The Mayor's office is closed

Hierarchical pitch

Consonant stability

Scale degree

 

Toque Macaque (Macaca sinica) is a reddish-brown-coloured Old World monkey endemic to Sri Lanka, where it is known as rilawa (Sinhala රිළවා), (hence "rillow" in the Oxford English Dictionary).M. s. opisthomelas is recently identified as a separate subspecies, can be found entirely within south-western region of central hill bordered with Ratnapura, and Nuwara Eliya districts.

The social status is highly structured in toque macaques, where they prevail dominance hierarchies among both males and females. Females change the number of individual composition within a troop. A troop may consist very few as 8 to large as 40.

Captured at Sinharaja Forest, Sri Lanka.

Since the fall, not merely of the hierarchic nature of society, but of almost all traditional forms, the consciously conservative man stands as it were in a vacuum. He stands alone in a world which, in its all opaque enslavement, boasts of being free, and, in all its crushing uniformity, boasts of being rich.

 

It is screamed in his ears that humanity is continually developing upwards, that human nature, after developing for so and so many millions of years, has now undergone a decisive mutation, which will lead to its final victory over matter.

 

The consciously conservative man stands alone amongst manifest drunks, is alone awake amongst sleep-walkers

who take their dreams for reality.

 

From understanding and experience he knows that man, with all his passion for novelty, has remained fundamentally the same, for good or ill; the fundamental questions in human life have always remained the same; the answers to them have always been known, and, to the extent that they can be expressed in words, have been handed down from one generation to the next. The consciously conservative man is concerned with this inheritance.

 

Since nearly all traditional forms in life are now destroyed, it is seldom vouchsafed to him to engage in a wholly useful and meaningful activity. But every loss spells gain: the disappearance of forms calls for a trial and a discernment; and the confusion in the surrounding world is a summons to turn, by-passing all accidents, to the essential.

 

----

 

Titus Burckhardt

 

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www.metmuseum.org/art/collection/search/39193

Some text is BIG and some is small. Seen on the street in Cape May. Contax IIIa, Kodak Ultra Color 100 (expired 2009, always refrigerated and shot at box speed), ECN-2 development.

Anarcho-collectivism relies on cooperation and mutual aid, rather than hierarchies and force. Unfortunately, the rest of the world has not yet reached this idyllic stage of government. Also there's a giant sign hovering in the sky that says PvP Enabled, idk what's up with that.

 

Therefore, Lemunesia must take up arms to defend itself. Unlike the densely-populated nations of Azia and Kalonesia, the collectivist islands tend to be sparsely populated. While densely-populated Oyashima can recruit merely 1% of its population to form a vast army, every citizen of the Collectives must be ready to serve if the need arises. Every age and gender, if physically and mentally able, trains with their friends and neighbors to defend their communities and liberate the oppressed abroad, while those unable to fight prepare to contribute in other ways, from industry to logistics to coast-watchers. Luckily, the brave collectivists are not alone: the crabkin kingdoms of Salkrikrator overlap with Lemunesia beneath the waves. These anthropomorphic crustaceans were hunted and persecuted under the last several monarchs, but after the Revolution, the collectives sent gifts and peace offerings to bring the crabkin back to their coral homes. Now, young crab-kin come ashore to help the collectives in times of war, and the aquatic and terrestrial societies exchange fish, deep-water minerals, and pearls for forged and machined metal.

 

Though most Lemunesian islands are too small for mechanized maneuver warfare, the value of an armored and well-armed vehicle that could transition from the surf to the jungle eventually became too obvious to ignore. Soldiers dubbed the resulting prototype Mekala Niu, or Metal Coconut, for its rounded cast-iron hull and turret. Though initially intended to be produced as a medium tank, it turns out tank destroyers are just kind of better at most parts of being tanks than medium tanks are, so the Mekala Niu is being registered as a tank destroyer with the appropriate international publications.

