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Three men in classic 1960s overcoats stand by a decorative stone urn in a public park, Győr, Hungary.
Yakışırdı elbet Süleymaniye'ye ama kurşun daha kullanışlı bir malzeme kubbe için. Eğer öyle olmasaydı Koca Sinan altınla kaplanmasını ister, Cihan Padişahı Kânûnî' de açardı kesenin ağzını şüphesiz.
Dün akşama doğru günbatımı çekmek için niyetlenip yola çıktık. Hedef Kadiköy'dü ama yılın bu mevsiminde iyi bir İstanbul sileti yakalamak zor ordan. Salacak'a indik bizde. Bir yandan da kendimizle dalga geçiyorduk aynı mekanın kaç bininci karesini çekeceğiz diye.
Geçen gün sosyal medya da paylaşmıştım ; "Güzel bir taraf" görmek için farklı bakış açıları denemeliyiz ... diye. ( plus.google.com/105057170246955300433/posts?hl=tr ) Öyle yaptık.
Güzel kareler çıktığını düşünüyorum, zamanla paylaşacağım ...
Aynı gibi görünen karelere yeni hatıralar ekliyoruz, evet durum bu ...
Busy street scene in Szeged, Hungary, with people, cyclists, and vintage buildings including the Anna Bath.
During the Jacobean era, angels played a significant role in decorative interior architecture, exemplified by Crewe Hall in Cheshire, UK. These celestial beings were often depicted in intricate plasterwork adorning ceilings, walls, and mantelpieces, symbolizing divine protection and heavenly blessings. In Crewe Hall, angel motifs were prevalent, reflecting the religious and spiritual beliefs of the time. Their presence added a sense of grandeur and opulence to the interiors, enhancing the overall ambiance of the space. Such decorative elements served not only as aesthetic embellishments but also as reminders of faith and transcendence, enriching the visual experience of occupants and visitors alike.
Geçen Hafta Cumartesi ikindisinden ... İbadethanelerde herkesin aradığı, biraz da huzurdur. Ve her ibadethane şartları gereği gereken edebi hak eder. Dinin ne olduğu, ismin ne olduğu hiç önemli değildir. Oraya sığınan da güvende hissetmelidir kendini, uğrayan da ibadet eden de.
İbadethanelere saygı önemli, çok önemli bir toplumsal eşiktir. Şükür ki, hâlâ, ezan okunurken müzik sesinin kısıldığı bir ülkede yaşıyoruz ...
The gate features an ornate coat of arms, and the stone walls and medieval architecture evoke the historical atmosphere of Siklós Castle. The individuals, dressed in mid-20th-century clothing, smile toward the camera, capturing a moment of sightseeing and heritage exploration.
Nusretiye Mosque - Nusretiye Camii
The Nusretiye Mosque was erected between 1823 and 1826 by Mahmud II (1784-1839) as part of a larger project to rebuild the Tophane artillery barracks that burnt in the Firuzaga fire. It is located off the Western shore of the Bosphorus, below Tophane or the Canon Foundry established by Mehmed II (1432-1481) and was built on the former site of the Mosque of the Artillery Barracks (Tophane-i Amire Arabacilar Kislasi Camii) built by Selim III (1789-1807). In style, the mosque signifies a transition from Ottoman baroque to empire style. Its architect is Krikor Balyan (1764-1831), who is the first in nine architects belonging to the Armenian Balyan family who served the royal family throughout the nineteenth century. The mosque was named Nusretiye or Victory, in celebration of the sultan's recent abolition of the rebellious janissary troops in favor of a new western-style army -- an event known in Ottoman history as Vaka-i Hayriye or the auspicious event.
Nusretiye Camii,
19. yüzyılda İstanbul'un Tophane semtinde inşa edilmiş bir camidir. İlk olarak III. Selim tarafından yaptırılmıştır. II. Mahmut yanan camiyi yeniden yaptırmıştır ve camiye Nusretiye adı bu dönemde verildi. Mimarı Krikor Balyan'dır. Nusretiye'nin kubbesinin yerden yüksekliği 33 metre, çapı 7.5 metredir.
1823 yangınında bütün Tophane kül olduktan sonra II. Mahmud semti ve camiyi yenilemiş, yeni cami 1826'da ibadete açılmıştır. Aynı yıl padişah, Yeniçeri Ocağı'nı topyekün kaldırdığı için camiye Nusretiye adı verilmiştir. Tek kubbeli, iki minarelidir. Minareler çok ince ve yüzeyi olukludur. Cami döşemesi mermerdir. İç kısımdaki hünkar mahfili bütünüyle mermerdir ve kafesi pirinç dökme ve altın yaldızlıdır.
Caminin yazıları Mustafa Rakım Efendi ve Şakir Efendi'nindir. Caminin büyük giriş kapısı üstündeki yazı Yesarizade Mustafa İzzet Efendi'ye aittir. Kapının karşısında sebil vardır.
