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Anne Hidalgo at the annual dinner of the FIDH (International Federation for Human rights) at the Town hall on 6th December 2016 in Paris
Luz de la Luna / Moonlight
FELIX RESURRECTION HIDALGO Y PADILLA
Manila, February 21, 1855 – Barcelona, March 13, 1913
Oil on canvas,
99.06 x 116.84 cm or 39 x 46 in.
Signed lower left
Provenance:
• Private Collection, San Franciscoi, California U.S.A.
• Private Collection, Ojai, California U.S.A.
• Formerly part of Mr. William Hubbell Collection. San Francisco, California.
William Hubble is the great-grandson of U.S. Consul George W. Hubbell, founder of the Hubbell Trading Company in the Philippines.
Felix Resurreccion Hidalgo’s seascape echoes the artist’s fascination with the violence of the sea. This work of Felix Resurreccion Hidalgo utilizes not only the painterly quality of oil, but also the singular movement of brushstrokes to create motion. Just like his famous work “La Barca de Aqueronte”, which exemplifies this through the sway and churn of water and whitewater bubbling around a mournful boatman, this seascape depicts foul weather, but not too gloomy for the viewer to see the lusty poetry in all that sea green tempest and hard driving, albeit invisible, wind driving the waves against a high craggy promontory in the background, which is painted sans distinct details.
The relationship of light and dark areas, the contrasts of movement, are largely responsible for the expressive power of the stormy shore. Hidalgo may have been a romantic but, he was also a realist in basing his art upon experiences directly perceived in nature.
The fluidity of the sea, whose color, light, and atmosphere changes from one moment to the next, was a ready equivalent of the flickering reveries of Hidalgo’s brush.
Hidalgo painted this monumental sea scene with the color effects boldly and facilely applied. In terms of quality and invention,Hidalgo’s achievements as a painter are unparalleled, and while Juan Luna is arguably the more famous of the two, some artcritics consider Hidalgo the more superior painter.
In principle, Hidalgo’s seascape combines the strengths of both Luminism and Impressionism, even if he adheres to neither.His dramatic, even impressionistic skies amid waves in some instances diverge from the becalmed seas of late 19th century painting, manifested best in the luminist style in the United States — which he never visited.
Luminism is characterizedby attention to detail and the hiding of brushstrokes, while impressionism is characterized by lack of detail and an emphasison brushstrokes.
Having taken up painting at the Academia de Dibujo y Pintura in Intramuros early in his career, he remaineda classicist, preferring to work in the style recognized by the art Establishment, despite the furor over the Impressionists in the Europe of 1884. Thus, Hidalgo’s depictions of the stormy sea mark one significant extreme of the vast range of Philippine art’s landscape traditions.
Here is a woman's belt from the Nahua community of Santa Ana Tzacuala, Acaxochitlan, Hidalgo, Mexico
Portofino restaurant, Hidalgo Ave, a pedestrian street featuring many restaurants, bars and stores, Isla Mujeres, Mexico
Nuestra Señora de la Purificación (Candelaria)
Mártires de la Conquista 65
Col. Tacubaya C.P. 11870
Del. Miguel Hidalgo
Tel. 5273-4110
Tel. 5273-4170
Fax.
www.facebook.com/catedraleseiglesias
© Album 2877
By Cathedrals and Churches
Cathedrals and Churches By
Diocese of Tampico
Parish: St. John Bosco
Dean of Christ vicariate of the Sea
Hidalgo No. 301 Ote.
Col Arbol Grande
C.P.: 89490
Phone: 01 (833) 215 0562
C.D.Madero, Tamaulipas
January 31 Feast
Precept Sunday Mass 7:00 AM
Precept Sunday Mass 9:00 A.M.
Precept Mass Sunday 12:00 p.m.
Diaria7 Mass: 00 P.M.
"This church of St. John Bosco, who is dedicated, began as a wooden chapel back in 1920 and gradually was transformed, the first priest who was here was Don Diómeres Sanchez, who was assigned to the parish of Sacred Heart of Jesus of Ciudad Madero, then spent time Monsignor Santiago Martinez, who later also became pastor of Sacred Heart Church. "
In the year 1944 came to the parish of John Bosco, a young priest, who later became known as Monsignor Ignacio Rosiles Namorado-he promised to St. John Bosco and Mary Help of Christians, who are the heavenly patron of the Salesians. Keep me Salesian religious and swore that they would build a beautiful church, argued the priest.
