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Bucks County, PA in the summer. Lots of toads, frogs, snakes & fun. I noticed that toads maintain their straight-lipped expression no matter what the situation... © Chuck Goodenough All Rights Reserved. No usage allowed including copying or sharing without written permsiion.
The mens room at the Phoenix Theater in Petaluma California. This is the first time I have set up a tripod in a mens room.
St Andrew, Chesterton, Cambridge
At the 1911 census, the year before her death, Matilda Jeffs Goodenough lived at Dale Hurst, Cam Road (today Elizabeth Way) with a nurse. Her income was described as being 'of private means'. The house, a large one, survives.
Intriguingly, earlier censuses, as late as 1901, show her as a laundress living across the river in the slums of John Street. It is clearly the same person. What happened in those ten years to allow her to live in a grand house in Cam Road, and to afford such a splendid headstone?
St Andrew's is a large former village church in the densely-packed suburbs of north-east Cambridge. Chesterton was once a village in the water meadows north of the Cam, its parish extending at its most westerly point, a mile or so from the village, to contain the northern medieval suburb of Cambridge which included the castle. Chesterton became a 19th Century industrial and market-gardening suburb, but it was still a separate urban district until 1912 when the boundaries were redrawn so that it became a part of Cambridge, almost doubling the population of the city. The historic centre of old Chesterton was finally physically joined to the rest of urban Cambridge by the Elizabeth Bridge in 1971.
The church is long, aisled and clerestoried, with a landmark spire visible from the river and from higher buildings in the centre of the city. Until the end of the 20th Century the church was overshadowed by the large Pye Radio factory, once manufacturers of radios and televisions, but this has now gone to be replaced by a sea of apartment blocks. Still, it is possible to tell that there was once a village here, with the 18th Century former vicarage to the north-east, and a large grange to the north-west on the edge of the old High Street.
Internally, St Andrew is pretty much all of several successive restorations of the 19th Century, and a dismal reordering of the 1970s. There is a large scheme of generally underwhelming glass by a number of lesser 19th Century workshops. But all of that can be forgiven, because the great star here is one of East Anglia's best 15th Century doom paintings above the chancel arch and the eastern ends of the arcades. The south (Hell) side is best, with the dead rising from their graves and being stuffed down into Hell by grinning devils. You can still see the outline left by the vanished cross of the rood in the centre.
The other major survival is a pair of large, upright bench ends of civilian youths of the early 15th Century. They are presumably precursors of the local youths who in 1579, incited by the parish constable Thomas Parish, ambushed and beat up, in the grounds of the church, university students who had come to Chesterton to challenge the locals to a game of football. Indeed, there has been a long history of unease between Chesterton and the University of Cambridge, mostly due to the suburb's reputation for lawlessness, which lasted into my lifetime. This reputation probably arose because of the proximity to Chesterton of the grounds of Stourbridge Fair, the biggest medieval fair in England, on the other side of the river. When the Fair was at its height, hundreds of small punts and barges would ferry customers across to brothels, ale-houses, cock-pits, bear-baiting, bull-baiting and the like. The university finally suppressed these last two activities in Chesterton in 1581.
I was in the choir of this church from 1970 to 1976, and head chorister for part of that time, under the late, great, Barry Eaden, who made this one of the foremost church choirs in the east of England. I still have dreams set in this building.
The church is open every day.
A Photo Assistant is shown standing in for the model so the photograher can test the lighting. © Chuck Goodenough All Rights Reserved. No usage allowed including copying or sharing without written permsiion.
On Tuesday, November 17, I stepped out on the balcony of our condo (unit 2010 in the 360 Condominiums building) when I noticed that the The University of Texas Tower was lit orange yet again. When the tower is illuminated with orange lighting, it typically signals a UT sports win or some other celebratory event. In this case, it was lighted orange in honor of UT professor Dr. John B. Goodenough sharing in The Eric and Sheila Samson Prime Minister’s Prize for Innovation in Alternative Fuels for Transportation. (Apologies for the poor/grainy quality of this pic; my iPhone doesn't take very clear photos at a distance...) If you look closely, you'll see the UT Tower near the upper left of the photo (to the left of the crane); and you can see the Texas State Capitol building at the far right...
Body Painted Beauty Shot - Hair & make-up by Sharon J. Rossum - Copyright © Chuck Goodenough All Rights Reserved. No copying or reproduction or other use without written permission.
TPD 14S and TPD 15S two ex-London Country AEC Reliance Plaxton of Goodenough Dalehills Doncaster at Bridlington 12-6-83
I went to shoot this last night, partly because it's for charity but mostly because one of my best friends is modeling:)
more to come..........................................
'86 CJ7 & Aussie-Heeler - Just say "Up" and he will get up on whatever you point at - type 669 polaroid scan. © Chuck Goodenough All Rights Reserved. No usage allowed including copying or sharing without written permsiion.
Stonehedge Road, Fillmore CA
VNC027
Firefighters from FLM Quint 91 fight a tree fire in a back yard of a house on Stonehedge Rd in Fillmore. The embers that started this fire came from the wind driven 150+ acre brush fire about two streets to the north.
Fashion Designer: Michelle Hébert
Photographer: Aileen Luib
Hair-Piece Designer: Heather Molina
Hair Stylist: Tammy Nguyen
Make-up Artist: Maria Alejandra Barrios
Model: Ashten Goodenough
SERA 2627 westbound on the Santa Paula Branch at the Goodenough Rd crossing with 2 flat cars each loaded with a passenger car for an exchange with Union Pacific's Oxnard local who will be bringing 3 center beam cars loaded with ties for SERA ~ Fillmore, CA
History: ex-UPY 2627, ex-UP 216 (Union Pacific); née-MP 4816 (Missouri Pacific).
Okay so we shot the stockings on her feet and then...this seemed like the logical next option? Model Gabby, Hair & make-up by Cathy Highland © Chuck GoodenoughAll Rights Reserved. No use, no copying & no sharing without written permission.
I shot a Galmour Calendar in California for abuot 20 years - please visit californiaglamourgirls.com Chuck Goodenough Photography
The fabulous Michelle Baena - fun, sexy, Lets shoot again someday Michelle! © Chuck Goodenough All Rights Reserved. No usage allowed including copying or sharing without written permsiion.
Fleet number LA517 was new to Glasgow Corporation - September 1970
Sold to North (Dealer), Sherburn - April 1981
Sold to Goodenough, Doncaster by September 1981
Sold to North (dealer), Sherburn - May 1983
Sold to Collingwood, Wheatley Hill - August 1983
Transferred to Redline Travel and Transport - June 1984
Sold to Maude, Barnard Castle - July 1985
Sold to Woolley, Llanedwen circa December 1989
Towed from Wales back home to Glasgow on 2nd May 2007 in woebegone condition after a lengthy period of storage and now with restoration well under way in Bridgeton Bus Garage, 28th April, 2013.
