Puente del Kursaal, Donostia, Guipúzcoa, España.

Puente de tramos rectos de hormigón armado, recubierto por piedra de Motrico y mármol rosa, con elementos decorativos de estilo modernista. Construido sobre grandes pilares, de donde arrancan las seis características farolas que contienen a esta obra su marcada personalidad.

A comienzos del siglo XX. El ayuntamiento apoya la construcción de un tercer puente sobre el Urumea "en el que se armonicen la solidez y la resistencia con la monumentalidad y belleza del conjunto".

El ingeniero Ribera presentó al Ayuntamiento una importante modificación: el puente de la Zurriola, proyecto inicialmente con arcos, será construido con tramos rectos.

El 14 de Agosto de 1921 numerosísimo público acudió a la inauguración.

El barandado metálico y los obeliscos que hacen de farolas son obra de Victor Arana. Las cuatro esfinges de bronce pertenecen a la reforma de 1993. Tienen 120 metros de largo como el puente de Santa catalina con el que mantiene cierta armonía de líneas y es algo mayor que el Puente de María Cristina, de 100 metros.

Años de realización: 1918-1921

Autor: J.E.RIBERA

Bridge of straight sections of reinforced concrete, covered by motric stone and pink marble, with decorative elements of modernist style. Built on large pillars, from which the six characteristic lanterns that contain this work its marked personality.

At the beginning of the 20th century. The city council supports the construction of a third bridge over the Urumea "in which solidity and resistance are harmonized with the monumentality and beauty of the whole".

Engineer Ribera presented the City Council with an important modification: the Zurriola bridge, initially with arches, will be built with straight sections.

On August 14, 1921, a large audience attended the inauguration.

The metal balustrade and the obelisks that act as lampposts are the work of Victor Arana. The four bronze sphinxes belong to the 1993 reform. They are 120 meters long, like the Santa Catalina bridge, with which it maintains a certain harmony of lines and is somewhat larger than the María Cristina Bridge, which is 100 meters long.

Years of realization: 1918-1921

Author: J.E.RIBERA

Sometimes I'm at my most content in nature, especially in a landscape with flowing water, characterful trees and stones.

A young(er) couple sat downstream as I made this and as the smell of cannabis drifted my way, I made a point of not breathing too deeply as I'd already had the munchies earlier that day.

~ Neil Young - Goin' Back (2016 Remaster) ~

"Far Away Eyes" Rolling Stones 1978

I was driving home early Sunday morning through Bakersfield

Listening to gospel music on the colored radio station

And the preacher said, you know you always have the Lord by your side

And I was so pleased to be informed of this that I ran

Twenty red lights in his honor

Thank you Jesus, thank you Lord

I had an arrangement to meet a girl, and I was kind of late

And I thought by the time I got there she'd be off

She'd be off with the nearest truck driver she could find

Much to my surprise, there she was sittin' in the corner

A little bleary, worse for wear and tear

Was a girl with far away eyes

So if you're down on your luck

And you can't harmonize

Find a girl with far away eyes

And if you're downright disgusted

And life ain't worth a dime

Get a girl with far away eyes

Well the preacher kept right on saying that all I had to do was send

Ten dollars to the church of the Sacred Bleeding Heart Of Jesus

Located somewhere in Los Angeles, California

And next week they'd say my prayer on the radio

And all my dreams would come true

So I did, the next week, I got a prayer with a girl

Well, you know what kind of eyes she got, well I'll tell ya

So if you're down on your luck

I know you all sympathize

Find a girl with far away eyes

And if you're downright disgusted

And life ain't worth a dime

Get a girl with far away eyes

So if you're down on your luck

I know you all sympathize

Get a girl with far away eyes

Der Hauptbahnhof von Arnheim besticht durch seine sehr besondere Architektur. Diese ist geprägt durch riesige,skulpturenartige Elemente die sehr gut mit harten Linien harmonieren. Die abgerundeten Tische und Sitzgelegenheiten aus Holz koresspondieren gut mit den Holzelementen an den Wänden und Decken. Ich empfinde den Bahnhof schon als Gesamtkunstwerk und war sehr beeindruckt von dieser tollen Architektur.

Arnhem Central Station impresses with its very unique architecture. It is characterized by enormous, sculptural elements that harmonize beautifully with the bold lines. The rounded wooden tables and seating complement the wooden elements on the walls and ceiling. I consider the station a work of art in its own right, and I was very impressed by its stunning architecture.

Hi!♥

I created these Lovely magnolia Flower vase + Single Branches Available for you can use as you wish.

Very simple release but yet perfect to harmonize your table or décor your space with some colors and delicacy.

This Release is Available for Purchase at FaMEshed May 1

Thank you everyone :) Hope u like these!

The Rainbow Bridge (レインボーブリッジ, Reinbō Buridji) is a suspension bridge crossing northern Tokyo Bay between Shibaura Pier and the Odaiba waterfront development in Minato, Tokyo, Japan.

It is named Tōkyō Kō Renrakukyō (東京港連絡橋) as the official name in Japanese.

It was built by Kawasaki Heavy Industries,[1][2] with construction starting in 1987 and completed in 1993.[3] The bridge is 798 m (2,618 ft) long with a main span of 580 m (1,903 ft).[4] Officially called the "Shuto Expressway No. 11 Daiba Route - Port of Tokyo Connector Bridge,"[5] the name "Rainbow Bridge" was decided by the public.

The towers supporting the bridge are white in color, designed to harmonize with the skyline of central Tokyo seen from Odaiba. There are lamps placed on the wires supporting the bridge, which are illuminated into three different colors, red, white and green every night using solar energy obtained during the day.