Yapıldığı yıllarda İstanbul'da etkin olan ampir ve barok üslup etkisindeki caminin sebil, muvakkithane ve şadırvanı da Tophane'yi süslemektedir.
The traditional Russian beauty of The Church of the Savior on Blood.
The Church of the Savior on Blood was built on the site where Emperor Alexander II was assassinated and was dedicated in his memory. It is one of the most popular tourist attractions in Saint Petersburg.
With its impressive Neoclassical façade, the cathedral is located in the heart of Fossano, on the site of the original 13th-century collegiate church of Santa Maria and San Giovenale. The interior decoration is mainly 19th-century, though it features valuable older works, including paintings by the Flemish master Claret.
The Charles Bridge leads on to Prague Castle and St. Vitus Cathedral - three of the most well known attractions in Prague.
Prague is the capital of the Czech Republic. The city has been a political, cultural, and economic centre of central Europe with waxing and waning fortunes during its 1,100-year existence.
Shuttleworth House is a historic country house located at the Shuttleworth Collection in Bedfordshire, England. It serves as the centerpiece of the collection’s estate, blending 19th-century architecture with the surrounding vintage aircraft and aviation history.
O nicho ornamental de um antigo solar na Rua dos Pescadores, em Jovim, Gondomar, é uma peça notável de cantaria em granito amarelo, típico da região, que exemplifica a arquitetura civil dos séculos XVII-XVIII. Com influências do estilo barroco, o seu design revela uma rica ornamentação, incluindo molduras elaboradas, capitéis e volutas, que envolvem um pequeno espaço destinado à devoção religiosa, uma prática comum nas casas senhoriais da época. Estes nichos não apenas expressavam a religiosidade dos proprietários, mas também conferiam uma proteção simbólica à habitação. O conjunto insere-se no património arquitetónico da zona ribeirinha do Douro, uma região com uma longa tradição de ourivesaria, marcenaria e outras atividades artesanais. Gondomar apresenta um património edificado que reflete variados períodos e estilos arquitetónicos, onde os antigos solares são testemunhos da importância social e económica de algumas famílias ao longo dos séculos.
The ornamental niche of an old manor house on Rua dos Pescadores, in Jovim, Gondomar, is a remarkable piece of yellow granite stonework, typical of the region, which exemplifies the civil architecture of the 17th-18th centuries. With influences of the Baroque style, its design reveals a rich ornamentation, including elaborate moldings, capitals and volutes, which surround a small space destined for religious devotion, a common practice in the manor houses of the time. These niches not only expressed the religiosity of the owners, but also conferred a symbolic protection to the house. The set is part of the architectural heritage of the Douro riverside area, a region with a long tradition of goldsmithing, woodworking and other craft activities. Gondomar presents a built heritage that reflects varied periods and architectural styles, where the old manors are witnesses of the social and economic importance of some families over the centuries.
The Abbey of San Michele della Chiusa, perched atop Mount Pirchiriano, stands on a site of ancient religious significance. According to legend, Saint Michael appeared here in the 4th century, leading to the construction of a sanctuary. The current Romanesque and Gothic abbey, developed from the 10th century onward, became a major pilgrimage destination on the route to Santiago de Compostela and remains a masterpiece of medieval architecture and spiritual tradition.
Photo © Lina Groza 2024
Kazan Cathedral or Kazanskiy Kafedralniy Sobor, also known as the Cathedral of Our Lady of Kazan, is a cathedral of the Russian Orthodox Church on the Nevsky Prospekt in Saint Petersburg. It is dedicated to Our Lady of Kazan, one of the most venerated icons in Russia.
Construction of the cathedral started in 1801 and continued for ten years under the supervision of Alexander Sergeyevich Stroganov. Upon its completion in 1811, the new church replaced the Church of Nativity of the Theotokos, which was disassembled when the Kazan Cathedral was consecrated.
The architect Andrey Voronikhin modelled the building on St. Peter's Basilica in Rome.
View from the pier.
This is a great place for views of the beach and on a clear day, you can see the Westerplatte region of Gdansk. There were a lot of people basking in the sun the day I was there and in the summertime, it gets even busier with events and exhibitions taking place here all the time.
A spa garden with rounded pergolas and a fountain marks the entrance to the pier, from which a sandy beach stretches to either side.
Vintage black and white photo of Festetics Palace in Keszthely, Hungary, with three men walking in the garden, 1960s.
Black-and-white photo of a young girl in a coat sitting on a bench in a Hungarian city street, 1970s.
The Royal Palace of Venaria, located just outside Turin, was built in 1675 by Duke Charles Emmanuel II of Savoy as a grand hunting lodge and summer residence. A masterpiece of Baroque architecture, it was designed to showcase the power and refinement of the House of Savoy, with vast gardens, opulent halls, and an expansive park. Abandoned and later restored in the 21st century, La Venaria Reale is now one of Italy’s most spectacular cultural landmarks and a UNESCO World Heritage site, symbolizing both the splendor and resilience of Savoyard heritage.
