View allAll Photos Tagged Hasselblad_2000,

Plaubel Peco Jr 9x12/10x15 w Schneider Symmar-S 210mm f5.6 @ f22

Bergger Pancro 400 4x5 in Rodinal RO9 1+50 at 68 degrees 22 minutes

Scanned on Microtek i800

 

Lens: Carl Zeiss F 50mm f2.8

Hasselblad 2000 FC/M

Zeiss Planar 110 mm f/2 F

Cinestill Redrum (@ 200)

Developed by John Gunn Camera Shop

Scanned with Canon EOS 1DX III

Processed in Adobe Lightroom with Negative Lab Pro

Det er efterår...når cafébillederne tages indefra og ud.

Et par af de dystre fra Odense.

Pause fra Krydstogterne. Nu fast grund under fødderne i Glavendruplunden på Fyn.

KALIMAR 300mm f/5.6 Mirror + Hasselblad 2000 FC/M + Kodak PORTRA400

Endelig et motiv, som skreg efter farvefilm.

Odense Havn, som jeg måtte forbi flere gange, førend alt faldt på plads.

København med Hasselblad og Sonnar 250mm.

Først den ene vej, og så den anden vej.

Kort visit på et lille 'Koldkrigsmuseum'.

Den gamle kommandocentral under skolen i Kerteminde.

Opsamling af farvebilleder fra Fyn.

Olafur Eliasson's mesterværk 'Fjordenhus' ved Vejle Lystbådehavn.

Opsamling fra Johannes Larsen Muséet, Kerteminde.

Disse tre optagelser lå på en rulle, som først senere blev skudt færdig og fremkaldt.

Koblenz 2024

Despite bearing these magnificent flowers, the host mallee gum tree was rather inconspicuous. I passed by it almost every day, and it was only on this day, when I was specifically looking for flowers to photograph, that I noticed it.

 

Gum trees or eucalypts are very hard to classify, and I would not even dare to try with this example. Instead, I shall simply present my observations. It had a mallee habit, with a height of around 3 metres. The pink flowers were pendulous in form, hanging down in bright bunches of color. As for the flowers themselves, the photograph shows very clearly the masses of stamen, with pink filaments and yellow anthers, surrounding the single pistil, with its green stigma and pink style.

 

As an aside, in doing some research on the web for this post, I came across an article that provided the clearest description of how to identify the three genera of eucalypts (i.e., Eucalyptus, Corymbia, and Angophora) that I have come across. I have reproduced part of this article below.

 

"There are a number of differences which serve to distinguish the three "eucalypt" genera. The following are the most obvious features which separate them but they are only general and there may be exceptions:

- Eucalyptus and Corymbia; Adult leaves alternate.

- Angophora; Adult leaves opposite.

- Eucalyptus and Corymbia; Flowers have a cap (operculum) which falls off as the flowers open.

- Angophora; Flowers do not have a cap

- Angophora and Corymbia; Flowers occur in "corymbs", a structure where flower stalks arise from different levels on the stem but all flowers finish in more or less the same plane."

 

(From anpsa.org.au/eucal1a.html)

 

Barton, Australian Capital Territory, Australia.

 

Photography notes ...

The photograph was taken using the following hardware configuration ...

- Hasselblad 500C/M body (1994).

- Hasselblad CFV-50c Digital Back for Hasselblad V mount camera.

- Hasselblad Focusing Screen for the CFV-50c digital back, with focussing prism and crop markings.

- Hasselblad 45 Degree Viewfinder PME-45 42297 (2001).

- Carl Zeiss - Planar T* 80mm f2.8 CFE - Nr 8872366 - Hasselblad (2000).

- FotodioX B60 Lens Hood for Select Hasselblad Standard Length CF Lenses .

- Hasselblad Extension Tube 56E (56mm) for 200 and 500 Series - MFR # 30 40656.

(Year of manufacture indicated in braces where known.)

 

I acquired the photograph (8272 x 6200 pixels) with an ISO of 800, exposure time of 1/250 seconds, and aperture of f/5.6

 

Post-processing ...

Finder - Removed the CF card from the camera digital back and placed it in a Lexar 25-in-1 USB card reader. Then used Finder on my MacBook Air to download the raw image file (3FR extension) from the card.

Lightroom - Imported the 3FR image. Used the Map module to add the location details to the EXIF header. Applied various lighting and color adjustments in the Develop module. Applied a small amount of luminance denoising and sharpening. Cropped the image to square format. Output the image as a JPEG image using the "Maximum" quality option (5740 x 5740 pixels).

De sidste bidrag fra Fototuren til Ærø.

Hasselblad 2000 F/CM 105 mm lens + soft focus filter.

@Kingston Upon Thames

View On Black

Hasselblad 2000 FC/M + 110mm F2.0 + Fuji Acros 100 + ID11

Fotografisk visit på Clay keramikmuseum i Middelfart.

Solen forsøger et gennembrud i parken ved Hofmansgave.

Jeg læste i den lokale sprøjte, at det var nu havørreden ville begive sig ind i de nordfynske vandløb for at gyde.

Åbenbart holder havørrederne ikke Ugeavisen, for jeg så ikke en eneste.

Ak jeg var for hurtig på aftrækkeren. En brøkdel at et sekund senere var den bageste af de små skvattet, men kom heldigvis ikke til skade.

Hasselblad 2000 F/CM

250mm, 105 mm lenses

Hasselblad 2000 FC/M

Zeiss Planar 110 mm f/2 F

Kodak TMax 100 (exp. 1999, @ 100)

Moersch Pyro 48 (1+2+500, 30:00, 20 °C)

Scanned with Fujifilm GFX100S

Processed in Adobe Lightroom

Hasselblad 2000 / Biometar 120 @ f2.8 / Tmax 100 / DDX

Efterårsstemninger ved Gyldensteen Strand.

Fra landevejen mellem Bogense og Middelfart.

Snyd fra TV-køkkenet!

Ganske vist var det i går den store fototur fandt sted på H.C.A. julemarkedet i Odense, men dette skud er fra sidste søndag.

LOMO OKC1-150-1 150mm f/2.8 + Hasselblad 2000 FC/M + Fuji RDPIII 100

Hasselblad 2000 FC/M

Zeiss Planar 110 mm f/2 F

Kodak Gold 200 (@ 100)

Rollei ColorChem (+0, 38 C)

Scanned with Canon EOS 1DX III

Inverted with Negative Lab Pro

Processed in Adobe Lightroom

LOMO OKC1-150-1 150mm f/2.8 + Hasselblad 2000 FC/M + Fuji RDPIII 100

Vi må da heller ikke glemme månedens tema, som yderst aktuelt, handler om lyset i den mørke tid.

Yellow anemone

Kodak Portra 160

C41 dev: www.fayer.at

Pentac 4.25" @f2.9 / Hasselblad 2000 / Agfa Scala @ISO 50 / Rodinal 1:50

Hasselblad 2000, Planar 80mm 2.8, ilford HP5

Hasselblad 2000 FC/M

Zeiss Planar 110 mm f/2 F

Kodak Gold 200 (@ 200)

Rollei ColorChem (+0, 38 C)

Scanned with Canon EOS 1DX III

Inverted with Negative Lab Pro

Processed in Adobe Lightroom

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