The bridge can be accessed by foot from Tamachi Station (JR East) or Shibaura-futō Station (Yurikamome) on the mainland side.

I will never get enough of the beautiful intense morning colours and their harmonized rich tones

Excerpt from spatialsolutions.maps.arcgis.com/apps/MapTour/index.html?...:

Lookout Algonquin Park (83) by Shelly Locke: My painting “Look Out Trail-Algonquin Park”, is the first in a series of paintings from my own travel photos and one of my favourite places to decompress. Even though this is my rendition of Algonquin Park it will very easily lead one to think of many, nearby hiking trails on the escarpment. This series turns my photos into surreal, fantasy landscapes that have been reduced to colourful and vibrant, harmonizing shapes. This specific painting is a visual illusion of a rocky woodland that will speak volumes to the outdoor enthusiast as well as inspire a longing to walk amongst the trees by others less outdoorsy. Set off by a background blend of light blue and white representing a calm blue sky. The earthy undertones invoke a calm peacefulness. The warm tones of the landscape contrast perfectly with the organic lines and monochromatic cool tones of the shadowy rock face. The relaxed ambiance of nature is conjured within one’s mind.

The same design also appears on 61, 73, 75, 88.

Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.

« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »

En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.

The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.

"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."

As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.

Ulu Mosque is the largest mosque in the Netherlands.

Construction began in 2009 and the building was finished in 2015.

The mosque's exterior was designed by Dutch architect Ishak Önen.

Red bricks were a deliberate choice to ensure the building complements the Dutch architectural style and harmonizes with its surroundings.

The interior was designed by Semih Irteş, an Istanbul-based architect and artist known for his traditional style.

This ground floor is for men, 2 upper floors are for women. The building is suitable for 1600 visitors.

photo rights reserved by Ben

The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.

Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.

De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!

Immerse yourself in the enchanting beauty of Pfarramt in Pinswang, nestled in the heart of the Austrian Alps. This curated collection of images captures not only the architectural splendor of the Pfarramt but also the breathtaking natural surroundings that make this place truly special. From lush alpine landscapes to the serene embrace of nature, each photo tells a story of spiritual tranquility harmonizing with the picturesque Austrian scenery. Join us on a visual journey celebrating the divine connection between architecture and nature in the idyllic setting of Pinswang.

I took a similar shot to this a few years ago, but it was afterhours and in black & white. This time, they left the engines out for some reason. I'm not complaining.

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.

.

'Chosen to Harmonize'

Camera: Mamiya m645j

Lens: Mamiya-Sekor 2.8; 45mm

Film: Rollei Crossbird

Process: DIY ECN-2

Promontory, Utah

July 2020

Semana Santa en Sevilla. En la fotografía, el momento esperado de la imagen anterior, la procesion del Santïsimo Cristo de la Salud (Hermandad de San Bernardo) procesionando por el Puente de los Bomberos.

Sobre su autoría, para ciertos entendidos y atendiendo a los escasos y diferentes estudios, esta obra podría haber salido de la gubia de José de Arce en el año 1669.

Tallada en madera de cedro policromada, que mide un metro setenta, y cinco centimetros, representando a Cristo muerto crucificado momentos después de la expiración.

Esta es una talla esbelta, nítidamente barroca, perfectamente armonizada, aunque de fuertes miembros proporcionados. Su aspecto dramático se identifica por el movimiento de laxitud del cuerpo sin vida, que cae de manera sobrecogedora de los clavos que lo sujetan a la Cruz, como se puede observar por la tensión de sus brazos y su posición colgante y encorvada. Sin embargo, muestra un rostro dulcificado que produce un extraordinario impacto devocional y que siempre llama a su contemplación. Dicho por los expertos, esta escultura es de los mejores que se han tallado en la ciudad.

El momento de la fotografía es procesionando sobre el Puente de San Bernardo, o también llamado Puente de los Bomberos (Ver foto anterior). Durante este tramo de recorrido se apaga toda la iluminación urbana y el Cristo se ilumina puntualmente con un foco instalado sobre una enorme grua del Parque de Bomberos (junto al puente) Esto y el silencio de la multitud, solo roto por el caminar de los costaleros bajo la canasta del Cristo, hacen de estos momentos algo único y con una fuerte carga de emoción y sentimientos, por lo menos para los sevillanos.

English

Holy Week in Seville. In the photograph, the expected moment of the previous image, the procession of the Santïsimo Cristo de la Salud (Brotherhood of San Bernardo) processioning by the Firefighters bridge.

Regarding its authorship, for certain experts and taking into account the few and different studies, this work could have come from the gouge of José de Arce in the year 1669.

Carved in polychrome cedar wood, measuring one meter seventy and five centimeters, representing the dead Christ crucified moments after expiration. This is a slender carving, clearly baroque, perfectly harmonized, although with strong proportioned limbs. Its dramatic appearance is identified by the lax movement of the lifeless body, which falls in an overwhelming way from the nails that hold it to the Cross, as can be seen by the tension of its arms and its hanging and hunched position. However, he shows a sweetened face that produces an extraordinary devotional impact and that always calls for contemplation of him. Said by experts, this sculpture is one of the best that has been carved in the city.

The moment of the photograph is procession over the San Bernardo Bridge, or also called the Firefighters Bridge (See previous photo). During this section of the route, all the urban lighting is turned off and the Christ is illuminated punctually with a spotlight installed on a huge crane in the Fire Station (next to the bridge). This and the silence of the crowd, only broken by the walking of the costaleros under the basket of Christ, make these moments something unique and with a strong charge of emotion and feelings, at least for the Sevillians.

