View allAll Photos Tagged Haacke,
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
1970
Rubbish
Installation, Carboneras, Spain, August
Rubbish on a 200 x 50 m stretch of beach in Carboneras, Spain, was collected and piled in a heap.
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
de.wikipedia.org/wiki/Karl_Bobek
Günter Anlauf: Kunstmäzen Maecenas, Allegorie der Geometrie, Allegorie der Grammatik
Hans Joachim Ihle: Allegorie der Rhetorik, Allegorie der Dialektik, Allegorie der Musik, Allegorie der Astronomie
Harald Haacke: Pomona (Gartenkunst), Apollo (Hüter der Musen), Minerva (Göttin der Wissenschaft), Perspektive (Baukunst)
[ die 4er-Bande auf dem Balkon ]
Joachim Dunkel: Muse der Geschichtsschreibung Klio, Muse der Tragödie Melpomene, Muse der Hymnendichtung Polyhymnia, Muse des Heldengedichtes Kalliope
Karl Bobek: Muse der Lustspieldichtung Thalia, Muse des Tanzes Terpsichore, Muse des Liebesliedes Erato, Statue des Herkules Musarum
Quelle:
blog.klausenerplatz-kiez.de/archive/2007/01/24/fliegende_...
Guessed in the Guess Where Berlin Group by fla001!
An odd statue representing the skeleton of a hores, with a bow giving real-time information about the London Stock Market. The sculpture's name is "Gift Horse", which is quite appropriate because who would pay for such a thing anyway?
Sculpture "Gift Horse" by Hans Haacke symbolises the links between power, money and history. The ribbon at the front receives live feed from the London Stock Exchange. It occupies the fourth plinth in London's Trafalgar Square.
Né en 1936 à Cologne (Allemagne), vit et travaille à New York (États-Unis)
Les installations de Hans Haacke empruntent leurs modalités aux institutions culturelles comme aux techniques publicitaires puisque, selon lui, « il faut apprendre de son adversaire ». Haacke considère en effet que le monde de l’art est un des lieux du combat politique, en raison notamment de sa soumission aux pressions du marché. Les symboles qu’il convie lui permettent de mettre en lumière et d’analyser différents rapports de force économiques, idéologiques et sociaux. Que ce soit par un tissu de soie flottant, une ligne de ballons doucement balancée dans les airs ou de l’eau circulant à travers des tubes en plastique au milieu de l’espace d’exposition, Hans Haacke utilise les énergies comme matériaux pour ses œuvres. Lors de son exposition au Massachusetts Institute of Technology (MIT) en 1967, l’artiste a défendu la notion de « système naturel », où l’utilisation des technologies est moindre, afin d’admirer des pièces dont les éléments naturels sont connectés entre eux. Les œuvres, soumises au regard du spectateur – lui-même réduit au statut de témoin – existent par elles-mêmes et se distinguent par leur autonomie et leur indépendance.
« Hans Haacke ne veut pas qu’on qualifie ses œuvres de “sculptures”. Il les appelle des “systèmes” et souligne que ceux-ci “ont été créés avec l’intention explicite de faire physiquement communiquer leurs composants entre eux, tandis que le tout communique physiquement avec l’environnement… Les transformations sont souhaitables et font partie du dessein de l’œuvre – elles ne sont pas provoquées par l’expérience toujours changeante du spectateur” ».
14ème biennale de Lyon - La Sucrière - Circulation/infini
Distribution of Yves Klein’s faux newspaper Dimanche at newsstands throughout Paris on November 27, 1960, accompanied by a press conference at Galerie Rive Droite. © 2010 Artists Rights Society (ARS), New York/ADAGP, Paris. Photos by and © Hans Haacke. Courtesy Yves Klein Archives
WAREGEM. 23/07/2016. Regenboogstadion. SV Zulte Waregem-NEC. 5-1.