 

~~~~~~~~~~~~~~~~~~~~~~

I've had this sitting in LDD for a few weeks now. At first I wanted to do a full diorama with tracks in the sand, but then LDD crashed when I tried to move a palm tree and I lost motivation. The palm trees are probably similar to techniques I've seen in the past, especially the upside-down dark tan bushes, but I can't remember who used them. If you're the original creator, nice job, comment and I'll add credits where due.

 

The tank started as a Sherman, because I went to a living history re-enactment in March and realized they looked better in person than in photos. The suspension was the first part I did. My first design was way too big for a minifig, like 1.5 scale height-wise, so I shrunk it down to the right dimensions. However, that left the suspension too tall, and plus I was already running into issues with the front fenders and the ugly ridges when you stack one-brick-high slopes (the same problem Chek ran into with another American tank). Then the lovely people of D&C started roasting my Sherman attempt, so I decided to roll with the curviness of my turret and make a hull to match that's shorter than a Sherman's hull but fits better on top of this higher-than-scale suspension. I feel like it's a little flat on the sides, which is why I added the roller-skates for detail. If I revisit this or do a group render later, I'm probably gonna try to add some ropes/spare treads/tactical logs on the sides and front glacis to break up those big smooth surfaces.

 

However, I'm probably not gonna be re-rendering this any time soon, because… the 2x2x1 corner bow pieces on the turret are not in Mecabricks, so I had to import them from Stud.io and then spend hours banging my head in frustration trying to get them to line up on the model. The Roman shield on the mantlet isn't even in Stud.io. Luckily Cagerrin helped me out by getting the 3d model of the shield from LDraw and importing all the missing parts. Turns out if I wanna pose a complex vehicle at a cool, dynamic angle that isn't 90 degrees to the grid, I should do that in Blender, or move the rest of the scene around the vehicle. This caused us both a lot of unnecessary frustration. Blender's a powerful program, but it's so unintuitive to me and so rife with hidden keybinds and menus. Rip.

 

A cropped shot for you to inspect, because Flickr won't zoom in properly on stupidbig renders and Discord won't upload anything bigger than 8 MB. Thanks for watching.

Properties of the number 13

The apostle James says the Minor directed the Church of Jerusalem during thirteen years.

The thirteen ecclesiastical titles of the sacerdotal hierarchy of the Roman Church.

The father of Job had thirteen children, according to visions' of Ann-Catherine Emmerick

.

The celebration of the Epiphany takes place the thirteenth day after the nativity of the Lord. The number 13 is called theophanicus for this reason.

We find often the number thirteen associated with the Blessed Virgin Mary. Her Assumption occurred a Friday 13, in August, at 3 o'clock of the evening, according to visions of Mary Agreda. However, according to revelations of Mary Jane Even in 1994, the Virgin would have died on August 13 and would have resuscitated two days later, that is to say on August 15 to be then received Body and Soul in the Sky. Also, the first and the last appearance of the Virgin Mary in Fatima occurred respectively on May 13 and on October 13, 1917 and it is on July 13, 1917 that the children of Fatima had their vision of the Hell, showing thus that the thirteen is also closely in relation to the suffering and to the death. Still today, in the end of time, the Virgin appears to some seers and clairvoyant only the 13 of each month. The 13th day of the month in the Christendom would be thus particularly dedicated to the Virgin Mary. Moreover several received particular messages tend to show it as it is the case of following messages. In one of messages given to a privileged soul of Quebec, Our-Lord recommended that the 13 of each month is in the honor of his Mother and established in each family. In another message given by the Virgin Mary to Sister Lucy of Fatima the 1st May 1987 for the celebration of the 70th anniversary of the day when she appeared her to Fatima on May 13, 1917, She asked her to celebrate the 13 of each month by songs and the praises in spirit of repair and of expiation. Remind also that it is on May 13, 1981 that occurred the attack of the Pope John-Paul II, in the Saint-Peter place. What saved him from the death, it is that he turned the head to look an engraving of Our-Lady of Fatima at the same moment where the ball of the gunner passed. The France, devoted to Mary since Louis XIII, celebrated her by processions.

According to visions of Maria Valtorta, during the descent of the Holy Spirit on apostles in prayer in the upper room (Cenacle), the Fire of the Holy Spirit, then in form of sphere very shining above the head of Mary, was shared in 13 very shining melodious flames to go down on the 12 apostles and the Virgin Mary.

The value of the letter M of Mary, center of the Latin alphabet, is 13. Likewise 13 words compose the invocation to the Virgin on the Miraculous Medal: O Mary, conceive without sin, pray for we who have recourse to you.

For believer, Friday 13 (of the month of nisan) is the day where the Christ is dead on the Cross; it is also a Friday 13, day placed under the sign of Venus, that Eve, tempted by the demon, made eat an apple to Adam, what entailed their expulsion of the terrestrial Paradise. God being indeed rested the seventh day of the Creation, first Saturday (Sabbath of the Jews) was this day. The next week there had therefore a Friday 13, day of the original sin, since they was redeemed an other Friday 13, that the death of the Christ. Particularly the Jewish Passover was the 14 of the month of nisan, and the Crucifixion took place the day before the Sabbath of Passover, therefore a Friday 13.

In the visions of Maria Valtorta, Jesus speaks about the thirteen veins of the humanity by which are distributed the divine graces, first by Himself, and then by His 12 apostles, choose by Him to represent the whole humanity and in which all the humanity is gathered in His 12 apostles.

Some authors tell that Jesus would be born in a year counting thirteen months. When Hebrews celebrated their first Passover, they abandoned the solar Egyptian calendar and adopted the lunar calendar. Thus, to maintain the correspondence between the month of Pescha and the beginning of the spring, they had to introduce all the three years approximately a thirteenth month into the year.

On the Miraculous Medal, the M of Mary surmounts the Holy Cross of Christ, this one being associated to the number 13. And the letter M is also 13th letter of the alphabet.

The 13th glorious mystery of the Saint Rosary refers directly to Pentecost.

According to the Rule in the Order of the Saint Saviour, given by the Christ to saint Brigitte of Sweden (who lived from 1303 to 1373), in the monastery, thirteen priests have to sing daily the mass and the office of the ecclesiastical year.

The Jewish Faith states thirteen articles that are called fundamental dogmas of the Judaism. They were formulated by Maimonid.

The Witnesses of Jehovah have 13 fundamental doctrines, without speaking their internal rules.

The bible is the inspired word of Jehovah

Jehovah is the only true God

Jesus-Christ is the fathered unique son of God

Satan is the "chief of this world"

The Kingdom of Jehovah and the Christ will replace all human governments and will be the only government of all the humanity

Since 1914 we live the "time of the end"

A only path leads to God, all the other religions are not approved by Jehovah

The death is a consequence of the sin of Adam

Only 144000 go to the sky

The others will live eternally on the earth under the Kingdom of Jehovah

Respect the authority of this world, if they don't hinder their works

Refuse the blood: transfusion and foodstuff

Do the will of Jehovah

 

The 13 is the number of skies for the Aztecs, and the hair of the Ancient of Days had thirteen buckles and his beard thirteen wicks. The ancient Mexico divided also the time in cycles of 52 years divided themselves in four periods of thirteen years. They had also a week of thirteen days. Thirteen was also, for the Aztecs, a time number, which represented the completion of the temporal series.

The sacred cord of Druids has thirteen segments.

The thirteen evil spirits according to the Cabal.

The thirteenth in a group appears in antiquity as the most powerful and the most sublime. For example, Ulysses, the thirteenth of his group, escapes the appetite devouring of the Cyclops.

For the superstitious ones, Fridays 13 are real nightmares: if that day there are 13 guests to the table, that precedes a death in the year (to be 13 to table would carry misfortune); to see a black cat Friday 13 carries misfortune; it is preferable not to exit that day, but in the opposite case, if one leaves by a door, it is always necessary to enter by the same door. The superstition of Friday 13 was also revivified in this era of the computer by some viruses introduced into the computer systems appearing only the day of Fridays 13. The fortune teller on the other hand predicts better the future on Friday 13. In France, as soon as there is a Friday 13 to the calendar, the National Lottery organizes a special drawing because some choose that day to bet the money. But for some, less credulous and more prone to the optimism, the number 13 is a lucky number on which they hope to make a success of what they do or to try their chance. For example, one of these succeeds to convince the British navy to dissipate fears of superstitious sailors who refused to go up a ship a Friday 13. It was indeed decided that they would proceed to the launching of a new ship on a Friday 13. This ship was baptized the H.M.S. Friday. It was controlled by the Friday Captain and took finally the sea a Friday 13. They never see again the ship and the crew.

For the Mayas, the time is divided into several cycles beginning with the birth of Venus. And the cycle in which we are would have begun August 13, 3114 before J.-C. and would end on December 22, 2012. According to them, this date corresponds to the fifth and last cycle of the Earth, what would end to the destruction of the world.

One tells that Philip II, king of Macedonian from 356 to 336 before J.-C., had the misfortune, during of a procession, to add his statue to those of the twelve major gods of the Greek mythology. He was assassinated few time after while he was going to combat against Persia.

Number in relation with the moon: it covers on the average thirteen degrees per day and there are thirteen lunations in the year.

The Creation would be divided into thirteen dimensions and levels: in the first dimension, there are 13 levels; in the second dimension, there are 12 levels; in the third dimension, there are 10 levels. And so on until the thirteenth dimension, which is the dimension of the portal, which is the Dimension of the Christ. And there, there is one level.

The Sumerian used a zodiac including 13 constellations and 26 main stars.

The shield of the old Slav divinity Prono was decorated with thirteen white points.

The thirteen cords of the harp in Japan.

The thirteen gates of the human body of the woman: 2 eyes, 2 ears, 2 nostrils, the mouth, 2 breasts, the navel, the anus, the urethra and the vagina.

Some advance that the Universe created is governed by thirteen fundamental constants of the physics which are amongst other the speed of the light, constants of Planck, Boltzmann and Eddington, the load of the proton, the mass of the proton and the electron to the rest, etc. But this is far to make the unanimity for all seekers and scientists.

In none of the most modern American buildings there is a 13th floor et bedroom number 13. They has also taken the practice to proscribe the number 13 of the numbering in some streets. No more 13 also for some airlines and to the automotive race departure.

It had been formed in Bordeaux, at the 19th century, a society of 13. These jolly fellows organized banquets Friday of each week and committed all their businesses a Friday. The feast of the society was celebrated 13th Friday of each year. Before sitting down at table, they never omitted to reverse the salt boxes.

To the historical viewpoint, there had: 13 primitive cantons in Switzerland, 13 States primitive in the USA, 13 Länder of the Federal German Republic.

The Apollo-13 capsule of the NASA is the only Apollo not to have succeeded to land on the Moon. This mission, which proceeded from the 11 to April 17, 1970, was already at midway of the Moon when an explosion occurred in an oxygen tank and paralyzed a part of instruments. The capsule had then to return on the Earth as soon as possible.

The relationship between the volume of the Earth and that of the Sun is approximately 13 times a power of 10, that is to say 1 / (13.01 x 10E5) to be precise.

The card deck includes 13 hearts, 13 spades, 13 squares, 13 clovers.

Weight of the soul in ounce.

Birthday of marriage: lace weddings.

 

**************

 

IL NUMERO KARMICO TREDICI

 

Il numero karmico Tredici rappresenta la morte, la strasformazione e la rinascita. Chi vive sotto l’infuenza del Tredici avrà la concreta possibilità di riparare o di completare ciò che nelle vite passate è rimasto incompiuto. Ostacolate in precedenti esperienze di vita da situazioni di malattia, ignoranza e/o schiavitù, le persone del Tredici potranno quindi agognare ad una vita migliore.

 

Questa aspettativa non si limita solamente all’individuo influenzato dal Tredici, ma coinvolge anche le persone che gli stanno vicine a cui trasmette questa grande capacità. Dato che, nell’ultima fase del suo percorso evolutivo il Tredici si troverà a dover affrontare diversi ostacoli, potrà cedere alla debolezza di abbandonare il cammino o di prendere deviazioni per rendere il percorso più semplice, eviando così proprio ciò che si era prefisso di fare sin dall’inizio. Il Tredici karmico simboleggia inoltre il bisogno innato di apprendere la disciplina e il modo giusto per superare qualsiasi tipo di difficoltà.

Island Of Madagascar

Off The East Coast Of Africa

Andasibe-Mantadia National Park

 

Best Seen In Lightbos -

www.flickr.com/photos/42964440@N08/24946429667/in/photost...

 

Wikipedia -

The Brown Lemur (Eulemur fulvus), is a species of lemur in the family Lemuridae. It is found in Madagascar and Mayotte.

 

The common brown lemur lives in western Madagascar north of the Betsiboka River and eastern Madagascar between the Mangoro River and Tsaratanana, as well as in inland Madagascar connecting the eastern and western ranges. They also live on the island of Mayotte, although this population is believed to have been introduced there by man.

 

The common brown lemur's diet consists primarily of fruits, young leaves, and flowers. In some locations it eats invertebrates, such as cicadas, spiders and millipedes. It also eats bark, sap, soil and red clay. It can tolerate greater levels of toxic compounds from plants than other lemurs can.

 

Consistent with its large range, the common brown lemur occupies a variety of forest types, including lowland rainforests, montane rainforests, moist evergreen forests and dry deciduous forests.

 

They normally live in groups of 5 to 12, but group size can be larger, especially on Mayotte. Groups occupy home ranges of 1 to 9 hectares in the west, but more than 20 hectares in the east. Groups include members of both sexes, including juveniles, and there are no discernible dominance hierarchies.

 

They are primarily active during the day, but can exhibit cathemeral activity and continue into the night, especially during full moons and during the dry season.

Fox cub making submissive noises when one of the adult family members turns up this morning.

John T. Phillifent - Hierarchies

Ace Double 53415, 1973

Cover Artist: Kelly Freas

 

"She and her pet were only a cover-up for the theft of the Crown Stones—and the few who knew might have to die for it!"

A Plains Bison bull - adult, but still growing, not yet dominant in the herd hierarchy - checks me out at close range. For some reason, when I originally processed this 2013 shot I gave it an edgy look, heavy on the "Clarity" in RAW adjustments and slightly desaturated. I liked it well enough, and it's somewhere in my back pages here. But yesterday, while going through some new bison shots from the weekend, I took another look at this and decided to reprocess this more conventionally, and the result is softer and richer.

 

Photographed in Grasslands National Park, Saskatchewan (Canada). Don't use this image on websites, blogs, or other media without explicit permission © 2013 James R. Page - all rights reserved.

It's been quite a while since my last Star Wars post, but this one is it: my Star Wars Magnum Opus. I could keep these figures for an upcoming MOC series, and perhaps have them make different appearances, but i haven't built an actual MOC in a while so i doubt this could happen.

L-R:

-TB-3441, Scout Trooper, specialized stormtrooper variant used by the Galactic Empire on a range of missions.

-SX-2156, Shadow Comms Stormtrooper, a highly trained stormtrooper that served the Galactic Empire during the Galactic Civil War, specializing in Comms.

-SX-6729, Shadow Stormtrooper Commando, is also a highly trained stormtrooper that served the Galactic Empire during the Galactic Civil War, trained to deal with extreme combat situations.

-Admiral Thorne Vox, commander of the Shadow Trooper force, executing strategic missions.

-Elara Korr, Inquisitor, whose main purview was to hunt surviving Jedi in the aftermath of Order 66 for the purpose of elimination or induction into the Inquisitorius, where they could be made to serve Darth Sidious.

-Chief of Security Liutenant Brann Tarek, a dedicated security officer, ensuring order and safety.

-TK-5019, Stormtrooper Officer, part of the Stormtrooper Corps, an autonomous military branch operating under the Imperial Army of the Galactic Empire.

-TK-2847, Heavy Stormtrooper, also part of the Stormtrooper corps.

-TK-1046, Stormtrooper recruit.

-DG-3158, Death Star Gunner, member of the Imperial Military who operated the various weapons of the Galactic Empire's capital ships, military bases, and battle stations.

 

iPhone

おかげさまで、風邪はほぼ回復。今週はおとなしくして、お出かけは来週からにします。

I have been conducting studies with my captive subjects and can now confirm that monkeys do indeed create their own hierarchical structures. Here, we observe the alpha male displaying his dominance in terms of foraging success (his banana) and also his reproductive success (his bright, desirable clothing will surely attract a mate). The other monkeys in the group, whilst being subordinate, will occasionally fight with the dominant male; this can lead to power struggles, lack of food and resources, and in some cases losing your trousers.

In the hierarchy of man-made beauty does a Gibbsian doorcase outrank an Ionic capital? Was the Renaissance better than the Baroque? Does a painting by Sir Frank Dicksee, RA, "trump" a Kelmscott Chaucer? Idiotic questions, of course, and what could be more foolish than the bureaucratic attempt to draw up a league table of such matters, for the benefit of the heritage and tourist industries? With that proviso in mind, I will mention that Bath is Britain's only World Heritage City. Large parts of it have been ruined, partly by the Luftwaffe, but probably even more by our postwar would-be commissars, who bestowed upon the city these flats in London Road which, when I used to pass them on the X4s, gave me the feeling that I was looking at coke-sorters' apartments in the suburbs of Smolensk.

Across the road is evidence of another act of hatred against English identity ...the alien decimalised currency introduced some eight years before the photograph was taken on Saturday 28th April 1979. I don't think people have ever taken it to their hearts ...and why should they? You hear it in the clumsy nomenclature. "One pence", "five pee", pence always pronounced in full, rather than the old "p'nce" contraction, no telescopings such as "tuppence" or "ha'penny", let alone demotic locutions such as "tanner" or "bob". The only identifiable price in the Co-op's window is 12p for cans of Coca-Cola (not yet "Coke"). The half penny ("half a pence") was still in circulation.

The bus is, of course, one of the FLF Lodekkas acquired by Bristol Omnibus Co. from Western National with the handover of the latter company's Trowbridge operation in 1970. Their side-by-side destination screens were a good early warning identifier and, at closer range, the Exeter registration marks.

