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"Copyright © – Jean-marie Boyer
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
In Chobari village live Waga Dia and Machhukanah Rabari people.
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
Rabari people in Goriyawad village (Gujarat).
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
The World Heritage Site of Champaner (Gujarat).
The Jami Masjid (mosque).
It is one of the finest mosques of Gujarat. This is a gigantic structure with two imposing minars on either side of the central entrance to the prayer hall. The dome behind the high central screen of the façade is elevated on two extra storeys of open arcades. The roof just behind this dome is filled by a carved slab of great beauty and ingenuity of workmanship. There are seven mehrabs (prayer niches) in the back wall of the main prayer hall, the central being more elaborated. The northern section of prayer hall was separated by a perforated screen, reserved for ladies from where an extra entrance was provided. A pillared corridor goes round the vast court yard opening inside in ogival arches supported by pillars. The Mosque has three entrance porches to courtyard but the eastern porch is most remarkable for its intricate carving and Jaali work. Construction of mosque is datable to late 15th century A.D.
Champaner.
The historical town of Champaner is a city in the Gujarat state of western India. It is located in Panchmahal District, 47 kilometres from the city of Vadodara (Baroda). The city was briefly the capital of Gujarat. It was founded by Vanraj Chavda, the most prominent king of the Chavda Kingdom, in the 8th century. He named it after the name of his friend and general Champa, also known later as Champaraj. By the later 15th century, the Khichi Chauhan Rajputs held Pavagadh fort above the town of Champaner. The young Sultan of Gujarat, Mahmud Begada, captured the fort on 21 November 1484, after a siege of 20 months. He then spent 23 years rebuilding and embellishing Champaner, which he renamed Muhammadabad, after which he moved the capital there from Ahmedabad. The town finally succumbed to attacks from the Mughal Emperor Humayun in 1535.
Rabari man in Bhujodi village.
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
Mir woman (Gujarat).
Mir is a tribe/caste which has decended from the Butt tribe in Kashmir Valley of Baramulla. It is also in Sindh Gilgit and Punjab provinces of Pakistan and India. Mir are actually of Butt lineage along with Khwaja. Mir are also known as Butt today because they are actually descended directly from the Butt bloodlines. Mir became a subcaste somewhere around 1850 and is actually a name of a person and NOT a tribe.
Rabari child with sheep and typical headdress on the way to Chobari.
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
The Jat - one of the hidden tribes in Gujarat (India).
Dhaneta Jat woman.
The Jats who live in Kutch are particularly conscious of their identity as a group and their sense of unity comes from a perception of shared historical traditions and a belief in common ancestry.
Originally the Jats were herders who lived in an area called Half in Iran. Five hundred years ago these shepherds migrated from Half and came to Sindh and Kutch to search for new grazing lands. They crossed the Rann of Kutch and settled there taking up farming, they became known as Dhaneta Jats. Some have devted themselves to the study of the Koran and are known as the Fakirani Jats. All the Jats in Kutch are Muslims and have similar marriage and dowry customs.
The Dhanetas are the largest of the Jat Communities. They live throughtout north western Kutch. The Dhanetas live in the Banni, herd cattle. The men care for the animals and women remain in camp looking after their families.
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"Copyright © – Jean-marie Boyer
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Ahmedabad - Gujarat - India
Muslim to the mosque
Ahmedabad is the largest city and former capital of Gujarat. It is the administrative headquarters of the Ahmedabad district and the seat of the Gujarat High Court. With a population of more than 6.3 million and an extended population of 7.2 million, it is the sixth largest city and seventh largest metropolitan area of India. Ahmedabad is located on the banks of the Sabarmati River, 30 km from the state capital Gandhinagar.
Ahmedabad has emerged as an important economic and industrial hub in India. It is the second largest producer of cotton in India, and its stock exchange is the country's second oldest. The effects of liberalisation of the Indian economy have energized the city's economy towards tertiary sector activities like commerce, communication and construction.
en.wikipedia.org/wiki/Ahmedabad
Met de tuktuk rijden we naar de Shree Swami Narayan tempel en de Sidi Saiyyad moskee in het ochtendlicht. Een vriendelijk gezin liet zich fotograferen. We eindigen de dag aan de vrijdag moskee Jami Masjid met een heel grote binnenplaats en rondom een galerij, verder wandelen we naar het inmiddels verlichte Sidi Saiyyad moskee.