Doelpunten: 13’ Dumic 0-1, 19’ Leye 1-1, 32’ Vetokele 2-1, 38’ Leye 3-1, 81’ Leye 4-1 en 87’ Kaya 5-1
Opstelling Essevee: Bossut, De fauw, Baudry, Derijck, Vetokele (84’ Benteke), Leye (88 De Smet), Mëité (69’ Essikal), Lepoint (46’ Lerager, 72 Kaya), Cordaro (76’ Zaidi), Hamalainen (70’ Verboom), Brebels
Opstelling N.E.C.: Van Duin, Heinloth, Dumic, Golla, Dyrestam, Breinburg, Von Haacke, Bikel, Mauk, Roman, Ofosu
Né en 1936 à Cologne (Allemagne), vit et travaille à New York (États-Unis)
Les installations de Hans Haacke empruntent leurs modalités aux institutions culturelles comme aux techniques publicitaires puisque, selon lui, « il faut apprendre de son adversaire ». Haacke considère en effet que le monde de l’art est un des lieux du combat politique, en raison notamment de sa soumission aux pressions du marché. Les symboles qu’il convie lui permettent de mettre en lumière et d’analyser différents rapports de force économiques, idéologiques et sociaux. Que ce soit par un tissu de soie flottant, une ligne de ballons doucement balancée dans les airs ou de l’eau circulant à travers des tubes en plastique au milieu de l’espace d’exposition, Hans Haacke utilise les énergies comme matériaux pour ses œuvres. Lors de son exposition au Massachusetts Institute of Technology (MIT) en 1967, l’artiste a défendu la notion de « système naturel », où l’utilisation des technologies est moindre, afin d’admirer des pièces dont les éléments naturels sont connectés entre eux. Les œuvres, soumises au regard du spectateur – lui-même réduit au statut de témoin – existent par elles-mêmes et se distinguent par leur autonomie et leur indépendance.
« Hans Haacke ne veut pas qu’on qualifie ses œuvres de “sculptures”. Il les appelle des “systèmes” et souligne que ceux-ci “ont été créés avec l’intention explicite de faire physiquement communiquer leurs composants entre eux, tandis que le tout communique physiquement avec l’environnement… Les transformations sont souhaitables et font partie du dessein de l’œuvre – elles ne sont pas provoquées par l’expérience toujours changeante du spectateur” ».
14ème biennale de Lyon - La Sucrière - Circulation/infini
Political art -- or art made by artists who are consciously making political statements -- forms one strand of the exhibition. Outside, in the Whitney's Sculpture Court, Mark di Suvero and Rirkrit Tiravanija are recreating di Suvero's PeaceTower, first constructed in Los Angeles in 1966 as a protest against the Vietnam War. The PeaceTower, also known as the Artists' Tower against the War in Vietnam, was erected by a group of concerned artists known as the Artists Protest Committee. Di Suvero's structure was surrounded by panels (2' x 2') made by 400 artists including Judy Chicago, Leon Golub Eva Hesse, Donald Judd, Roy Lichtenstein, James Rosenquist, Mark Rothko, and Nancy Spero.
The 2006 Biennial PeaceTower includes the work of some 180 artists, again on 2' by 2' panels. Among the contributors to the new Peace Tower are Carl Andre, John Baldessari, Matthew Barney, Dara Birnbaum, John Bock, Chakaia Booker, E.V. Day, Tacita Dean, Sam Durant, Olafur Eliasson, Joy Garnett, Joseph Grigely, Hans Haacke, Pierre Huyghe, Sol Lewitt, Robert Mangold, Jonas Mekas, Yoko Ono, Irving Petlin (an originator of the 1966 project), James Rosenquist (one of the original contributors), Martha Rosler, Dread Scott, Kiki Smith, Yutaka Sone, Nancy Spero, Fred Tomaselli, Lawrence Weiner, and Andrea Zittel. An effort was made to invite as many of the original artists as possible to contribute panels to the current project.
Art, power and money unites in Trafalgar Square with the 10th giant sculpture on the Trafalgar Square Fourth Plinth. 'Gift Horse' by the German artist Hans Haacke is a skeletal, riderless horse inspired by the equestrian statue of William IV that was originally planned for the spot. Tied to the horse’s front legs is an electronic ribbon displaying live the ticker of the London Stock Exchange as the artist suggests connections between power, money and history at this location just up the road from Whitehall.
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P3158894
WAREGEM. 23/07/2016. Regenboogstadion. SV Zulte Waregem-NEC. 5-1.