Cámara Nikon D850 con lente Nikkor 14-24 F2.8/G-ED editada con ACR y Photoshop 2024

Recomiendo hacer doble click sobre la imagen y ver en grande.

I recommend see in larger, clicking double on the image.

view on black www.flickriver.com/photos/10334788@N02© All rights reserved

1.102 / 139 / 370 / 1 gallery

# Glory in the Snow - Chionodoxa luciliae - Schneestolz, Schneeruhm, Schneeglanz

fresh out from the camera ..

for wishing us all a beautiful blue monday !

PERMISSION

have to be the one to live it.~ Bashar

www.bashar.org

Bashar Permission Slips Pt 1

www.youtube.com/watch?v=zzyXLfiYKZc

There are moments when mixing music where a DJ knows the next track is going to bang. The beats are matched, the keys are harmonized, the foundation is set, and all that is left is to do is push the incoming track all the way into the mix. As the moment approaches it can make you shudder deliciously. We rejoice in these moments with you, feeling the room get charged only helps to drive the music forward from that point. It really is a symbiotic relationship.

For those interested but unaware, I have a selection of recorded mixes available here for your perusal.

Happy Equinox everyone! Love and light <3

photo rights reserved by Ben

The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.

Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.

De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!

"Durch die Nacht gezogen" stelt ein Kontrast zwischen Bewegung und Stille dar. Im Vordergrund zieht eine Straßenbahn mit leuchtenden Lichtstreifen vorbei und erzeugt eine dynamische, verschwommene Spur, während im Hintergrund die städtische Architektur ruhig und klar zu erkennen ist. Die warme orangefarbene Beleuchtung des Gebäudes harmoniert mit den kühlen Neonlichtern und schafft eine einzigartige Stimmung, die sowohl lebendig als auch nostalgisch wirkt. Hinter den Fenstern des Gebäudes scheinen kleine Geschichten zu warten – ein gemütliches Lokal, ein sanft beleuchteter Raum, eine leise Welt mitten in der hektischen Stadt.

Mit dem Foto habe ich ein Moment des urbanen Rhythmus einer Stadt festgehalten, die nie stillsteht.

“Drawn through the night” - represents a contrast between movement and stillness. In the foreground, a streetcar passes by with glowing strips of light, creating a dynamic, blurred trail, while in the background the urban architecture is calm and clear. The warm orange lighting of the building harmonizes with the cool neon lights, creating a unique mood that is both vibrant and nostalgic. Little stories seem to be waiting behind the windows of the building - a cozy pub, a softly lit room, a quiet world in the middle of the hectic city.

With this photo, I have captured a moment of the urban rhythm of a city that never stands still.

HI! This November i made this Dinner set inspired by Scandivanian Style & Minimalist . I bring wood tone & Soft Clean Textures .You also have Poses & Textures include with the Chair!! Which make it Unique & different Decor to harmonized your Space the way u desired♥

It will be Available @Fameshed November 1

maps.secondlife.com/secondlife/FaMESHed/222/147/800

Hope you like this ! ^__^ Love you all♥

After performing colourful rail topics ( flic.kr/p/2pDz1CE ), it is time for a never colourful flowershot of a bred tulip. To highlight its lovely patterns and harmonizing colours in high resolution in the poorly lit environment, the capabilities of the robust Tamron tele lens were required.

Nikon D5300 + Tamron SP 70-300mm Di VC USD

ISO-400; 1/400sec; F-stop f/7.1; EV:+0.3; 390mm (260mm)

🌸 Phoebe Outfit by adorsy 🌸

Step into the spotlight with the Phoebe Outfit by adorsy — a spirited ensemble that plays on contrasts: cheeky and sweet, polished and daring, girlish charm with a whisper of rebellion. Phoebe isn’t just an outfit; it’s an attitude that turns an ordinary day into a playful story.

✨ Styling & Cut ✨

The look begins with a daring cropped bra, its slender straps crisscrossing the torso with sultry precision. Draped over is a teasing, off-the-shoulder top that softens the lines, letting the bra peek through just enough to hint at mischief. Below, wide-legged pants flow with ease — a flattering cut that elongates the silhouette while giving freedom to move and play. Whether in classic denims or bold, whimsical patterns, they exude confidence and fun. Completing the set, casual sneakers provide that finishing touch, either harmonizing with subtle tones or popping with bold color.

🌟 Historical Influences 🌟

Phoebe draws inspiration from two unforgettable eras: the 1970s and the early 2000s. The wide-leg trousers echo the disco age, reminiscent of Cher’s stage-defining glamour and Bianca Jagger’s legendary Studio 54 looks, where length and flow embodied freedom and allure. The cropped, strappy top channels the playful daring of Y2K fashion icons like Britney Spears and Christina Aguilera, who made bold layering and peek-a-boo styling the heartbeat of a generation. Together, Phoebe fuses these influences into a look that feels both nostalgic and unmistakably modern.

🎨 HUD Options 🎨

Phoebe’s versatility shines through its expansive HUD system:

* Top & Bra: 55 shades, from candy brights to seductive darks.

* Pants: 35 denim washes plus 55 vibrant graphic and bold fabric options.

* Shoes: 45 polished hues, letting you mix, match, or contrast as the mood strikes.