Nancy Goodenough coldworking Saturn Paperweights.
© Nancy Goodenough 2005
Russian River Burqa
Oh, the glamorous life of the artist.
JNCO Crime Scene 50 inch Bell Bottom Jean - Top photo is an outtake for the AD at bottom. 40mm Hasselblad - film shoot 1997-8? Copyright © Chuck Goodenough All Rights Reserved. No copying or reproduction or other use without written permission.
It seems incredible to me that there are any churches in East Kent, at least parish churches, that I had yet to visit and photograph. Especially along Stone Street, which I thought that nks to churches and orchids I knew very well. And yet as I cross-referenced between John Vigar's book and the county A-Z, I saw more and more churches I had to visit.
And that brings us to Elmstead.
Elmstead is less a viallage and more a dog leg in a single track lane, and the church sits in the dog leg. Being a small place, surely it would have a small church? No, the church is large with two leat to chapels, and an extraordinary timber topped tower.
You reach Elmstone by taking tiny fork off Stone Street and following the narrowest of lanes, which has high banks and hedges both sides with few passing places. Down through woods, down steep hills crossing streams and up hills the other side, and all the while the road coated with a thick layer of mud, so that one hoped you were still on the road not having driven into a field.
In time I passed the village sign, and no missing the church, a large flint built church, and the triple gabled east end facing towards the road. Behind the tower was partially hidden, but I could already see the wooden upper part.
And it was open, and filled with much of interest, especially the stone altar in the south aisle.
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An extremely worthwhile church in remote countryside. The tower is an unusual shape, being almost twice as wide as it is deep and capped by a wooden upper storey with stumpy spire. The church consists of nave, aisles, chancel and equal length chapels. The nave is Norman: the original arch to the tower is still recognisable although a fourteenth-century replacement has been built inside it. At the same time the present arcade was built on the existing piers. In the north aisle is a medieval vestry screen, in front of which is a Norman font. There are very fine altar rails, each baluster looking like an eighteenth-century candlestick. Between the main altar and chapel is a simple thirteenth-century sedilia. The south chapel altar has a twelfth-century mensa which was discovered in the churchyard in 1956. The east window (1880) commemorates Arthur Honeywood who was killed in the Afghan war - only a dog survived and was given an award by Queen Victoria! Honeywood's ancestor, Sir John (d. 1781), is also remembered in the church by a splendid marble bust signed by Scheemakers
www.kentchurches.info/church.asp?p=Elmsted
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Parish Church. Late Cll or C12, C13 and C14, restored in 1877. Flint
with stone dressings. Plain tile roofs. West tower, nave with north
and south aisles, south porch, chancel with north and south chapels.
West tower: C13, with late Cll or C12 base: Medieval belfry. Single
stage, but north and south sides reduce in width about half way up
with plain-tile shoulders. Large stone north-west and south-west
quoins to lower half. Diagonal south-west buttress. Shingled timber-
framed belfry jettied to west. Splay-footed octagonal spire. Two
louvred three-light trefoil-headed windows to each face of belfry.
No tower windows to north or east. Broadly-pointed plain-chamfered
lancet towards top of west face, and another to south. Taller plain-
chamfered lancet West window. Plain-chamfered pointed-arched west doorway.
Nave: south elevation: continuous with south wall of tower base. C19
traceried three-light window. South aisle: C14 possibly with late Cll
or early C12 origins. Narrow and gabled, stopping short of west end nave.
Plinthless. Buttress towards east end. C14 or early C15 pointed west window
of two cinquefoil-headed lights, with tracery of vertical bars, and hoodmould.
One straight-headed C15 or C16 south window to east of porch, with two
cinquefoil-headed lights and rectangular hoodmould. South porch: medieval,
restored in C19. Coursed knapped flint. Gabled plain-tile roof.
Window with cambered head, to each side. Crown-post roof; two outer crown
posts plain. Broadly-chamfered rectangular central crown post with broach
stops and head braces. Chamfered tie-beams. Pointed-arched plain-chamfered
inner doorway with broach stops. Unchamfered pointed-arched outer doorway.
South chancel chapel: early C14. Continuous with south aisle, but with
chamfered stone plinth and lower eaves and ridge. East end flush with
chancel. Diagonal south-east buttress. Large straight-headed south window
with three cinquefoil-headed lights and moulded hoodmould. Similar two-
light east window. Chancel: C13, probably with late Cll or C12 origins.
Slightly narrower than nave. No plinth. Two buttresses. C15 or C16
untraceried east window with cambered head, three cinquefoil-headed lights,
and hoodmould. North chancel chapel: early C14. Flush with east end
of chancel. Plinthless. Diagonal north-east buttress. C14 pointed-arched
east window with three cinquefoil-headed lights, tracery of cusped intersecting
glazing bars with trefoils and quatrefoils, and with hoodmould. Pointed-
arched C14 north window with Y tracery and trefoil, without hoodmould.
North aisle: C14. More stone mixed with flint. Continuous with north
chancel chapel, and slightly overlapping tower. Plinthless. One untraceried
C15 or C16 north window, with cambered head, three cinquefoil-headed lights,
and hoodmould. Straight-headed west window with two cinquefoil-headed
lights and hoodmould. Small blocked plain-chamfered pointed-arched north
doorway. Rainwater heads dated 1877. Interior: Structure: two-bay early
C14 south arcade to nave, with doubly plain-chamfered pointed arches and
octagonal columns with moulded capitals and bases. Two-bay C14 north
arcade, similar to south arcade, but extending further to west and with
more intricately-moulded capitals. East end of south arcade rests on
late Cll or C12 pier of large ashlar blocks on plain-chamfered plinth,
and with top heavily corbelled to south side. Footings for further structure
to east and south. Small, probably pre-C14, stone quoins to east pier
of north arcade, capped by single block from which arch springs. Doubly
plain-chamfered pointed early C14 chancel arch, springing from moulded
rectangular capitals which break forwards unusually. Plain-chamfered
piers with broach stops. Two-bay early C16 north and south arcades to
chancel, with doubly hollow-chamfered four-centred arches and octagonal
columns with moulded capitals and bases. Early C14 pointed arch between
south chancel chapel and south aisle, with plain-chamfered inner order
and slightly ovolo-moulded outer order. Moulded rectangular capitals
slightly different from chancel-arch capitals, but similarly breaking
forwards under inner order of arch, each on image corbel. Piers slightly
hollow chamfered, with cushion stops to base and undercut trefoil to tops.