Detolf Rules

 

Hierarchy

a system or organization in which people or groups are ranked one above the other according to status or authority.

seen while out shopping @oXXXcuro Event

maps.secondlife.com/secondlife/Serenity%20Grove/126/172/21

Saw this at Mount Orgueil Castle in Gorey, Jersey, Channel Islands..

Classic Star Control ships in Intercept Orbit sizes!

 

The Ur-Quan Dreadnought is clearly a capital ship with frame catapults. (Launch fighters!)

 

Others can be negotiated into different roles.

Leica MP, Voigtlander 35/1.7 Ultron

A strict hierarchy has it's place.

 

More Photos

 

Made for Bio-Cup 2023 Round 1

Theme: Biomes

Subtheme: Flatlands

Hierarchies

  

C12959

Иерархия доминирования

In civilizations of a traditional nature, intellectual intuition lies at the root of everything; in other words, it is the pure metaphysical doctrine that constitutes the essential, everything else being linked to it, either in the form of consequences or applications to the various orders of contingent reality.

 

Not only is this true of social institutions, but also of the sciences, that is, branches of knowledge bearing on the domain of the relative, which in such civilizations are only regarded as dependencies, prolongations, or reflections of absolute or principial knowledge.

 

Thus a true hierarchy is always and everywhere preserved: the relative is not treated as non-existent, which would be absurd; it is duly taken into consideration, but is put in its rightful place, which cannot but be a secondary and subordinate one; and even within this relative domain there are different degrees of reality, according to whether the subject lies nearer to or further from the sphere of principles.

 

Thus, as regards science, there are two radically different and mutually incompatible conceptions, which may be referred to respectively as traditional and modern. We have often had occasion to allude to the 'traditional sciences' that existed in antiquity and the Middle Ages and which still exist in the East, though the very idea of them is foreign to the Westerners of today. It should be added that every civilization has had 'traditional sciences' of its own and of a particular type. Here we are no longer in the sphere of universal principles, to which pure metaphysics alone belongs, but in the realm of adaptations.

(…)

 

By seeking to sever the connection of the sciences with any higher principle, under the pretext of assuring their independence, the modern conception robs them of all deeper meaning and even of all real interest from the point of view of knowledge; it can only lead them down a blind alley, by enclosing them, as it does, in a hopelessly limited realm.

 

Moreover, the development achieved in this realm is not a deepening of knowledge, as is commonly supposed, but on the contrary remains completely superficial, consisting only of the dispersion in detail already referred to and an analysis as barren as it is laborious; this development can be pursued indefinitely without coming one step closer to true knowledge.

 

It must also be remarked that it is not for its own sake that, in general, Westerners pursue science; as they interpret it, their foremost aim is not knowledge, even of an inferior order, but practical applications, as can be deduced from the ease with which the majority of our contemporaries confuse science and industry, and from the number of those for whom the engineer represents the typical man of science.

(…)

 

Modern experimentalism involves the curious illusion that a theory can be proven by facts, whereas in reality the same facts can always be equally well explained by several different theories; some of the pioneers of the experimental method, such as Claude Bernard, have themselves recognized that they could interpret facts only with the help of preconceived ideas, without which they would remain 'brute facts' devoid of all meaning and scientific value.

 

Since we have been led to speak of experimentalism, the opportunity may be taken to answer a question that may be raised in this connection: why have the experimental sciences received a development in modern civilization such as they never had in any other?

 

The reason is that these sciences are those of the sensible world, those of matter, and also those lending themselves most directly to practical applications; their development, proceeding hand in hand with what might well be called the 'superstition of facts', is therefore in complete accord with specifically modern tendencies, whereas earlier ages could not find sufficient interest in them to pursue them to the extent of neglecting, for their sake, knowledge of a higher order. It must be clearly understood that we are not saying that any kind of knowledge can be deemed illegitimate, even though it be inferior; what is illegitimate is only the abuse that arises when things of this kind absorb the whole of human activity, as we see them doing at present.

(…)

 

One of the characteristics of the present age is the exploitation of everything that had hitherto been neglected as being of insufficient importance for men to devote their time and energy to, but which nevertheless had to be developed before the end of the cycle, since the things concerned had their place among the possibilities destined to be manifested within it; such in particular is the case of the experimental sciences that have come into existence in recent centuries.

 

There are even some modern sciences that represent, quite literally, residues of ancient sciences that are no longer understood: in a period of decadence, the lowest part of these sciences became isolated from all the rest, and this part, grossly materialized, served as the starting-point for a completely different development, in a direction conforming to modern tendencies; this resulted in the formation of sciences that have ceased to have anything in common with those that preceded them. Thus, for example, it is wrong to maintain, as is generally done, that astrology and alchemy have respectively become modern astronomy and modern chemistry, even though this may contain an element of truth from a historical point of view; it contains, in fact, the very element of truth to which we have just alluded, for, if the latter sciences do in a certain sense come from the former, it is not by 'evo-lution' or 'progress' - as is claimed - but on the contrary, by degeneration.

(…)

 

These are the two complementary functions proper to the traditional sciences: on the one hand, as applications of the doctrine, they make it possible to link the different orders of reality and to integrate them into the unity of a single synthesis, and on the other, they constitute, at least for some, and in accordance with their individual aptitudes, a preparation for a higher knowledge and a way of approach to it - forming by virtue of their hierarchical positioning, according to the levels of existence to which they refer, so many rungs as it were by which it is possible to climb to the level of pure intellectuality.

 

It is only too clear that modern sciences cannot in any way serve either of these purposes; this is why they can be no more than 'profane science', whereas the 'traditional sciences', through their connection with metaphysical principles, are effectively incorporated in 'sacred science'.

 

The ways leading to knowledge may be extremely different at the lowest degree, but they draw closer and closer together as higher levels are reached. This is not to say that any of these preparatory degrees are absolutely necessary, since they are mere contingent methods having nothing in common with the end to be attained; it is even possible for some persons, in whom the tendency to contemplation is predominant, to attain directly to true intellectual intuition without the aid of such means; but this is a more or less exceptional case, and in general it is accepted as being necessary to proceed upward gradually.

 

The whole question may also be illustrated by means of the traditional image of the 'cosmic wheel': the circumference in reality exists only in virtue of the center, but the beings that stand upon the circumference must necessarily start from there or, more precisely, from the point thereon at which they actually find themselves, and follow the radius that leads to the center. Moreover, because of the correspondence that exists between all the orders of reality, the truths of a lower order can be taken as symbols of those of higher orders, and can therefore serve as 'supports' by which one may arrive at an understanding of these; and this fact makes it possible for any science to become a sacred science, giving it a higher or 'anagogical' meaning deeper than that which it possesses in itself.

 

Every science, we say, can assume this character, whatever may be its subject-matter, on the sole condition of being constructed and regarded from the traditional standpoint; it is only necessary to keep in mind the degrees of importance of the various sciences according to the hierarchical rank of the diverse realities studied by them; but whatever degree they may occupy, their character and functions are essentially similar in the traditional conception.

 

What is true of the sciences is equally true of the arts, since every art can have a truly symbolic value that enables it to serve as a support for meditation, and because it’s rules, like the laws studied by the sciences, are reflections and 'applications of fundamental principles: there are then in every normal civilization 'traditional arts', but these are no less unknown to the modern West than are the 'traditional sciences'. The truth is that there is really no 'profane realm' that could in any way be opposed to a 'sacred realm'; there is only a 'profane point of view', which is really none other than the point of view of ignorance.

 

This is why 'profane science', the science of the moderns, can as we have remarked elsewhere be justly styled 'ignorant knowledge', knowledge of an inferior order confining itself entirely to the lowest level of reality, knowledge ignorant of all that lies beyond it, of any aim more lofty than itself, and of any principle that could give it a legitimate place, however humble, among the various orders of knowledge as a whole. Irremediably enclosed in the relative and narrow realm in which it has striven to proclaim itself independent, thereby voluntarily breaking all connection with transcendent truth and supreme wisdom, it is only a vain and illusory knowledge, which indeed comes from nothing and leads to nothing.

 

This survey will suffice to show how great is the deficiency of the modern world in the realm of science, and how that very science of which it is so proud represents no more than a deviation and, as it were, a downfall from true science, which for us is absolutely identical with what we have called 'sacred' or 'traditional' science. Modern science, arising from an arbitrary limitation of knowledge to a particular order-the lowest of all orders, that of material or sensible reality-has lost, through this limitation and the consequences it immediately entails, all intellectual value; as long, that is, as one gives to the word 'intellectuality' the fullness of its real meaning, and refuses to share the 'rationalist' error of assimilating pure intelligence to reason, or, what amount to the same thing, of completely denying intellectual intuition.

 

The root of this error, as of a great many other modern errors - and the cause of the entire deviation of science that we have just described - is what may be called 'individualism', an attitude indistinguishable from the anti-traditional attitude itself and whose many manifestations in all domains constitute one of the most important factors in the confusion of our time; we shall therefore now study this individualism more closely.

 

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excerpts from The Crisis of the Modern World by René Guenon

 

Chapter 4: Sacred and profane science

 

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Dekoulou Monastery, Greece

 

Today was the second running of the Peterborough to CF Booth scrapyard in Rotherham and the final journey for a number of four wheeled self discharge hoppers. I picked it up at Holmes Junction with several other local enthusiasts to catch some images of rare main line reversals. 66706 does the honours on 6Z70 1030 Peterborough West Yard to CF Booths.

 

The warm up act was 66428 on the 7XXX 1227 Toton North Yard to Doncaster Up Decoy with Railvac in tow.

Wells Cathedral is an Anglican cathedral in Wells, Somerset, England, dedicated to St Andrew the Apostle. It is the seat of the Bishop of Bath and Wells, whose cathedra it holds as mother church of the Diocese of Bath and Wells. Built as a Roman Catholic cathedral from around 1175 to replace an earlier church on the site since 705, it became an Anglican cathedral when King Henry VIII split from Rome. It is moderately sized for an English cathedral. Its broad west front and large central tower are dominant features. It has been called "unquestionably one of the most beautiful" and "most poetic" of English cathedrals.

 

Its Gothic architecture is mostly inspired from Early English style of the late 12th to early 13th centuries, lacking the Romanesque work that survives in many other cathedrals. Building began about 1175 at the east end with the choir. Historian John Harvey sees it as Europe's first truly Gothic structure, breaking the last constraints of Romanesque. The stonework of its pointed arcades and fluted piers bears pronounced mouldings and carved capitals in a foliate, "stiff-leaf" style. Its Early English front with 300 sculpted figures is seen as a "supreme triumph of the combined plastic arts in England". The east end retains much ancient stained glass. Unlike many cathedrals of monastic foundation, Wells has many surviving secular buildings linked to its chapter of secular canons, including the Bishop's Palace and the 15th-century residential Vicars' Close It is a Grade I listed building.

 

The earliest remains of a building on the site are of a late-Roman mausoleum, identified during excavations in 1980. An abbey church was built in Wells in 705 by Aldhelm, first bishop of the newly established Diocese of Sherborne during the reign of King Ine of Wessex. It was dedicated to St Andrew and stood at the site of the cathedral's cloisters, where some excavated remains can be seen. The font in the cathedral's south transept is from this church and is the oldest part of the present building. In 766 Cynewulf, King of Wessex, signed a charter endowing the church with eleven hides of land. In 909 the seat of the diocese was moved from Sherborne to Wells.

 

The first bishop of Wells was Athelm (909), who crowned King Æthelstan. Athelm and his nephew Dunstan both became Archbishops of Canterbury. During this period a choir of boys was established to sing the liturgy. Wells Cathedral School, which was established to educate these choirboys, dates its foundation to this point. There is, however, some controversy over this. Following the Norman Conquest, John de Villula moved the seat of the bishop from Wells to Bath in 1090. The church at Wells, no longer a cathedral, had a college of secular clergy.

 

The cathedral is thought to have been conceived and commenced in about 1175 by Reginald Fitz Jocelin, who died in 1191. Although it is clear from its size that from the outset, the church was planned to be the cathedral of the diocese, the seat of the bishop moved between Wells and the abbeys of Glastonbury and Bath, before settling at Wells. In 1197 Reginald's successor, Savaric FitzGeldewin, with the approval of Pope Celestine III, officially moved his seat to Glastonbury Abbey. The title of Bishop of Bath and Glastonbury was used until the Glastonbury claim was abandoned in 1219.

 

Savaric's successor, Jocelin of Wells, again moved the bishop's seat to Bath Abbey, with the title Bishop of Bath. Jocelin was a brother of Hugh (II) of Lincoln and was present at the signing of the Magna Carta. Jocelin continued the building campaign begun by Reginald and was responsible for the Bishop's Palace, the choristers' school, a grammar school, a hospital for travellers and a chapel. He also had a manor house built at Wookey, near Wells. Jocelin saw the church dedicated in 1239 but, despite much lobbying of the Pope by Jocelin's representatives in Rome, did not live to see cathedral status granted. The delay may have been a result of inaction by Pandulf Verraccio, a Roman ecclesiastical politician, papal legate to England and Bishop of Norwich, who was asked by the Pope to investigate the situation but did not respond. Jocelin died at Wells on 19 November 1242 and was buried in the choir of the cathedral; the memorial brass on his tomb is one of the earliest brasses in England. Following his death the monks of Bath unsuccessfully attempted to regain authority over Wells.

 

In 1245 the ongoing dispute over the title of the bishop was resolved by a ruling of Pope Innocent IV, who established the title as the "Bishop of Bath and Wells", which it has remained until this day, with Wells as the principal seat of the bishop. Since the 11th century the church has had a chapter of secular clergy, like the cathedrals of Chichester, Hereford, Lincoln and York. The chapter was endowed with 22 prebends (lands from which finance was drawn) and a provost to manage them. On acquiring cathedral status, in common with other such cathedrals, it had four chief clergy, the dean, precentor, chancellor and sacristan, who were responsible for the spiritual and material care of the cathedral.

 

The building programme, begun by Reginald Fitz Jocelin, Bishop in the 12th century, continued under Jocelin of Wells, who was a canon from 1200, then bishop from 1206. Adam Locke was master mason from about 1192 until 1230. It was designed in the new style with pointed arches, later known as Gothic, which was introduced at about the same time at Canterbury Cathedral. Work was halted between 1209 and 1213 when King John was excommunicated and Jocelin was in exile, but the main parts of the church were complete by the time of the dedication by Jocelin in 1239.

 

By the time the cathedral, including the chapter house, was finished in 1306, it was already too small for the developing liturgy, and unable to accommodate increasingly grand processions of clergy. John Droxford initiated another phase of building under master mason Thomas of Whitney, during which the central tower was heightened and an eight-sided Lady chapel was added at the east end by 1326. Ralph of Shrewsbury followed, continuing the eastward extension of the choir and retrochoir beyond. He oversaw the building of Vicars' Close and the Vicars' Hall, to give the men who were employed to sing in the choir a secure place to live and dine, away from the town and its temptations. He had an uneasy relationship with the citizens of Wells, partly because of his imposition of taxes, and he surrounded his palace with crenellated walls, a moat and a drawbridge.

 

John Harewell raised money for the completion of the west front by William Wynford, who was appointed as master mason in 1365. One of the foremost master masons of his time, Wynford worked for the king at Windsor, Winchester Cathedral and New College, Oxford. At Wells, he designed the western towers of which north-west was not built until the following century. In the 14th century, the central piers of the crossing were found to be sinking under the weight of the crossing tower which had been damaged by an earthquake in the previous century. Strainer arches, sometimes described as scissor arches, were inserted by master mason William Joy to brace and stabilise the piers as a unit.

 

By the reign of Henry VII the cathedral was complete, appearing much as it does today (though the fittings have changed). From 1508 to 1546, the eminent Italian humanist scholar Polydore Vergil was active as the chapter's representative in London. He donated a set of hangings for the choir of the cathedral. While Wells survived the Dissolution of the Monasteries better than the cathedrals of monastic foundation, the abolition of chantries in 1547 resulted in a reduction in its income. Medieval brasses were sold, and a pulpit was placed in the nave for the first time. Between 1551 and 1568, in two periods as dean, William Turner established a herb garden, which was recreated between 2003 and 2010.

 