Doelpunten: 13’ Dumic 0-1, 19’ Leye 1-1, 32’ Vetokele 2-1, 38’ Leye 3-1, 81’ Leye 4-1 en 87’ Kaya 5-1
Opstelling Essevee: Bossut, De fauw, Baudry, Derijck, Vetokele (84’ Benteke), Leye (88 De Smet), Mëité (69’ Essikal), Lepoint (46’ Lerager, 72 Kaya), Cordaro (76’ Zaidi), Hamalainen (70’ Verboom), Brebels
Opstelling N.E.C.: Van Duin, Heinloth, Dumic, Golla, Dyrestam, Breinburg, Von Haacke, Bikel, Mauk, Roman, Ofosu
1967
White balloons, helium, nylon, fishing line.
Public events, "Kinetic Environment I & II", Conservatory Pond, Central Park, New York, 23 July 1967; Sheep Meadow, Central Park, New York, 29 October 1967.
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
1969
Fertilized eggs, incubators, lamps, thermostat.
Installation, "New Alchemy: Elements, Systems and Forces", Art Gallery of Ontario, Toronto.
Sculpture "Gift Horse" by Hans Haacke symbolises the links between power, money and history. The ribbon at the front receives live feed from the London Stock Exchange. It occupies the fourth plinth in London's Trafalgar Square.
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
Castillos en el aire.
Una crítica a la especulación y territorialización en Madrid.
Hans Haacke (Colonia 1936). Museo Nacional Centro de Arte Reina Sofía.
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
www.metmuseum.org/search-results?ft=kopystiansky&x=4&...
Exhibition view: “Between Here and There: Passages in Contemporary Photography,” July 2, 2010–February 13, 2011
The Metropolitan Museum, New York
Curator Douglas Eklund
Artists: Vito Acconci, Ed Ruscha, Richard Long, On Kawara, Bruce Nauman, Rineke Dijkstra, Thomas Struth, Darren Almond, Doug Aitken, Lothar Baumgarten, Matthew Buckingham, VALIE EXPORT, Felix Gonzalez–Torres, Svetlana Kopystiansky, Dennis Oppenheim, Allen Ruppersberg, Fazal Sheikh, Erin Shirreff, Robert Smithson, Anne Turyn, Jeff Wall, and Weng Fen.
Svetlana Kopystiansky
About the work “Shadow of Gravitation”
I worked on this series several years from 1990 and it was accomplished in a number of 40 collages in 1993.
Collages were made from postcards with reproductions of landscape paintings and photographs. I was doing photographs of the ground and water surfaces mostly in the Upstate New York and was buying in various museum shops postcards with reproductions of landscape paintings by different artists mainly from XVIII and XIX century.
The landscape (reproduction from the existing painting) was “enlarged” by an addition of a new space at the foreground and by that an edition (postcard) was turned into a unique object.
Postcards are contemporary produced reproductions from landscape paintings created at least a hundred years ago or more and photographs made by myself at the moment of production were records from the very recent moment in time
(approaching the end of the XX century).
In each collage one reality is chosen from my surroundings and documented with the photographic technique. The second reality is created by an artist, who shaped it in a very different period of time.
Each of these realities had it's own space and their combination creates a tension between material and spiritual substance and at the same time originates a totally new visual space.
It is never known to which extend original landscape paintings represent a reality and to which extend they are results of construction of an imaginary reality by the artist.
Title: Shadow of Gravitation
Date: 1993, Unique. Collage
Color photograph/Postcard, Dimensions: 18.3 x 14.3 cm. (7 3/16 x 5 5/8 in.)
Works from the series “Shadow of Gravitation” are represented in museum collections:
Metropolitan Museum, New York, USA
Art Institute of Chicago, Chicago, USA
Museum of Fine Arts, Houston, Texas, USA
Exhibition History of “Shadow of Gravitation”
The complete series of more then 40 works was exhibited at individual projects:
1994 Igor Kopystiansky “The Museum. Svetlana Kopystiansky. “The Library," (cur. Jürgen Harten). Kunsthalle Düsseldorf, Germany. (cat.)
"Svetlana Kopystiansky," (cur. Timo Valjakka). Kunsthalle Helsinki, Finland.