Doubly plain-chamfered pointed arch between north chancel chapel and north
aisle, springing from chamfered imposts which break forwards to centre
with rounded corbel under. Low, pointed C14 tower arch, with plain-chamfered
inner order springing from moulded semi-octagonal piers, and hollow-chamfered
outer order descending to ground with cushion and broach stops. Above
arch, exposed voussoirs of taller, broader, blocked, round-headed late
Cll or C12 tower arch. Roof: C19 crown-post roof to nave and north aisle.
Chancel and north chancel chapel roofs boarded in five cants. Plastered
barrel vault to south chancel chapel. Medieval crown-post roof to south,
with three cambered plain-chamfered tie-beams, with moulded octagonal
crown posts, sous-laces and ashlar pieces. Fittings: piscina in rectangular
recess towards east end of south chancel chapel. C13 piscina in moulded
recess with trefoiled head and moulded hoodmould, towards east end of
south wall of chancel. Image corbel to north wall of north chancel chapel.
Late Cll or C12 font, low, deep, octagonal, with two panels of blind
arcading to each side, circular central pier and eight slender perimeter
columns. Small C17 altar table. Hexagonal C17 pulpit with sunk moulded
panels, strapwork, fleur-de-lys frieze, and enriched cornice. Medieval
screen, probably of domestic origin, with close-studded partition under
moulded and brattished beam, across west end of north aisle. Laudian
altar rails with turned balusters. Monuments: Cartouche on south wall
of south chancel chapel, to Sir William Honeywood, d. 1748. Monument
on same wall, to Thomas Honeywood, d. 1622; grey-painted chalk in form
of triptych. Central section has moulded and pulvinated base, scrolled
base-plate and shield, and raised and moulded inscription panel in eared
surround, flanked by Composite columns. Above it, a recessed panel
with inverted scrolls, and triangular pediment with cherubs head and
achievements. Recessed flanking sections, each carved with angel in
husked surround, and with scrolled base plate and corniced pediment
with shields. Tablet on same wall, to Mary Honeywood, d. 1708, lettered
on a shroud with gilded fringe, cherubs' heads, and shield surmounted
by urn. Brass of a lady, part of a brass to Christopher Gay, d. 1507.
Monument on north wall of north chancel chapel, to William Honeywood,
d. 1669. Black marble inscription panel in a frame which breaks forwards
twice. Each back panel eared, the outer with inverted scrolls to base
and festoon to return sides. Festooned rectangular panel flanked by
acanthus consoles and with scrolled acanthus base plate under inscription
panel. Moulded cornice over oak-leaf frieze, breaking forwards three
times. Segmental pediment with achievements over central break. Monument
by Thomas Scheemakers on same wall, to Sir John Honeywood, d. 1781.
White marble. Rectangular inscription panel, flanked by reeded pilasters
which curve out at top to form consoles under flower paterae. Shaped
base plate, also with inscription. Moulded cornice surmounted by -sarcophagus
with bust above it, against grey marble obelisk back plate. (J. Jewman,
Buildings of England Series, North-east and East Kent, 1983 edn.)
Listing NGR: TR1178645546
www.britishlistedbuildings.co.uk/en-440965-church-of-st-j...
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ELMSTED
IS the next parish northward from Hastingligh lastdescribed, taking its name, as many other places do, which are recorded in the survey of Domesday, from the quantity of elms growing in it, elm signifying in Saxon, that tree, and stede, a place. The manor of Hastingligh claims over some part of this parish, which part is within the liberty of the duchy of Lancaster.
THIS PARISH is situated in a lonely unfrequented part of the country, above the down hills, in a healthy air. It lies mostly on high ground, having continued hill and dale throughout it. The soil is but poor, and in general chalk, and much covered with flints, especially in the dales, where some of the earth is of a reddish cast. The church stands on a hill in the middle of it, having a green, with the village near it, among which is the court-lodge: and at a small distance westward, Helchin-bouse, belonging to Sir John Honywood, but now and for some time past inhabited by the Lushingtons. Lower down in the bottom is Evington-court, in a dull ineligible situation, to which however the present Sir John Honywood has added much, and laid out some park-grounds round it. At a small distance is a small heath, called Evington-lees, with several houses round it. At the southern bounds of the parish lie Botsham, and Holt, both belonging to Sir John Honywood. At the north-east corner of it, near Stone-street, is a hamlet called Northlye, the principal farm in which belongs to Mr. Richard Warlee, gent. of Canterbury, about half a mile from which is Deane, or Dane manor-house; and still further Dowles-farm, belonging to Mr. John Rigden, of Faversham; near Stone-street is the manor of Southligh, now called Mizlings, by which name only it is now known here; and near the same street is Arundel farm, belonging to Thomas Watkinson Payler, esq. and at the southern extremity of the parish, the manor-house of Dunders, with the lands belonging to it, called the Park, formerly belonging to the Graydons, of Fordwich, of whom they were purchased, and are now the property of the right hon. Matthew Robinson Morris, lord Rokeby, who resides at Horton. There are but two small coppice woods in this parish, lying at some distance from each other, in the middle part of it.
There is a fair kept yearly in this parish on St. James's day, the 25th of July.
THE MANOR OF ELMSTED was in the year 811 bought by archbishop Wlfred, of Cenulf, king of Mercia, for the benefit of Christ-church, in Canterbury, L. S. A. which letters meant, that it should be free, and privileged with the same liberties that Adisham was, when given to that church. These privileges were, to be freed from all secular services, excepting the trinoda necessitas of repelling invasions, and the repairing of bridges and fortifications. (fn. 1)
There is no mention of this manor in the survey of Domesday, under the title of the archbishop's lands, and of those held of him by knight's service, and yet I find mention of its being held of him in several records subsequent to that time; for soon afterwards it appears to have been so held by a family who assumed their name from it, one of whom, Hamo de Elmested, held it of the archbishop, by knight's service. But they were extinct here before the middle of king Henry III,'s reign, when the Heringods were become possessed of it, as appears by the Testa de Nevil, bearing for their arms, Gules, three herrings erect, two and one, or; as they were formerly in the windows of Newington church, near Sittingborne. John de Heringod held it at his death in the 41st year of that reign. His grandson, of the same name, died in the next reign of king Edward I. without male issue, leaving three daughters his coheirs, of whom, Grace married Philip de Hardres, of Hardres, in this county; Christiana married William de Kirkby; and Jane married Thomas Burgate, of Suffolk: but he had before his death, by a deed, which bears the form of a Latin will, and, is without a date, settled this manor, with the other lands in this neighbourhood, on the former of them, Philip de Hardres, a man of eminent repute of that time, in whose successors the manor of Elmsted remained till the 13th year of King James I. when Sir Thomas Hardres sold the manor of Dane court, an appendage to this of Elmsted, in the north-east part of this parish, to Cloake, and the manor of Elmsted itself to Thomas Marsh, gent. of Canterbury, whose son ton, whose great-grandson of the same name, at his death left it to his two sons, Richard and John, the former of whom was of Faversham, and left an only daughter Elizabeth, married to Mr. James Taylor, of Rodmersham, who in right of his wife became possessed of his moiety of it, and having in 1787 purchased the other moiety of John Lushington, of Helchin, in this parish, (son of Richard above-mentioned) became possessed of the whole of this manor, and continues owner of it at this time.