Elizabeth I gave the chapter and the Vicars Choral a new charter in 1591, creating a new governing body, consisting of a dean and eight residentiary canons with control over the church estates and authority over its affairs, but no longer entitled to elect the dean (that entitlement thenceforward belonged ultimately to the Crown). The stability brought by the new charter ended with the onset of the Civil War and the execution of Charles I. Local fighting damaged the cathedral's stonework, furniture and windows. The dean, Walter Raleigh, a nephew of the explorer Walter Raleigh, was placed under house arrest after the fall of Bridgwater to the Parliamentarians in 1645, first in the rectory at Chedzoy and then in the deanery at Wells. His jailor, the shoe maker and city constable, David Barrett, caught him writing a letter to his wife. When he refused to surrender it, Barrett ran him through with a sword and he died six weeks later, on 10 October 1646. He was buried in an unmarked grave in the choir before the dean's stall. During the Commonwealth of England under Oliver Cromwell no dean was appointed and the cathedral fell into disrepair. The bishop went into retirement and some of the clerics were reduced to performing menial tasks.

 

In 1661, after Charles II was restored to the throne, Robert Creighton, the king's chaplain in exile, was appointed dean and was bishop for two years before his death in 1672. His brass lectern, given in thanksgiving, can be seen in the cathedral. He donated the nave's great west window at a cost of £140. Following Creighton's appointment as bishop, the post of dean went to Ralph Bathurst, who had been chaplain to the king, president of Trinity College, Oxford and fellow of the Royal Society. During Bathurst's long tenure the cathedral was restored, but in the Monmouth Rebellion of 1685, Puritan soldiers damaged the west front, tore lead from the roof to make bullets, broke the windows, smashed the organ and furnishings, and for a time stabled their horses in the nave.

 

Restoration began again under Thomas Ken who was appointed by the Crown in 1685 and served until 1691. He was one of seven bishops imprisoned for refusing to sign King James II's "Declaration of Indulgence", which would have enabled Catholics to resume positions of political power, but popular support led to their acquittal. Ken refused to take the oath of allegiance to William III and Mary II because James II had not abdicated and with others, known as the Nonjurors, was put out of office. His successor, Richard Kidder, was killed in the Great Storm of 1703 when two chimney stacks on the palace fell on him and his wife, while they were asleep in bed.

 

By the middle of the 19th century, a major restoration programme was needed. Under Dean Goodenough, the monuments were moved to the cloisters and the remaining medieval paint and whitewash removed in an operation known as "the great scrape". Anthony Salvin took charge of the extensive restoration of the choir. Wooden galleries installed in the 16th century were removed and the stalls were given stone canopies and placed further back within the line of the arcade. The medieval stone pulpitum screen was extended in the centre to support a new organ.

 

In 1933 the Friends of Wells Cathedral were formed to support the cathedral's chapter in the maintenance of the fabric, life and work of the cathedral. The late 20th century saw an extensive restoration programme, particularly of the west front. The stained glass is currently under restoration, with a programme underway to conserve the large 14th-century Jesse Tree window at the eastern terminal of the choir.

 

In January 2014, as part of the Bath film festival, the cathedral hosted a special screening of Martin Scorsese's The Last Temptation of Christ. This provoked some controversy, but the church defended its decision to allow the screening.

 

In 2021, a contemporary sculpture by Anthony Gormley was unveiled on a temporary plinth outside the cathedral.

 

Since the 13th century, Wells Cathedral has been the seat of the Bishop of Bath and Wells. Its governing body, the chapter, is made up of five clerical canons (the dean, the precentor, the canon chancellor, the canon treasurer, and the archdeacon of Wells) and four lay members: the administrator (chief executive), Keeper of the Fabric, Overseer of the Estate and the chairman of the cathedral shop and catering boards. The current bishop of Bath and Wells is Peter Hancock, who was installed in a service in the cathedral on 7 June 2014. John Davies has been Dean of Wells since 2016.

 

Employed staff include the organist and master of choristers, head Verger archivist, librarian and the staff of the shop, café and restaurant. The chapter is advised by specialists such as architects, archaeologists and financial analysts.

 

More than a thousand services are held every year. There are daily services of Matins, Holy Communion and Choral Evensong, as well as major celebrations of Christian festivals such as Christmas, Easter, Pentecost and saints' days. The cathedral is also used for the baptisms, weddings and funerals of those with close connections to it. In July 2009 the cathedral undertook the funeral of Harry Patch, the last British Army veteran of World War I, who died at the age of 111.

 

Three Sunday services are led by the resident choir in school terms and choral services are sung on weekdays. The cathedral hosts visiting choirs and does outreach work with local schools as part of its Chorister Outreach Project. It is also a venue for musical events such as an annual concert by the Somerset Chamber Choir.

 

Each year about 150,000 people attend services and another 300,000 visit as tourists. Entry is free, but visitors are encouraged to make a donation towards the annual running costs of around £1.5 million in 2015.

 

Construction of the cathedral began in about 1175, to the design of an unknown master-mason. Wells is the first cathedral in England to be built, from its foundation, in Gothic style. According to art historian John Harvey, it is the first truly Gothic cathedral in the world, its architects having entirely dispensed with all features that bound the contemporary east end of Canterbury Cathedral and the earlier buildings of France, such as the east end of the Abbey of Saint Denis, to the Romanesque. Unlike these churches, Wells has clustered piers rather than columns and has a gallery of identical pointed arches rather than the typically Romanesque form of paired openings. The style, with its simple lancet arches without tracery and convoluted mouldings, is known as Early English Gothic.

 

From about 1192 to 1230, Adam Lock, the earliest master-mason at Wells for whom a name is known, continued the transept and nave in the same manner as his predecessor. Lock was also the builder of the north porch, to his own design.

 

The Early English west front was commenced around 1230 by Thomas Norreys, with building and sculpture continuing for thirty years. Its south-west tower was begun 100 years later and constructed between 1365 and 1395, and the north-west tower between 1425 and 1435, both in the Perpendicular Gothic style to the design of William Wynford, who also filled many of the cathedral's early English lancet windows with delicate tracery.

 

The undercroft and chapter house were built by unknown architects between 1275 and 1310, the undercroft in the Early English and the chapter house in the Geometric style of Decorated Gothic architecture. In about 1310 work commenced on the Lady Chapel, to the design of Thomas Witney, who also built the central tower from 1315 to 1322 in the Decorated Gothic style. The tower was later braced internally with arches by William Joy. Concurrent with this work, in 1329–45 Joy made alterations and extensions to the choir, joining it to the Lady Chapel with the retrochoir, the latter in the Flowing Decorated style.

 

Later changes include the Perpendicular vault of the tower and construction of Sugar's Chapel, 1475–1490 by William Smyth. Also, Gothic Revival renovations were made to the choir and pulpitum by Benjamin Ferrey and Anthony Salvin, 1842–1857.

 

Wells has a total length of 415 feet (126 m). Like Canterbury, Lincoln and Salisbury cathedrals, it has the distinctly English arrangement of two transepts, with the body of the church divided into distinct parts: nave, choir, and retro-choir, beyond which extends the Lady Chapel. The façade is wide, with its towers extending beyond the transepts on either side. There is a large projecting porch on the north side of the nave forming an entry into the cathedral. To the north-east is the large octagonal chapter house, entered from the north choir aisle by a passage and staircase. To the south of the nave is a large cloister, unusual in that the northern range, that adjacent the cathedral, was never built.

 

In section, the cathedral has the usual arrangement of a large church: a central nave with an aisle on each side, separated by two arcades. The elevation is in three stages, arcade, triforium gallery and clerestory. The nave is 67 feet (20 m) in height, very low compared to the Gothic cathedrals of France. It has a markedly horizontal emphasis, caused by the triforium having a unique form, a series of identical narrow openings, lacking the usual definition of the bays. The triforium is separated from the arcade by a single horizontal string course that runs unbroken the length of the nave. There are no vertical lines linking the three stages, as the shafts supporting the vault rise above the triforium.

 

The exterior of Wells Cathedral presents a relatively tidy and harmonious appearance since the greater part of the building was executed in a single style, Early English Gothic. This is uncommon among English cathedrals where the exterior usually exhibits a plethora of styles. At Wells, later changes in the Perpendicular style were universally applied, such as filling the Early English lancet windows with simple tracery, the construction of a parapet that encircles the roof, and the addition of pinnacles framing each gable, similar to those around the chapter house and on the west front. At the eastern end there is a proliferation of tracery with repeated motifs in the Reticulated style, a stage between Geometric and Flowing Decorated tracery.

 

The west front is 100 feet (30 m) high and 147 feet (45 m) wide, and built of Inferior Oolite of the Middle Jurassic period, which came from the Doulting Stone Quarry, about 8 miles (13 km) to the east. According to the architectural historian Alec Clifton-Taylor, it is "one of the great sights of England".

 

West fronts in general take three distinct forms: those that follow the elevation of the nave and aisles, those that have paired towers at the end of each aisle, framing the nave, and those that screen the form of the building. The west front at Wells has the paired-tower form, unusual in that the towers do not indicate the location of the aisles, but extend well beyond them, screening the dimensions and profile of the building.

 

The west front rises in three distinct stages, each clearly defined by a horizontal course. This horizontal emphasis is counteracted by six strongly projecting buttresses defining the cross-sectional divisions of nave, aisles and towers, and are highly decorated, each having canopied niches containing the largest statues on the façade.

 

At the lowest level of the façade is a plain base, contrasting with and stabilising the ornate arcades that rise above it. The base is penetrated by three doors, which are in stark contrast to the often imposing portals of French Gothic cathedrals. The outer two are of domestic proportion and the central door is ornamented only by a central post, quatrefoil and the fine mouldings of the arch.

 

Above the basement rise two storeys, ornamented with quatrefoils and niches originally holding about four hundred statues, with three hundred surviving until the mid-20th century. Since then, some have been restored or replaced, including the ruined figure of Christ in the gable.

 

The third stages of the flanking towers were both built in the Perpendicular style of the late 14th century, to the design of William Wynford; that on the north-west was not begun until about 1425. The design maintains the general proportions, and continues the strong projection of the buttresses.

 

The finished product has been criticised for its lack of pinnacles, and it is probable that the towers were intended to carry spires which were never built. Despite its lack of spires or pinnacles, the architectural historian Banister Fletcher describes it as "the highest development in English Gothic of this type of façade."

 

The sculptures on the west front at Wells include standing figures, seated figures, half-length angels and narratives in high relief. Many of the figures are life-sized or larger. Together they constitute the finest display of medieval carving in England. The figures and many of the architectural details were painted in bright colours, and the colouring scheme has been deduced from flakes of paint still adhering to some surfaces. The sculptures occupy nine architectural zones stretching horizontally across the entire west front and around the sides and the eastern returns of the towers which extend beyond the aisles. The strongly projecting buttresses have tiers of niches which contain many of the largest figures. Other large figures, including that of Christ, occupy the gable. A single figure stands in one of two later niches high on the northern tower.

 

In 1851 the archaeologist Charles Robert Cockerell published his analysis of the iconography, numbering the nine sculptural divisions from the lowest to the highest. He defined the theme as "a calendar for unlearned men" illustrating the doctrines and history of the Christian faith, its introduction to Britain and its protection by princes and bishops. He likens the arrangement and iconography to the Te Deum.

 

According to Cockerell, the side of the façade that is to the south of the central door is the more sacred and the scheme is divided accordingly. The lowest range of niches each contained a standing figure, of which all but four figures on the west front, two on each side, have been destroyed. More have survived on the northern and eastern sides of the north tower. Cockerell speculates that those to the south of the portal represented prophets and patriarchs of the Old Testament while those to the north represented early missionaries to Britain, of which Augustine of Canterbury, St Birinus, and Benedict Biscop are identifiable by their attributes. In the second zone, above each pair of standing figures, is a quatrefoil containing a half-length angel in relief, some of which have survived. Between the gables of the niches are quatrefoils that contain a series of narratives from the Bible, with the Old Testament stories to the south, above the prophets and patriarchs, and those from the New Testament to the north. A horizontal course runs around the west front dividing the architectural storeys at this point.

 

Above the course, zones four and five, as identified by Cockerell, contain figures which represent the Christian Church in Britain, with the spiritual lords such as bishops, abbots, abbesses and saintly founders of monasteries on the south, while kings, queens and princes occupy the north. Many of the figures survive and many have been identified in the light of their various attributes. There is a hierarchy of size, with the more significant figures larger and enthroned in their niches rather than standing. Immediately beneath the upper course are a series of small niches containing dynamic sculptures of the dead coming forth from their tombs on the Day of Judgement. Although naked, some of the dead are defined as royalty by their crowns and others as bishops by their mitres. Some emerge from their graves with joy and hope, and others with despair.

 

The niches in the lowest zone of the gable contain nine angels, of which Cockerell identifies Michael, Gabriel, Raphael and Uriel. In the next zone are the taller figures of the twelve apostles, some, such as John, Andrew and Bartholomew, clearly identifiable by the attributes that they carry. The uppermost niches of the gable contained the figure of Christ the Judge at the centre, with the Virgin Mary on his right and John the Baptist on his left. The figures all suffered from iconoclasm. A new statue of Jesus was carved for the central niche, but the two side niches now contain cherubim. Christ and the Virgin Mary are also represented by now headless figures in a Coronation of the Virgin in a niche above the central portal. A damaged figure of the Virgin and Christ Child occupies a quatrefoil in the spandrel of the door.

 

The central tower appears to date from the early 13th century. It was substantially reconstructed in the early 14th century during the remodelling of the east end, necessitating the internal bracing of the piers a decade or so later. In the 14th century the tower was given a timber and lead spire which burnt down in 1439. The exterior was then reworked in the Perpendicular style and given the present parapet and pinnacles. Alec Clifton-Taylor describes it as "outstanding even in Somerset, a county famed for the splendour of its church towers".

 

The north porch is described by art historian Nikolaus Pevsner as "sumptuously decorated", and intended as the main entrance. Externally it is simple and rectangular with plain side walls. The entrance is a steeply arched portal framed by rich mouldings of eight shafts with stiff-leaf capitals each encircled by an annular moulding at middle height. Those on the left are figurative, containing images representing the martyrdom of St Edmund the Martyr. The walls are lined with deep niches framed by narrow shafts with capitals and annulets like those of the portal. The path to the north porch is lined by four sculptures in Purbeck stone, each by Mary Spencer Watson, representing the symbols of the Evangelists.

 

The cloisters were built in the late 13th century and largely rebuilt from 1430 to 1508 and have wide openings divided by mullions and transoms, and tracery in the Perpendicular Gothic style. The vault has lierne ribs that form octagons at the centre of each compartment, the joints of each rib having decorative bosses. The eastern range is of two storeys, of which the upper is the library built in the 15th century.

 

Because Wells Cathedral was secular rather than monastic, cloisters were not a practical necessity. They were omitted from several other secular cathedrals but were built here and at Chichester. Explanations for their construction at these two secular cathedrals range from the processional to the aesthetic. As at Chichester, there is no northern range to the cloisters. In monastic cloisters it was the north range, benefiting most from winter sunlight, that was often used as a scriptorium.

 

In 1969, when a large chunk of stone fell from a statue near the main door, it became apparent that there was an urgent need for restoration of the west front. Detailed studies of the stonework and of conservation practices were undertaken under the cathedral architect, Alban D. R. Caroe and a restoration committee formed. The methods selected were those devised by Eve and Robert Baker. W. A. (Bert) Wheeler, clerk of works to the cathedral 1935–1978, had previously experimented with washing and surface treatment of architectural carvings on the building and his techniques were among those tried on the statues.

 

The conservation was carried out between 1974 and 1986, wherever possible using non-invasive procedures such as washing with water and a solution of lime, filling gaps and damaged surfaces with soft mortar to prevent the ingress of water and stabilising statues that were fracturing through corrosion of metal dowels. The surfaces were finished by painting with a thin coat of mortar and silane to resist further erosion and attack by pollutants. The restoration of the façade revealed much paint adhering to the statues and their niches, indicating that it had once been brightly coloured.

 

The particular character of this Early English interior is dependent on the proportions of the simple lancet arches. It is also dependent on the refinement of the architectural details, in particular the mouldings.

 

The arcade, which takes the same form in the nave, choir and transepts, is distinguished by the richness of both mouldings and carvings. Each pier of the arcade has a surface enrichment of 24 slender shafts in eight groups of three, rising beyond the capitals to form the deeply undulating mouldings of the arches. The capitals themselves are remarkable for the vitality of the stylised foliage, in a style known as "stiff-leaf". The liveliness contrasts with the formality of the moulded shafts and the smooth unbroken areas of ashlar masonry in the spandrels. Each capital is different, and some contain small figures illustrating narratives.

 