💃 Compatible Mesh Bodies 💃

Tailored to flatter perfectly on the most popular mesh bodies:

* LaraX / PetiteX

* Legacy

* Reborn

* Waifu

Phoebe isn’t grunge, nor is it prim. It’s smart streetwear with a flirtatious edge — the kind of outfit that makes you smile at your reflection and tempts you to stay out just a little longer. Fresh, cheeky, and unapologetically stylish, Phoebe lets you wear your personality in every thread.

🔗 Available now at the [adorsy Mainstore]

www.adorsy.com/mainstore

💋 Slip into Phoebe, channel your inner diva, and let the night wonder who’s following your lead.

The sounds of the waves and ripples, each wave a new movement.

Just me, a little imagination a millennium of erosion and a concofiny of sounds that harmonizes in a ripple ...... then it's gone.

I couldn't help it; here's another “last one” for this week, hope you like it too ;-)

Do you recognize this style?

Modern architecture captivates with its sleek lines, innovative materials, and minimalist designs, harmonizing form and function.

It emphasizes open spaces, natural light, and sustainable practices, creating elegant structures that blend seamlessly with their surroundings while pushing creative boundaries.

A week ago, an intriguing idea struck me. What if each week I came up with a different theme? This notion seemed both exciting and promising, offering a fresh perspective and a constant source of novelty. I imagined diving into a new world every seven days, exploring diverse themes.

IG: www.instagram.com/frank_van_dongen/

The facade of the house adjacent to the Chiesa della Madonna del Carmine in Noto, Sicily, exudes a sense of timeless simplicity and historical charm. The architectural design is unadorned yet elegant, characteristic of the region's traditional style. The doorway and window are modestly framed, reflecting the straightforward, utilitarian aesthetics that define many Sicilian homes. Despite the wear of centuries, the façade retains its distinct features, showcasing the resilient beauty of its original construction.

Age has left its mark on the building, evident in the ochre paint that has peeled and faded over time. This weathered exterior tells a story of endurance and the passage of years, adding to the house's rustic appeal. The patina of age enhances its character, harmonizing with the historical ambiance of Noto. The soft, earthy tones of the worn paint blend seamlessly with the surrounding architecture, creating a cohesive and authentic Sicilian atmosphere.

The Chiesa della Madonna del Carmine, located in Noto, Sicily, is a historic church with deep roots in the region's religious and architectural heritage. Constructed in the early 18th century, it is a fine example of the Sicilian Baroque style that flourished after the devastating earthquake of 1693. The church was built as part of the extensive reconstruction efforts that transformed Noto into a baroque masterpiece. Its ornate façade, adorned with intricate stone carvings and statues, contrasts with the simple neighboring structures, such as the adjacent house. Over the centuries, the Chiesa della Madonna del Carmine has stood as a testament to the resilience and artistic spirit of the local community, serving as a place of worship and cultural significance.

RX_02666_20240511_Noto

Thanks for the comments, faves and visits

This captivating photograph showcases a meticulously designed garden path that beckons visitors into a world of natural beauty and tranquility. The winding pathway, bathed in dappled sunlight, leads the eye through a lush landscape towards a picturesque wooden pavilion in the distance.

In the foreground, a graceful multi-trunked tree stands sentinel, its smooth bark catching the sunlight and creating a striking contrast against the verdant foliage. The path, curving gently around beds of diverse plantings, tells a story of thoughtful landscape design that harmonizes with the surrounding nature.

The garden's palette is a rich tapestry of greens, punctuated by hints of autumn gold in the background, suggesting the changing of seasons. Ornamental grasses, shrubs, and carefully placed rocks line the edges of the path, creating texture and depth.

The wooden pavilion, with its simple yet elegant design, serves as both a focal point and a promise of rest at the journey's end. Its presence adds a touch of human craftsmanship that complements rather than competes with the natural elements.

This image captures the essence of a peaceful retreat, where every turn in the path offers a new perspective and invites moments of reflection. It's a testament to the artistry of landscape design and the restorative power of green spaces.

This set is another touch of Colorful Bright harmonization for your Garden . I created a Garden Seat that can suits many style with Hanging plants you can bring almost anywhere with a ceilling or Small spot. This set will be Available At Mainstore!

Let me know what you think ? :) Thanks you so much hope u like ^-^ ♥

A car negotiates a rain wet Going to the Sun Highway in Glacier National Park on an August afternoon. Completed in 1932, the spectacular, 50 mile long Going-to-the-Sun Road bisects the park east to west. The paved two-lane highway spans the width of Glacier National Park and crosses the Continental Divide at 6,646-foot-high Logan Pass. It passes large glacial lakes and cedar forests in the lower valleys; canyons and cliffs; culminating at the windswept alpine tundra atop the pass. Scenic viewpoints and pullouts line the road offering dramatic views and photo opportunities. One thing I found interesting is that the view from the road varies depending on the direction you are traveling. I drove both ways a few of times and saw different things each time.

The road is nationally significant for its design and monumental engineering accomplishments. The original roadbed, bridges, tunnels, culverts, retaining walls, and guard walls were built in the “NPS Rustic” style. Individually, these structures are often significant examples of period engineering and design philosophy; collectively, they comprise a vital, integral component of the road’s unique character. Most of these structures were designed to harmonize with the roadway setting by using native materials and by blending with landforms as much as possible.The Going-To-The-Sun Road is a National Historic Landmark, is included in the National Register of Historic Places and is a National Historic Civil Engineering Landmark.

Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.

« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »

En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.

The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.

"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."

As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.

