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at The Outer Garden...
tram hair
boon kanzashi
sakka's studio nagagi kimono & hifu collar coat
nailpolish by pumby
"Trucco fresco su pelle marcia"
Una porta nuova e lucida, appena installata, si offre come simbolo di dignità urbana. Ma intorno a lei, l'intonaco si sbriciola, i ferri si arrugginiscono, la facciata si disgrega senza pietà. È l’illusione di un rinnovamento, incastrata in una struttura che ha già rinunciato a migliorarsi davvero. Il risultato è un equilibrio paradossale tra il volontario e l’involontario, tra l’ordine e la rovina, tra il tentativo e il fallimento. Una scena di provincia che fa sorridere e riflettere, come un vestito elegante sopra una pelle non lavata.
日本語
「腐った皮膚に新しい化粧」 (Kusatta hifu ni atarashii keshō)
新しいドアは清潔で、現代的で、まるで品位を保とうとする最後の試みに見える。しかし周囲の壁は崩れ、鉄は錆び、建物全体が無言のうちに崩壊している。これは再生の幻想であり、すでに自らを諦めた構造の上に無理に貼られた仮面だ。意図と無意識、秩序と衰退の狭間にある、地方都市特有の、わずかにグロテスクな美しさ。
"Fresh paint on rotten skin"
A clean, modern door, freshly installed, stands as a gesture of dignity. But the wall around it crumbles, metal rusts, and the façade disintegrates without resistance. It’s the illusion of renewal, clumsily glued onto a structure that no longer believes in its own future. The result is a paradoxical balance between order and decay, between intention and resignation. A provincial scene that feels slightly grotesque—like wearing perfume on a body that hasn’t been washed.
☑ [Hime!] Hifu-collar coat
~Ss~Sakka's Studio...
maps.secondlife.com/secondlife/Nautilus%20-%20Suniaton/18...
November,15
Today is Kimono Day<33
[どこに連れていくの？]
------------------------------------------
♂
BlankLine KIMONO Coat
♀
[Hime!] Hifu-collar coat - dark blue
~Ss~[Hime!] Nagagi{Mujina-kiku}green
*:..Silvery K..:*Japanese umbrella(BuW)
(EPOQUE HAIR) Scandal - Organic
[Hime!] Hifu-collar coat - beige ~Ss~Sakka's Studio Main store
[Hime!] Nagagi - pink ccb
Location is "Ryukyu EDO Village" by Ryukyu SIM coming soon<333
☑ kimono:[Sakka's Studio] [Hime!] Nagagi{Yagasuri-fwr}pink @CCB
☑ kimono:[Sakka's Studio][Hime!] Hifu-collar coat - orange @CCB
☑ [DDD] Camellia headdress @CCB
☑ [kokorotayori] sakura usumomo (kamikazari) Gacha @CCB
☑ ""D!va"" Hair "Bambi" (Type B)(Moon stone) Group Gift
☑ [ContraptioN] Junkyard Devil Wings *worn blue* Gacha
Giảm béo giambeocaptoc.com/
Công nghệ giảm béo giambeocaptoc.com/cong-nghe-giam-beo
Cách giảm béo bụng giambeocaptoc.com/cach-giam-beo-bung
Cách giảm béo hiệu quả giambeocaptoc.com/cach-giam-beo-hieu-qua
Cách giảm béo đùi giambeocaptoc.com/cach-giam-beo-dui
Cách giảm mỡ bụng giambeocaptoc.com/cach-giam-mo-bung-nhanh-nhat
Shichi-Go-San ( “Seven-Five-Three") is a traditional rite of passage and festival day in Japan for three and seven year-old girls and three and five year-old boys, held annually on November 15. Boys who are aged three or five and girls who are aged three or seven are dressed in kimono (many for the first time) for visits to shrines. Three-year-old girls usually wear hifu (a type of padded vest) with their kimono. Western-style formal wear is also worn by some children.
