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HMBT!
Thanks a lot for your visits, comments, faves, invites, etc. Very much appreciated!
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The picturesque Cedar Creek Grist Mill is the only grain-grinding mill in Washington that has maintained its original structural integrity, grinds with stones, and is water-powered. Built in 1876, the mill has been fully restored as a working museum and is registered as a National Historic Site.
Copyright City of Vancouver
The George W. Woodham family and A.C. Reid built the Mill from timber cut in Reid’s sawmill, one half mile downstream from the Grist Mill. In 1886, the water wheel was replaced with a turbine to power the milling machinery. The mill provided an important service for farmers and merchants. They were willing to spend a full day traveling to and from the mill to have their grain milled. The mill continues to operate today. Visitors can watch the milling operation and purchase flour.
Copyright Clark Co.
Thank you for you visit, comments, faves and invites.
Enjoy the season and have a wonderful day!
#Flickr21Challenge AND #vintage
The Dreieinigkeitskirche is a Protestant, early Baroque, pillarless hall church on Gesandtenstraße, in the old town of Regensburg. The church was built from 1627 to 1631 according to plans by Hanns Carl and was one of the first new Protestant-Lutheran church buildings in Bavaria. The church is considered the largest new church building in the then free imperial city of Regensburg and is a popular destination for visitors because of the climbable church tower with a view over the old town. There is evidence of organs in the Dreieinigkeitskirche as early as 1654. The fourteen-part case that is preserved today was created in 1758. The purely mechanical "Bach organ" that now exists has 48 stops and is specially designed for the performance of organ works by Johann Sebastian Bach.
Die Dreieinigkeitskirche ist eine protestantische, frühbarocke, säulenlose Saalkirche in der Gesandtenstraße, in der Altstadt von Regensburg. Die Kirche wurde von 1627 bis 1631 nach Plänen von Hanns Carl erbaut und war eine der ersten evangelisch-lutherischen Kirchenneubauten in Bayern. Die Kirche gilt als größter Kirchenneubau der damaligen freien Reichsstadt Regensburg und ist wegen des besteigbaren Kirchturms mit Blick über die Altstadt ein beliebtes Ziel von Besuchern. Bereits ab dem Jahr 1654 sind Orgeln in der Dreieinigkeitskirche nachweisbar. Das vierzehnteilige Gehäuse, das heute erhalten ist, wurde 1758 geschaffen. Die jetzt vorhandene, rein mechanische „Bach-Orgel“ verfügt über 48 Register und ist speziell für die Darstellung von Orgelwerken Johann Sebastian Bachs konzipiert.
Text (modified) from Wikipedia and translated.
Looking out towards the sky framing a clear view of the blue sky and some clouds beyond.
The scene is dominated by strong contrasts between the shadowed interior and the brilliant light emanating from the doorway highlighting the texture of the stone.
Looking up can be a way to clear one's mind and find new ideas or perspectives, a metaphor for seeking inspiration.
Shot from the interior doorway of Abydos temple, one of the most sacred sites in ancient Egypt. The temple of Seti is known for its well-preserved carvings, including the Abydos King List, and its unique architectural elements.
Scenic framing of the Colossi of Memnon with the Theban mountain visible in the background.
These colossal statues depict Pharaoh Amenhotep III seated on a throne and facing eastwards towards the Nile.
Each about 18 meters (60 feet) high and weighs approximately 720 tons. They were originally around 21 meters with the crown and carved from a single block of quartzite sandstone, quarried at el-Gabal el-Ahmar near modern-day Cairo and transported over 600 miles to the ancient site of Thebes at the entrance of his mortuary temple in Luxor. This journey was a significant feat of ancient engineering.
They originally served as guardians to the entrance of Amenhotep III's vast mortuary temple, although very little of the temple remains today being largely destroyed by an ancient earthquake.
The Colossi of Memnon have remarkably endured for millennia. One of the statues was famously known as the "Vocal Memnon" in antiquity due to a phenomenon where it was said to "sing" at sunrise, a sound attributed to the effects of temperature changes on the damaged stone.
The Colossi are a prominent historical landmark and a significant archaeological site on the west bank of Luxor, offering a glimpse into the grandeur of ancient Egyptian architecture and beliefs.