"And this is precisely where we are, than we can realize at first sight is the most beautiful and unique church in the baroque genre throughout the state of Tamaulipas, has many paintings, many very beautiful oil paintings of enough value that were made to the year 1952 and 53 by a painter named San Luis Moreno ".
It has in the altarpieces, such as covering the back of the altar of gold foil, is considered a very valuable church, besides being a parish that is surrounded by many oil paintings, many saints and stained glass.
"We look especially in carving wood, as is the pulpit crafted with cedar wood and wrought detail, reflect the different stages of the life of St. John Bosco, the heavenly patron of this parish, all doors , starting with the entry are also hand-carved cedar. "
It also has large windows on the sides, these were built for about 60 years later were destroyed by Cyclone Hilda, 1955.
© Álbum 2877
By Catedrales e Iglesias
By Cathedrals and Churches
Diócesis de Tampico
Parroquia: San Juan Bosco
Arciprestazgo de Decanato de Cristo del Mar
Hidalgo No. 301 Ote.
Col Arbol Grande
C.P.: 89490
Teléfono: 01 (833) 215 0562
C.D.Madero, Tamaulipas
Fiesta Patronal 31 de Enero
Misa de Precepto Dominical 7:00 A.M.
Misa de Precepto Dominical 9:00 A.M.
Misa de Precepto Dominical 12:00 P.M.
Misa Diaria7:00 P.M.
“Esta iglesia de San Juan Bosco, a quien está dedicada, comenzó siendo una capillita de madera allá por los años 1920 y poco a poco se fue transformando; el primer sacerdote que estuvo aquí fue don Diómeres Sánchez, que estaba asignado a la parroquia del Sagrado Corazón de Jesús de Ciudad Madero, después estuvo un tiempo Monseñor Santiago Martínez, que posteriormente fue nombrado párroco igualmente de la iglesia del Sagrado Corazón”.
En el año de 1944 llegó a la parroquia de Juan Bosco un joven sacerdote, que más tarde sería conocido como Monseñor Ignacio Rosiles Namorado, -él les prometió a San Juan Bosco y a María Auxiliadora, que son los celestiales patronos de los salesianos-. Quería ser religioso salesiano y les juró que les edificaría una hermosa iglesia, argumentó el sacerdote.
“Y es esta precisamente en la que nos encontramos, que como nos podemos dar cuenta a simple vista es la iglesia más hermosa y única en su genero barroco de todo el estado de Tamaulipas, tiene muchas pinturas, muchos óleos muy hermosos de bastante valor que se hicieron hacia el año de 1952 y 53 por un pintor potosino de apellido Moreno”.
Tiene en los retablos, como el que cubre en la parte de atrás del altar mayor lámina de oro; es considerada una iglesia muy valiosa, además de ser una parroquia que está rodeada de muchos óleos, numerosos santos y también de vitrales.
“Podemos fijarnos especialmente en el tallado de madera, como lo es el púlpito hecho a mano con madera de cedro y labrado minuciosamente, en el se reflejan diferentes etapas de la vida de San Juan Bosco, el patrono celestial de esta parroquia; todas las puertas, comenzando con las de la entrada son igualmente de cedro tallado a mano”.
También tiene a los lados grandes vitrales, estos fueron construidos hace aproximadamente 60 años; tiempo después quedaron destruidos a causa del ciclón Hilda de 1955.
The Hidalgo Challenge incorporated most of the training conducted during Cadet Field Training to include land navigation, fire support, Soldier First Responder and urban operations. Cadets attached to 8th Company finish up the final lane of the Challenge on July 17 at Camp Buckner. Photo by Mike Strasser, West Point Public Affairs
Casa Hidalgo/Enriquez Mansion
Owner: Rafael Enriquez
Original Location: Hidalgo St. Quiapo Manila
Year of Construction: 1867
Year of Reconstruction: 2006
Las Casas Filipinas de Acuzar
Bagac, Bataan
Philippines
On our way to the bathrooms on Olvera street we noticed a mural on the wall. I snapped a few detail shots of the art. Thanks to mozart64 for identifying this person as Miguel Hidalgo, a Catholic priest who started the independence movement that eventually led to Mexico's independence from Spanish rule in 1810.
A photographer shoots a close-up image of embroidered textiles from Santa Catarina, Acaxochitlan, Hidalgo Mexico
Shots from the 2015 SMASH! event at Rosehill Gardens, photographed by Sebastian Hidalgo.
Flickr: www.flickr.com/photos/sebasu_tan
Twitter: sebasu_tan