THANKS FOR YOUR VISIT AND FAVES

ON THE REACTIONS I WILL TRY TO RESPOND BACK

Passiebloem, goed voor het hart

Hartkloppingen worden door fytotherapeuten behandeld met passiebloem, tenminste dat is één van de medicijnen tegen deze aandoening. Daarnaast wordt te hoge bloeddruk tegen gegaan met deze mooie bloem. Dat is voornamelijk als de verhoogde bloeddruk wordt veroorzaakt door stress. De ontspannende werking brengt het hart tot rust.

Passiebloem, goed tegen stress

De kalmeringseffecten van passiebloem komen het best tot uiting in de behandelingen tegen stress. Stress kan migraine triggeren, maag- en darmklachten veroorzaken, verhoogde schildklierwerking als gevolg hebben en diverse andere symptomen zoals nervositeit en concentratiemoeilijkheden opwekken. Door gebruik te maken van passiebloem, als medicijn worden al deze stressgerelateerde ziektebeelden sterk verminderd. Een fytotherapeut zal passiebloem geven aan een patiënt die meerdere indicaties van het bovengenoemde rijtje met zich meedraagt.

Passiebloem tegen ontwenningsverschijnselen

Veel van de werkingen van passiebloem betreffen psychische indicaties. Een bijzondere indicatie is het hebben van ontwenningsverschijnselen na een verslaving. Iemand die gerookt heeft of wil stoppen met blowen, drinken of zelfs harddrugs zoals cocaïne en heroïne gebruiken zal zijn ontwenningsverschijnselen beter kunnen verdragen en minder groot zien worden door passiebloem te gebruiken. Dit middel harmoniseert het centrale zenuwstelsel. Een persoon die verslaafd is aan alcohol leidt vaak aan slaapstoornissen. Deze worden met passiebloemthee of andere verwerkingsvormen tegen gegaan.

Niet alleen alcoholisten kunnen slaapproblemen krijgen, ook vrouwen in de overgang lijden hier dikwijls aan. Soms word je door voortdurende ongerustheid ´s nachts veelvuldig wakker. De meeste angstdempende medicijnen van de farmaceutische industrie veroorzaken sufheid, maar niet de passiebloem. Het bloemetje neemt angsten en beklemmende gevoelens weg. Overdreven bezorgdheid, paniekaanvallen en insomnia worden op natuurlijke wijze genezen door passiebloem te gebruiken.

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Passion flower, good for the heart

Heart palpitations are treated by phytotherapists with passion flower, at least that is one of the medicines for this condition. In addition, high blood pressure is counteracted with this beautiful flower. This is mainly when the high blood pressure is caused by stress. The relaxing effect calms the heart.

Passion flower, good against stress

The calming effects of passion flower are best expressed in treatments against stress. Stress can trigger migraines, cause stomach and intestinal complaints, result in increased thyroid function and induce various other symptoms such as nervousness and concentration difficulties. By using passion flower as a medicine, all these stress-related symptoms are greatly reduced. A phytotherapist will give passion flower to a patient who carries several indications from the above list.

Passion flower against withdrawal symptoms

Many of the effects of passion flower concern psychological indications. A special indication is having withdrawal symptoms after an addiction. Someone who has smoked or wants to quit smoking weed, drinking or even using hard drugs such as cocaine and heroin will be able to tolerate their withdrawal symptoms better and see them become less severe by using passion flower. This drug harmonizes the central nervous system. A person who is addicted to alcohol often suffers from sleep disorders. These are counteracted with passion flower tea or other forms of processing.

Not only alcoholics can have sleep problems, women in menopause also often suffer from this. Sometimes you wake up frequently at night due to constant anxiety. Most anxiety-reducing medicines from the pharmaceutical industry cause drowsiness, but not passion flower. The flower takes away anxiety and oppressive feelings. Excessive worry, panic attacks and insomnia are naturally cured by using passion flower.

Thankful for my backyard. Yesterday was a gorgeous warm day and I sat in a chair and just sat peacefully quiet and enjoyed the way back fence view.

Is not this a true autumn day? Just the still melancholy that I love—that makes life and nature harmonize.

www.youtube.com/watch?v=vSL5AHhpi6U

sorry Jamie Cullum's version is not available...but Shirley Horn is damn good

...A TIME FOR LOVE - Jamie Cullum

A time for summer skies

For hummingbirds and butterflies

For tender words that harmonize with love

A time for climbing hills

For leaning out of windowsills

Admiring daffodils above ADMIRING THE DAFFODILS ABOVE

A time for holding hands together

A time for rainbow coloured weather

A time of make believe that we've been dreaming of

As time goes drifting by

The willow bends and so do I

But all my friends whatever skies above BUT OH, MY FRIENDS, WHATEVER SKY ABOVE

I know a time for spring I'VE KNOWN A TIME FOR SPRING

A time for fall

But best of all

A time for love

A time for holding hands together

A time for rainbow coloured weather

A time of make believe that we've been dreaming of

As time goes drifting by

The willow bends and so do I

But all my friends whatever skies above

I know a time for spring

A time for fall

But best of all

A time for love

In the quiet I stand within the ancient golden cage, the silks around me shimmering in hues of teal and gold. The delicate fabrics cling to my skin like whispered secrets, each fold a memory of performances past. As I prepare for my next spectacle, my heart flutters with anticipation and the thrill of impending magic.

Tonight, I am not merely a dancer but a conjurer of emotions, a storyteller whose body weaves tales of longing and liberation. The cage, a paradox of confinement and freedom, has been my stage and my sanctuary. I trace my fingertips along the bars, feeling their history and the promise of future enchantments. The air is alive with the murmurs of the crowd and the soft rustle of the silks, harmonizing with the beat of my heart.