The vault of the nave rises steeply in a simple quadripartite form, in harmony with the nave arcade. The eastern end of the choir was extended and the whole upper part elaborated in the second quarter of the 14th century by William Joy. The vault has a multiplicity of ribs in a net-like form, which is very different from that of the nave, and is perhaps a recreation in stone of a local type of compartmented wooden roof of which examples remain from the 15th century, including those at St Cuthbert's Church, Wells. The vaults of the aisles of the choir also have a unique pattern.

 

Until the early 14th century, the interior of the cathedral was in a unified style, but it was to undergo two significant changes, to the tower and to the eastern end. Between 1315 and 1322 the central tower was heightened and topped by a spire, which caused the piers that supported it to show signs of stress. In 1338 the mason William Joy employed an unorthodox solution by inserting low arches topped by inverted arches of similar dimensions, forming scissors-like structures. These arches brace the piers of the crossing on three sides, while the easternmost side is braced by a choir screen. The bracing arches are known as "St Andrew's Cross arches", in a reference to the patron saint of the cathedral. They have been described by Wim Swaan – rightly or wrongly – as "brutally massive" and intrusive in an otherwise restrained interior.

 

Wells Cathedral has a square east end to the choir, as is usual, and like several other cathedrals including Salisbury and Lichfield, has a lower Lady Chapel projecting at the eastern end, begun by Thomas Witney in about 1310, possibly before the chapter house was completed. The Lady Chapel seems to have begun as a free-standing structure in the form of an elongated octagon, but the plan changed and it was linked to the eastern end by extension of the choir and construction of a second transept or retrochoir east of the choir, probably by William Joy.

 

The Lady Chapel has a vault of complex and somewhat irregular pattern, as the chapel is not symmetrical about both axes. The main ribs are intersected by additional non-supporting, lierne ribs, which in this case form a star-shaped pattern at the apex of the vault. It is one of the earliest lierne vaults in England. There are five large windows, of which four are filled with fragments of medieval glass. The tracery of the windows is in the style known as Reticulated Gothic, having a pattern of a single repeated shape, in this case a trefoil, giving a "reticulate" or net-like appearance.

 

The retrochoir extends across the east end of the choir and into the east transepts. At its centre the vault is supported by a remarkable structure of angled piers. Two of these are placed as to complete the octagonal shape of the Lady Chapel, a solution described by Francis Bond as "an intuition of Genius". The piers have attached shafts of marble, and, with the vaults that they support, create a vista of great complexity from every angle. The windows of the retrochoir are in the Reticulated style like those of the Lady Chapel, but are fully Flowing Decorated in that the tracery mouldings form ogival curves.

 

The chapter house was begun in the late 13th century and built in two stages, completed about 1310. It is a two-storeyed structure with the main chamber raised on an undercroft. It is entered from a staircase which divides and turns, one branch leading through the upper storey of Chain Gate to Vicars' Close. The Decorated interior is described by Alec Clifton-Taylor as "architecturally the most beautiful in England". It is octagonal, with its ribbed vault supported on a central column. The column is surrounded by shafts of Purbeck Marble, rising to a single continuous rippling foliate capital of stylised oak leaves and acorns, quite different in character from the Early English stiff-leaf foliage. Above the moulding spring 32 ribs of strong profile, giving an effect generally likened to "a great palm tree". The windows are large with Geometric Decorated tracery that is beginning to show an elongation of form, and ogees in the lesser lights that are characteristic of Flowing Decorated tracery. The tracery lights still contain ancient glass. Beneath the windows are 51 stalls, the canopies of which are enlivened by carvings including many heads carved in a light-hearted manner.

 

Wells Cathedral contains one of the most substantial collections of medieval stained glass in England, despite damage by Parliamentary troops in 1642 and 1643. The oldest surviving glass dates from the late 13th century and is in two windows on the west side of the chapter-house staircase. Two windows in the south choir aisle are from 1310 to 1320.

 

The Lady Chapel has five windows, of which four date from 1325 to 1330 and include images of a local saint, Dunstan. The east window was restored to a semblance of its original appearance by Thomas Willement in 1845. The other windows have complete canopies, but the pictorial sections are fragmented.

 

The east window of the choir is a broad, seven-light window dating from 1340 to 1345. It depicts the Tree of Jesse (the genealogy of Christ) and demonstrates the use of silver staining, a new technique that allowed the artist to paint details on the glass in yellow, as well as black. The combination of yellow and green glass and the application of the bright yellow stain gives the window its popular name, the "Golden Window". It is flanked by two windows each side in the clerestory, with large figures of saints, also dated to 1340–45. In 2010 a major conservation programme was undertaken on the Jesse Tree window.

 

The panels in the chapel of St Katherine are attributed to Arnold of Nijmegen and date from about 1520. They were acquired from the destroyed church of Saint-Jean, Rouen, with the last panel having been purchased in 1953.

 

The large triple lancet to the nave west end was glazed at the expense of Dean Creighton at a cost of £140 in 1664. It was repaired in 1813, and the central light was largely replaced to a design by Archibald Keightley Nicholson between 1925 and 1931. The main north and south transept end windows by James Powell and Sons were erected in the early 20th century.

 

The greater part of the stone carving of Wells Cathedral comprises foliate capitals in the stiff-leaf style. They are found ornamenting the piers of the nave, choir and transepts. Stiff-leaf foliage is highly abstract. Though possibly influenced by carvings of acanthus leaves or vine leaves, it cannot be easily identified with any particular plant. Here the carving of the foliage is varied and vigorous, the springing leaves and deep undercuts casting shadows that contrast with the surface of the piers. In the transepts and towards the crossing in the nave the capitals have many small figurative carvings among the leaves. These include a man with toothache and a series of four scenes depicting the "Wages of Sin" in a narrative of fruit stealers who creep into an orchard and are then beaten by the farmer. Another well-known carving is in the north transept aisle: a foliate corbel, on which climbs a lizard, sometimes identified as a salamander, a symbol of eternal life.

 

Carvings in the Decorated Gothic style may be found in the eastern end of the buildings, where there are many carved bosses. In the chapter house, the carvings of the 51 stalls include numerous small heads of great variety, many of them smiling or laughing. A well-known figure is the corbel of the dragon-slaying monk in the chapter house stair. The large continuous capital that encircles the central pillar of the chapter house is markedly different in style to the stiff-leaf of the Early English period. In contrast to the bold projections and undercutting of the earlier work, it has a rippling form and is clearly identifiable as grapevine.

 

The 15th-century cloisters have many small bosses ornamenting the vault. Two in the west cloister, near the gift shop and café, have been called sheela na gigs, i. e. female figures displaying their genitals and variously judged to depict the sin of lust or stem from ancient fertility cults.

 

Wells Cathedral has one of the finest sets of misericords in Britain. Its clergy has a long tradition of singing or reciting from the Book of Psalms each day, along with the customary daily reading of the Holy Office. In medieval times the clergy assembled in the church eight times daily for the canonical hours. As the greater part of the services was recited while standing, many monastic or collegiate churches fitted stalls whose seats tipped up to provide a ledge for the monk or cleric to lean against. These were "misericords" because their installation was an act of mercy. Misericords typically have a carved figurative bracket beneath the ledge framed by two floral motifs known, in heraldic manner, as "supporters".

 

The misericords date from 1330 to 1340. They may have been carved under the direction of Master Carpenter John Strode, although his name is not recorded before 1341. He was assisted by Bartholomew Quarter, who is documented from 1343. They originally numbered 90, of which 65 have survived. Sixty-one are installed in the choir, three are displayed in the cathedral, and one is held by the Victoria and Albert Museum. New stalls were ordered when the eastern end of the choir was extended in the early 14th century. The canons complained that they had borne the cost of the rebuilding and ordered the prebendary clerics to pay for their own stalls. When the newly refurbished choir opened in 1339 many misericords were left unfinished, including one-fifth of the surviving 65. Many of the clerics had not paid, having been called to contribute a total sum of £200. The misericords survived better than the other sections of the stalls, which during the Protestant Reformation had their canopies chopped off and galleries inserted above them. One misericord, showing a boy pulling a thorn from his foot, dates from the 17th century. In 1848 came a complete rearrangement of the choir furniture, and 61 of the misericords were reused in the restructured stalls.

 

The subject matter of the carvings of the central brackets as misericords varies, but many themes recur in different churches. Typically the themes are less unified or directly related to the Bible and Christian theology than small sculptures seen elsewhere within churches, such as bosses. This applies at Wells, where none of the misericord carvings is directly based on a Bible story. The subjects, chosen either by the woodcarver, or perhaps by the one paying for the stall, have no overriding theme. The sole unifying elements are the roundels on each side of the pictorial subject, which all show elaborately carved foliage, in most cases formal and stylised in the later Decorated manner, but with several examples of naturalistic foliage, including roses and bindweed. Many of the subjects carry traditional interpretations. The image of the "Pelican in her Piety" (believed to feed her young on her own blood) is a recognised symbol for Christ's love for the Church. A cat playing with a mouse may represent the Devil snaring a human soul. Other subjects illustrate popular fables or sayings such as "When the fox preaches, look to your geese". Many depict animals, some of which may symbolise a human vice or virtue, or an aspect of faith.

 

Twenty-seven of the carvings depict animals: rabbits, dogs, a puppy biting a cat, a ewe feeding a lamb, monkeys, lions, bats, and the Early Christian motif of two doves drinking from a ewer. Eighteen have mythological subjects, including mermaids, dragons and wyverns. Five are clearly narrative, such as the Fox and the Geese, and the story of Alexander the Great being raised to Heaven by griffins. There are three heads: a bishop in a mitre, an angel, and a woman wearing a veil over hair arranged in coils over each ear. Eleven carvings show human figures, among which are several of remarkable design, conceived by the artist specifically for their purpose of supporting a shelf. One figure lies beneath the seat, supporting the shelf with a cheek, a hand and a foot. Another sits in a contorted manner supporting the weight on his elbow, while a further figure squats with his knees wide apart and a strained look on his face.

 

Some of the cathedral's fittings and monuments are hundreds of years old. The brass lectern in the Lady Chapel dates from 1661 and has a moulded stand and foliate crest. In the north transept chapel is a 17th-century oak screen with columns, formerly used in cow stalls, with artisan Ionic capitals and cornice, set forward over the chest tomb of John Godelee. There is a bound oak chest from the 14th century, which was used to store the chapter seal and key documents. The bishop's throne dates from 1340, and has a panelled, canted front and stone doorway, and a deep nodding cusped ogee canopy above it, with three-stepped statue niches and pinnacles. The throne was restored by Anthony Salvin around 1850. Opposite the throne is a 19th-century octagonal pulpit on a coved base with panelled sides, and steps up from the north aisle. The round font in the south transept is from the former Saxon cathedral and has an arcade of round-headed arches, on a round plinth. The font cover was made in 1635 and is decorated with the heads of putti. The Chapel of St Martin is a memorial to every Somerset man who fell in World War I.

 

The monuments and tombs include Gisa, bishop; † 1088; William of Bitton, bishop; † 1274; William of March, bishop; † 1302; John Droxford; † 1329; John Godelee; † 1333; John Middleton, died †1350; Ralph of Shrewsbury, died †; John Harewell, bishop; † 1386; William Bykonyll; † c. 1448; John Bernard; † 1459; Thomas Beckington; † died 1464; John Gunthorpe; † 1498; John Still; † 1607; Robert Creighton; † 1672; Richard Kidder, bishop; † 1703; George Hooper, bishop; † 1727 and Arthur Harvey, bishop; † 1894.

 

In the north transept is Wells Cathedral clock, an astronomical clock from about 1325 believed to be by Peter Lightfoot, a monk of Glastonbury. Its mechanism, dated between 1386 and 1392, was replaced in the 19th century and the original moved to the Science Museum in London, where it still operates. It is the second oldest surviving clock in England after the Salisbury Cathedral clock.

 

The clock has its original medieval face. Apart from the time on a 24-hour dial, it shows the motion of the Sun and Moon, the phases of the Moon, and the time since the last new Moon. The astronomical dial presents a geocentric or pre-Copernican view, with the Sun and Moon revolving round a central fixed Earth, like that of the clock at Ottery St Mary. The quarters are chimed by a quarter jack: a small automaton known as Jack Blandifers, who hits two bells with hammers and two with his heels. At the striking of the clock, jousting knights appear above the clock face.

 

On the outer wall of the transept, opposite Vicars' Hall, is a second clock face of the same clock, placed there just over seventy years after the interior clock and driven by the same mechanism. The second clock face has two quarter jacks (which strike on the quarter-hour) in the form of knights in armour.

 

In 2010 the official clock-winder retired and was replaced by an electric mechanism.

 

The first record of an organ at this church dates from 1310. A smaller organ, probably for the Lady Chapel, was installed in 1415. In 1620 an organ built by Thomas Dallam was installed at a cost of £398 1s 5d.

 

The 1620 organ was destroyed by parliamentary soldiers in 1643. An organ built in 1662 was enlarged in 1786 and again in 1855. In 1909–1910 an organ was built by Harrison & Harrison of Durham, with the best parts of the old organ retained. It has been serviced by the same company ever since.

 

Since November 1996 the cathedral has also had a portable chamber organ, by the Scottish makers, Lammermuir. It is used regularly to accompany performances of Tudor and baroque music.

 

The first recorded organist of Wells was Walter Bagele (or Vageler) in 1416. The post of organist or assistant organist has been held by more than 60 people since. Peter Stanley Lyons was Master of Choristers at Wells Cathedral, and Director of Music at Wells Cathedral School in 1954–1960. The choral conductor James William Webb-Jones, father of Lyons's wife Bridget (whom he married in the cathedral), was Headmaster of Wells Cathedral School in 1955–1960. Malcolm Archer was the appointed Organist and Master of the Choristers from 1996 to 2004. Matthew Owens was the appointed organist from 2005 to 2019.

 

There has been a choir of boy choristers at Wells since 909. Currently there are 18 boy choristers and a similar number of girl choristers, aged from eight to fourteen. The Vicars Choral was formed in the 12th century and the sung liturgy provided by a traditional cathedral choir of men and boys until the formation of an additional choir of girls in 1994. The boys and girls sing alternately with the Vicars Choral and are educated at Wells Cathedral School.

 

The Vicars Choral currently number twelve men, of whom three are choral scholars. Since 1348 the College of Vicars had its own accommodation in a quadrangle converted in the early 15th century to form Vicar's Close. The Vicars Choral generally perform with the choristers, except on Wednesdays, when they sing alone, allowing them to present a different repertoire, in particular plainsong.

 

In December 2010 Wells Cathedral Choir was rated by Gramophone magazine as "the highest ranking choir with children in the world". It continues to provide music for the liturgy at Sunday and weekday services. The choir has made many recordings and toured frequently, including performances in Beijing and Hong Kong in 2012. Its repertoire ranges from the choral music of the Renaissance to recently commissioned works.

 

The Wells Cathedral Chamber Choir is a mixed adult choir of 25 members, formed in 1986 to sing at the midnight service on Christmas Eve, and invited to sing at several other special services. It now sings for about 30 services a year, when the Cathedral Choir is in recess or on tour, and spends one week a year singing as the "choir in residence" at another cathedral. Although primarily liturgical, the choir's repertoire includes other forms of music, as well as performances at engagements such as weddings and funerals.

 

The cathedral is home to Wells Cathedral Oratorio Society (WCOS), founded in 1896. With around 160 voices, the society gives three concerts a year under the direction of Matthew Owens, Organist and Master of the Choristers at the cathedral. Concerts are normally in early November, December (an annual performance of Handel's Messiah) and late March. It performs with a number of specialist orchestras including: Music for Awhile, Chameleon Arts and La Folia.

 

The bells at Wells Cathedral are the heaviest ring of ten bells in the world, the tenor bell (the 10th and largest), known as Harewell, weighing 56.25 long hundredweight (2,858 kg). They are hung for full-circle ringing in the English style of change ringing. These bells are now hung in the south-west tower, although some were originally hung in the central tower.

 

The library above the eastern cloister was built between 1430 and 1508. Its collection is in three parts: early documents housed in the Muniment Room; the collection predating 1800 housed in the Chained Library; and the post-1800 collection housed in the Reading Room. The chapter's earlier collection was destroyed during the Reformation, so that the present library consists chiefly of early printed books, rather than medieval manuscripts. The earlier books in the Chained Library number 2,800 volumes and give an indication of the variety of interests of the members of the cathedral chapter from the Reformation until 1800. The focus of the collection is predominantly theology, but there are volumes on science, medicine, exploration, and languages. Books of particular interest include Pliny's Natural History printed in 1472, an Atlas of the World by Abraham Ortelius, printed in 1606, and a set of the works by Aristotle that once belonged to Erasmus. The library is open to the public at appointed times in the summer and presents a small exhibition of documents and books.

 