THE MANOR OF DANE, now called Deane-court, above-mentioned, remained in the name of Cloake for some time afterwards, and in 1652 Mr. Samuel Cloake held it. It afterwards passed into the name of Elwes, in which it continued down to John Elwes, esq. of Marcham, in Berkshire, who died in 1789, and by will gave it to his nephew Thomas Timms, esq. the present owner of it.
THE YOKE OF EVINGTON is an estate and seat in the south-west part of this parish, over which the manor of Barton, near Canterbury, claims jurisdiction. The mansion of it, called Evington-court, was the inheritance of gentlemen of the same surname, who bore for their arms, Argent, a sess between three burganetts, or steel caps, azure; and in a book, copied out from antient deeds by William Glover, Somerset herald, afterwards in the possession of John Philipott, likewise Somerset, there was the copy of an old deed without date, in which William Fitzneal, called in Latin, Filius Nigelli, passed over some land to Ruallo de Valoigns, which is strengthened by the appendant testimony of one Robert de Evington, who was ancestor of the Evingtons, of Evington-court, of whom there is mention in the deeds of this place, both in the reigns of king Henry III. and king Edward I. After this family was extinct here, the Gays became possessed of it, a family originally descended out of France, where they were called Le Gay, and remained some time afterwards in the province of Normandy, from whence those of this name in Jersey and Guernsey descended, and from them again those of Hampshire, and one of them, before they had left off their French appellation, John le Gay, is mentioned in the leiger book of Horton priory, in this neighbourhood, as a benefactor to it. But to proceed; although Evington-court was not originally erected by the family of Gay, yet it was much improved by them with additional buildings, and in allusion to their name, both the wainscot and windows of it were adorned with nosegays. At length after the Gays, who bore for their arms, Gules, three lions rampant, argent, an orle of cross-croslets, fitchee, or. (fn. 2) had continued owners of this mansion till the beginning of the reign of king Henry VII. Humphry Gay, esq. alienated it to John Honywood, esq. of Sene, in Newington, near Hythe, and afterwards of St. Gregory's, Canterbury, where he died in 1557, and was buried in that cathedral.
The family of Honywood, antiently written Henewood, take their name from the manor of Henewood, in Postling, where they resided as early as Henry III.'s reign, when Edmund de Henewood, or Honywood, as the name was afterwards spelt, of that parish, was a liberal benefactor to the priory of Horton, and is mentioned as such in the leiger book of it. After which, as appears by their wills in the Prerogative-office, in Canterbury, they resided at Hythe, for which port several of them served in parliament, bearing for their arms, Argent, a chevron, between three hawks heads erased, azure; one of them, Thomas Honywood, died in the reign of king Edward IV. leaving a son John, by whose first wife descended the elder branch of this family, settled at Evington, and baronets; and by his second wife descended the younger branch of the Honywoods, seated at Petts, in Charing, and at Markshall, in Effex, which branch is now extinct. (fn. 3) John Honywood, esq. the eldest son of John above-mentioned, by his first wife, was the purchaser of Evington, where his grandson Sir Thomas Honywood resided. He died in 1622, and was buried at Elmsted, the burial place of this family. (fn. 4) He left by his first wife several sons and daughters; of the former, John succeeded him at Evington and Sene, and Edward was ancestor of Frazer Honywood, banker, of London, and of Malling abbey, who died s. p. in 1764. (fn. 5) Sir John Honywood, the eldest son, resided during his father's time at Sene, in Newington, and on his death removed to Evington. He served the office of sheriff in the 18th, 19th, and 20th years of king Charles I. Sir Edward Honywood, his eldest son, resided likewise at Evington, and was created a baronet on July 19, 1660. His great grandson Sir John Honywood, bart. at length in 1748, succeeded to the title and family estates, and afterwards resided at Evington, where he kept his shrievalty in 1752. On the death of his relation Frazer Honywood, esq. banker, of London, in 1764, he succeeded by his will to his seats at Malling abbey, and at Hampsted, in Middlesex, besides a large personal estate; after which he resided at times both here and at Hampsted, at which latter he died in 1781, æt. 71, and was buried with his ancestors in this church. He had been twice married; first to Annabella, daughter of William Goodenough, esq. of Langford, in Berk shire, whose issue will be mentioned hereafter; and secondly to Dorothy, daughter of Sir Edward Filmer, bart. of East Sutton, by whom he had two sons, Filmer Honywood, esq. of Marks-hall, in Essex, to which as well as other large estates in that county, and in this of Kent, he succeeded by the will of his relation Gen. Philip Honywood, and lately was M. P. for this county, and is at present unmarried; and John, late of All Souls college, Oxford, who married Miss Wake, daughter of Dr. Charles Wake, late prebendary of Westminster; and Mary, married to Willshire Emmett, esq. late of Wiarton. By his first wife Sir John Honywood had two sons and four daughters; William the eldest, was of Malling abbey, esq. and died in his father's life time, having married Elizabeth, daughter of Mr. Clack, of Wallingford, in Berkshire, by whom he had three sons and one daughter Annabella, married to R. G. D. Yate, esq of Gloucestershire; of the former, John was heir to his grandfather, and is the present baronet; William is now of Liminge, esq. and married Mary, sister of James Drake Brockman, esq. of Beechborough, and Edward married Sophia, daughter of the Rev. Mr. Long, of Suffolk. Edward, the second son, was in the army, and died without issue. The daughters were, Annabella, married to Edmund Filmer, rector of Crundal; and Thomasine, married to William Western Hugessen, esq. of Provenders, both since deceased. On Sir John Honywood's death in 1781, he was succeeded by his eldest grandson abovementioned, the present Sir John Honywood, bart. who resides at Evington, to which he has made great improvements and additions. He married Frances, one of the daughters of William, viscount Courtenay, by whom he has three daughters, Frances-Elizabeth, Charlotte-Dorothea, and Annabella-Christiana, and one son John, born in 1787. (fn. 6).