Every performance is a dance with destiny, a flirtation with danger and delight. I imagine the crowd’s awe as I spiral upward, defying gravity and expectation. The cage becomes my universe, each movement a rebellion against the mundane, a celebration of the strength and vulnerability woven into every fiber of my being.

In these fleeting moments before the performance, I am both mortal and myth, a bridge between the tangible and the fantastical. My mind is a whirl of dreams, and as the music begins to swell, I surrender to the rhythm. Tonight, my dance will be a luminous saga, a timeless ode to freedom and passion, etched in the annals of magic and desire. With each graceful step, I will weave a spell of wonder and liberation, inviting every onlooker to believe in the power of transformation. I am unstoppable.

Credits . . .

5 minutes to get the brass section to harmonize with the woodwind. All the while hoping some bicyclist or motorcyclist would speed past.

photo rights reserved by Ben

The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.

Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.

De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!

Business center building on O. Honchara street Kyiv.

Happy Caturday theme 19 October 2019: Containers. Tikki isn't that motivated by containers, so I decided to give her "incentive". I took this decorative gourd bucket and put a few treats in it - she's a sucker for treats - she knocked the gourd onto the floor almost immediately and did manage to extract the treats. There were plenty of shots with her buried up to her front shoulders in the thing, but I like this better. (You see a bit of face, and I know that white paw has a treat under it just extracted). And she harmonizes with the artwork on the gourd.

I ask all of my Flickr friends to join me in spreading works about love, compassion, working together and just general positive works please!

Hate leaves ugly scars; love leaves beautiful ones.

Mignon McLaughlin

I have decided to stick with love. Hate is too great a burden to bear.

Martin Luther King Jr.

Hate is easy. Love takes courage.

Anon

Hatred paralyzes life; love releases it. Hatred confuses life; love harmonizes it. Hatred darkens life; love illuminates it.

Martin Luther King Jr.

By its very nature, hate destroys and tears down; by its very nature, love creates and builds up.

Martin Luther King Jr.

Thank you for your kind visit. Have a wonderful and beautiful day! ❤️ ❤️❤️

I love old barbed wire fences. The fence post and wire are definitely the subject of this image, but I feel the early spring muted colours in the background harmonize with the fence sharing similar earth tones. The scene would surely take on a completely different look when the green arrives.

I am not saying that early spring colours are better than colours of summer, they are just different. Like apples and oranges.

Definitely not my best barbed wire fence shot, as there are a few things I am not happy with about this one. Focus near the bottom of the fence could have been better, and more importantly the out of focus elements in the background on the right side of the post are distracting because of the lighter and darker areas...but all in all I am happy with the colours and some of the texture of the post and wire.

Excerpt from historicplaces.ca:

Description of Historic Place

The Navy Hall stands alone in a carefully manicured park setting just below Fort George National Historic Site. Designed with clear, clean lines, it is a low, rectangular, stone-clad structure with a hipped-roof clad in copper, and with a symmetrical organization of its windows and entry points. The designation is confined to the footprint of the building.

Heritage Value

The Navy Hall is a Recognized Federal Heritage Building because of its historical associations, and its architectural and environmental values.

Historical Value:

The Navy Hall is a very good example of a building associated with the beginnings of the heritage movement in the first half of the 20th century. It illustrates changing approaches to the management of important historic buildings over time. In particular, it illustrates the role of aesthetics in conservation in the 1930s. Originally a commissariat storehouse, regular troops, the militia and also the Boy Scouts used the building, built in 1815. In the 1930s, the building was taken over by the Niagara Parks Commission.

Architectural Value:

The Navy Hall is valued for its good aesthetic design. The exterior fabric of the structure, the stone cladding, the copper clad roof, and the enhanced symmetry of the fenestration are features of the 1930s intervention. These features, clearly of a later era and philosophy, reflect the classical revival tastes of the period and the design idiom of the Niagara Parks Commission. Good functional design is evidenced in the placement of doors and windows, and in the spatial arrangement and planning of the interior.

Environmental Value:

The Navy Hall reinforces the landscaped parkway that runs along the Niagara lakefront and is a familiar landmark to residents and to visitors.

Character-Defining Elements

The character-defining elements of the Navy Hall should be respected.

Its good aesthetic, good functional design and good quality materials and craftsmanship, for example:

-the simple, rectangular massing.

-the low-pitched hipped roof, the copper roof cladding, and the symmetrically placed chimneys.

-the stone cladding of the exterior walls, the small multi-paned windows and large entrances.

-the interior spatial arrangement of the principal rooms.

The manner in which the Navy Hall reinforces the landscaped setting and is a familiar landmark, as evidenced by:

-its simple design and materials that harmonize with the landscaped parkway consisting of well-maintained lawns and walks, all introduced as part of the Niagara Park Commission’s parkway landscaping in the 1930s.

-its visibility and recognition by those frequenting the parkway and the National Historic Site.

Just found:

Bull (Taurus) corresponds to intermediary zone between the Elements of Fire and Water..

[J. Cirlot, Dictionary of Symbols, Second Edition, 1995, s. 34]

This rings my bell.

My OneOnly L8ve, not seen since 2004,

was born bull (May).

Me, as born 8.8, Lion, say half - lion, had always tremendous problems with Element of Earth, say pragmatism.

Fellines (Lions) are based on Elements of Fire [Creativity) and Earth.

Humans on Elements of Water (Feelings) and Earth.

Half man half inherit very problematic: Fire & Water marriage. That's why so little tries Earth.

That's why my l8ve was, as That Love, Bull, to balance by intermediary.