[04:32]A子: 私の楽しみにしてたアユ食べたでしょ！
[04:32]B男: いや、まだいっぱいあるじゃん！
[04:32]A子: 許さないっ
[04:33]B男: ちょっ・・・！やめ・・・！ イワシはダメだって！
her dress:
~Ss~[Hime!] Nagagi{Yagasuri-fwr} - pink
[Hime!] Hifu-collar coat - blue
DECO:
[[RH]] IRORI set
[[RH]] Wagasa Lamp for CCB
:HAIKEI: Pansy Japanese Traditional House
WEAPON:
[yen]hiiragi-iwashi( holly sprig w/ baked)Type B
[[RH]] Zabuton set for CCB
La tradition a changé un peu depuis la période Meiji. Le rituel concernant les cheveux a été abandonné, les garçons qui sont âgés de cinq ans et les filles âgées de trois ou sept ans sont toujours habillés de kimono, pour les visites aux sanctuaires. Il est d'usage que les filles âgées de trois ans portent le hifu (被布, veste rembourrée) avec leur kimono, elles sont coiffées les cheveux relevés en chignon et décorés de peignes ou de fleurs. Les garçons portent le hakama et le haori (羽織, veste tombant sur le hakama).
Wikipedia
"Shichi-Go-San (七五三, literally "seven-five-three") is a traditional rite of passage and festival day in Japan for three and seven year-old girls and three and five year-old boys, held annually on November 15. As Shichi-Go-San is not a national holiday, it is generally observed on the nearest weekend.
Shichi-Go-San is said to have originated in the Heian Period amongst court nobles who would celebrate the passage of their children into middle childhood. The ages three, five and seven are consistent with Japanese numerology, which dictates that odd numbers are lucky. The practice was set to the fifteenth of the month during the Kamakura Period.
Over time, this tradition passed to the samurai class who added a number of rituals. Children—who up until the age of three were required by custom to have shaven heads—were allowed to grow out their hair. Boys of age five could wear hakama for the first time, while girls of age seven replaced the simple cords they used to tie their kimono with the traditional obi. By the Meiji Period, the practice was adopted amongst commoners as well, and included the modern ritual of visiting a shrine to drive out evil spirits and wish for long healthy life.
The tradition has changed little since the Meiji Period. While the ritual regarding hair has been discarded, boys who are aged five and girls who are aged three and seven are still dressed in kimono—many for the first time—for visits to shrines. Three-year-old girls usually wear hifu (a type of padded vest) with their kimono. Western-style formal wear is also worn by some children. Shichi-Go-San is also known for Chitoseame (千歳飴, lit: "thousand year candy"), a traditional treat eaten to ensure longevity and health. A more modern practice is photography, and this day is well known as a day to take pictures of children."
-Wikipedia
Non-HDR shot of us celebrating with Austin's 5th year.
Tokyo, Japan.
yumeutsutsu
2014
oil on canvas
1303 x 1620 mm
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Yoshiko Fukushima solo exhibition
"Yumeutsutsu"
September 6 (Sat) - October 4(Sat)
Reception for the Artists: September 6 (Sat) 18:00 - 20:00
www.gallery-momo.com/index.html
Shop
GALLERY MoMo is pleased to announce the solo exhibition of Yoshiko Fukushima, titled "Yumeutsutsu," which means being in a dream, from September 6 to October 4. This show is her sixth solo exhibition since 2007 and represents her new oil paintings and drawings.
Fukushima has developed portraits with her unique touches and slight earth-toned. The face expressions of the portraits Fukushima describes reflect the humans’ deep inside and bring the strong massage to the viewers. Especially, their eyes that depicts with downcast eyes or empty feelings appeal problems that many people have today.
Describing humans in the composition such as parataxis, relativity and circle and the pattern of clothes like abstract, Fuksuhima succeeds to express representational motif with abstractive touch. Even though her interests in these compositions appeared in her early works, it seems to get stronger in the latest her works. Continuing to make works seems to be a breakthrough for the new expression.
These two years and a half after the last exhibition, Fukushima told that she kept a distance from her creativities and tried to be fit in with society. She also said that this exhibition was a re-start point and tried to reflect the present state and the feeling like between the dream and the reality to artworks.
Yoshiko Fukushima (born in Nagano prefecture) graduated from the Musashino Arts University in 2009. While Fukushima was a student, she was awarded for a selected prize of the Shell Art Prize in 2006 and won the first-prize at the same art awards in 2007. These days, she draws some illustrations for the series of articles on the local newspaper, The Shinano Mainichi Shimbun.