"Svetlana Kopystiansky." Oulu Art Museum, Finland (solo)
1996 "Some Assembly Required." The Art Institute of Chicago, USA (cat.)
The series was represented at individual exhibitions:
1997 "Collages," Thomas Schulte Gallery, Berlin, Germany
"Fiction," Wooster Gardens Gallery, New York
Works from the series Shadow of Gravitation were exhibited at group exhibitions:
2010 “Between Here and There: Passages in Contemporary Photography,” July 2, 2010–February 13, 2011(Curator Douglas Eklund) Metropolitan Museum, New York
2009 "Boule to Braid," (Curator Richard Wentworth). Lisson Gallery London
Boule to Braid: Curated by Richard Wentworth, June 24-Aug 15, Lisson Gallery London. Participating artists: Art and Language, Bob Law, Giuliano Paolini, Hans Haacke, Donald Judd, Yoko Ono, Dan Graham, Daniel Buren, Terrence Bond, Bernard & François Baschet, On Kawara, Lee Ufan, Marcel Broodthaers, Gordon Matta-Clark, Igor & Svetlana Kopystiansky, Tony Cragg, Scott Burton, Terrence Bond, Richard Deacon, John Latham, Julian Opie, James Casebere, John McCracken, Liam Gillick, Tony Oursler, Franz West, Paul McCarty, Jonathan Monk, Sharon Ya'ari.
2004 "Pieced Together: Photomontage From the Collection," May 22–September 19, (Curator Elizabeth Siegel, Galleries 3 and 4)
Art Institute of Chicago.
2002 “Regarding Landscape,” Participating artists: Roni Horn, Rodney Graham, Igor and Svetlana Kopystiansky. Art Gallery of York University, Toronto, Canada
“Au regard du paysage. Regarding Landscape II,” Galerie Liane et Danny Taran du Centre des Arts Saidye Bronfman, Montréal (Québec), Canada
2001 "Places in the Mind. Photographs from the Collection." The Metropolitan Museum of Art, New York
1997 "From the permanent collection," Metropolitan Museum, New York.
“New Faces and Other Recent Acquisitions," (cur. David Travis and Sylvia Wolf). Art Institute of Chicago
1995 "Memento," Haus am Wannsee, Berlin, traveled to Stadtgalerie im Sophienhof, Kiel, Germany, State Gallery, Prague (cat.).
The new commission Gift Horse by artist Hans Haacke, was unveiled on Thursday 5 March 2015 in London’s Trafalgar Square
F24Apr2015-16.00bst,Church street library, Westminster, London, UK
the horse on the fourth plinth of Trafalgar Square.
Depicts a skeletal, riderless horse. Haacke says the sculpture is a tribute to economist Adam Smith and English painter George Stubbs. The horse is based on an engraving by Stubbs taken from ‘The Anatomy of the Horse’ published in 1766. Tied to the horse’s front leg is an electronic ribbon displaying live the ticker of the London Stock Exchange, completing the link between power, money and history.[18][19] The sculpture was unveiled on 5 March 2015.
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
WAREGEM. 23/07/2016. Regenboogstadion. SV Zulte Waregem-NEC. 5-1.
Doelpunten: 13’ Dumic 0-1, 19’ Leye 1-1, 32’ Vetokele 2-1, 38’ Leye 3-1, 81’ Leye 4-1 en 87’ Kaya 5-1
Opstelling Essevee: Bossut, De fauw, Baudry, Derijck, Vetokele (84’ Benteke), Leye (88 De Smet), Mëité (69’ Essikal), Lepoint (46’ Lerager, 72 Kaya), Cordaro (76’ Zaidi), Hamalainen (70’ Verboom), Brebels
Opstelling N.E.C.: Van Duin, Heinloth, Dumic, Golla, Dyrestam, Breinburg, Von Haacke, Bikel, Mauk, Roman, Ofosu
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
WAREGEM. 23/07/2016. Regenboogstadion. SV Zulte Waregem-NEC. 5-1.