Three early registers of the Dean and Chapter edited by W. H. B. Bird for the Historical Manuscripts Commissioners – Liber Albus I (White Book; R I), Liber Albus II (R III) and Liber Ruber (Red Book; R II, section i) – were published in 1907. They contain with some repetition, a cartulary of possessions of the cathedral, with grants of land back to the 8th century, well before hereditary surnames developed in England, and acts of the Dean and Chapter and surveys of their estates, mostly in Somerset.

 

Adjacent to the cathedral is a large lawned area, Cathedral Green, with three ancient gateways: Brown's Gatehouse, Penniless Porch and Chain Gate. On the green is the 12th-century Old Deanery, largely rebuilt in the late 15th century by Dean Gunthorpe and remodelled by Dean Bathurst in the late 17th century. No longer the dean's residence, it is used as diocesan offices.

 

To the south of the cathedral is the moated Bishop's Palace, begun about 1210 by Jocelin of Wells but dating mostly from the 1230s. In the 15th century Thomas Beckington added a north wing, now the bishop's residence. It was restored and extended by Benjamin Ferrey between 1846 and 1854.

 

To the north of the cathedral and connected to it by the Chain Gate is Vicars' Close, a street planned in the 14th century and claimed to be the oldest purely residential street in Europe, with all but one of its original buildings intact. Buildings in the close include the Vicars Hall and gateway at the south end, and the Vicars Chapel and Library at the north end.

 

The Liberty of St Andrew was the historic liberty and parish that encompassed the cathedral and surrounding lands closely associated with it.

 

The English painter J. M. W. Turner visited Wells in 1795, making sketches of the precinct and a water colour of the west front, now in the Tate gallery. Other artists whose paintings of the cathedral are in national collections are Albert Goodwin, John Syer and Ken Howard.

 

The cathedral served to inspire Ken Follett's 1989 novel The Pillars of the Earth and with a modified central tower, featured as the fictional Kingsbridge Cathedral at the end of the 2010 television adaptation of that novel. The interior of the cathedral was used for a 2007 Doctor Who episode, "The Lazarus Experiment", while the exterior shots were filmed at Southwark Cathedral.

 

An account of the damage to the cathedral during the Monmouth Rebellion is included in Arthur Conan Doyle's 1889 historical novel Micah Clarke.

 

The cathedral provided scenes for the 2019–2020 television series The Spanish Princess.

Infos:

hambacherforst.blogsport.de/

 

New video (copyright Andreas Magdanz):

www.youtube.com/watch?v=DMaef5xu4dQ

 

My second Photo Walk Aarhus - this time with the very liberal theme "Rule of thirds" - I didn't apply it. Instead, I went around the Marselisborg Castle gardens, scraping together whatever subject I could with my 35mm on a very cloudy April's day.

Pika... Maya... then Ducky

Images from Pat's Run, Tempe, Az. Polar coordinates.

The Australian sea lion (Neophoca cinerea) is one of the rarest species of sea lion in the world and are only found in Western Australia and South Australia. The total population of these animals is estimated at 15,000. They can live up to 20 years of age.

From Wikipedia, the free encyclopedia

 

LocationSan Francisco Bay, California

Coordinates37°49′36″N 122°25′24″W[1]

StatusClosed (now a museum)

Security classMaximum

Capacity312

Opened11 August 1934; 85 years ago

Closed21 March 1963; 57 years ago

Managed byFederal Bureau of Prisons, Department of Justice

Director

Wardens[2]

James A. Johnston (1934–48)

Edwin B. Swope (1948–55)

Paul J. Madigan (1955–61)

Olin G. Blackwell (1961–63)

 

The Alcatraz Federal Penitentiary or United States Penitentiary, Alcatraz Island (often referred to as Alcatraz or The Rock) was a maximum security federal prison on Alcatraz Island, 1.25 miles (2.01 km) off the coast of San Francisco, California, United States, which operated from 11 August 1934, until 21 March 1963.

 

Alcatraz had been the site of a fort since the 1850s; the main prison building was built in 1910–1912 as a United States Army military prison. The United States Department of Justice acquired the United States Disciplinary Barracks, Pacific Branch, on Alcatraz on 12 October 1933, and the island became a prison of the Federal Bureau of Prisons in August 1934 after the buildings were modernized and security increased. Given this high security and the island's location in the cold waters and strong currents of San Francisco Bay, prison operators believed Alcatraz to be escape-proof and America's strongest prison.

 

Alcatraz was used to hold prisoners who continually caused trouble at other federal prisons. One of the world's most notorious and best known prisons over the years, it housed some 1,576 federal inmates, including some of America's most ruthless, such as Al Capone, Robert Franklin Stroud (the "Birdman of Alcatraz"), George "Machine Gun" Kelly, Bumpy Johnson, Rafael Cancel Miranda,[3] Mickey Cohen, Arthur R. "Doc" Barker, Whitey Bulger, and Alvin "Creepy" Karpis (who served more time at Alcatraz than any other inmate). The Bureau of Prisons' staff and their families lived on the island as well. 36 prisoners made 14 escape attempts during the prison's 29-year history; most notable were the violent attempt of May 1946 called the "Battle of Alcatraz" and the possibly successful June 1962 attempt by Frank Morris, John Anglin, and Clarence Anglin, which was marked by careful planning and execution. Faced with high maintenance costs and a poor reputation, Alcatraz closed on 21 March 1963.

 

The three-story cellhouse included the four main cell blocks, A-block through D-block, the warden's office, visitation room, the library, and the barber shop. The prison cells typically measured 9 feet (2.7 m) by 5 feet (1.5 m) and 7 feet (2.1 m) high. The cells were primitive and lacked privacy, with a bed, desk, and washbasin, and a toilet on the back wall, and with few furnishings except a blanket. African-Americans were segregated from other inmates in cell designation due to racial abuse. D-Block housed the worst inmates, and six cells at its end were designated "The Hole," where badly behaving prisoners would be sent for periods of often brutal punishment. The dining hall and kitchen extended from the main building. Prisoners and staff ate three meals a day together. The Alcatraz Hospital was above the dining hall.

 

Prison corridors were named after major U.S. streets such as Broadway and Michigan Avenue. Working at the prison was considered a privilege for inmates and many of the better inmates were employed in the Model Industries Building and New Industries Building during the day, actively involved in providing for the military in jobs such as sewing and woodwork, and performing various maintenance and laundry chores.

 

Today, Alcatraz is a public museum and one of San Francisco's major tourist attractions, attracting some 1.5 million visitors annually. Now operated by the National Park Service's Golden Gate National Recreation Area, the timeworn former prison is being restored and maintained.

 

History

Construction

Alcatraz Cellhouse

 

The main cellhouse was built incorporating some parts of Fort Alcatraz's citadel, a partially fortified barracks from 1859 that had come to be used as a jail. A new cellhouse was built from 1910–1912 on a budget of $250,000, and upon completion, the 500 feet (150 m) long concrete building was reputedly the longest concrete building in the world at the time. This building was modernized in 1933 and 1934 and became the main cellhouse of the federal penitentiary until its closure in 1963.[4]:76 When the new concrete prison was built, many materials were reused in its construction. Iron staircases in the interior and the cellhouse door near the barber's shop at the end of A-block were retained from the old citadel and massive granite blocks originally used as gun mounts were reused as the wharf's bulkheads and retaining walls. [5] Many of the old cell bars were used to reinforce the walls, causing structural problems later due to the fact that many placed near the edge were subject to erosion from the salt air and wind over the years.[5][dubious – discuss]

Entrance

 

After the United States Army's use of the island for over 80 years, it was transferred to the Federal Bureau of Prisons, which hoped an escape-proof jail would help break the crime wave of the 1920s and 1930s.[6] The Department of Justice acquired the Disciplinary Barracks on Alcatraz on 12 October 1933, and it became a Federal Bureau of Prisons facility in August 1934. $260,000 was spent to modernize and improve it from January 1934.[7][8] George Hess of the United States Public Health Service was appointed chief medical officer and Edward W. Twitchell became a consultant in psychiatry for Alcatraz in January 1934.[8] The hospital was checked by three officials from the Marine Hospital of San Francisco.[8] The Bureau of Prisons personnel arrived on Alcatraz in early February; among them was acting chief clerk Loring O. Mills. In April 1934, the old material was removed from the prison; holes were cut in the concrete and 269 cell fronts were installed, built using four carloads of steel ordered from the Stewart Iron Works.[8] Two of four new stairways were built, as were 12 doors to the utility corridors and gratings at the top of the cells. On 26 April, an accidental small fire broke out on the roof and an electrician injured his foot by dropping a manhole cover on it.[8] The Anchor Post Fence Company added fencing around Alcatraz and the Enterprise Electric Works added emergency lighting in the morgue and switchboard operations.[8] In June 1934, the Teletouch Corporation of New York began the installation of an "electro-magnetic gun or metal detecting system" at Alcatraz; detectors were added on the wharf, at the front entrance into the cellblock, and at the rear entrance gate.[8] The correctional officers were instructed how to operate the new locking devices on 30 July 1934, and both the United States Coast Guard and the San Francisco Police Department tested the new radio equipment on the same day.[8] Final checks and assessments were made on the first two days of August.[8]

Early history

Alcatraz laundry service

 

Alcatraz was intended for prisoners who continuously caused trouble at other federal prisons, a "last resort prison" to hold the worst of the worst who had no hope of rehabilitation.[9][10] At 9:40 a.m. on 11 August 1934, the first batch of 137 prisoners arrived at Alcatraz from the United States Penitentiary in Leavenworth, Kansas, having travelled by rail to Santa Venetia, California. Before being escorted to Alcatraz, they were handcuffed in high-security coaches and guarded by some 60 Federal Bureau of Investigation (FBI) special agents, U.S. Marshals, and railway security officials.[8][11] Most of the prisoners were notorious bank robbers, counterfeiters, murderers, or sodomites.[11] Among the first inmates were also 14 men from McNeil Island, Washington.[8] On 22 August 43 prisoners arrived from Atlanta Penitentiary and 10 from North Eastern Penitentiary, Lewisburg, Pennsylvania.[8] On 1 September, one prisoner arrived from Washington Asylum and Jail and seven from the District of Columbia Reformatory in Virginia, and on 4 September, another batch of 103 prisoners arrived by train from Leavenworth.[8] Prisoners continued to arrive, mainly from Leavenworth and Atlanta, into 1935 and by 30 June 1935, the penitentiary's first anniversary, it had a population of 242 prisoners, although some inmates such as Verrill Rapp had already been transferred from Alcatraz some months earlier.[8] On the first anniversary, the Bureau of Prisons wrote, "The establishment of this institution not only provided a secure place for the detention of the more difficult type of criminal but has had a good effect upon discipline in our other penitentiaries also. No serious disturbance of any kind has been reported during the year." The metal detectors often overheated and had to be turned off. After the Teletouch Corporation failed to address the problem, their contract was terminated in 1937 and they were charged over $200 for three new detectors supplied by Federal Laboratories.[8]

 

On 10 January 1935, a severe storm caused a landslide on Alcatraz, causing the Model Industries Building to slide.[8] This began series of changes to the structures on the island. A riprap was built around Model Industries Building, it was strengthened, and a guard tower added to the roof in June 1936. That same month, the barracks building was remodeled into 11 new apartments and nine single rooms for bachelors; by this time there were 52 families living on Alcatraz, including 126 women and children.[8] The problems with the Model Industries Building and continuing utility problems with some of the old buildings and systems led to extensive updates in 1937, including new tool-proof grills on the ventilators of the cell house roof, two new boilers installed in the power house, and a new pump for salt water sanitation and guardrails added to stairways.[8] In 1939–40, a $1.1 million redevelopment was begun, including construction of the New Industries Building, a complete overhaul of the power house with a new diesel engine, the building of a new water tower to solve the water storage problem, new apartment blocks for officers, improvements to the dock, and the conversion of D-block into isolation cells.[8] The changes were completed in July 1941. The workshops of the New Industries Building became highly productive, making army uniforms, cargo nets, and other items in high demand during World War II. In June 1945, it was reported that the federal penitentiaries had made 60,000 nets.[8]

 

Alcatraz gained notoriety from its inception as the toughest prison in America, considered by many the world's most fearsome prison of the day. Former prisoners reported brutality and inhumane conditions which severely tested their sanity.[12][13][14] Ed Wutke was the first prisoner to commit suicide in Alcatraz. Rufe Persful chopped off his fingers after grabbing an axe from the firetruck, begging another inmate to do the same to his other hand.[14] One writer decried Alcatraz as "the great garbage can of San Francisco Bay, into which every federal prison dumped its most rotten apples."[15] In 1939, the new U.S. Attorney General, Frank Murphy, attacked the penitentiary, saying, "The whole institution is conductive to psychology that builds up a sinister ambitious attitude among prisoners."[8] The prison's reputation was not helped by the arrival of more of America's most dangerous felons, including Robert Stroud, the "Birdman of Alcatraz," in 1942. He entered the prison system at age 19, and never left, spending 17 years at Alcatraz. Stroud killed a guard, tangled with other inmates and spent 42 of his 54 years in prison in solitary confinement. Despite its reputation, with many former inmates calling it "Hellcatraz," some prisoners reported that the living conditions there were much better than most other prisons in the country, especially the food, and many volunteered to come to Alcatraz.[6]

 

On 3 December 1940, Henri Young murdered fellow inmate Rufus McCain. Running downstairs from the furniture shop to the tailor's shop where McCain worked, Young violently stabbed McCain's neck; McCain died five hours later.[8] Young had been sent to Alcatraz for murder in 1933, and was later involved in an escape attempt during which the gangster Doc Barker was shot to death. He spent nearly 22 months in solitary confinement as a result, but was eventually permitted to work in the furniture shop. Young went on trial in 1941, with his attorneys claiming that their client could not be held responsible for the murder, since he had allegedly been subjected to "cruel and unusual punishment" by prison guards prior to the act. The trial brought Alcatraz into further disrepute.[8] Ultimately, Young was convicted of manslaughter and his prison sentence was only extended by a few years.

 

By the 1950s, conditions at Alcatraz had improved, and inmates were gradually permitted more privileges, such as playing musical instruments, watching movies on weekends, painting, and radio use; the strict code of silence became more relaxed, and prisoners were permitted to talk quietly.[14] However, it was by far the most expensive prison in the United States, and many still perceived it as America's most extreme jail.[16][8] In his annual report for 1952, Bureau of Prisons director James V. Bennett called for a more centralized institution to replace Alcatraz.[8] A 1959 report indicated that the facility was over three times more expensive to run than the average American prison; $10 per prisoner per day compared to $3 in most other prisons.[17] The problem was made worse by the buildings' structural deterioration from exposure to salt spray. It would need $5 million to fix. Major repairs began in 1958, but by 1961 engineers evaluated the prison as a lost cause. Attorney General Robert F. Kennedy submitted plans for a new maximum-security institution at Marion, Illinois.[8] The June 1962 escape from Alcatraz led to acrimonious investigations. Combined with the major structural problems and expensive operation, this led to closure on 21 March 1963.[17] The final Bureau of Prisons report said of Alcatraz Federal Penitentiary: "The institution served an important purpose in taking the strain off the older and greatly overcrowded institutions in Atlanta, Leavenworth and McNeil Island since it enabled us to move to the smaller, closely guarded institution for the escape artists, the big-time racketeers, the inveterate connivers and those who needed protection from other groups."[8]

 

Today a museum and one of San Francisco's major tourist attractions, Alcatraz drew some 1.5 million visitors annually (2010).[18][19] Visitors arrive by boat, and are given a tour of the cellhouse and island, and a slide show and audio narration with anecdotes from former inmates, guards and rangers on Alcatraz.[20] The atmosphere of the former penitentiary is still considered to be "eerie", "ghostly" and "chilling".[20] Protected by the National Park Service and the National Register of Historic Places, the salt-damaged buildings of the former prison are now being restored and maintained.[21]

 

According to the prison's correctional officers, once a convict arrived on the Alcatraz wharf, his first thoughts were on how to leave.[22] During its 29 years of operation, the penitentiary claimed that no prisoner successfully escaped. A total of 36 prisoners made 14 escape attempts, two men trying twice; 23 were caught, six were shot and killed during their escape, two drowned, and five are listed as "missing and presumed drowned".[23]

 

The first escape attempt was made on 27 April 1936, by Joseph Bowers, who was assigned to burn trash at the incinerator. He was scaling a chain link fence at the edge of the island when noticed. When he refused orders of the correctional officer located at the West Road guard tower to come down he was shot. He was seriously injured in the fall from over 15 m (50 ft) and consequently died.[6]

 

The second escape attempt was on 16 December 1937, by Theodore Cole and Ralph Roe. During their work assignment in one of the workshops, they cut the flat iron bars of the window and climbed into the bay. It was a stormy day and the sea was rough. They were thought dead by the prison authorities, who believed that they drowned in the bay and their bodies were swept out to sea.[6]

 

The most violent escape attempt occurred on 2–4 May 1946, when a failed attempt by six prisoners led to the Battle of Alcatraz, also known as the "Alcatraz Blast out". Bernard Coy, Joseph Cretzer, Sam Shockley, Clarence Carnes, Marvin Hubbard and Miran Thompson daringly took control of the cell house by overpowering correctional officers, and were able to enter the weapons room, where they then demanded keys to the outside recreation door. A quick-thinking guard, William Miller, turned over all but the key to the outer door, which he pocketed. The prisoners' aim was to escape by boat from the dock, but when they were unable to open the outside door, they decided to battle it out. They held Miller, and a second guard hostage. Prompted by Shockley and Thompson, Cretzer shot the hostages at very close range. Miller succumbed to his injuries while the second guard, Harold Stites, was also killed at the cell house. Although Shockley, Thompson, and Carnes returned to their cells, the other three, Coy, Cretzer and Hubbard, persisted with their fight. The U.S. Marines intervened to help the correctional officers and killed the three prisoners. In this battle, apart from the guards and prisoners killed, 17 other guards and one prisoner were also injured. Shockley, Thompson, and Carnes were tried for the killing of the correctional officers. Shockley and Thompson were sentenced to death via the gas chamber, which was carried out at San Quentin in December 1948. However, Carnes, who was only 19 years of age, was given a second life sentence.[6][24]

 