;-)

L8ve TSls are polarized to harmonize&balance, but complete as hologram both.

Peppermint Patty breathes in the adventure. The air crackles with an almost palpable energy, a constant hum of anticipation and movement.

"Oboy, oboy," she thinks. "I've got to get a window seat. I've just got to!"

Visually, the Paprihaven train station is a kaleidoscope of activity. The platforms themselves are stages upon which streams of people pass by, the jumble of their conversations a flow of individual stories converging and diverging.

"Hmmm... but I also need to check out the passengers. I want to sit next to someone looks interesting and talkative. No sleepers or sourpusses!"

The vast arching ceilings add to the ambiance of something momentous. They lend natural and artificial light along with the electronic departure and arrival boards. Each flickering change of venue promises the lure and lore of travel.

"Okay, gotta keep my ticket ready and accessible for the collector."

Vendors at newsstands and coffee shops add splashes of color, their displays of magazines, snacks, and steaming cups of coffee a beacon for weary travelers.

"Did I remember my sandwiches? Yes! One peanut butter, jelly, and banana, and one cheese and baloney."

And of course, the trains themselves are monumental presences – sleek, powerful machines of steel and glass, their windows reflecting the bustling scene around them.

"This train is my favorite type. I love their seats!"

The soundscape of a busy train station is equally rich and complex, a cacophony that somehow harmonizes into an urban symphony. The most dominant sound is the constant murmur of human voices, a low thrum of conversations in countless languages, punctuated by bursts of laughter or the occasional shouted farewell.

"Everyone is dressed so nice. I guess blue was the memo. That lady even has one blue stocking. Ah, well. Never let AI dress you."

This is layered with the rattle and roll of luggage wheels on the tiled floors, a rhythmic percussion that underscores the flow of people. From the tracks, there's the distant, echoing rumble of an approaching train, growing steadily louder until it culminates in a powerful whoosh as it pulls into the station. The hiss of air brakes is a sharp, characteristic sound, followed by the metallic groan of the doors opening and closing.

Over it all, the disembodied voice of the station announcer cuts through the din, a calm, authoritative presence relaying vital information about platforms and delays, often accompanied by the distinctive chime or melodic jingle that precedes each announcement. The occasional toot of a train horn adds a deeper, more resonant note to this intricate sound tapestry.

"Did I put my favorite mixtape in my cassette player? Did I remember my headphones?"

Together, the sights and sounds create an atmosphere of constant motion and fleeting connections, a place where journeys begin and end, and the pulse of travel life beats strong.

"It's going to be a great day!"

Yes, just 'a day'. You see, Peppermint Patty loves train travel so much, she saves up her allowance to ride the train around Paprihaven. She will disembark at the Eastern Woods and enjoy a lunch and a few hours of relaxation at one of the parks there. Then get back on the next train and complete the circuit.

•────────────────•°•❀•°•────────────────•

A year of the shows and performers of the Bijou Planks Theater.

Peanuts Collection

50 Years Celebration

Peppermint Patty

1998, Flambro

Flambro is another of our favorite brands for the Peanuts license. We had an account with them when we had our collectibles store and Flambro never failed to delight with their colorful and innovative designs.

This series, celebrating the 50th anniversary of Peanuts (Which occured in 2000), features nine figurines, each of them incredibly cute, such as Peppermint Patty here.

www.flickr.com/photos/paprihaven/50429117446/

photo rights reserved by Ben

The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.

Alexandre Kazbegi (1848–1893) was a famous Georgian writer and one of the most important literary figures of the 19th century. He was born in Stepantsminda (now known as Kazbegi), a picturesque village in the Caucasus Mountains. His work often reflected the life, culture, and struggles of the people of this mountainous region. Kazbegi came from a noble family, but felt a strong connection with the common people of the mountains, such as shepherds and peasants. He studied in Tbilisi and later in Moscow, where he immersed himself in literature and philosophy. Eventually, he returned to his native region. In order to understand the simple life of the mountain people, he chose to work as a shepherd for a while. This experience formed the basis for his literary works. Kazbegi's stories often revolved around justice, struggle against oppression, and the freedom of the mountains. He portrayed the rugged, free spirit of the people of the Caucasus and their strong connection with nature. His works are imbued with heroic figures and tragic conflicts, which made them beloved by readers in Georgia. Alexandre Kazbegi is considered a cultural icon in Georgia. His works helped to strengthen Georgian national identity. In short, Alexandre Kazbegi was not only a writer, but also a voice of the mountains and a symbol of Georgian spirit and fighting spirit.

De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. Deze sculpturen bestaan uit indrukwekkende kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven in de bergen en de rijke Georgische cultuur. Een van de prominente figuren die in Sno wordt geëerd, is Alexandre Kazbegi 1848–1893, een beroemde Georgische schrijver en een belangrijke literaire figuur van de 19e eeuw. Geboren in Stepantsminda (nu Kazbegi), een dorp in de bergen van de Kaukasus, weerspiegelde zijn werk het leven, de cultuur en de strijd van de bergbewoners. Hoewel hij uit een adellijke familie kwam, voelde hij zich sterk verbonden met gewone mensen zoals herders en boeren. Kazbegi studeerde in Tbilisi en Moskou, maar keerde uiteindelijk terug naar zijn geboortestreek, waar hij als herder werkte om hun leven beter te begrijpen. Zijn verhalen gaan vaak over gerechtigheid, strijd tegen onderdrukking en de vrijheid van de bergen. Hij portretteerde de ruige, vrije geest van de Kaukasische bevolking en hun diepe verbondenheid met de natuur. Kazbegi’s werken, vol heroïsche figuren en tragische conflicten, versterkten de Georgische nationale identiteit en maakten hem tot een cultureel icoon. Tot op de dag van vandaag wordt hij herinnerd als de stem van de bergen en een symbool van de Georgische geest en strijdlust.