New Saint George Church in Bucharest is a Romanian Orthodox Church, Historical monument, Brâncovenesc style building/ Biserica Sfântul Gheorghe Nou în București este o biserică ortodoxă, monument istoric în stil brâncovenesc.
St. George in Bucharest was built in 1705. There are two miraculous icons in it - the icon of St. Paraskieva and the eighteenth-century icon of the Mother of God. There are also relics of St. Nicholas of Mira, kept in a gilded silver coffin decorated with precious stones.
The temple was the last building funded by the Hospodar of Wallachia, Constantine Brâncoveanu. The architectural style characteristic of his reign comes from his name, known as the Brâncoveanu style or the Romanian Renaissance. It was in this style that the church of St. George. Hospodar was recognized by the Orthodox Church as a saint, you can also see his tomb here. There is a marble memorial plaque right next to it.
The Royal Palace in Phnom Penh, Cambodia, is a complex of buildings which serves as the royal residence of the king of Cambodia.
The Kings of Cambodia have occupied it since it was built in 1860s, with a period of absence when the country came into turmoil during and after the reign of the Khmer Rouge.
Propylaea is a historical monument, which is a former gate made in the Doric style and located in the center of Munich, on the west side of Königsplatz. The Propylaea were erected by the German architect Leo von Klenze on behalf of King Ludwig I back in 1862. The ceiling of the towers, which you can see on my picture was coffered.
Where the ceiling still shines and columns still smile. A masterpiece of ancient Egyptian art
Stepping back in time within the beautifully preserved Dendera Temple of Hathor, framing the interior of the grand hypostyle hall and marveling at the vibrant colors. A journey through history, where every column has a story to tell.
The massive columns feature capitals carved on four sides with the face of the goddess Hathor, who was associated with joy, music, and motherhood. The columns and walls are covered in extensive, detailed hieroglyphic carvings and reliefs, providing insights into ancient Egyptian mythology and rituals.
The ceiling above still retains much of its original, vibrant paint and is decorated with detailed astronomical scenes, including stars, the goddess Nut, and zodiac signs.
Portions of the vibrant blue ceiling decoration, which once featured astronomical carvings like the famous Dendera zodiac, are still visible.
The image uses a low-angle perspective, looking upwards and through the massive columns towards the rear of the hall. This technique emphasizes the monumental scale and height of the ancient Egyptian architecture, creating a sense of awe and grandeur.
The composition is dominated by the large, intricately carved columns which fill the foreground and midground. They feature distinctive Hathor-headed capitals. The columns act as leading lines and framing elements, drawing the viewer's eye deeper into the temple interior.
Natural light enter from the front and above, illuminating the foreground columns brightly and creating strong contrasts and shadows that highlight the depth and texture of the carvings. The back of the hall is more dimly lit, adding to the sense of mystery and depth.
The photograph showcases the remarkable preservation of color on the ceiling and the column capitals, with vibrant blues and yellows still visible. The entire surface of the columns and ceiling is covered in detailed hieroglyphs and reliefs depicting divine scenes and mythologies.
The structure showcases the advanced artistry and ingenuity of ancient Egyptian architecture, making it one of the best-preserved temple complexes from ancient Egypt.
The Great Hypostyle Hall of Karnak viewed from a low angle looking upwards. Towering, weathered sandstone columns, adorned with intricate hieroglyphic carvings, dominate the scene, stretching towards a bright blue sky.
The sunlight filters through the open spaces between the massive columns, illuminating the ancient stone and highlighting the details of the carvings. The perspective emphasizes the immense scale and architectural prowess of the ancient Egyptians.
The dominant feature is the colossal columns, characteristic of ancient Egyptian temple architecture, particularly the Great Hypostyle Hall at Karnak. The columns are adorned with detailed hieroglyphs, providing insights into ancient Egyptian beliefs, history, and rituals.
The low-angle shot emphasizes the immense scale of the columns and the overall structure, conveying a sense of awe and the monumental achievements of ancient Egyptian builders. The bright sky visible through the gaps in the ceiling highlights the open-air nature of parts of the temple complex.
The natural sunlight streaming into the hall creates dramatic contrasts of light and shadow, enhancing the texture of the stone and the depth of the carvings, contributing to the ancient and sacred atmosphere of the site.
At the end of the 19th century, the fortified Renaissance castle built by the Spanish nobleman don Pedro Coloma in Bornem (Belgium) underwent a thorough renovation. All that remained of the former fortified castle were a number of wall sections and tower bases. Architect Hendrik Beyaert transformed it into a large, moated castle, equivalent to the castles of the Loire in France.