Artist's Comment
In progress, I always seek a possibility of the body figuration, develop the pattern of them in the paintings and question if my works consist as painting by using the opposite elements such as flexibility and inflexibility and minimizing the motifs. However, it is the fact that there are limitation on the produce and huge pressures when I go together my thoughts in one direction.
Everyday in the real, we receive some sort of influences from experiences and various events occur at individual and social levels. Moving my emotion, it appears to my work directly. I create paintings with my personal emotions, but sometimes it is different from my style I should go. While there is a discrepancy, I understand it is one of possibility I can make with new work by putting together all the discrepancy such as different point of views and feelings like sensibility people have.
The reason why I describe portraits is I am a human that I have seen most in my life, but the portraits appeared on my works are the result of mixing my memory with everything like people, objects and nature I’ve seen. I regard all portraits as reflection of my self and another human being even the expressions are sometimes full of a mass of affliction and devastated dead.
[Brief Chronology]
1985 Born in Nagano, Japan
2009 B.A Musashino Art University(oil painting department)
Lives and works in Kyoto
[Solo exhibition]
2011 GALLERY MoMo Roppongi,Tokyo
2010 "Hifu no ura" MARUZEN Nihonbashi,Tokyo
"( )" GALLERY MoMo Ryogoku,Tokyo
2009 "fog" GALLERY MoMo Ryogoku,Tokyo
"lunacy" GALLERY MoMo Roppongi,Tokyo
2008 "The Solitary Island Of The Land" Gallery MoMo ,Tokyo
[Group exhibition]
2013 "IMAGO MUNDI" Fondazione Querini Stampalia, Firenze, Italy
2012 "NAGANO Shin CONCEPTUS", Shiga Kogen Roman Museum, Nagano
"Summer Group Show" Gallery MoMo Projects, Tokyo
2011 "Regenerate" GALLERY MoMo Ryogoku, Tokyo
"GYOSYO - The Gallery Circus -" Spiral Garden, Tokyo
2010 "Visage vol.2" GALLERY MoMo Ryogoku, Tokyo
2009 "Summer Hop Step Jump" GALLERY MoMo Roppongi, Tokyo
2008 "Shell Art Award 2007" Kyoto Municipal Museum Of Art, Kyoto
"Opning Exhibition" GALLERY MoMo Ryogoku, Tokyo
2007 "fore runners ＆ hour eggs" Gallery MoMo, Tokyo
"Shinjuku Art Infinity" Maruicitiy Building, Tokyo
"Shell Art Award 2007" Daikanyama Hill Side Forum, Tokyo
2006 "Shell Art Award 2006" Daikanyama Hill Side Forum, Tokyo
[Awrds]
2008 Grand Prize at "JASSO's Student of the Year 2008"
2007 Won a prize of "Shinjuku Art Infinity"
Grand Prize at "Shell Art Award 2007"
Encouragement Prize at "JASSO's Student of the Year 2007"
2006 Mika Kuraya Judges' Prize at "Shell Art Award 2006"
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Với sự ra đời HIFU[Hi-5] New 2015 là một bước nhảy vọt của công nghệ nâng cơ xóa nhăn không xâm lấn.
Xem chi tiết tại: laserthammy.com.vn/san-pham/may-cang-da-xoa-nhan-hifu-hi-...
Sử dụng sóng siêu âm hội tụ cường độ cao, Hifu có khả năng kích thích sản sinh collagen ở tận sâu tầng hạ bì ( Tầng sâu 4.5mm ) mà không hề gây đau đớn hay làm tổn thương tới cấu trúc các mô xung quanh. Đồng thời, năng lượng này giúp nâng cơ định hình khuôn mặt, xóa các nếp nhăn, làm da hồng hào, săn chắc và mịn màng.