BOTTSHAM, antiently and more properly written Bodesham, is a manor in the western part of this parish. About the year 687 Swabert, king of Kent, gave among others, three plough-lands in a place called Bodesham, to Eabba, abbess of Minister, in Thanet, and in the reign of king Edward the Consessor, one Ælgeric Bigg gave another part of it to the abbey of St. Augustine, by the description of the lands called Bodesham, on condition that Wade, his knight, should possess them during his life. (fn. 7) The former of these continued in the monastery till the reign of king Canute, when it was plundered and burnt by the Danes. After which the church and lands of the monastery of Minster, and those of Bodesham among them, were granted to St. Augustine's monastery, and remained, together with those given as above-mentioned by Ælgeric Bigg, part of the possessions of it at the taking of the survey of Domesday, in which record it is thus described:
In Limowart left, in Stotinges hundred, Gaufrid holds Bodesham of the abbot. It was taxed at one suling. The arable land is two carucates, and there are, with eight borderers, wood for the pannage of fifteen hogs. In the time of king Edward the Confessor it was worth four pounds, and afterwards twenty shillings, now four pounds, A certain villein held it.
Hugh, abbot of St. Augustine, and his chapter, in the year 1110, granted to Hamo, steward of the king's houshold, this land of Bodesham, upon condition that he should, if there should be occasion, advise and assist him and his successors in any pleas brought against him by any baron, either in the county or in the king's court.
Hamo above-mentioned, whose surname was Crevequer, had come over into this kingdom with the Conqueror, and was rewarded afterwards with much land in this county, and was made sheriff of it during his life, from whence he was frequently stiled Hamo Vicecomes, or the sheriff. He lived till the middle of king Henry I.'s reign; and in his descendants it most probably remained till it came into the possession of the family of Gay, or Le Gay as they were sometimes written, owners of the yoke of Evington likewise, in which it continued till it was at length sold with it, in the beginning of Henry VII.'s reign, to Honywood, as has been fully mentioned before; in whose descendants it still remains, being now the property of Sir John Honywood, bart. of Evington.
IN THE REIGN of king Edward I. Thomas de Morines held half a knight's fee of the archbishop in Elmsted, which estate afterwards passed into the family of Haut, and in the reign of king Edward III. had acquired the name of the Manor Of Elmsted, alias SOUTHLIGH. In which family of Haut it continued down to Sir William Haut, of Bishopsborne, who lived in the reign of king Henry VIII. and left two daughters his coheirs, Elizabeth, married to Thomas Culpeper, of Bedgbury; and Jane, to Thomas Wyatt. The former of whom, in the division of their inheritance, (fn. 8) became possessed of it; from his heirs it passed by sale to Best, and from thence again to Rich. Hardres, esq. of Hardres, whose descendant Sir Tho. Hardres, possessed it in king James I.'s reign; at length, after some intermediate owners, it passed to Browning, whose descendant M. John Browning, of Yoklets, in Waltham, is the present owner of this manor.
There are no parochial charities. The poor constantly relieved are about thirty, casually seventeen.
Elmsted is within the Ecclesiastical Jurisdiction of the diocese of Canterbury, and deanry of Elham.
The church, which is dedicated to St. James, is a handsome building, consisting of three isles and three chancels, having a low pointed wooden steeple at the west end, in which are six bells. The chancels are open, one towards the other, the spaces between the pillars not being filled up, which gives the whole a light and airy appearance. In the middle chancel, which is dedicated to St. James, are memorials for the Taylors, who intermarried with the Honywoods, and for the Lushingtons, of Helchin; one for John Cloke, gent. of Northlye, obt. 1617. In the east window is a shield of arms, first and fourth, A lion rampant, or; second, On a fess, argent, three eros-croslets; third, obliterated. In another compartment of the window is the figure of an antient man sitting, in robes lined with ermine, a large knotted staff in his left hand. The north chancel is called the parish chancel, in which is an elegant monument, of white marble, with the bust of the late Sir John Honywood, bart.(a gentleman whose worthy character is still remembered with the highest commendation and respect, by all who knew him). He died much lamented by his neighbours and the country in general in 1781; and on the pavement are numbers of gravestones for the family of Honywood and their relatives. The south chancel, dedicated to St. John, belongs to Evington, in which there are several monuments, and numbers of gravestones, the pavement being covered with them, for the Honywood family, some of which have inscriptions and figures on brasses remaining on them. Underneath this chancel is a large vault, in which the remains of the family lie deposited. On the north side of this chancel is a tomb, having had the figures on it of a man between his two wives: and at each corner a shield of arms in brass for Gay. On the capital of a pillar at the east end of this tomb is this legend, in old English letters, in gold, which have been lately repaired: Pray for the sowlys of Xtopher Gay, Agnes and Johan his wifes, ther chylder and all Xtian sowlys, on whose sowlys Jhu have mcy; by which it should seem that he was the founder, or at least the repairer of this chancel. Underneath is carved a shield of arms of Gay. In the east window are two shields of arms, of modern glass, for Honywood. In the south isle is a monument for Sir William Honywood, bart. of Evington, obt. 1748. In the middle isle are several old stones, coffin shaped. William Philpot, of Godmersham, by will anno 1475, ordered that the making of the new seats, calledle pewis, in this church, should be done at his expence, from the place where St. Christopher was painted, to the corner of the stone wall on the north side of the church.
The church of Elmsted belonged to the priory of St. Gregory, in Canterbury, perhaps part of its original endowment by archbishop Lanfranc, in the reign of the Conqueror. It was very early appropriated to it, and was confirmed to the priory by archbishop Hubert, among its other possessions, about the reign of king Richard I. at which time this church, with five acres of arable, and five acres of wood, and the chapel of Dene, appear to have been esteemed as chapels to the adjoining church of Waltham, and the appropriation of it continued part of the possessions of the priory till the dissolution of it in king Henry VIII.'s reign, when it was surrendered into the king's hands, where this appropriation remained but a small time, for an act passed that year, to enable the king and the archbishop to make an exchange of estates, by which means it became part of the revenues of the see of Canterbury, and was afterwards demised by the archbishop, among the rest of the revenues of the above-mentioned priory, which had come to him by the above-mentioned exchange, in one great lease; under which kind of demise it has continued from time to time ever since. Philip, earl of Chesterfield, as heir to the Wottons, was lessee of the above estates, in which this parsonage was included; since whose decease in 1773, his interest in the lease of them has been sold by his executors to Geo. Gipps, esq. of Canterbury, who is the present lessee, under the archbishop, for them.