Its location along the Old Scheldt (creek) provided the architect with a tool to imagine this monument as floating on a mirrored water surface. It became an ornate neo-Gothic castle with a peaceful and residential character. In 1979 the castle with its dependencies was classified as a historical monument, still inhabited by Count John de Marnix de Sainte-Aldegonde.
A moment of tranquil rest amidst ancient walls. A scenic framing with architectural elements and a sleeping dog, employing several visual elements.
Leading lines created by the wall and the shadow line on the ground are drawing the viewer's eye towards the minaret in the background. The dog is positioned in the foreground, creating a point of interest and adding a sense of scale and life to the otherwise static architectural scene. The minaret acts as a strong vertical element, contrasting with the horizontal lines of the wall.
The strong sunlight creates a dramatic contrast between the brightly lit wall and the deep shadow cast across the foreground. This interplay of light and shadow adds depth and texture to the scene, highlighting the rough surface of the brickwork and the texture of the ground. The dog is partially in shadow, which adds a sense of tranquility and emphasizes its relaxed posture.
The image juxtaposes the ancient architecture of a mosque with a common street dog. This contrast between the grandeur of the past and the simplicity of everyday life creates an interesting narrative. The sleeping dog suggests a peaceful and calm atmosphere, despite the potentially bustling environment outside the frame.
The dominant colors are warm earth tones from the brickwork and ground, contrasted with the clear blue sky. The dog's fur also blends with these warm tones, creating a harmonious color scheme that evokes a sense of sun-drenched warmth.
Shot from the majestic Mosque of Ibn Tulun in old Cairo. Built between 876 and 879 AD, it's known for its high walls topped with crenulations and its distinctive spiral minaret. The mosque's large compound provides a sense of majestic serenity.
Crown Point on a dense cloudy day, before our major gorge fire in Oregon, saved. Crown Point is historically know as Thor's Heights or Thor's Crown. The Vista House is an observatory for views miles down the Columbia River.
This day Vista House was under construction so private road & parking lot were closed; we were unable to visit. This shot was taken miles away from a look out cliff called Women's Forum. ~ From my archives, confinement makes one enjoy our memories.
Thanks for your visits, appreciated it!
"Light to illuminate the path"
A perspective of a hall supported by massive, ancient sandstone columns with broad bases. The columns are arranged in rows, creating a defined pathway leading towards a brightly lit doorway at the far end.
The image uses strong leading lines focusing on the architectural elements created by the rows of massive columns and the stone pathway on the floor. This symmetric composition draws the viewer's eye directly towards the bright, illuminated doorway at the end of the corridor, creating a sense of depth and a journey into the unknown. The columns frame the central vanishing point effectively.
The photograph exhibits high contrast lighting. The foreground and the sides of the hall are dimly lit, emphasizing the texture and wear of the ancient stone. The natural light pouring in from the distant doorway creates a stark silhouette effect and a sense of mystery and transition. A slight purple flare near the doorway adds a stylistic element to the light source.
The primary subjects are the large, weathered columns with visible, though faded, carvings and hieroglyphs. The ceiling is dark but shows remnants of painted decorations. The rough, uneven texture of the floor and columns provides a tactile quality to the image, highlighting the age and history of the structure.
The color palette is dominated by earthy tones of beige, brown, and grey from the sandstone, contrasted sharply with the bright white light of the exit and the dark shadows of the interior. The faded colors on the ceiling and columns offer subtle historical detail.
Taken from the interior of the Great Temple of Seti I, Abydos. A timeless ancient Egyptian legacy of devotion and architectural brilliance.
Low angle perspective looking upwards along the wall and towards the ceiling, emphasizing the grandeur and height of the reliefs and incised hieroglyphs carved into the stone walls.
Above the walls, a vibrant blue ceiling with horizontal bands, represent a starry blue sky. The blue paint shows signs of age and wear. The vibrant 'Egyptian blue', the first synthetic pigment created by humans symbolized the sky and the primordial waters of creation, crucial elements in Egyptian cosmology. .
Shot from the magnificent temple of Ramses III at Medinet Habu, Luxor.
A detailed low-angle close-up of ancient Egyptian carvings on a dark stone granite surface with both hieroglyphic inscriptions and figurative representations.