On 11 June 1962, Frank Morris, John Anglin, and Clarence Anglin, in contrast, attempted to escape using careful planning. Behind their cells in Cell Block B was an unguarded 3-foot (0.91 m) wide utility corridor. The prisoners chiseled away the salt-damaged concrete from around an air vent leading to this corridor, using tools such as a metal spoon soldered with silver from a dime and an electric drill improvised from a stolen vacuum cleaner motor. The noise was disguised by accordions played during music hour, and the progress was concealed by false walls which, in the dark recesses of the cells, fooled the guards.[6]

Side view of model head found in Frank Morris's cell

 

The escape route led up through a fan vent; the prisoners removed the fan and motor, replacing them with a steel grill and leaving a shaft large enough for a prisoner to enter. Stealing a carborundum abrasive cord from the prison workshop, the prisoners then removed the rivets from the grill. In their beds, they placed papier-mâché dummies made with human hair stolen from the barbershop. The escapees also made an inflatable raft over many weeks from over 50 stolen raincoats, which they prepared on the top of the cell block, concealed from the guards by sheets which had been put up over the sides. They escaped through a vent in the roof and departed Alcatraz.[6][24]

 

The FBI investigation was aided by another prisoner, Allen West, who was part of the escapees' group but was left behind. West's false wall kept slipping so he held it in place with cement, which set. When Morris and the Anglins accelerated the schedule, West desperately chipped away at the wall, but by the time he got out, his companions were gone. Hundreds of leads and theories have been pursued by the FBI and local law enforcement officials in the ensuing years, but no conclusive evidence has ever surfaced favoring the success or failure of the attempt. The FBI's investigation from 1962 to December 1979 was finally treated as closed.[25] The official report on the escape concludes that the prisoners drowned in the cold waters of the bay while trying to reach the mainland, it being unlikely that they made it the 1.25 miles to shore due to the strong ocean currents and the cold sea water temperatures ranging between 50 and 55 degrees Fahrenheit.[6][24]

 

The U.S. Marshals Service case file remains open and active, however. Morris and the Anglin brothers remain on its wanted list.[26] Circumstantial evidence uncovered in the early-2010s seemed to suggest that the men had survived, and that contrary to the official FBI report of the escapee's raft never being recovered and no car thefts being reported, a raft was discovered on nearby Angel Island with footprints leading away, and a 1955 blue Chevrolet had been stolen on the night of the escape by three men, who could have been Morris and the Anglins, and that officials then engaged in a cover-up.[27] Relatives of the Anglin brothers presented further circumstantial evidence in the mid-2010s in support of a longstanding rumor that the Anglin brothers had fled to Brazil following the escape; a facial recognition analyst concluded that the one piece of physical evidence, a 1975 photograph of two men resembling John and Clarence Anglin, did support that conclusion.[28][29]

Administration

Admin offices of Alcatraz

 

The prison initially had a staff of 155, including the first warden James A. Johnston and associate warden Cecil J. Shuttleworth, both considered to be "iron men".[11] None of the staff were trained in rehabilitation but were highly trained in security.[11] The guards' and staff's salaries varied. A new guard arriving in December 1948 was offered $3,024.96 per year, but there was a 6% deduction for retirement taxes a year (amounting to $181.50).[30] The guards typically worked 40-hour weeks with five 8-hour shifts.[30] Guards who worked between 6 pm and 6 am were given a 10% increase and guards doing overtime had to be reported and authorized by the warden.[30] Officers generally had to pay 25 cents for meals and were charged $10 to rent an apartment on the island, to include laundry service, although larger families were charged anything from $20–43 a month for larger quarters and charged additional for laundry.[30] In 1960, a Bureau of Prisons booklet revealed that the average prison population between 1935 and 1960 was 263; the highest recorded was 302 in 1937 and the lowest recorded was 222 in 1947.[31]

 

The main administration center was at the entrance to the prison, which included the warden's office. The office contained a desk with radio and telegraph equipment, typewriter, and a telephone.[32] The administrative office section also had the offices of the associate warden and secretary, mail desk, captain's desk, a business office, a clerk's office, an accounting office, a control room which was added with modern technology in 1961, the officer's lounge, armory and vault, and a visiting area and restrooms. The basement of Alcatraz prison contained dungeons and the showers. The main stairway to the dungeon lay along Sunrise Alley at the side of A-Block, but the dungeons were also accessible by a staircase in a trapdoor along the corridor of D-Block. All visits to Alcatraz required prior written approval from the warden.[33]

 

A hospital had originally been installed at Alcatraz during its time as a military prison in the late 19th century.[34] During its time as a federal penitentiary, it was located above the dining hall on the second floor. Hospital staff were U.S. Public Health Service employees assigned to the Federal Prison Service at Alcatraz.[35] Doctors often lasted fewer than several days or months at Alcatraz, because few of them could tolerate the violent inmates who would often terrify them if they failed to be given certain drugs.[35] Prisoners in ill health were often kept in the hospital, most famously Stroud and Al Capone, who spent years in it.[36][37]

Security

 

When the Bureau of Prisons established the Federal Penitentiary on 1 January 1934, they took measures to strengthen the security of the prison cells to make Alcatraz "escape-proof", and also to improve living conditions for their own staff. Up-to-date technologies for enhancing security and comfort were added to the buildings. Guard towers were built outside at four strategic locations, cells were rebuilt and fitted with "tool-proof steel cell fronts and locking devices operated from control boxes", and windows were made covered with iron grills. Electromagnetic metal detectors were placed at the entrances of the dining hall and workshops, with remote controlled tear gas canisters at appropriate locations, remote controlled gun galleries with machine gun armed guards were installed to patrol along the corridors. Improvements were made to the toilet and electricity facilities, old tunnels were sealed up with concrete to avoid hiding and escape by prisoners, and substantial changes and improvements were made to the housing facilities of guards, wardens and Captain to live with their families, with quality relative to rank. Warden Johnston, U.S. Attorney General Homer Cummings, and Sanford Bates first Director of the Bureau of Prisons, collaborated very closely to create "a legendary prison" suited to the times, which resulted in the Alcatraz Island Federal Penitentiary being nicknamed "Uncle Sam's Devil's Island.'[38]

Guards of Alcatraz

 

Despite Alcatraz being designed to house the "worst of the worst" of criminals who caused problems at other prisons, under the guidelines and regulations set by the strict prison administrators, courts could not direct a prisoner to be directly sent to Alcatraz, however notorious they were for misbehavior and attempted escape from other prisons.[38] Prisoners entering Alcatraz would undergo vigorous research and assessments prior to their arrival. Security in the prison was very tight, with constant checking of bars, doors, locks, electrical fixtures, and other physical security.[39] Prisoners were normally counted 13 times daily, and the ratio of prisoners to guards was the lowest of any American prison of the time.[40][41] The front door was made of solid steel, virtually impossible for any prisoners to escape through.[42] The island had many guard towers, most of which have since been demolished, which were heavily guarded at various points in the day at times when security may have been breached; for instance, there were guard towers on each of the industry buildings to ensure that inmates didn't attempt to escape during the work day shifts. The recreation yard and other parts of the prison had a 25-foot fence around it topped with barbed wire,[12] should any inmates attempt to escape during exercise. One former employee of the jail likened his prison job to being a zoo keeper or his old farm job, due to the fact that prisoners were treated like animals, sending them out to "plough the fields" when some of them worked during the day, and then counting them up and feeding them and so on.[39] He referred to those four years of his life working in the prison as a "total waste of his life".[39] The corridors were regularly patrolled by the guards, with passing gates along them; the most heavily trafficked corridor was "Broadway" between B and C Block, due to its being the central corridor of the prison and passed not only by guards but other prison workers.[43]

 

At the end of each 20-minute meal in the dining hall, the forks, spoons and knives were laid out on the table and carefully counted to ensure that nothing had been taken as a potential weapon. In the earlier years as a prison, prisoners were forbidden from talking while eating, but this was later relaxed, provided that the prisoners communicated quietly.[39] [44]

 

The gun gallery was situated in the Recreation Yard and mounted on one of the dining hall's exterior walls.[45] There was a metal detector outside of the dining hall for security purposes. The dining hall had tear-gas canisters attached to the rafters of the ceiling which could be activated by remote control, should prisoners riot or attempt to escape.[46][13] The first warden, James A. Johnston, always entered the dining hall alone and unarmed, due to heavy guarding around him.[47] Several riots did break out in the dining hall during Alcatraz's history. Those prisoners who were not involved in the fighting hid under the dining hall tables to escape possible gunfire.[48]

Wardens

 

James A. Johnston.jpg James A. Johnston 1934–48 James Aloysius Johnston (1874–1954) (nickname "Old Saltwater") [49] was the first warden of Alcatraz. The former Warden of Folsom and San Quentin, Johnston was instrumental to the creation of Alcatraz Federal Penitentiary from conception to design. He was considered to be a highly strict disciplinarian and a devout reformist who imposed a number of rules upon the prison including a strict code of silence, which led to him being nicknamed the 'Golden Rule Warden' from his San Quentin days.[49] However, he was relatively popular among inmates and guards, known as "Old Saltwater" to the inmates, and is credited with challenging the barbaric tactics used in the prison when he was there, including strait jackets and solitary confinement in darkness and working towards the general improvement of the lives of prisoners. In 1937 he was attacked by Burton Phillips from behind in the dining hall who beat him in anger at a worker's strike, but he continued to attend meals unguarded.

 

Edwin B. Swope.jpg Edwin B. Swope 1948–55 Edwin Burnham Swope (1888–1955) (nickname "Cowboy") was the second warden of Alcatraz. His earlier posts as warden included New Mexico State Prison and Washington State's McNeil Island Federal Penitentiary. He was described as being approximately 1.73 meter (5 feet 9 inches) tall, of slender build, and was a fan of horse racing who dressed like a cowboy off-duty.[50] He was a strict disciplinarian but unlike his predecessor was considered the most unpopular warden of Alcatraz with his officers and the inmates.[51]

 

Paul J. Madigan.jpg Paul J. Madigan 1955–61

 

Paul Joseph Madigan (1897–1974) was the third warden of Alcatraz. He had earlier served as the last Associate Warden during the term of James A. Johnston. He was the only warden who had worked his way up from the bottom of the ranks of the prison staff hierarchy, having worked originally as a Correctional Officer on Alcatraz from the 1930s.[52][51] In 21 May 1941, Madigan was the key to quashing an escape attempt after being held hostage in the Model Industries Building, which later led to his promotion as associate warden.[53] He was a stout, ruddy-faced, pipe-smoking, devout Irish Catholic.[54] Unlike his predecessors, Madigan was known for being more lenient and softer in his approach to administering the prison and was better liked by the prison staff.[52]

 

Olin G. Blackwell.jpg Olin G. Blackwell 1961–63

 

Olin Guy Blackwell (1915–1986) was the fourth and final warden of Alcatraz. Associate Warden to Paul J. Madigan from April 1959,[53] Blackwell served as warden of Alcatraz at its most difficult time from 1961 to 1963 when it was facing closure as a decaying prison with financing problems, coinciding with the timing of the infamous June 1962 escape from Alcatraz. At the time of the 1962 escape he was on vacation in Lake Berryessa in Napa County, and he didn't believe the men could have survived the waters and made it to shore.[55] Blackwell was considered to have been the least strict warden of Alcatraz, perhaps in part due to him having been a heavy drinker and smoker, nicknamed "Gypsy" and known as "Blackie" to his friends.[53] He was said to have been an excellent marksman who had earlier served as Associate Warden of Lewisburg Federal Penitentiary.

Prison life and the cells

 

An inmate register reveals that there were 1,576 prisoners in total held at Alcatraz during its time as a Federal Penitentiary, although figures reported have varied and some have stated 1557.[56][57] The prison cells, purposefully designed so that none adjoined an outside wall,[13] typically measured 9 feet (2.7 m) by 5 feet (1.5 m) and 7 feet (2.1 m) high.[58] The cells were primitive with a bed, a desk and a washbasin and toilet on the back wall and few furnishings except a blanket.[58] An air vent, measuring 6 inches (150 mm) by 9 inches (230 mm), covered by a metal grill, lay at the back of the cells which led into the utility corridors. [58] Prisoners had no privacy in going to the toilet and the toilets would emit a strong stench because they were flushed with salt water. Hot water faucets were not installed until the early 1960s, shortly before closure.[58]

 

The penitentiary established a very strict regimen of rules and regulations under the title "the Rules and Regulations for the Government and Discipline of the United States Penal and Correctional Institutions" and also a "Daily Routine of Work and Counts" to be followed by the prisoners and also the guards; copies of these were provided to the prisoners to read and follow. Inmates were basically entitled to food, clothing, shelter, and medical attention. Anything else was seen as a privilege. Inmates were given a blue shirt, grey pants (blue and white in later years[56]), cotton long underwear, socks and a blue handkerchief; the wearing of caps was forbidden in the cellhouse.[58] Cells were expected to be kept tidy and in good order. Any dangerous article found in the cells or on inmates such as money, narcotics, intoxicating substances or tools which had the potential to inflict injury or assist in an escape attempt was considered contraband and made the prisoners eligible for disciplinary action.[56] It was compulsory for prisoners to shave in their cells three times a week. Attempting to bribe, intimidate, or assault prison officers was seen as a very serious offense.[56] African-Americans were segregated from the rest in cell designation due to racial abuse being prevalent.[59] Toilet paper, matches, soap, and cleanser were issued to the cells on Tuesdays and Saturdays, and inmates could request hot water and a mop to clean their cells.[56] The bars, windows and floors of the prison were cleaned on a daily basis.[59] In earlier years there was a strict code of silence but by the 1950s this had relaxed and talking was permitted in the cellhouse and dining hall provided conversations were quiet and there was no shouting, loud talking, whistling or singing.[56]

 

Prisoners would be woken at 6:30 am, and sent to breakfast at 6:55 am. After returning to the cell, inmates then had to tidy their cell and place the waste basket outside.[56] At 7:30 am, work started in the shifts for those privileged enough to do so, punctuated by a whistle, and prisoners would have to go through a metal detector during work shifts.[39] If assigned a job, prisoners had to accept that line of work; prisoners were not permitted to have money in their possessions but earnings went into a prisoner's Trust Fund.[56] Some of the prisoners were assigned duties with the guards and foremen in the Laundry, Tailor Shop, Cobblers Shop, Model Shop etc. and in gardening and labor. Smoking, a privilege, was permitted in the workplace providing there wasn't any hazardous condition, but inmates were not permitted to smoke between the recreation yard and work. Lunch was served at 11:20 am, followed by a 30-minute rest in the cell, before returning to work until 16:15.[39] Dinner was served at 16:25 and the prisoners would then retire to their cells to be locked in for the night at 16:50, and lights went off at 21:30.[39][60] After being locked in for the night, 6 guards usually patrolled the four cell blocks.[59] Many prisoners have compared their duration at Alcatraz to hell and would have preferred death to continued incarceration.[61]

 

Alcatraz Library was located at the end of D-Block. Upon entering Alcatraz, every inmate was given a library card and a catalog of books found in the library; inmates could place orders by putting a slip with their card in a box at the entrance to the dining hall before breakfast, and the books would be delivered to and from their cell by a librarian.[62][63][60] The library, which utilized a closed-stack paging system, had a collection of 10,000 to 15,000 books, mainly left over from the army days.[64][63][60] Inmates were permitted a maximum of three books in addition to up to 12 text books, a Bible, and a dictionary.[60] They were permitted to subscribe to magazines but crime-related pages were torn out and newspapers were prohibited.[63] Sex, crime and violence were censored from all books and magazines, and the library was governed by a chaplain who regulated the censorship and the nature of the reading material to ensure that the material was wholesome.[60][64] Failure to return books by the date given made the inmate liable to removal of privileges.[60] The average prisoner read 75 to 100 books a year.[65] Every evening, inmates would generally read books loaned from the library and usually an hour or 75 minutes was allocated to the practicing of musical instruments, from the guitar to the accordion. A prison band often practiced in the dining room or auditorium above it; Al Capone famously practiced the banjo in the shower block, although most prisoners were limited to playing in their cells alone.[66]

 

Alcatraz cellhouse had a corridor naming system named after major American streets and landmarks. Michigan Avenue was the corridor to the side of A-Block, and Broadway was the central corridor in which the inmates would assemble as they massed through Times Square (an area with a clock on the wall), before entering the dining hall for their meals. Broadway separated Block-B and Block-C and prisoners kept along it had the least privacy in the prison.[67] The corridor between Block-C and the library was called Park Avenue.[67] The corridor in D-Block was named Sunset Strip. Gun galleries lay at the end of each block, including the West and

 

A-Block was never modernized, so retained its "flat strap-iron bars, key locks and spiral staircases" from the original military prison.[68] No inmates were permanently held there during the years Alcatraz was a federal penitentiary. Several inmates, however, were held briefly in A-Block before a hearing or transfer.[68] In the later years, A-Block was mainly used for storage. A law library was set up at some point, where inmates could type legal documents.[68] A small barber's shop was located at the end of A-block where inmates would have a monthly haircut.[68]