But the vicarage of this church seems never to have belonged to the priory of St. Gregory, and in the 8th year of Richard II. anno 1384, appears to have been part of the possessions of the abbot of Pontiniac, at which time it was valued at four pounds. How long it staid there, I have not found; but it became afterwards part of the possessions of the see of Canterbury, and remains so at this time, his grace the archbishop being the present patron of it.
¶The vicarage of Elmsted is endowed with the tenths of hay, silva cedua, mills, heifers, calves, chicken, pigs, lambs, wool, geese, ducks, eggs, bees, honey, wax, butter, cheese, milk-meats, flax, hemp, apples, pears, swans, pidgeons, merchandise, fish, onions, fowlings, also all other small tithes or obventions whatsoever within the parish; and also with all grass of gardens or other closes, vulgarly called homestalls, although they should be at any time reduced to arable; and the tithes of all and singular feedings and pastures, even if those lands so lot for feedings and pastures should be accustomed to be ploughed, as often and whensoever they should at any time be let for the use of pasture; which portion to the vicar was then valued at twelve marcs. (fn. 9)
It is valued in the king's books at 61. 13s. 4d. It is now a discharged living, of the clear yearly certified value of forty-five pounds. In 1587 it was valued at thirty pounds, communicants one hundred and eighty. In 1640 it was valued at ninety pounds, the same number of communicants. There was an antient stipend of ten pounds, payable from the parsonage to the vicar, which was augmented with the like sum by archbishop Juxon, anno 15 Charles II. to be paid by the lessee of the parsonage; which sum of twenty pounds continues at this time to be paid yearly by the lesse. There was a yearly pension of 1l. 6s. payable from the vicar of Elmsted to the priory of St. Gregory; which still continues to be paid by him to the archbishop's lessee here.
BT ArtBox project celebrating 25 years of Childline
ArtBox Title: About a Child: The New Elizabethan Knot Garden
Artist: Rosemary Goodenough
Location: NSPCC Head Office, 42 Curtain Road
Open-air art exhibition across London - Summer 2012
• BT marked 25th anniversary of ChildLine with launch of open-air art exhibition in London
• BT ArtBox project saw leading artists, designers and creatives transform full-size replicas of iconic Gilbert Scott–designed red telephone box into stunning artworks
• Throughout June and July 2012, BT ArtBoxes were on display in high-profile locations across the capital
• The National Portrait Gallery hosted a gala auction on July 18 where the ArtBoxes were auctioned to raise money for ChildLine
To celebrate the 25th anniversary of ChildLine, BT announced the launch of the BT ArtBox project – a new public art exhibition set to take over the capital Summer 2012.
Leading artists, designers and creatives from around the world were invited to apply their individual talents to re-style that much-loved icon of British design, the traditional red telephone box.
Each artist or designer took delivery of a full-size, fibre-glass replica of the Sir Giles Gilbert Scott-designed original K6 telephone kiosk, which was introduced in 1936 to commemorate the Silver Jubilee of the coronation of King George V.
Participating artists included 2002 Turner prize winner Keith Tyson, Romero Britto and Royal Academician Professor of Sculpture David Mach, along with fashion designers Giles Deacon and Zandra Rhodes.
The BT ArtBoxes were on display in high-profile locations around the capital between June 18 and July 16 before being auctioned off at a VIP Gala Auction at the National Portrait Gallery on July 18 to raise funds for BT’s long-time partner ChildLine.
Esther Rantzen OBE, founder of ChildLine and patron of the BT ArtBox project, said: “I’m thrilled that ChildLine’s 25th birthday is to be celebrated by such a unique and inspiring project as BT Artbox.
“The red phone box is a much loved symbol of British culture and I’m keen to see how the artists involved will create new masterpieces from such an iconic canvas. It’s fantastic that the proceeds from the sale of the boxes will raise vital funds to support the work of ChildLine, enabling us to help many more children and young people to get comfort, advice and protection when they need it most.”
Sandy Nairne, director of the National Portrait Gallery and patron of the BT ArtBox project, said: “The Gilbert Scott telephone box is a truly iconic British design, and I’m looking forwards to seeing how artists and designers transform the replica boxes into works of art on London’s streets.”
David Mach, said: “It’s great to be involved with the ArtBox Exhibition. I get to kill more than two birds with one stone...work with a great charity (hopefully make money for it) and a classic British design. I love all things Gilbert Scott. Anything that encourages us to get his design back on our streets does it for me”.
Suzi Williams, director of BT Group Marketing and Brand, said: “BT has a history of supporting British cultural initiatives and 2012 is no exception. What better way to celebrate ChildLine's 25th anniversary than transforming replicas of the classic red phone box into a public art exhibition that can be enjoyed by all in the build-up to the Games this summer."
Martine Ainsworth-Wells, London & Partners, Marketing and Communications director, said:
“London & Partners is excited to support BT ArtBox in the run up to London 2012. BT ArtBox will bring some of the UK’s finest artistic talents to London’s streets, adding a new creative dimension to the capital at such an important time in its history.”
Artists and creatives who were interested in designing an ArtBox visited btartbox.com for more information about how to get involved.
The BT ArtBox project was supported by the Mayor of London, Professor Malcolm Garrett RDI, London & Partners, The May Fair Hotel, Harvey Nichols, The Times and The Sunday Times and borough councils across the capital.
Images of Malcolm Garrett, Interaction Designer, Sandy Nairne, Director of the National Portrait Gallery, David Mach RA, Sculptor, Esther Rantzen, founder of ChildLine and Lauren O'Farrell, Artist at the launch of the BT ArtBox project at the St Pancras Renaissance Hotel, central London today are available at:
imagelibrary.btplc.com/assetbank-btplc/action/browseItems...
Top 10 facts about the K6 red phone box
1. Kiosk number 6 or “Jubilee Kiosk” commemorates the Silver Jubilee of the coronation of King George V.
2. Sir Giles Gilbert Scott also designed Liverpool’s Anglican Cathedral, Battersea Power Station and Bankside Power Station now Tate Modern.
3. More than 1,600 decommissioned red phone boxes, mostly K6s, have been sold to local communities for just a £1 under BT’s Adopt a Kiosk scheme. Uses include being fitted with lifesaving defibrillation machines, turned into art galleries and public libraries.
4. The K6 was the first kiosk installed nationwide and the standard kiosk across the UK until the introduction of the K8 in 1968.
5. The K6 kiosk is made from cast iron with a teak door. It is 8’3” tall (2.4 metres) and weighs three quarters of a ton (762 kilograms).
6. The K6 design was approved by the Post Office and the Royal Fine Arts Commission, which endorsed “Post Office red” as the standard colour.
7. Although Scott agreed to the use of “Post Office red” he was never a supporter of the colour and initially suggested the outside of the kiosk be painted silver and the inside greenish-blue. He strongly urged rural kiosks be painted dove-grey.
