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WTAMU Graphic Design lab and proj. crit.

Outer box and artist print for wooden toy quarterly magazine

pallid \PAL-id\, adjective:

 

1. Having an abnormally pale or wan complexion.

2. Lacking intensity of color or luminousness.

3. Lacking in vitality or interest.

Book Portfolio

have been working on making a new graphic design blog for the GD area at Portland State University. Thinking I am going to say goodbye to www.crapdetector.com and hello to commandsave www.commandsave.com

 

still working on padding issues (which are currently driving me insane).

 

name most certainly inspired by the msu graphic design show that we had last year (File Save As Soiree) (can't totally take the mississippi out of the blog :)

   

I was always as interested in the whole typographic internal layout as doing a smart cover design. Its not really graphic design until you can control the design of the whole publication.

Cover by art director Jerry Lieberman.

Artwork for Subkultura, Prague

From a series of posters for the Polish Circus. Artist, Hubert Hilscher. From Graphis Posters 1973. Blogged at Aqua-Velvet.

From a series of posters for the Polish Circus. Artist, Wiktor Górka. From Graphis Annual 69/70. Blogged at Aqua-Velvet.

One of the famous Zurich concert posters designed by Josef Müller-Brockman on "New Graphic Design" principles.

Branding campaign for Ghosty Apparel

 

michael-tiong_a-4334_p2

From a series of posters for the Polish Circus. Artist Jan Mlodozeniec. From Gebrauchsgraphik No. 12, 1966. Blogged at Aqua-Velvet.

 

This is a technique that you might like to use with your textures. It will keep the color of a texture and remove only the texture. This has been of great help to me.

 

www.youtube.com/watch?v=ph906AM3qJ4

Id for design studio

The reality of life in Germany at that time was visualized by graphic arts of a different nature. DaDa had developed out of WWI as an anti-war movement, reflecting the insanity of the times, and other German graphic artists such as George Grosz, created works that were especially bitter. Even Kathe Kollwitz lithographs were turned into poster pleas for food for German children.

 

I cannot find the artist's name for this publication cover. It's signed but I can't decipher it.

From a series of posters for the Polish Circus. Artist Maciej Urbaniec. From Gebrauchsgraphik No. 12, 1966. Blogged at Aqua-Velvet.

…and they're pretty scrumptious. Letterpressed, to fill me with joy.

 

Aside from some tracking issues (I realize now I should have considerably broadened my letterspacing to accommodate the indentations—I'm a letterpress first-timer, mostly), I'm quite delighted.

220# lettra cotton paper = crazy-heavy-weight and yummy!

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