattan Lights (Wave)
Indoor Graffiti Art Murals With Traditional Brick Wall For Homey Living Room Decor from newest inspiration Interior Design Styles. #homedecor #homedesign #decoration Check more details here bit.ly/1OfWMnU
Kalopsia - Recycled Bed @ Kustom9
Kalopsia - Lace Tapestry@ kustom9
Boogers - Yellow Flower Bear
8f8 - Our Secret Hideout - Arts 'n' Crafts
8f8 - Our Secret Hideout - Butterfly light
:CP: Picardy Canvas Text Vacano
:CP: Manly Chill Chair
[zerkalo] Shiny Shabby Boho-colored kitchen - Rug
HIDEKI - A case of Hope
-tb- Bon Voyage - Stacked Suitcases
floorplan - traveler's chest
,:Standby Inc.: Synthesizer
xin - turtle container
[keke] twinkle pendel dark
Apt B - Manny wings Black
HPMD - Lamp Bottle
[Breno] A fishing getaway - Basket of flowers 2
.Lame. - Henry Rug
/XIAJ/ now xin - Luana TV table
Maronda Homes is a designer and builder of quality, affordable and Energy Star®-rated homes, townhomes, and condos in Pennsylvania, Ohio, Georgia, Florida and Kentucky for nearly 40 years.
A free Spirit
Mirit Ben-Nun was born in Beer- Sheva in 1966. Over the years she has presented in solo exhibitions and participated in group exhibitions in Israel and around the world.
When she was six, her father was killed in a car accident, leaving behind his wife and two daughters, Mirit and Dana.
Ben-Nun had difficulty concentrating on studies, which caused behavioral problems, and at the age of fourteen she dropped out of the education system and went to work. The colors and writing tools gave her a quiet private space and her own way of surviving. Creativity eased her tumultuous soul.
Until her early 30’s she worked as a telemarketer and for the next fourteen years she doodled and doodled. While talking to customers she filled thousands of pages with lines and dots that resembled hundreds of compressed eggs and seeds which she threw away.
In a large portion of each page she would pick a random word and would write it down over and over while concentrating on her hand movements.
Even then she noticed the rising of her need and obsession as she practiced the endless doodling and writing.
Ben-Nun testifies that the lack of artistic training to paint "correctly" freed her from adhering to the rules of painting and allowed her freedom and spirit of rebellion.
In 1998, she received a bunch of canvases and acrylic paints as a gift from her sister.
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.
This is also the moment when Ben-Nun began to refer to herself as a painter.
and when art became the center of her life.
The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.
Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.
It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.
Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.
Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.
Mirela Tal
A free Spirit
Mirit Ben-Nun was born in Beer- Sheva in 1966. Over the years she has presented in solo exhibitions and participated in group exhibitions in Israel and around the world.
When she was six, her father was killed in a car accident, leaving behind his wife and two daughters, Mirit and Dana.
Ben-Nun had difficulty concentrating on studies, which caused behavioral problems, and at the age of fourteen she dropped out of the education system and went to work. The colors and writing tools gave her a quiet private space and her own way of surviving. Creativity eased her tumultuous soul.
Until her early 30’s she worked as a telemarketer and for the next fourteen years she doodled and doodled. While talking to customers she filled thousands of pages with lines and dots that resembled hundreds of compressed eggs and seeds which she threw away.
In a large portion of each page she would pick a random word and would write it down over and over while concentrating on her hand movements.
Even then she noticed the rising of her need and obsession as she practiced the endless doodling and writing.
Ben-Nun testifies that the lack of artistic training to paint "correctly" freed her from adhering to the rules of painting and allowed her freedom and spirit of rebellion.
In 1998, she received a bunch of canvases and acrylic paints as a gift from her sister.
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.
This is also the moment when Ben-Nun began to refer to herself as a painter.
and when art became the center of her life.
The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.
Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.
It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.
Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.
Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.
Mirela Tal
A free Spirit
Mirit Ben-Nun was born in Beer- Sheva in 1966. Over the years she has presented in solo exhibitions and participated in group exhibitions in Israel and around the world.
When she was six, her father was killed in a car accident, leaving behind his wife and two daughters, Mirit and Dana.
Ben-Nun had difficulty concentrating on studies, which caused behavioral problems, and at the age of fourteen she dropped out of the education system and went to work. The colors and writing tools gave her a quiet private space and her own way of surviving. Creativity eased her tumultuous soul.
Until her early 30’s she worked as a telemarketer and for the next fourteen years she doodled and doodled. While talking to customers she filled thousands of pages with lines and dots that resembled hundreds of compressed eggs and seeds which she threw away.
In a large portion of each page she would pick a random word and would write it down over and over while concentrating on her hand movements.
Even then she noticed the rising of her need and obsession as she practiced the endless doodling and writing.