8. Two K6 kiosks were installed in France during 1995, for the 50th anniversary of the D-Day landings.
9. Several red K6’s have been transformed into combined payphones and cash machines.
10.There are 11,000 red phone boxes in use in the UK.
About ChildLine
ChildLine on 0800 1111 and www.childline.org.uk is the UK’s only free, 24-hour helpline for children in danger or distress. Trained volunteer counsellors comfort, advice and protect children and young people. ChildLine is a service within the NSPCC. In Scotland it is delivered by CHILDREN 1ST on behalf of the NSPCC. Calls to ChildLine on 0800 1111 are confidential, but if a child is in immediate danger the counsellor will let the caller know if they have to break confidentially and contact the emergency services to save the child’s life.
Every £20 raised could help ChildLine answer another five calls from children who dial our helpline. If you are worried about a child or would like to make a donation, please visit the NSPCC website www.nspcc.org.uk
Model: Martina
Make up: Martina
Styling: me
Photography & Post Processing: Me
Location: Goodenough College
Portfolio Photography for Lynne Sansone - © Chuck Goodenough All Rights Reserved. No usage allowed including copying or sharing without written permsiion.
Photo six.
For D. G. Kingsford to A. Gilbert see photo seven.
Name: BAIGENT, GEORGE HENRY
Nationality: United Kingdom
Rank: Ordinary Seaman
Service No: P/SSX 26100
Date of Death: 14/10/1939
Age: 21
Regiment/Service: Royal Navy, H.M.S. Royal Oak
Panel Reference: Panel 33, Column 3
Memorial: PORTSMOUTH NAVAL MEMORIAL
Additional Information: Son of Mr. and Mrs. R. Baigent; husband of Evelyn Joyce Baigent.
Name: BEALE, JOHN ALBERT
Nationality: United Kingdom
Rank: Private
Service No: 5346977
Date of Death: 25/06/1944
Age: 30
Regiment/Service: Northamptonshire Regiment, 5th Bn.
Grave Reference: I, F, 11
Cemetery: ORVIETO WAR CEMETERY
Additional Information: Son of Walter and Lilian Mengam Beale; husband of Lilian Margaret Beale, of Cove, Farnborough, Hampshire.
Name: BERRY, CHARLES BERTRAM
Nationality: United Kingdom
Rank: Driver
Service No: 1878958
Date of Death: Between 12/04/1945 and 13/04/1945
Age: 30
Regiment/Service: Royal Engineers, 100 Army Field Coy.
Panel Reference: Column 28
Memorial: DUNKIRK MEMORIAL
Additional Information: Son of Charles and Amelia Berry; husband of Susan Elizabeth Berry, of Crookham, Hampshire.
Name: BODGER, COLIN BASIL LYNCH
Nationality: United Kingdom
Rank: Flying Officer
Service No: 130573
Date of Death: 07/08/1943
Age: 21
Regiment/Service: Royal Air Force Volunteer Reserve, 150 Sqdn.
Panel Reference: Panel 6, Column 1
Memorial: MALTA MEMORIAL
Additional Information: Son of Edward and Clara Bodger, of Fleet.
Name: BONE, DENNIS JESSE
Nationality: United Kingdom
Rank: Gunner
Service No: 5500277
Date of Death: 19/09/1943
Age: 21
Regiment/Service: Royal Artillery, 6 Maritime Regt.
Panel Reference: Panel 85, Column 1
Memorial: PLYMOUTH NAVAL MEMORIAL
Additional Information: Son of Jesse and Sybil Bone; husband of Audrey Kathleen Bone, of Fleet.
Name: BRADFORD, REGINALD ALFRED J
Nationality: United Kingdom
Rank: Sergeant
Service No: 3030348
Date of Death: 29/11/1945
Regiment/Service: Royal Air Force Volunteer Reserve
Grave Reference: Sec. A. Grave 816
Cemetery: FLEET CEMETERY
Name: BROWN, WILLIAM FREDERICK JAMES
Nationality: United Kingdom
Rank: Lieutenant
Service No: 325423
Date of Death: 25/06/1944
Age: 24
Regiment/Service: Hampshire Regiment, 2/4th Bn.
Awards: D C M, M M
Grave Reference: III, H, 3
Cemetery: ASSISI WAR CEMETERY
Additional Information: Son of Frederick and Hilda Sarah Brown; husband of Evelyn Brown, of Fleet.
Name: CARBONELL, JOHN ARTHUR CAPEL
Nationality: United Kingdom
Rank: Captain
Service No: 115012
Date of Death: 08/05/1944
Age: 23
Regiment/Service: Argyll and Sutherland Highlanders, attd. Queen's Own Cameron Highlanders
Grave Reference: 5. K. 19
Cemetery: KOHIMA WAR CEMETERY
Additional Information: Son of Lestock Sydney and Judith Carbonell, of Fleet.
Name: CHALMERS, GERALD ALEXANDER REX GEORGE
Nationality: United Kingdom
Rank: Captain
Service No: 34601
Date of Death: 04/12/1942
Age: 36
Regiment/Service: Royal Scots
Grave Reference: 3. E. 5
Cemetery: NAIROBI WAR CEMETERY
Additional Information: Son of Alexander and Maude Chalmers; husband of Ann Chalmers, of Nairobi.
Name: CLARK, CHARLES
Nationality: United Kingdom
Rank: Lance Sergeant
Service No: 5503273
Date of Death: 01/03/1943
Age: 25
Regiment/Service: Hampshire Regiment, 2/4th Bn.
Grave Reference: 1. A. 5.
Cemetery: BEJA WAR CEMETERY
Additional Information: Son of John Edward and Frances Sarah Clark, of Fleet.
Name: COBBE, CHARLES HUGH
Nationality: United Kingdom
Rank: Lieut-Commander
Date of Death: 10/12/1941
Age: 34
Regiment/Service: Royal Navy, H.M.S. Repulse
Panel Reference: Panel 44. Column 2.
Memorial: PLYMOUTH NAVAL MEMORIAL
Additional Information: Son of Captain Mervyn Cobbe, R.N., and of Maude Cobbe (nee Arbuthnot); husband of Enid Margaret Cobbe (nee Wilson), of Bolsterstone, Yorkshire.
Name: COLLINS, NEVILLE MURRAY
Nationality: United Kingdom
Rank: Second Lieutenant
Service No: 86392
Date of Death: Between 31/05/1940 and 01/06/1940
Age: 21
Regiment/Service: Royal Fusiliers (City of London Regiment), 2nd Bn.