Doelpunten: 13’ Dumic 0-1, 19’ Leye 1-1, 32’ Vetokele 2-1, 38’ Leye 3-1, 81’ Leye 4-1 en 87’ Kaya 5-1
Opstelling Essevee: Bossut, De fauw, Baudry, Derijck, Vetokele (84’ Benteke), Leye (88 De Smet), Mëité (69’ Essikal), Lepoint (46’ Lerager, 72 Kaya), Cordaro (76’ Zaidi), Hamalainen (70’ Verboom), Brebels
Opstelling N.E.C.: Van Duin, Heinloth, Dumic, Golla, Dyrestam, Breinburg, Von Haacke, Bikel, Mauk, Roman, Ofosu
A collaboration between SALT and Van Abbemuseum, İstanbul Eindhoven-SALTVanAbbe. The second exhibition İstanbul Eindhoven-SALTVanAbbe: 68-89 opens on April 20 and presents artworks from the Van Abbemuseum collection that were produced between the years 1968 and 1989. The artists in the exhibition were Carl Andre, Gerrit van Bakel, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Marinus Boezem, Marcel Broodthaers, Cengiz Çekil, Jan Dibbets, Ayşe Erkmen, Ian Hamilton Finlay, Altan Gürman, Hans Haacke, Douglas Huebler, Joan Jonas, Donald Judd, Serhat Kiraz, Joseph Kosuth, John Körmeling, David Lamelas, Sol LeWitt, Ahmet Öktem, Ergül Özkutan, Michalengelo Pistoletto, Martha Rosler, Ulrich Rückriem, Edward Ruscha, İsmail Saray, Gerry Schum, Thomas Schütte, Lawrence Weiner and Ian Wilson.
www.saltonline.org/en#!/en/301/istanbul-eindhoven-saltvan...
Gift Horse, 4th Plinth, Trafalgar Square, London. Twice the size of a normal horse, Hans Haacke's sculpture carries a ribbon on it's front leg displaying real-time FTSE ticker info from the London Stock Exchange.
London, The Fourth Plinth, Trafalgar Square
April 2015
Mit der norddeutschen Klinkerfassade, der holzverkleideten oberen Etage und dem eher südländischen Walmdach, zeigt HAACKE-Haus hier eine sehr interressante Kombination verschiedener Hausstile. Das i-Tüpfelchen des ganzen ist klar die kleine Glasdachspitze.
Video projectors, metal, wood, custom video switchers and four video channels, colour, sound
In 1993 Paik and German artist Hans Haacke were invited to jointly represent Germany at the Venice Biennale. Both artists had lived in the United States since the mid-1960s.
Paik exhibited a series of works inspired by Marco Polo’s thirteenth-century journey from Venice to Mongolia and beyond. He used the subject to explore the historical and philosophical links between Europe and Asia. The Mongolian Tent 1993 was also shown in the German Pavilion, which received the Golden Lion award that year.
Another key work from Paik’s Venice Biennale exhibition was Sistine Chapel 1993, presented here for the first time since 1993. This immersive video installation filled one of the wing spaces of the pavilion, including the ceiling. It originally used 42 projectors which switched at random between four separate videos, all playing at the same time. An audiovisual collage of new footage and samples from Paik’s past videos, it featured many of the friends, collaborators and public figures seen in this exhibition. It was Paik’s own way of summarising his artistic career with video.
[Tate Modern]
Nam June Paik
(October 2019 – February 2020)
The visionary artist who embraced mass media and new technology
Nam June Paik’s experimental, innovative, yet playful work has had a profound influence on today’s art and culture. He pioneered the use of TV and video in art and coined the phrase ‘electronic superhighway’ to predict the future of communication in the internet age.
This major exhibition is a mesmerising riot of sights and sounds. It brings together over 200 works from throughout his five-decade career – from robots made from old TV screens, to his innovative video works and all-encompassing room-sized installations such as the dazzling Sistine Chapel 1993.
Born in South Korea in 1932, but living and working in Japan, Germany and the US, Paik developed a collaborative artistic practice that crossed borders and disciplines. The exhibition looks at his close collaboration with cellist Charlotte Moorman. It also highlights partnerships with other avant-garde artists, musicians, choreographers and poets, including John Cage, Merce Cunningham and Joseph Beuys.
[Tate Modern]