Vadodara - Gujarat - India
Ladies to the Mosque
Wandeling naar de omwalling en het vroegere fort Champaner. ( Pauagadh) Bezoek aan de vrijdag moskee, Jami Masjid en verder naar de omwalling en de resten van het Pavagadh fort. Via de South Bhadra Gate binnen de fortmuren naar de Sahar Ki Masjid moskee.
Vadodara which used to be known as Baroda, is the third largest city in the Western Indian State of Gujarat, after Ahmedabad and Surat. It is the administrative headquarters of Vadodara District and is located on the banks of the Vishwamitri river, southeast of Ahmedabad, 139 kilometres from the state capital Gandhinagar.
The city is the site of the Lakshmi Vilas Palace, the residence of the Maharaja of Baroda and the royal family; and his erstwhile Darbar. It is also the home of the Maharaja Sayajirao University of Baroda (Vadodara), the largest university in Gujarat. An important industrial, cultural and educational hub of western India, the city houses several institutions of national and regional importance while its major industries include petrochemicals, engineering, chemicals, pharmaceuticals, plastics, IT and foreign exchange services amongst others.
Vadodara has been selected as one of the hundred Indian cities to be developed as a smart city under Prime Minister Narendra Modi's flagship Smart Cities Mission.
Bhuj - Gujarat - India
In Dhamadka kijken we naar het block printen van stoffen door de Katri bevolking.
Onderweg Rabari mannen. De Katchi Rabari zijn zwarte mannen.
We zien de Baroth Rabari (vrouwen) van Rajasthan met grote gevulde waterpotten op het hoofd.
Weven zien we in de Bhujodi village door de Vankar bevolking.
Op verschillende plaatsen zien we het weefproces gedaan door mannen en ook een ketting scheren door een vrouw.
In New Dhaneti zien we fijn borduurwerk waarin spiegeltjes zijn verwerkt, gemaakt door de Ahir bevolking.
Rabari child with sheep and typical headdress on the way to Chobari.
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
Ahir tribal woman in Dhaneti village (Gujarat).
The Ahir are descendants of Lord Krishna. They lived as shepherds at Gokul Mathura about a thousand years ago. After leaving Gokul Mathura they spread throughout northern and northwestern India. There are four types of Ahir tribals namely Prantharia, Machhoya, Boureecha and Sorathia.
These communities are mainly of farmers who once sold milk and ghee but who now have changed their business to transport or salt because of the irregularity of rain. Their mother tongue is Gujarati. They worship Ramdevpir.
The engagement of an Ahir girl is formalized when the groom`s parents present a gift to the bride`s family. The Prantharia Ahirs give money. Machhoya and Boureecha give sets of clothes decorated with mirror work embroidery. The bride`s relatives also contribute at least one silver necklace, one or two gold necklaces, earrings, nose pins, anklets and bracelets.
The costume of an Ahir woman indicates her Jati and her age. Young women have the most elaborate costumes. Their gathered skirts of red, green, blue, orange or brown tied and dyed cotton are richly embroidered. Older married women must be content with plain black cotton tube shirts and simple decorated cotton or plain mashru blouses in subdued colours. Young and middle aged women wear Odhanis of red and block striped mashru with embroidered border.
Bhuj - Gujarat - India
In Dhamadka kijken we naar het block printen van stoffen door de Katri bevolking.
Onderweg Rabari mannen. De Katchi Rabari zijn zwarte mannen.
We zien de Baroth Rabari (vrouwen) van Rajasthan met grote gevulde waterpotten op het hoofd.
Weven zien we in de Bhujodi village door de Vankar bevolking.
Op verschillende plaatsen zien we het weefproces gedaan door mannen en ook een ketting scheren door een vrouw.
In New Dhaneti zien we fijn borduurwerk waarin spiegeltjes zijn verwerkt, gemaakt door de Ahir bevolking.
In Chobari village live Waga Dia and Machhukanah Rabari people.
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
The Jat - one of the hidden tribes in Gujarat (India).
Dhaneta Jat girls.
The Jats who live in Kutch are particularly conscious of their identity as a group and their sense of unity comes from a perception of shared historical traditions and a belief in common ancestry.
Originally the Jats were herders who lived in an area called Half in Iran. Five hundred years ago these shepherds migrated from Half and came to Sindh and Kutch to search for new grazing lands. They crossed the Rann of Kutch and settled there taking up farming, they became known as Dhaneta Jats. Some have devted themselves to the study of the Koran and are known as the Fakirani Jats. All the Jats in Kutch are Muslims and have similar marriage and dowry customs.
The Dhanetas are the largest of the Jat Communities. They live throughtout north western Kutch. The Dhanetas live in the Banni, herd cattle. The men care for the animals and women remain in camp looking after their families.
The Jat - one of the hidden tribes in Gujarat (India).
Dhaneta Jat girl.
The Jats who live in Kutch are particularly conscious of their identity as a group and their sense of unity comes from a perception of shared historical traditions and a belief in common ancestry.
Originally the Jats were herders who lived in an area called Half in Iran. Five hundred years ago these shepherds migrated from Half and came to Sindh and Kutch to search for new grazing lands. They crossed the Rann of Kutch and settled there taking up farming, they became known as Dhaneta Jats. Some have devted themselves to the study of the Koran and are known as the Fakirani Jats. All the Jats in Kutch are Muslims and have similar marriage and dowry customs.
The Dhanetas are the largest of the Jat Communities. They live throughtout north western Kutch. The Dhanetas live in the Banni, herd cattle. The men care for the animals and women remain in camp looking after their families.
.. on the historic day 22-01-2024, of ram mandir pran-pratishtha.
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Ahmedabad - Gujarat - India
Muslim to the mosque
Ahmedabad is the largest city and former capital of Gujarat. It is the administrative headquarters of the Ahmedabad district and the seat of the Gujarat High Court. With a population of more than 6.3 million and an extended population of 7.2 million, it is the sixth largest city and seventh largest metropolitan area of India. Ahmedabad is located on the banks of the Sabarmati River, 30 km from the state capital Gandhinagar.
Ahmedabad has emerged as an important economic and industrial hub in India. It is the second largest producer of cotton in India, and its stock exchange is the country's second oldest. The effects of liberalisation of the Indian economy have energized the city's economy towards tertiary sector activities like commerce, communication and construction.
en.wikipedia.org/wiki/Ahmedabad
Met de tuktuk rijden we naar de Shree Swami Narayan tempel en de Sidi Saiyyad moskee in het ochtendlicht. Een vriendelijk gezin liet zich fotograferen. We eindigen de dag aan de vrijdag moskee Jami Masjid met een heel grote binnenplaats en rondom een galerij, verder wandelen we naar het inmiddels verlichte Sidi Saiyyad moskee.
India - A view of Gujarat.
The Jat - one of the hidden tribes in Gujarat (India).
Dhaneta Jat girl.
The Jats who live in Kutch are particularly conscious of their identity as a group and their sense of unity comes from a perception of shared historical traditions and a belief in common ancestry.
Originally the Jats were herders who lived in an area called Half in Iran. Five hundred years ago these shepherds migrated from Half and came to Sindh and Kutch to search for new grazing lands. They crossed the Rann of Kutch and settled there taking up farming, they became known as Dhaneta Jats. Some have devted themselves to the study of the Koran and are known as the Fakirani Jats. All the Jats in Kutch are Muslims and have similar marriage and dowry customs.
The Dhanetas are the largest of the Jat Communities. They live throughtout north western Kutch. The Dhanetas live in the Banni, herd cattle. The men care for the animals and women remain in camp looking after their families.
Bhuj - Gujarat - India
Lovely girl in the evening.
In Dhamadka kijken we naar het block printen van stoffen door de Katri bevolking.
Onderweg Rabari mannen. De Katchi Rabari zijn zwarte mannen.
We zien de Baroth Rabari (vrouwen) van Rajasthan met grote gevulde waterpotten op het hoofd.
Weven zien we in de Bhujodi village door de Vankar bevolking.
Op verschillende plaatsen zien we het weefproces gedaan door mannen en ook een ketting scheren door een vrouw.
In New Dhaneti zien we fijn borduurwerk waarin spiegeltjes zijn verwerkt, gemaakt door de Ahir bevolking.
© Jean Marie Boyer-Toute reproduction sans autorisation est interdite
© "Copyright Jean Marie Boyer " All rights reserved
blog.digitalphoto.fr/2018/02/06/itw-jean-marie-boyer/
Jeune femme Meghwal dans le village de Hodka
L'une des tribus cachées dans le Gujarat (Inde).
Les femmes des villages, brodent surement les plus beaux tissus de l’Inde. Elles semblent être vêtues pour une grande festivité et pourtant c’est leur accoutrement quotidien. Leur bijoux grandioses et imposants parent toutes parties de leurs corps.