The bas-relief carving is showcasing Seshat, an ancient Egyptian deity - the goddess of wisdom, knowledge, writing -
wearing her distinctive headdress featuring a seven-pointed star and two inverted plumes. She is shown in profile, a common artistic convention in ancient Egyptian art, with her arms extended in a record-keeping gesture.
Another deity figure - Thot - is partially visible to the left, also in profile, interacting with Seshat.
The background and surrounding areas are densely covered with intricate hieroglyphic carvings, which appear to be well-preserved. These inscriptions would likely detail the actions of the figures depicted, religious texts, or historical records related to the monument's construction or purpose.
The play of light and shadow highlights the depth and precision of the carvings, emphasizing the three-dimensional quality of the relief.
The photograph is taken from a low angle, looking upwards, which emphasizes the monumental scale of the carving and the structure it adorns. The natural sunlight casts dramatic shadows that enhance the contours and details of the figures and hieroglyphs.
Taken from the Great Court of Ramses II at Luxor Temple
"May it be a light for you in dark places when all other lights go out”
- The Fellowship of the Ring by J.R.R Tolkien
A creative vignetting touch intentionally added to evoke a sense of nostalgia.
The term comes from the French word 'vignette,' which originally referred to a small, decorative design or drawing on a book page.
Shot from the splendid temple of Seti Ist at Abydos.
May we all be of good hope!
Vista de la ciudad de Granada desde las murallas de la Alhambra.
View of Granada from the Alhambra wall.
Granada, Andalucía, España.
Wide angle picturesque framing of the massive pylon adorned with reliefs showcasing its impressive scale and intricate details.
In the foreground, a couple is seated on a bench in the shade of the palm tree enjoying a moment of rest and serenity. The tall palm is adding a natural element to the arid landscape.
'In the shade of the palm tree' is a metaphor for finding comfort and peace in a natural and serene environment. Shot from the temple of Ramses III at Medinet Habu, an architectural masterpiece.
El Generalife (en árabe: جَنَّة الْعَرِيف) fue la villa con jardines habitada por los reyes musulmanes de Granada como lugar de descanso, situado en la ciudad de Granada, España.
Fue concebida como villa rural, donde jardines ornamentales, huertos y arquitectura se integraban, en las cercanías de la Alhambra.
Ese huerto real era común en las cortes hispano-árabes y es fruto de las reformas y añadidos que le aportaron los diferentes sultanes.
El palacio debió de construirse a finales del siglo XIII por el segundo sultán de la dinastía nazarí, Muhammad II (1273-1302).
Fue declarado, junto con la Alhambra, Patrimonio de la Humanidad por la Unesco en 1984.
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The Palacio de Generalife ( Arabic: جَنَّة الْعَرِيف , literally, "Architect's Garden") was the summer palace and country estate of the Nasrid Emirs of the Emirate of Granada in Al-Andalus, now beside the city of Granada in the autonomous community of Andalusia, Spain.
The palace and gardens were built during the reign of Muhammad III (1302–1309) and redecorated shortly after by Abu I-Walid Isma'il (1313–1324).
The Patio de la Acequia, which you can see in this photo, has a long pool framed by flowerbeds, fountains, colonnades and pavilions.
The Generalife is one of the oldest surviving Moorish gardens.
The Generalife is a UNESCO World Heritage Site in Granada, along with the Alhambra palace and gardens, and the Albayzín district.
El Patio de los Leones es quizás uno de los conjuntos más elegantes de la arquitectura musulmana.
Está localizado en la Alhambra y marca el momento culminante de su arquitectura.
Es un patio rectangular formado por la unión de dos cuadrados perfectos. Tiene una fuente en el centro y otras seis alrededor de ella. Posee 124 columnas y 11 tipos de arcos. Las columnas son de mármol de Macael (Almería). Comenzó a construirse a partir de 1.377 por orden de Mohamed V.
----------------------------------------------------------------------------------------------'El Patio de los Leones' is perhaps one of the finest ensembles of Muslim architecture.
It is located in the Alhambra and marks the climax of its architecture.
It is a rectangular courtyard formed by the union of two perfect squares. It has a fountain in the center and six others around her. It has 124 columns and 11 types of bows. The columns are made of marble from Macael (Almería). Construction began after 1377 by order of Mohammed V.
