View allAll Photos Tagged Hidalgo
Sobre las 20.40-22.10, Estube con David Hidalgo en algun lugar de barcelona sacando un par de fotos para sponsors, marca propia de ropa y demas.
Vanessa Hidalgo.
El pasado 3 de junio de 2012, tuve otra sesión en el hotel Fuente de la Aceña. Esta vez con 3 modelos.
Localización: Hotel Fuente de la Aceña, Quintanilla de Onésimo, Valladolid. (Gracias a Azucena Casas)
Maquillaje/Peluquería: valkiriavalladolid.com/
Una simple pared blanca puede convertirse en un perfecto fondo de estudio. Sin retoques. Alejar un poco a la modelo, cerrar diafragma o bajar ISO para conseguir atractivos tonos grises.
Bright flowers for the last day of summer --- an embroidered blouse from Jaltocan, a small nahuatl speaking community near Huejutla in the Huasteca region of the state of Hidalgo, Mexico. Seen at an exhibition at the Museo de Arte Popular in Mexico City
Rex Peterson, Hollywoods top horse trainer with RJ at Equine Affair in Mass.
Yesterday I met one of the 5 horses that played the mustang Hidalgo in the movie with Viggo Mortensen a few years back. This is RJ, Viggo himself bought one of the 5, the one named TJ. Rj did alotof the faster paced scenes and stunts and TJ did alot of the close up work.
This Nahua woman wears a hand embroidered quechquemitl at the fiesta in Santa Catarina, Acaxochitlan, Hidalgo Mexico
Three hand embroidered morrales (shoulder bags) made in the small community of Santa Catarina Acaxochitlan, Hidalgo Mexico
Windows, doors, fountains, architecture. What would you call this gorgeous wall accent? A lovely nook at the home of Miguel Hidalgo in Dolores Hidalgo - the cradle of Mexican National Independence. Read more here: en.wikipedia.org/wiki/Dolores_Hidalgo
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© Barbara Dickie All rights reserved.
This blouse comes from the small nahuatl speaking community of Huitzitzilingo, Hidalgo Mexico. The cross stitch embroidery is very fine
This vase or olla was made in the Nahua community of Chililico, Hidalgo, Mexico. Displayed at the Museo de Arte Popular in Mexico City
Coca Cola bicentenario estado de hidalgo.
Inspirada en la minería, la siembra del nopal. los atlantes de Tula y los prismas basalticos.
The winery was founded in 2006 by the Garcia Hidalgo family and is situated in the beautiful Guadalcobacin valley, named after the river. The river naturally irrigates the orchards of Arriate and Ronda and provides the home to the area’s wine Alcobazin. The winery operated by owner and oenologist Miguel Garcia Pereila and wife Maria Isabel. They developed traditional methods and skills and following very natural processes that has gained them official Ecological Cultivating certificate status. Their wine production is voluntarily reduced to focus on achieving quality over quantity and to also obtain strong wines in all aspects of color, body and taste.
The tour included an excellent lunch with three wines. They did not serve a white wine, substituting another red, because they didn’t think it was up to quality standards.
Luz de la Luna / Moonlight
FELIX RESURRECTION HIDALGO Y PADILLA
Manila, February 21, 1855 – Barcelona, March 13, 1913
Oil on canvas,
99.06 x 116.84 cm or 39 x 46 in.
Signed lower left
Provenance:
• Private Collection, San Franciscoi, California U.S.A.
• Private Collection, Ojai, California U.S.A.
• Formerly part of Mr. William Hubbell Collection. San Francisco, California.
William Hubble is the great-grandson of U.S. Consul George W. Hubbell, founder of the Hubbell Trading Company in the Philippines.
Felix Resurreccion Hidalgo’s seascape echoes the artist’s fascination with the violence of the sea. This work of Felix Resurreccion Hidalgo utilizes not only the painterly quality of oil, but also the singular movement of brushstrokes to create motion. Just like his famous work “La Barca de Aqueronte”, which exemplifies this through the sway and churn of water and whitewater bubbling around a mournful boatman, this seascape depicts foul weather, but not too gloomy for the viewer to see the lusty poetry in all that sea green tempest and hard driving, albeit invisible, wind driving the waves against a high craggy promontory in the background, which is painted sans distinct details.
The relationship of light and dark areas, the contrasts of movement, are largely responsible for the expressive power of the stormy shore. Hidalgo may have been a romantic but, he was also a realist in basing his art upon experiences directly perceived in nature.
The fluidity of the sea, whose color, light, and atmosphere changes from one moment to the next, was a ready equivalent of the flickering reveries of Hidalgo’s brush.
Hidalgo painted this monumental sea scene with the color effects boldly and facilely applied. In terms of quality and invention,Hidalgo’s achievements as a painter are unparalleled, and while Juan Luna is arguably the more famous of the two, some artcritics consider Hidalgo the more superior painter.
In principle, Hidalgo’s seascape combines the strengths of both Luminism and Impressionism, even if he adheres to neither.His dramatic, even impressionistic skies amid waves in some instances diverge from the becalmed seas of late 19th century painting, manifested best in the luminist style in the United States — which he never visited.
Luminism is characterizedby attention to detail and the hiding of brushstrokes, while impressionism is characterized by lack of detail and an emphasison brushstrokes.
Having taken up painting at the Academia de Dibujo y Pintura in Intramuros early in his career, he remaineda classicist, preferring to work in the style recognized by the art Establishment, despite the furor over the Impressionists in the Europe of 1884. Thus, Hidalgo’s depictions of the stormy sea mark one significant extreme of the vast range of Philippine art’s landscape traditions.