B-Block

 

Most new inmates at Alcatraz were assigned to the second tier of B-Block.[69] They had "quarantine status" for their first three months in confinement in Alcatraz, and were not permitted visitors for a minimum of 90 days.[69][70] Inmates were permitted one visitor a month, although anybody likely to cause trouble such as registered criminals were barred from visiting. Letters received by inmates were checked by prison staff first, to see if they could decipher any secret messages.[10][71] Frank Morris and his fellow escapees escaped Alcatraz during the June 1962 escape from Alcatraz by entering a utility corridor behind B-Block.[4]:120

 

D-Block gained notoriety as a "Treatment block" for some of the worst inmates, with varying degrees of punishment, including Isolation, Solitary and Strip.[72] Prisoners usually spent anywhere from 3 to 19 days in Solitary.[72] Prisoners held here would be given their meals in their cells, were not permitted to work and could only shower twice a week. After a 1939 escape attempt in which Arthur "Doc" Barker was killed, the Bureau of Prisons tightened security in the D-Block. The Birdman of Alcatraz inhabited cell 42 in D-Block in solitary confinement for 6 years.

D-Block

 

The worst cells for confinement as a punishment for inmates who stepped out of line were located at the end of D-Block in cells 9–14, known as "The Hole".[73] Inmates held in the hole were limited to just one 10-minute shower and an hour of exercise in the yard a week.[74][72] The five cells of "The Hole" had nothing but a sink and toilet and the very worst cell was nicknamed "The Oriental" or "Strip Cell", the final cell of the block with nothing but a hole in the floor as a toilet, in which prisoners would often be confined naked with nothing else for two days.[67][72] The guards controlled the flushing of the toilet in that cell.[8] After completing the punishment in the hole, the prisoner could then return to his cell but be tagged; a red tag, third grade, denoted a prisoner who was restricted from leaving his cell for perhaps 3 months.[39] At second grade the prisoners could receive letters, and if after 30 days they remained behaved, they would then be restored full prison privileges.[39]

 

Its size was approximately that of a regular cell-9 feet by 5 feet by about 7 feet high. I could just touch the ceiling by stretching out my arm ... You are stripped nude and pushed into the cell. Guards take your clothes and go over them minutely for what few grains of tobacco may have fallen into the cuffs or pockets. There is no soap. No tobacco. No toothbrush, The smell – well you can describe it only by the word 'stink.' It is like stepping into a sewer. It is nauseating. After they have searched your clothing, they throw it at you. For bedding, you get two blankets, around 5 in the evening. You have no shoes, no bed, no mattress-nothing but the four damp walls and two blankets. The walls are painted black. Once a day I got three slices of bread—no—that is an error. Some days I got four slices. I got one meal in five days, and nothing but bread in between. In the entire thirteen days I was there, I got two meals ... I have seen but one man get a bath in solitary confinement, in all the time that I have been there. That man had a bucket of cold water thrown over him.

 

Alcatraz Dining Hall, often referred to as the Mess Hall, is the dining hall where the prisoners and staff ate their meals. It is a long wing on the west end of the Main Cellhouse of Alcatraz, situated in the center of the island.[76] It is connected to the block by a corridor known as "Times Square", as it passes beneath a large clock approaching the entrance way to the dining hall.[4]:93 This wing includes the dining hall and the kitchen beyond it. On the second floor was the hospital and the auditorium, which was where movies were screened to the inmates at weekends.[77]

 

Dining hall protocol was a scripted process, including a whistle system to indicate which block and tier of men would move into and out of the hall at any given time, who sat where, where to place hands, and when to start eating.[78] Prisoners would be awakened at 6:30 am, and sent to breakfast at 6:55 am.[39] A breakfast menu is still preserved on the hallway board, dated 21 March 1963. The breakfast menu included assorted dry cereals, steamed whole wheat, a scrambled egg, milk, stewed fruit, toast, bread, and butter. Lunch was served in the dining hall at 11:20 am, followed by a 30-minute rest in the cell, before returning to work until 16:15.[39] Dinner was served at 16:25 and the prisoners would then go to their cells at 16:50 to be locked in for the night.[39] Inmates were permitted to eat as much as they liked within 20 minutes, provided they left no waste; waste would be reported and may make the prisoner subject to removal of privileges if they made a habit of it.[79][40]

 

Each dining table had benches which held up to six men, although smaller tables and chairs later replaced these which seated four.[44] All of the prison population, including the guards and officials would dine together, thus seating over 250 people.[44][80] The food served at Alcatraz was reportedly the best in the United States prison system.[79]

 

The Recreation Yard was the yard used by inmates of the prison between 1934 and 1963. It is located opposite the dining hall south of the end of D-Block, facing the mainland on a raised level surrounded by a high wall and fence above it.[81][82][83] Guard Tower #3 lay just to the west of the yard.[84] The gun gallery was situated in the yard, mounted on one of the dining hall's exterior walls.[45]

 

In 1936, the previously dirt-covered yard was paved.[85] The yard was part of the most violent escape attempt from Alcatraz in May 1946 when a group of inmates hatched a plot to obtain the key into the recreation yard, kill the tower guards, take hostages, and use them as shields to reach the dock.[86]

 

Inmates were permitted out into the yard on Saturdays and Sundays and on holidays for a maximum of 5 hours.[87][88] Inmates who worked seven days a week in the kitchen were rewarded with short yard breaks during the weekdays.[88] Badly behaved prisoners were liable to having their yard access rights taken away from them on weekends.[88] The prisoners of Alcatraz were permitted to play games such as baseball, softball and other sports at these times and intellectual games such as chess.[87] Because of the small size of the yard and the diamond at the end of it, a section of the wall behind the first base had to be padded to cushion the impact of inmates overrunning it.[89] Inmates were provided gloves, bats, and balls, but no sport uniforms. In 1938, there were four amateur teams, the Bees, Oaks, Oilers, and Seals, named after Minor League clubs, and four league teams named after Major League clubs, the Cardinals, Cubs, Giants, and Tigers.[90] Many of the inmates used weekends in the yards to converse with each other and discuss crime, the only real opportunities they had during the week for a durable conversation.[91]

 

The Warden's House is located at the northeastern end of the Main Cellblock, next to Alcatraz Lighthouse. The 3-floor 15-room mansion was built in 1921 according to the Golden Gate National Recreational Area signpost,[92] although some sources say it was built in 1926 or 1929 and had 17 or 18 rooms.[93]

 

Between 1934 and 1963, the four wardens of Alcatraz resided here, including the first warden, James A. Johnston. A house of luxury, in stark contrast to the jail next to it, the wardens often held lavish cocktail parties here.[94] The signpost at the spot shows a photograph of a trusted inmate doing chores at the house for the warden and that the house had a terraced garden and greenhouse.[92] The mansion had tall windows, providing fine views of San Francisco Bay.[93] Today, the house is a ruin, burned down by Native Americans during the

 

Building 64 Residential Apartments was the first building constructed on the island of Alcatraz, intended entirely for the purpose of accommodating the military officers and their families living on the island.[95] Located next to the dock on the southeastern side of the island, below the Warden's House,[96] the three-story apartment block was built in 1905 on the site of a U.S. Army barracks which had been there from the 1860s. It functioned as the Military Guard Barracks from 1906 until 1933. One of its largest apartments in the southwest corner was known as the "Cow Palace" and a nearby alleyway was known as "Chinatown".[95]

 

The Social Hall, also known as the Officers' Club, was a social club located on the northwestern side of the island. Located in proximity to the Power House, water tower and Former Military Chapel (Bachelor Quarters), it formerly housed the post exchange.[97] The club was a social venue for the Federal Penitentiary workers and their families on the island to unwind after a hard week's work dealing with America's most hardened criminals after they'd been locked up at 17:30.[98][99] It was burned down by Native Americans during the Occupation of Alcatraz in 1970, leaving a shell which still remains.

 

The club had a small bar, library, large dining and dance floor, billiards table, ping pong table and a two-lane bowling alley, and was the centre of social life on the island for the employees of the penitentiary.[100][101][102] It regularly hosted dinners, bingo events, and from the 1940s onwards showed movies every Sunday night after they had been shown to the inmates during the day on Saturday and Sunday.[100][4]:128 The club was responsible for organizing numerous special events on the island (held either in the hall or the Parade Grounds) and the fundraising associated with it, anything from ice cream and watermelon feasts to Halloween fancy dress and Christmas parties.[100][103]

 

The Power House is located on the northwest coast of Alcatraz Island. It was constructed in 1939 for $186,000 as part of a $1.1 million modernization scheme which also included the water tower, New Industries Building, officers quarters and remodeling of the D-block.[69] The white powerhouse smokestack and lighthouse were said to give an "appearance of a ship's mast on either side of the island".[104] A sign reading "A Warning. Keep Off. Only Government permitted within 200 yards" lay in front of the powerhouse to deter people landing on the island at the point.

 

Between 1939 and 1963, it supplied power to the Federal Penitentiary and other buildings on the island. The powerhouse had a tower duty station which was guarded with a "30-caliber Winchester rifle with 50 rounds of ammunition, a 1911 semiautomatic pistol with three seven-round magazines, three gas grenades, and a gas mask."[105]

 

The water tower is located on the northwestern side of the island, near Tower No. 3, beyond the Morgue and Recreation Yard.[106] The water tank is situated on six cross-braced steel legs submerged in concrete foundations.[dubious – discuss][107]

 

As Alcatraz had no water supply of its own, it had to import it from the mainland, brought by tug and barge.[108] During the island's military years, there were in-ground water tanks and water tanks were situated on the roof of the citadel.[109] The water tower was built in 1940–41 by the Federal Bureau of Prisons,[110] after the island received a government renovations grant to supply the majority of the island's fresh water.[109][dubious – discuss]

 

It is the tallest building on the island, at a height of 94 feet (29 m) with a volume of 250,000 US gallons (950 kL) gallons of fresh water. It was used to store potable water for drinking, water for firefighting, and water for the island's service

 

The Model Industries Building is a three/four-story building on the northwest corner of Alcatraz Island. This building was originally built by the U.S. military and was used as a laundry building until the New Industries Building was built as part of a redevelopment program on Alcatraz in 1939 when it was a federal penitentiary. As part of the Alcatraz jail, it held workshops for inmates to work in.[112]

Inmates working in the sewing room

 

On 10 January 1935, the building shifted to within 2.5 feet from the edge of the cliff following a landslide caused by a severe storm. The warden at the time, James A. Johnston, proposed extend the seawall next to it and asked the Bureau for $6500 to fund it; he would later claim to dislike the building because it was irregularly shaped.[69] A smaller, cheaper riprap was completed by the end of 1935. A guard tower and a catwalk from Hill Tower was added to the roof of the Industries Building in June 1936 and the building was made secure with bars from old cells to bar the windows and grill the roof ventilators and to prevent inmates from escaping from the roof.[69] It ceased use as a laundry in 1939 when it was moved to the upper floor of the New Industries Building. Today the building is heavily rusted after decades of exposure to the salt air and wind, and neither the guard tower on top of the building nor the Hill Tower still exist.

 

The New Industries Building was constructed in 1939 for $186,000 as part of a $1.1 million modernization scheme which also included the water tower, power house, officers' quarters and remodeling of the D-block.[8]

 

The ground floor of the two-story 306 ft long building contained a clothing factory, dry cleaning plant, furniture plant, brush factory, and an office, where prisoners of the federal penitentiary could work for money.[8] They earned a small wage for their labour which was put into an account, known as a Prisoner's Trust Fund, which would be given to them upon leaving Alcatraz.[113] They made items such as gloves, furniture mats, and army uniforms.[112] The laundry room occupied the entire upper floor, the largest in San Francisco at the time.[8][112] Each window has 9 panes and there are 17 bays on each floor on either side.

 

Arthur Barker.jpg Arthur R. Barker ("Doc") #268 1935–39 Arthur Barker (4 June 1899 – 13 January 1939) was the son of Ma Barker and a member of the Barker-Karpis gang along with Alvin Karpis. In 1935, Barker was sent to Alcatraz Island on conspiracy to kidnap charges. On the night of 13 January 1939, Barker with Henri Young and Rufus McCain attempted escape from Alcatraz. Barker was shot and killed by the guards.[114]

Acaponeh.jpg Alphonse "Al" Gabriel Capone ("Scarface") #85 1934–39 When Al Capone (17 January 1899 – 25 January 1947) arrived on Alcatraz in 1934, prison officials made it clear that he would not be receiving any preferential treatment. While serving his time in Atlanta Federal Penitentiary, Capone, a master manipulator, had continued running his rackets from behind bars by buying off guards.[38] Capone generated major media attention while on Alcatraz, though he served just four and a half years of his sentence there[38] before developing symptoms of tertiary syphilis and poor mental health before being transferred to the Federal Correctional Institution at Terminal Island in Los Angeles in 1938. He tried his best to seek favors from warden Johnston, but failed, and was given work in the prison performing numerous menial jobs. Capone was involved in many fights with fellow prisoners, including one with an inmate who held a blade to his throat in the prison barbershop after Capone attempted to jump the queue. He was released from jail in November 1939 and lived in Miami until his death in 1947 at 48 years of age.[38][115]

Mickey Cohen.jpg Meyer Harris Cohen ("Mickey") #1518 1961–63 Mickey Cohen (4 September 1913 – 29 July 1976) worked for the Mafia's gambling rackets; he was convicted of tax evasion and sentenced to 15 years in Alcatraz Island.[116] He was transferred to the United States Penitentiary in Atlanta shortly before Alcatraz closed permanently on 21 March 1963. While at Atlanta, on 14 August 1963, fellow inmate Burl Estes McDonald clobbered[117] Cohen with a lead pipe, partially paralyzing the mobster. After his release in 1972, Cohen led a quiet life with old friends.[118]

BumpyJohnsonAlcatrazPrisonCropped.jpg Ellsworth Raymond Johnson ("Bumpy") #1117 1954–63 "Bumpy" Johnson (31 October 1905 – 7 July 1968), referred to as the "Godfather of Harlem", was an African-American gangster, numbers operator, racketeer, and bootlegger in Harlem in the early 20th century. He was sent to Alcatraz in 1954 and was imprisoned until 1963. He was believed to have been involved in the 1962 escape attempt of Frank Morris, John and Clarence Anglin.[119]

Alvin Karpis.jpg Alvin Francis Karpavicz ("Creepy Karpis") #325 1936–62 Alvin Karpis (10 August 1907 – 26 August 1979) was Canadian, of Lithuanian descent. He was nicknamed "Creepy" for his sinister smile and called "Ray" by his gang members. He was known for being one of the three leaders of the Ma Barker-Karpis gang in the 1930s; the other two leaders were Fred and Doc Barker of the Ma Barker Gang. He was the only "Public Enemy #1" to be taken personally by J. Edgar Hoover. There were only four "public enemies" ever given the title of "Public Enemy #1" by the FBI. The other three, John Dillinger, Pretty Boy Floyd, and Baby Face Nelson, were all killed before being captured.[120] He also spent the longest time as a federal prisoner in Alcatraz Prison at 26 years. Karpis was credited with ten murders and six kidnappings apart from bank robbery. He was deported to Canada in 1971 and died in Spain in 1979.[115][121][122]

MachineGunKelly.jpg George Kelly Barnes ("Machine Gun Kelly") #117 1934–51 "Machine Gun Kelly" (18 July 1895 – 18 July 1954) arrived on 4 September 1934. At Alcatraz, Kelly was constantly boasting about several robberies and murders that he had never committed.[123] Although his boasts were said to be tiresome to other prisoners, Warden Johnson considered him a model inmate. Inmate #139, Harvey Bailey was his partner. Kelly was returned to Leavenworth in 1951.

Robert Garcia visiting Rafael Cancel Miranda.jpg Rafael Cancel Miranda #1163 1954–60 In July 1954, Rafael Cancel Miranda (18 July 1930 – 2 March 2020) was sent to Alcatraz, where he served six years of his sentence. At Alcatraz he was a model prisoner,[3] where he worked in the brush factory and served as an altar boy at Catholic services. His closest friends were fellow Puerto Ricans Emerito Vasquez and Hiram Crespo-Crespo. They spoke Spanish and watched out for each other. On the recreation yard he often played chess with "Bumpy" Johnson.[3] He also befriended Morton Sobell; they developed a friendship that lasts to this day.[3]

 

His family made trips to San Francisco to visit him, but he wasn't allowed to see his children. His wife was allowed to talk to him through a glass in the visiting room, using a phone. They were not allowed to speak in Spanish and had to speak in English.[124] He was transferred to Leavenworth in 1960.

RobertStroud.jpg Robert Franklin Stroud ("Birdman of Alcatraz") #594 1942–59 Robert Stroud, who was better known to the public as the Birdman of Alcatraz (28 January 1890 – 21 November 1963), was transferred to Alcatraz in 1942. At a young age he took to pimping and was involved in a murder during a drunken brawl. After terms in McNeil Island and Leavenworth Federal Prison, where he had killed Officer Andrew Turner, he was transferred to Alcatraz, with his sentence extended.

 

A self-taught ornithologist, he wrote several books. His Digest on the Diseases of Birds is considered a classic in Ornithology. He was confined to D-Block in solitary confinement for most of his duration in Alcatraz.[125] and after a term in the prison hospital, was transferred to the Medical Center for Federal Prisoners in Springfield, Missouri, due to seriously detioriating health.[6] Although he was given the name "The Birdman of Alcatraz", he was not permitted to keep birds in his prison cell at Alcatraz, as he had at Leavenworth, because it was prohibited. He died in 1963.[6][24][126][127]

 

The Native Americans mentioned the evil spirits they purportedly encountered on the island long before it became a military prison.[128] Mark Twain visited it, found the atmosphere of the island eerie, and described it as "being as cold as winter, even in the summer months."[129] The alleged haunting of the prison has been documented in numerous paranormal television series.[130]

I entered this shot at a local fair, and it got the judges' choice award and a purple ribbon along with it! (: