View allAll Photos Tagged Grounding
Being a student is about soaring for the future, grounding the roots, trial and error, experiencing different opportunities, meeting new people, enjoying the excitement, competition, and above all from all the endless possibilities, discovering who you are by finding your perfect matching shoe.
Simon Fraser University opens up opportunity, provides students with the environment to learn, variation of fields, and broaden student's vision. It is like the shoes on the field with countless combination for students to experience trial and error, while searching for the shoes allow the students to broaden their network and engage with other students to find their perfect path.
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Liang Jun Ying, FCAT
After a lifetime of giving me and my brother shit for smoking weed and grounding us as teenagers, my mom just opened a weed bar (feels good man)
Source-Reddit
honeycombbong.com/after-a-lifetime-of-giving-me-and-my-br...
The NEW Boston Fire Boat. In scenario two, the ferry grounding under conditions where weather was deteriorating quickly, when BFD was on the response team, they took advantage of having this asset. With the grounding in shallow water, the responders were limited with what boats could pull up directly to the ferry. This group decided to "ground out" a smaller SAFE boat and make a bridge to a larger SAFE boat which transported passengers to the Boston Fire Boat. Passengers were played by cadets from Massachusetts Maritime Academy. The "SAFE" boats are the style boat common with local law enforcement. Quincy owns two, one a used surplus from the Coast Guard and a second, larger one purchased new by a Homeland Security Grant we were awarded. While always impressed by our new boat, seeing these drills first hand I now have a better understanding why a "Parker" or similar isn't sufficient for their needs.
Tourmaline Quartz Healing Properties
Tourmalinated Quartz♥ Balances opposites ♥ Grounding
Tourmaline Quartz, also known as Tourmalinated Quartz, is a variety of Clear Quartz with naturally occurring needle-like inclusions of Black Tourmaline, also known as Schorl.
Chakras - Third Eye Chakra
Zodiac - Capricorn
Element - Earth
Typical colours - Clear with needle-like crystals of Black Tourmaline.
Tourmaline Quartz combines the properties of Tourmaline and Clear Quartz Crystal. Tourmaline purifies ones own energies and protects from negativity, while Quartz amplifies energies focused through it. This combination makes Tourmaline Quartz a powerful shield-stone that, depending on the desired intent of the wearer, can amplify and return negative energy, like a mirror spell, or can convert the negative energy into positive energy for the wearer.
An effective grounding stone, Tourmaline Quartz strengthens the body's energy field against external invasion and deflects detrimental environmental influences. It is often seen as a symbol of unity and is an effective problem solver. It eliminates crystallised patterns which are, or may have been, destructive in ones own life and releases tensions at any level. Its liberating power against negative energy can be used to assist us to actualise the strength needed to alleviate negative or hostile relationships and situations. Tourmaline Quartz balances yin / yang energies. It harmonises disparate and opposite elements and polarities, and turns negative thoughts and energies into positive ones. Psychologically, it helps to integrate and heal the shadow energies, alleviating self-sabotage. It harmonises the meridians, the subtle bodies, and the chakras.
Tourmaline Quartz detoxifies the entire body and is used to treat disorders of the digestive tract.
7. Grounding myself with the energy of crystals and good vibes from others allows me to find a good balance in my life. I like to think that I forge my own destiny but I also know things happen for a reason. Crystals and signs now guide some of my actions; I have become more sub-conscious and aware of things that I should hold on to and things or people that I have to let go to keep me sane.
Grounding: States of Gender
Gita Hashemi
Curated by Soheila Esfahani
Exhibition: January 9 – 29, 2026
Thursday, January 8 from 4–6PM
artLAB Gallery, JLVAC
Reproducing an Iranian woman’s auto-ethnography in a visually-striking immersive installation, Grounding was created over an 8-day livestreamed durational performance in February 2017. Heralding the global #Me-Too movement and the #WomanLifeFreedom uprising in Iran, in this installation Gita Hashemi puts gender-based violence and disparity – in fact, the very construction of gender itself – in sharp focus and places the audience fully immersed in it.
Grounding combines life writing with live writing – what Hashemi calls “embodied writing,” using Persian calligraphy only to break its traditional limits. Rather than transcribing sacred text or classical poetry (formal writing by men and about men) on intimate-sized gilded manuscript paper to be owned, here Hashemi writes and records in public – on her hands and knees and marking her own reactions in red ink thus making the labour and our witnessing of it inseparable from the artwork – on massive scrolls and in colloquial language, a woman’s highly intimate stories, what remains absented from formal discourse. The artist’s original statement reads:
“The narrative has been emerging through conversations between us about how being women has affected our lives . . . Writing the self in a public space is an act of liberation when it reveals what we are trained, co-opted, forced, or acculturated to hide. In talking and then writing about intimately personal and sometimes traumatic experiences, Zahra and I have had to overcome many inhibitions. We entered each other’s lives as witness. Therefore, the process has been not only revealing but healing.”
Grounding addresses the politics of gender in contemporary Iran and beyond:
“This piece started with the dream of a space where writing could fully intertwine with embodied gestures and performative expression to explore the potentials of written word in creating visual-emotional landscapes. While I was dreaming, voices and images from the outside world infiltrated in my dreamscape: There is the man who is now president saying “grab [women] by the pussy” and the over-exposed image of an imported made-up doll standing beside him. There is the campus rapist walking free, and the radio host acquitted of sexual assault. There were Pussy Riot in Russia, masses of women in rallies against rape in India, and Women’s March on Washington. There, is the Islamic State, and here, in the “West,” and around the globe is the state of poverty that increasing numbers of women are pushed into, courtesy of neo-liberalism and politics of austerity.”
Grounding was selected as the monographic exhibition of the year in 2017 by the Ontario Association of Art Galleries. The jury cited the work for “representations of freedom and gender that transgress geographical, political, and cultural boundaries.” It was originally created at Carlton University Art Gallery as part of Open Space Lab, curated by Anna Khimasia.
This installation at the artLAB includes the original scrolls written in 2017. The video combines the footage shot on days 1 and 2 of the livestreamed performance (the first 6 scrolls), played here at 2-20x normal speed.
Exhibition text by Mina Rastgu.
Read the review: “Grounding: States of Gender”: Persian calligraphy documents memoir of womanhood in Iran. Written by Incé Husain. Antler River Media Co-op
With generous support from: Department of Visual Arts, Faculty of Arts & Humanities, Centre for Research on Migration and Ethnic Relations, Department of Languages and Cultures, Department of Gender, Sexuality & Women's Studies.
artLAB Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2026; Department of Visual Arts; Western University
Rocked Regalia Openable Bullet Necklaces on stainless steel chain with grounding frequency. Rocked Regalia cross necklace worn as belt. Mica and pyrite bracelets.
2022 Grounding the Green New Deal: A Summit on Design, Policy, and Advocacy (Credit: Allison Shelley/Landscape Architecture Foundation)
Grounding: States of Gender
Gita Hashemi
Curated by Soheila Esfahani
Exhibition: January 9 – 29, 2026
Thursday, January 8 from 4–6PM
artLAB Gallery, JLVAC
Reproducing an Iranian woman’s auto-ethnography in a visually-striking immersive installation, Grounding was created over an 8-day livestreamed durational performance in February 2017. Heralding the global #Me-Too movement and the #WomanLifeFreedom uprising in Iran, in this installation Gita Hashemi puts gender-based violence and disparity – in fact, the very construction of gender itself – in sharp focus and places the audience fully immersed in it.
Grounding combines life writing with live writing – what Hashemi calls “embodied writing,” using Persian calligraphy only to break its traditional limits. Rather than transcribing sacred text or classical poetry (formal writing by men and about men) on intimate-sized gilded manuscript paper to be owned, here Hashemi writes and records in public – on her hands and knees and marking her own reactions in red ink thus making the labour and our witnessing of it inseparable from the artwork – on massive scrolls and in colloquial language, a woman’s highly intimate stories, what remains absented from formal discourse. The artist’s original statement reads:
“The narrative has been emerging through conversations between us about how being women has affected our lives . . . Writing the self in a public space is an act of liberation when it reveals what we are trained, co-opted, forced, or acculturated to hide. In talking and then writing about intimately personal and sometimes traumatic experiences, Zahra and I have had to overcome many inhibitions. We entered each other’s lives as witness. Therefore, the process has been not only revealing but healing.”
Grounding addresses the politics of gender in contemporary Iran and beyond:
“This piece started with the dream of a space where writing could fully intertwine with embodied gestures and performative expression to explore the potentials of written word in creating visual-emotional landscapes. While I was dreaming, voices and images from the outside world infiltrated in my dreamscape: There is the man who is now president saying “grab [women] by the pussy” and the over-exposed image of an imported made-up doll standing beside him. There is the campus rapist walking free, and the radio host acquitted of sexual assault. There were Pussy Riot in Russia, masses of women in rallies against rape in India, and Women’s March on Washington. There, is the Islamic State, and here, in the “West,” and around the globe is the state of poverty that increasing numbers of women are pushed into, courtesy of neo-liberalism and politics of austerity.”
Grounding was selected as the monographic exhibition of the year in 2017 by the Ontario Association of Art Galleries. The jury cited the work for “representations of freedom and gender that transgress geographical, political, and cultural boundaries.” It was originally created at Carlton University Art Gallery as part of Open Space Lab, curated by Anna Khimasia.
This installation at the artLAB includes the original scrolls written in 2017. The video combines the footage shot on days 1 and 2 of the livestreamed performance (the first 6 scrolls), played here at 2-20x normal speed.
Exhibition text by Mina Rastgu.
Read the review: “Grounding: States of Gender”: Persian calligraphy documents memoir of womanhood in Iran. Written by Incé Husain. Antler River Media Co-op
With generous support from: Department of Visual Arts, Faculty of Arts & Humanities, Centre for Research on Migration and Ethnic Relations, Department of Languages and Cultures, Department of Gender, Sexuality & Women's Studies.
artLAB Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2026; Department of Visual Arts; Western University