- Llanthony Priory
Again, this isn't so much a re-edit as me going back to a shot I never got right in the first place.
I had gotten to the stage when I took this that I wasn't spamming my page with photos for the sake of it, and not being able to get it right, I never shared it.
Now, having managed to get it just so (and match what I had in mind that day when I took it), I feel comfortable to share.
Position: The Fontana del Gigante or Fountain of the Giant is a monumental fountain in Naples, Italy.
It was designed in the 1600s by Michelangelo Naccherino and Pietro Bernini for the Royal Palace of Naples, where it stood near a colossal ancient statue, and thereby gained its name. From there it was moved to the site of Palace of the Immacolatella, but in 1905, it was moved to it present pictoresque site, on via Partenope, near the Castel dell'Ovo. It is also called the Fontana dell'Immacolatella. From this place is beautiful view on the volcano Vesuvio.
Artistic framing of a magical sunbeam piercing through the ceiling of an ancient Egyptian temple.
Natural lighting in ancient Egyptian architecture was about controlling the amount of light entering the space according to the required function. Natural light distribution was to provide a mystery and sanctity impact to the space.
Shot from the hypostyle hall of Seti Ist splendid temple at Abydos.
El Palacio de Carlos V de Granada, España es una construcción renacentista situada en la Alhambra.
Fue mandado construir por el rey Carlos I a partir de su boda con Isabel de Portugal, celebrada en Sevilla, en 1526. Tras el enlace, la pareja estuvo viviendo varios meses en la Alhambra, quedando profundamente impresionados y dejando encargada la construcción del nuevo palacio con la intención de establecer su residencia.
----------------------------------------------------------------------------------------------The Palace of Charles V in Granada, Spain is a Renaissance building at the Alhambra.
It was built by King Charles I after his marriage to Isabel of Portugal, which was celebrated in Seville in 1526. After the wedding, the couple was living several months in the Alhambra, being deeply impressed and leaving commissioned the construction of the new palace with intent to take up their residence.
El Albaicín o Albayzín es un barrio del este de la ciudad española de Granada, comunidad autónoma de Andalucía.
Esta vista es desde la Alhambra.
En 1994 fue declarado Patrimonio de la Humanidad por la Unesco como ampliación del conjunto monumental de la Alhambra y el Generalife.
E X P L O R E : Dec 25, 2015 #10
Tucked away in the Öræfi region, Hofskirkja looks like it was pulled straight from a storybook. This is the last church ever built in the traditional Icelandic turf style, featuring a timber skeleton encased in heavy stone walls and a roof blanketed in a living tapestry of green; (completed between 1883 and 1885). There is a profound silence here, standing between the massive Vatnajökull glacier and the sea.
Position: Mandraki is one of the three harbors in Rhodes, Greece. It is famous, because it is believed that the great statue of Colossus, one of the Seven Wonders of the Ancient World, once stood at the harbor entrance. Today the deer sculptures at the entrance, the St. Nicholas Fortress and a number of medieval windmills create a charming view of the harbor. Many boat trips to other nearby islands leave from here. This photo was done in the morning when sunrise colored over the environment.
"Old farm" Bronkhorst, The Netherlands.
Build in the 19th century, these days the building is besides a house also a national monument.
Canon 70D with EF-S10-18mm f/4.5-5.6 IS STM
With HDR Efex Pro2 conversion.
IMG_0015_HDR
Scenic framing of an ancient Egyptian architecture featuring large, inscribed columns and walls adorned with hieroglyphs and carvings.
A beam of natural sun light illuminates a part of the hall, emphasizing the ancient stonework textures and the depth of the structure creating a sense of grandeur perspective within the temple's halls.
Shot with a Canon EOS 700D from the splendid temple of Seti at Abydos
El Generalife (en árabe: جَنَّة الْعَرِيف) fue la villa con jardines habitada por los reyes musulmanes de Granada como lugar de descanso, situado en la ciudad de Granada, España.
Fue concebida como villa rural, donde jardines ornamentales, huertos y arquitectura se integraban, en las cercanías de la Alhambra.
Ese huerto real era común en las cortes hispano-árabes y es fruto de las reformas y añadidos que le aportaron los diferentes sultanes.
El palacio debió de construirse a finales del siglo XIII por el segundo sultán de la dinastía nazarí, Muhammad II (1273-1302).