Xem chi tiết tại: laserthammy.com.vn
Công ty TNHH Sarah Le là đối tác tin cậy, được làm việc với các chuyên gia Hàn Quốc và được chính các chuyên gia Hàn Quốc sang tận nơi traning và chuyển giao công nghệ - Sarah Le trong năm 2015 đã ký nhiều hợp đồng độc quyền cho nhiều dòng sản phẩm, máy thẩm mỹ công nghệ cao. Đặc biệt Sarah Le là đơn vị duy nhất tại Việt Nam phân phối dòng máy Hifu 2015 với 4 đầu Tips trị liệu, và nhiều dòng máy mới khác như máy S-C02 Fractional, máy trẻ hóa âm đạo S-CO2 Vaginal, máy Laser YAG Q-Switch Magnum.
Giữa tháng 9 - Công ty Sarah Le đón chào một sự kiện quan trọng. Sarah Le chính thức ký kết hợp đồng độc quyền tại Việt Nam phân phối các dòng máy cao cấp từ nhãn hàng nổi tiếng tại Hàn Quốc là DANA, công ty DANA là một trong những thương hiệu nổi tiếng trong làn cung cấp thiết bị thẩm mỹ cao cấp trên toàn thế giới với những dòng sản phẩm với chức năng tiên tiến, an toàn và hiệu quả mang lại là tuyệt đối.
Another day out with Travus in his Haori Hakama for Shichi Go San.
"Shichi-Go-San (七五三, literally "seven-five-three") is a traditional rite of passage and festival day in Japan for three and seven year-old girls and three and five year-old boys, held annually on November 15. As Shichi-Go-San is not a national holiday, it is generally observed on the nearest weekend.
Shichi-Go-San is said to have originated in the Heian Period amongst court nobles who would celebrate the passage of their children into middle childhood. The ages three, five and seven are consistent with Japanese numerology, which dictates that odd numbers are lucky. The practice was set to the fifteenth of the month during the Kamakura Period.
Over time, this tradition passed to the samurai class who added a number of rituals. Children—who up until the age of three were required by custom to have shaven heads—were allowed to grow out their hair. Boys of age five could wear hakama for the first time, while girls of age seven replaced the simple cords they used to tie their kimono with the traditional obi. By the Meiji Period, the practice was adopted amongst commoners as well, and included the modern ritual of visiting a shrine to drive out evil spirits and wish for long healthy life.
The tradition has changed little since the Meiji Period. While the ritual regarding hair has been discarded, boys who are aged five and girls who are aged three and seven are still dressed in kimono—many for the first time—for visits to shrines. Three-year-old girls usually wear hifu (a type of padded vest) with their kimono. Western-style formal wear is also worn by some children. Shichi-Go-San is also known for Chitoseame (千歳飴, lit: "thousand year candy"), a traditional treat eaten to ensure longevity and health. A more modern practice is photography, and this day is well known as a day to take pictures of children."
From Wikipedia, the free encyclopedia
Spent a few hours today taking photos for the Shichigosan (7-5-3 in Japanese).
Shichi-Go-San (七五三, literally "seven-five-three") is a traditional rite of passage and festival day in Japan for three and seven year-old girls and three and five year-old boys, held annually on November 15. As Shichi-Go-San is not a national holiday, it is generally observed on the nearest weekend.
Shichi-Go-San is said to have originated in the Heian Period amongst court nobles who would celebrate the passage of their children into middle childhood. The ages three, five and seven are consistent with Japanese numerology, which dictates that odd numbers are lucky. The practice was set to the fifteenth of the month during the Kamakura Period.
Over time, this tradition passed to the samurai class who added a number of rituals. Children—who up until the age of three were required by custom to have shaven heads—were allowed to grow out their hair. Boys of age five could wear hakama for the first time, while girls of age seven replaced the simple cords they used to tie their kimono with the traditional obi. By the Meiji Period, the practice was adopted amongst commoners as well, and included the modern ritual of visiting a shrine to drive out evil spirits and wish for long healthy life.
The tradition has changed little since the Meiji Period. While the ritual regarding hair has been discarded, boys who are aged five and girls who are aged three and seven are still dressed in kimono—many for the first time—for visits to shrines. Three-year-old girls usually wear hifu (a type of padded vest) with their kimono. Western-style formal wear is also worn by some children. Shichi-Go-San is also known for Chitoseame (千歳飴, lit: "thousand year candy"), a traditional treat eaten to ensure longevity and health. A more modern practice is photography, and this day is well known as a day to take pictures of children.
From Wikipedia, the free encyclopedia