Your Typography
View allAll Photos Tagged GraphicDesign,
S W A N K • E V E N T • L I N K S :
EVENT SLURL:
maps.secondlife.com/secondlife/Swank%20Events/130/124/39
FLICKR GROUP:
www.flickr.com/groups/swank_sl/
FACEBOOK:
www.facebook.com/groups/swanksl/?pnref=lhc
MMM-Chrysanthemun Plant-S1 @SWANK EVENT
MMM-Chrysanthemun Plant-S2 @SWANK EVENT
MMM-Chrysanthemun Plant-S3 @SWANK EVENT
.Lunaria. Fairy Arch @SWANK EVENT
.Lunaria. Fairy Elder Tredd @SWANK EVENT
.Lunaria. Fairy Shrub @SWANK EVENT
.Lunaria. Fairy Undergrowth @SWANK EVENT
SUNRISE - Fawn in the wood 19Li @SWANK EVENT
I was always as interested in the whole typographic internal layout as doing a smart cover design. Its not really graphic design until you can control the design of the whole publication.
During the 1950s and ‘60s there was renewed interest in the use of mass produced colour pattern ceramic tiles to help provide decorative features in buildings. These ranged from full sized ‘feature walls’ such as this depicted here to simpler schemes for such areas as the entrance lobbies to flats - indeed a fair number of the latter survive to this day. Peggy Richards is noted as having studied mass production patterns suitable for tile production - several companies, most notably Carter’s Poole Pottery, manufactured a range of patterns and colour ways on ‘basic’ 6” x 6” ceramic tiles to allow a ‘construction’ of repeating patterns and visual themes. The Lansbury Primary School was designed as part of the post-WW2 reconstruction of London’s blitz damaged and decaying Victorian East End and formed part of the architectural components of the 1951 Festival of Britain. It was designed by architects Yorke Rosenberg Mardall and is now known as the Lansbury Lawrence Primary School. Peggy Richards (nee Angus) 1904 - 1993, was one of the remarkable group of very politically aware artists, designers and educators of the time. She was at one time married to JM Roberts, editor of the AR at this time, and the pattern tiles she developed were commercially produced by Carter’s at Poole.
From a series of posters for the Polish Circus. Artist, Wiktor Górka. From Graphis Annual 69/70. Blogged at Aqua-Velvet.
One of the famous Zurich concert posters designed by Josef Müller-Brockman on "New Graphic Design" principles.
A few nice pics of an ideas booklet designed for high-end interiors showroom Area. The booklet is titled 'A little inspiration and took on a fairytale woodland theme.
See Full Post: Rainbow Colors-Immersive Experience of Media Agnostic Designer Ramzy Masri
For More Information visit : Dezart Inspire | Graphic Design
See Full Post: Stunning Beauty Photo Retouching works and Photography Rebecca Saray
For More Information visit : Dezart Inspire | Graphic Design
Created for the Digitalmania challenge where this week we're taking inspiration from GRAPHIC DESIGN.
Credits : From the public domain.
Thank you for looking.
The reality of life in Germany at that time was visualized by graphic arts of a different nature. DaDa had developed out of WWI as an anti-war movement, reflecting the insanity of the times, and other German graphic artists such as George Grosz, created works that were especially bitter. Even Kathe Kollwitz lithographs were turned into poster pleas for food for German children.
I cannot find the artist's name for this publication cover. It's signed but I can't decipher it.
…and they're pretty scrumptious. Letterpressed, to fill me with joy.
Aside from some tracking issues (I realize now I should have considerably broadened my letterspacing to accommodate the indentations—I'm a letterpress first-timer, mostly), I'm quite delighted.
220# lettra cotton paper = crazy-heavy-weight and yummy!