Modern architecture captivates with its sleek lines, innovative materials, and minimalist designs, harmonizing form and function.

It emphasizes open spaces, natural light, and sustainable practices, creating elegant structures that blend seamlessly with their surroundings while pushing creative boundaries.

In the past few days, an intriguing idea struck me. What if each week I came up with a different theme? This notion seemed both exciting and promising, offering a fresh perspective and a constant source of novelty. I imagined diving into a new world every seven days, exploring diverse themes.

IG: www.instagram.com/frank_van_dongen/

Ein stilles Entrée in Sopron, eingefangen in Schwarz-Weiß, als wäre es ein eingefrorener Moment im Dialog der Zeiten. Die klassische Fassadengliederung, das Rundbogenportal und die verwitterte Tür erzählen von einer Epoche, in der Architektur nicht nur funktional, sondern auch Ausdruck von gesellschaftlicher Stellung war.

Doch die Gegenwart mischt sich unaufdringlich ein – in Form zweier moderner Pflanzkübel mit Olivenbäumchen, die symmetrisch die Stufen flankieren. Sie stehen wie stille Zeugen einer heutigen Ästhetik, die bewusst auf Reduktion, Klarheit und Symbolkraft setzt. Der Kontrast zwischen dem gealterten Mauerwerk und den minimalistischen Formen der Behälter erzählt von Wandel – nicht als Bruch, sondern als Überlagerung.

Der Blick durch die offene Tür führt weiter, tiefer, in einen weiteren Hofraum. Dieses Bild im Bild eröffnet nicht nur räumliche, sondern auch zeitliche Tiefe – ein stiller Verweis auf das Fortbestehen städtischer Räume und ihre Fähigkeit, Geschichte in sich aufzunehmen, zu speichern und neu zu interpretieren.

Englisch

A quiet entrance in Sopron, captured in black and white, as if time itself has paused for a moment. The neoclassical façade, with its arched doorway and weathered wooden door, speaks of an era when architecture conveyed more than function – it conveyed identity, status, and permanence.

Yet the present asserts itself gently: two modern planters, minimal and geometric, stand symmetrically at the top of the steps. Their design belongs to a different time – a contemporary language of form that contrasts yet harmonizes with the aged stone. Together, they illustrate urban change not as rupture, but as quiet layering.

Through the open door, we glimpse a second courtyard – a frame within a frame, revealing depth in space and in time. The composition invites reflection: on what cities carry, what they forget, and what they silently preserve beneath their surfaces.

Created for DUC 25 ~ October Challenge

BEST VIEWED LARGE

Probably the last one for this week...

Have a happy weekend you all 👍

Modern architecture captivates with its sleek lines, innovative materials, and minimalist designs, harmonizing form and function.

It emphasizes open spaces, natural light, and sustainable practices, creating elegant structures that blend seamlessly with their surroundings while pushing creative boundaries.

In the past few days, an intriguing idea struck me. What if each week I came up with a different theme? This notion seemed both exciting and promising, offering a fresh perspective and a constant source of novelty. I imagined diving into a new world every seven days, exploring diverse themes.

IG: www.instagram.com/frank_van_dongen/

Sun breaks though illuminating the Going to the Sun Highway in Glacier National Park on a rainy, August afternoon. Completed in 1932, the spectacular, 50 mile long Going-to-the-Sun Road bisects the park east to west. The paved two-lane highway spans the width of Glacier National Park and crosses the Continental Divide at 6,646-foot-high Logan Pass. It passes large glacial lakes and cedar forests in the lower valleys; canyons and cliffs; culminating at the windswept alpine tundra atop the pass. Scenic viewpoints and pullouts line the road offering dramatic views and photo opportunities. One thing I found interesting is that the view from the road varies depending on the direction you are traveling. I drove both ways a few of times and see different things each time.

The road is nationally significant for its design and monumental engineering accomplishments. The original roadbed, bridges, tunnels, culverts, retaining walls, and guard walls were built in the “NPS Rustic” style. Individually, these structures are often significant examples of period engineering and design philosophy; collectively, they comprise a vital, integral component of the road’s unique character. Most of these structures were designed to harmonize with the roadway setting by using native materials and by blending with landforms as much as possible.The Going-To-The-Sun Road is a National Historic Landmark, is included in the National Register of Historic Places and is a National Historic Civil Engineering Landmark.

They had inherited his spirit—the spirit which demands that the thoughts in the mind should harmonize with the words on the lips when we sing in choir (ut mens nostra concordet voci nostrae) 12 and that we should all be, in reality, what we are supposed to be (semper meminisse debet [abbas] quod dicitur, et nomen majoris factis implere): 13 that conduct should be in accordance with our profession. For St. Benedict passes a strict sentence upon those who call themselves monks but lead a worldly life and “lie to God by their tonsure.” 14 Hoc sit quod dicitur [let it be what it is called]. 15 These are the watchwords of our fathers: truth, simplicity in all things, unity as opposed to duplicity: our behavior, our name, our profession, all should be reducible to one and the same thing.

-The Spirit of Simplicity, Jean-Baptiste Chautard OSCO, Translated by Thomas Merton

Sandhill cranes harmonize in the late afternoon sun. Jimmie Rodgers might have approved....