Ben-Nun testifies that the lack of artistic training to paint "correctly" freed her from adhering to the rules of painting and allowed her freedom and spirit of rebellion.
In 1998, she received a bunch of canvases and acrylic paints as a gift from her sister.
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.
This is also the moment when Ben-Nun began to refer to herself as a painter.
and when art became the center of her life.
The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.
Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.
It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.
Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.
Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.
Mirela Tal
If you're looking for a great way to design a home, this design is a great starting point for inspiration. The colours and tones chosen for the walls start it off with a vibe of calmness and relaxation. The way the different rooms are connected seamlessly are perfect for a home of the present and future.
The lighting in the room consists of a great combination of cove lighting, downlighters, chandeliers, and natural lighting. The patterns in the room add a lot of personality and character to the room. These patterns can be seen in the flooring, rugs, balustrades, and more.
A free Spirit
Mirit Ben-Nun was born in Beer- Sheva in 1966. Over the years she has presented in solo exhibitions and participated in group exhibitions in Israel and around the world.
When she was six, her father was killed in a car accident, leaving behind his wife and two daughters, Mirit and Dana.
Ben-Nun had difficulty concentrating on studies, which caused behavioral problems, and at the age of fourteen she dropped out of the education system and went to work. The colors and writing tools gave her a quiet private space and her own way of surviving. Creativity eased her tumultuous soul.
Until her early 30’s she worked as a telemarketer and for the next fourteen years she doodled and doodled. While talking to customers she filled thousands of pages with lines and dots that resembled hundreds of compressed eggs and seeds which she threw away.
In a large portion of each page she would pick a random word and would write it down over and over while concentrating on her hand movements.
Even then she noticed the rising of her need and obsession as she practiced the endless doodling and writing.
Ben-Nun testifies that the lack of artistic training to paint "correctly" freed her from adhering to the rules of painting and allowed her freedom and spirit of rebellion.
In 1998, she received a bunch of canvases and acrylic paints as a gift from her sister.
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.
This is also the moment when Ben-Nun began to refer to herself as a painter.
and when art became the center of her life.
The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.
Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.
It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.
Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.
Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.
Mirela Tal
This photostream is a collection of my favorite pics If anyone wants to chat about interior design, you can reach me via my Houzz page - ift.tt/IrzZEF
Designer Ellen Kennon: "I'll do entire houses in Mushroom, which is pretty darned fabulous. It's a beige, but it changes drastically — one minute it's putty and the next, it's rosier. Chameleon-like and mysterious, it takes on the properties of the colors around it. You want to put your hand out and touch the wall because it doesn't look solid. It's almost cloudlike." Photo from House Beautiful.
Dwell and CB2 pillows make me love my floor model find of a sofa. The cork lamp is part of a pair that I found on ebay. The match is in my bedroom.
Popular Bedroom Ceiling Lighting Ideas from newest inspiration Dream Interior. #homedecor #homedesign #decoration Check more details here bit.ly/29R9KL6
Nuray Lüküs of Nora Home Design is a talented paper mache artist in Istanbul, as well as an architect and designer who I met via Instagram. I liked her contemporary and often whimsical work immediately, and so I invited Nuray to tell us about herself and her paper art. Enjoy getting to know her: www.allthingspaper.net/2024/07/paper-mache-artist-nuray-l...
Blogged about at roomlust.blogspot.com/.
The living room of a Park Avenue apartment decorated by designers Bill Brockschmidt and Courtney Coleman.
Photo from www.brockschmidtandcoleman.com.
I love the color palette of this bedroom -- the turquoise, chartreuse, and mustard keep the gray from going gloomy. Walls are painted Winter Evening by Glidden. Photo from their website.
Traditional Family Room Furniture Sets from newest inspiration Interior Design Styles. #homedecor #homedesign #decoration Check more details here bit.ly/1Qdfazd
Style Elements Interiors by Tonya Scheiwe.Cooking here would become funIt brings peace to your mind.This design is the best for your kitchen.The light effect above the gas stove makes a big difference to your kitchen.Also the windows make the kitchen look really beautiful.Style Elements Interiors are dealing with kitchen decorating,kitchen design,kitchen furniture,kitchen improvement,kitchen renovation,home builders,home decorations,home design,home furnishing,home furniture,home improvement,home renovation, and so on.
This photostream is a collection of my favorite pics If anyone wants to chat about interior design, you can reach me via my Houzz page - ift.tt/IrzZEF
this is my living room - on a college-student budget and composed almost entirely of hand-me-down furniture.
post paint-job and re-arranging.... still trying to get someone to take some of those chairs....and make some curtains...and make covers for the couch and the love seat....someday..that's what i keep telling myself..
these photos don't do the wall color ("beach towel" by behr) justice..it's a gorgeous turquoisey-blue.