Fue declarado, junto con la Alhambra, Patrimonio de la Humanidad por la Unesco en 1984.
----------------------------------------------------------------------------------------------
The Palacio de Generalife ( Arabic: جَنَّة الْعَرِيف , literally, "Architect's Garden") was the summer palace and country estate of the Nasrid Emirs of the Emirate of Granada in Al-Andalus, now beside the city of Granada in the autonomous community of Andalusia, Spain.
The palace and gardens were built during the reign of Muhammad III (1302–1309) and redecorated shortly after by Abu I-Walid Isma'il (1313–1324).
The Patio de la Acequia, which you can see in this photo, has a long pool framed by flowerbeds, fountains, colonnades and pavilions.
The Generalife is one of the oldest surviving Moorish gardens.
The Generalife is a UNESCO World Heritage Site in Granada, along with the Alhambra palace and gardens, and the Albayzín district.
Mosque–Cathedral of Córdoba, whose ecclesiastical name is the Cathedral of Our Lady of the Assumption is the Catholic cathedral of the Diocese of Córdoba dedicated to the Assumption of the Virgin Mary and located in the Spanish region of Andalusia. The structure is regarded as one of the most accomplished monuments of Moorish architecture.
According to a Wikipedia account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. Córdoba returned to Christian rule in 1236 during the Reconquista, and the building was converted to a Roman Catholic church, culminating in the insertion of a Renaissance cathedral nave in the 16th century.
Located in the Normandy region of France, Mont Saint Michel is one of the most fascinating places I have ever seen - we aren't even up to the causeway yet, but it looks amazing !
This rocky island has a rich history dating back over 1000 years, and has been a UNESCO World Heritage Site since 1979.
Also, the first name... Michel
for Smile on Saturday 😊
΄Ενα επικών διαστάσεων κτίσμα για το οποίο το ΣτΕ μόλις το 1999 απεφάνθη ότι πρόκειται για πολιτιστικό και όχι αμιγώς θρησκευτικό μνημείο.
Έχω επισημάνει την ανθρώπινη παρουσία ώστε να συνειδητοποιήσει ο θεατής την μεγαλοπρέπειά του.
An epic building for which the Council of State only in 1999 ruled that it is a cultural and not a purely religious monument.
I have highlighted the human presence so that the viewer realizes his grandeur.
Links for more informations:
Ροτόντα Θεσσαλονίκης Υπουργείο Πολιτισμού και Αθλητισμού
You can watch the archaeological film "ROTUNDA" , production of the Ephorate of Antiquities, Thessaloniki, 2016, with the history of the monument and the analysis of its mosaic decoration
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Durante el ascenso por el rio Mekong, dejamos atrás Vietnam para entrar en Camboya.
Phnom Penh es su Capital.
La historia reciente de este país es realmente cruel.
Durante el Genocidio llevado a cabo por los Jemeres Rojos, hubo un exterminio masivo de civiles, que redujo la población de Camboya de 7,5 a 6 millones de habitantes.
De hecho, el conflicto acabó recientemente. No fue hasta la muerte de Pol Pot en 1998 que los Jemeres Rojos que quedaban se rindieron.
Actualmente, este país esta en reconstrucción de todo lo destruido tanto material como lo no material. Su población, la gran mayoría menor de 30 años, vive y trabaja con ilusión para levantarlo. No obstante, existen todavía temas deleznables como la prostitución de menores, hecho evidente en la Capital entre los turistas y niñas adolescentes.
La imagen que os muestro es del Palacio Real.
Phnom Penh, Camboya, Septiembre 2014.
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Going upriver the Mekong River, we left Vietnam to enter Cambodia.
Phnom Penh is its Capital.
The recent history of this country is really cruel.
During the Genocide carried out by Khmer Rouge, there was a mass extermination of civilians, which reduced the population of Cambodia from 7.5 to 6 million.
In fact, the conflict ended recently. It was not until Pol Pot's death in 1998 that the remaining Khmer Rouge surrendered.
Currently, this country is in reconstruction of everything destroyed both material and non-material. Its population, the great majority under 30, lives and works with enthusiasm to raise it. Nonetheless, there are still topics such as prostitution of minors, a fact evident in the Capital between tourists and adolescent girls.
The image I show you is the Royal Palace.
Phnom Penh, Cambodia, September 2014.
panorama of 6 (14mm) vertical captures
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