La Castiglia, the historic palace of the Marquises of Saluzzo, rises prominently in the heart of the town as a symbol of medieval power and civic identity. Built in the 13th century and expanded over successive centuries, it served as both a fortress and a noble residence, reflecting the autonomy and prestige of the Marquisate. With its distinctive crenellated towers, Gothic mullioned windows, and elegant loggias, the palace blends military architecture with refined courtly style. Today, it houses the Museo Civico, preserving artifacts and artworks that tell the story of Saluzzo’s rich political, cultural, and artistic heritage.
The Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world. It is a vital component of Liverpool's UNESCO designated World Heritage Maritime Mercantile City and the docking complex and warehouses also comprise the largest single collection of Grade I listed buildings anywhere in the UK.
The Torre Civica (Civic Tower) of Saluzzo, rising in the heart of the town’s historic center, was built in the 13th century as a symbol of communal power and civic pride. Adjacent to the former Piazza del Comune, it served multiple roles: a watchtower for spotting danger, a bell tower to mark the hours and summon citizens, and a stronghold during periods of unrest. Its simple yet imposing stone structure reflects medieval military architecture, while its survival through centuries of change makes it one of Saluzzo’s most enduring landmarks. Restored in recent years, the Torre Civica stands today as a testament to the town’s communal past and its legacy as a free city within the Marquisate.
With its striking brick façade and Mediterranean Revival detailing, the Harbor Court Hotel stands as a warm and elegant presence along San Francisco’s Embarcadero waterfront. Originally constructed in 1926 as a YMCA residence for seamen, the building’s Romanesque arches, ornate cornices, and terracotta roof tiles give it an old-world gravitas that contrasts beautifully with the steel-and-glass skyline that now surrounds it. The building was adapted into a boutique hotel in the 1990s, blending its historic architecture with modern hospitality. Its prominent location on Steuart Street, just across from the Ferry Building, makes it a beloved landmark for locals and travelers alike. Palm trees line the cobblestone Embarcadero, adding a laid-back California feel to the otherwise urban setting. Step inside, and you’ll find design nods to the building’s nautical past, including porthole windows and maritime hues. But from the outside, it’s all about that romantic brickwork and the quiet dignity of a building that has weathered nearly a century of change along the bay. Whether you're staying here or just passing by, the Harbor Court invites a second glance—and maybe even a moment of appreciation for how beautifully San Francisco balances heritage and reinvention.
A framed view of the Alexander Column, Palace Square and Hermitage Museum in St Petersburg, Russia.
Palace Square is the central city square of St Petersburg and of the former Russian Empire. It was the setting of many events of worldwide significance, including the Bloody Sunday (1905) and the October Revolution of 1917.
The classic architecture of the Church of the Assumption of Our Lady.
The Church of the Assumption of Our Lady is a Baroque Gothic church in Kutna Hora, Czech Republic.
The church is listed as a UNESCO World Heritage site.
Jonathan Reid | Travel Portfolio | Architecture Portfolio | Facebook
Horse and carriages line up in front of the entrance to the Hofberg Palace in Vienna, Austria.
Hofburg Palace is a palace located in Vienna, Austria, that has housed some of the most powerful people in European and Austrian history, including the Habsburg dynasty, rulers of the Austro-Hungarian Empire. It currently serves as the official residence of the President of Austria.
This image captures two significant sculptures within the Santa Maria del Mar Basilica in Barcelona. On the left stands a statue of the Virgin Mary holding the infant Jesus, with a symbolic ship below representing the maritime heritage of the church. To the right, a crucifix depicts the suffering of Christ, contrasting with the serene figure of Mary. The stone walls and subtle lighting emphasize the spiritual atmosphere of this Gothic church.
Kanazawa, Japan, is a city where history and tradition are beautifully preserved, offering visitors a glimpse into Japan's illustrious past. This particular wooden building in Kanazawa is a quintessential example of Edo-period architecture, characterized by its traditional wooden latticework, known as "koshi," and a tiled roof. The koshi design is not only aesthetically pleasing but also functional, allowing light and air to filter through while maintaining privacy. The weathered wood and intricate latticework highlight the meticulous craftsmanship that is a hallmark of traditional Japanese architecture.
The building's design reflects the era's dedication to both form and function. The exposed wooden beams and the careful arrangement of the tiles on the roof demonstrate the builders' attention to detail and their deep understanding of natural materials. The facade, aged gracefully over time, exudes a rustic charm that transports visitors back to a bygone era. The signboard, adorned with elegant calligraphy, hints at the building's historical significance, possibly indicating its use as a merchant's house or a traditional shop.
Walking through the streets of Kanazawa, one can encounter many such architectural gems, each telling a unique story of the city's past. The preservation of these structures is a testament to Kanazawa's commitment to maintaining its cultural heritage amidst modern development. Whether exploring the samurai and geisha districts or visiting the numerous temples and shrines, visitors are treated to an immersive experience of Japan's rich cultural tapestry. This building, with its timeless beauty and historical significance, is a must-see for anyone visiting Kanazawa, offering a profound connection to the traditions and artistry of ancient Japan.