Grave Reference: Plot 3. Row A. Grave 20
Cemetery: DE PANNE COMMUNAL CEMETERY
Additional Information: Son of Lt.-Col. Neville Collins, The Loyal Regt. (North Lancashire), and Margaret Edith Murray Collins, of Crookham, Hampshire. B.A., Hons. (Oxon.): Balliol College. Scholar of Radley College.
Name: COLTHURST, JOHN BULLER
Nationality: United Kingdom
Rank: Flying Officer
Service No: 143762
Date of Death: 24/02/1944
Age: 33
Regiment/Service: Royal Air Force Volunteer Reserve, 115 Sqdn.
Panel Reference: Panel 205
Memorial: RUNNYMEDE MEMORIAL
Additional Information: Son of Arthur Beadon Colthurst, and of Mary Teresa Colthurst (nee Paul).
Name: COLTHURST, ANTHONY PAUL
Nationality: United Kingdom
Rank: Commander
Date of Death: 15/11/1942
Age: 41
Regiment/Service: Royal Navy, H.M.S. Avenger
Panel Reference: Bay 2, Panel 7
Memorial: LEE-ON-SOLENT MEMORIAL
Additional Information: Son of Arthur Beadon Colthurst and Mary Teresa Colthurst; husband of Daphne Barbara Colthurst.
Name: CROSLEGH, DEREK CHARLES
Nationality: United Kingdom
Rank: Major
Service No: 100990
Date of Death: 25/11/1940
Regiment/Service: Royal Artillery, 87 Bty., 24 Lt. A.A. Regt.
Grave Reference: Sec. C. Grave 560
Cemetery: FLEET CEMETERY
Additional Information: Son of Mr. and Mrs. L. C. Croslegh, of Fleet.
Name: DAVIES, IVOR JOHN
Nationality: United Kingdom
Rank: Leading Aircraftman
Service No: 908308
Date of Death: 22/10/1944
Age: 28
Regiment/Service: Royal Air Force Volunteer Reserve
Grave Reference: II. C. 10
Cemetery: HOTTON WAR CEMETERY
Additional Information: Husband of Rose Davies, of Fleet.
Name: DAWES, ALAN BETHEL
Nationality: United Kingdom
Rank: Major
Service No: 40710
Date of Death: 02/11/1942
Age: 34
Regiment/Service: Royal Armoured Corps, 3rd King's Own Hussars
Panel Reference: Column 15
Memorial: ALAMEIN MEMORIAL
Additional Information: Son of Maj. Bethel M. Dawes and Jean Dawes; husband of Helena Vera Dawes, of Fleet.
Name: DAWSON, PHILIP
Nationality: United Kingdom
Rank: Pilot Officer
Service No: 110825
Date of Death: 12/08/1942
Age: 20
Regiment/Service: Royal Air Force Volunteer Reserve, 57 Sqdn.
Panel Reference: Panel 69
Memorial: RUNNYMEDE MEMORIAL
Additional Information: Son of the Revd. John W. Dawson, and of Mary Dawson, of Anthiyur, S. India.
Name: DREW, JOHN CAMERON
Nationality: United Kingdom
Rank: Lieutenant
Service No: 194112
Date of Death: 05/11/1942
Age: 21
Regiment/Service: Royal Armoured Corps, 23rd Hussars attd. 10th Royal Hussars Royal Armoured Corps
Grave Reference: XXXI. E. 7
Cemetery: EL ALAMEIN WAR CEMETERY
Additional Information: Son of Colonel Charles Milligan Drew, D.S O., MB., formerly of the R.A.M.C., and Jean Drew, of Westminster, London.
Name: ELGER, ANTHONY CHARLES
Nationality: United Kingdom
Rank: Pilot Officer
Service No: 136941
Date of Death: 20/12/1942
Regiment/Service: Royal Air Force Volunteer Reserve, 44 Sqdn.
Grave Reference: 22. B. 2
Cemetery: BROOKWOOD MILITARY CEMETERY
Additional Information: Son of Mr. and Mrs. L. C. Elger, of Alton, Hampshire.
Name: ELMES, EDWARD CHARLES (CWGC), E G (memorial)
Nationality: United Kingdom
Rank: Able Seaman
Service No: P/J 80686
Date of Death: 30/12/1943
Age: 43
Regiment/Service: Royal Navy, H.M.S. Manchester City
Grave Reference: Sec. A. Grave 887
Cemetery: FLEET CEMETERY
Additional Information: Son of George and Dorcas Elmes, of Fleet; husband of Lena Josephine Elmes, of Fleet.
Name: ELY, THOMAS HENRY
Nationality: United Kingdom
Rank: Lieutenant Colonel
Service No: 17726
Date of Death: 05/05/1943
Age: 41
Regiment/Service: King's Shropshire Light Infantry, attd. H.Q. 36th (London) Div.
Grave Reference: VIII. E. 23
Cemetery: ENFIDAVILLE WAR CEMETERY
Additional Information: Son of Thomas Robert and Arabella Walpole Ely; husband of Muriel Mary Ely, of Fleet.
Name: FIELD, DENYS BRIAN DOUGLAS
Nationality: United Kingdom
Rank: Squadron Leader
Service No: 26158
Date of Death: 06/06/1940
Age: 29
Regiment/Service: Royal Air Force, 83 Sqdn.
Grave Reference: 12. F. 14
Cemetery: BECKLINGEN WAR CEMETERY
Additional Information: Son of Lt.-Col. Charles Douglas Field, Indian Army, and Ivy May Harcourt Field; husband of Joan Mary Field.
Name: FIELDING, G G P
No record at CWGC.
Name: GARROW, IAN PETER
Nationality: United Kingdom
Rank: Sub-Lieutenant (A)
Date of Death: 15/11/1942
Age: 22
Regiment/Service: Royal Naval Volunteer Reserve, H.M.S. Avenger
Awards: D S C
Panel Reference: Bay 4, Panel 1
Memorial: LEE-ON-SOLENT MEMORIAL
Additional Information: Son of Duncan and Rhoeta Margaret Katherine Garrow.
Name: GEARY, PATRICK GRATTAN
Nationality: United Kingdom
Rank: Captain
Service No: 95193
Date of Death: 24/11/1942
Age: 23
Regiment/Service: Royal Engineers, and 1st R.E. Troop, 1st Bde. The Parachute Regiment, A.A.C.
Panel Reference: Face 10
Memorial: MEDJEZ-EL-BAB MEMORIAL
Additional Information: Son of Lt.-Col. Herman Noel Grattan Geary, Royal Engineers, and Renee Joyce Geary; husband of Felicity Geary, of Camberley, Surrey.
Name: GOODENOUGH, PETER
Nationality: United Kingdom
Rank: Leading Seaman
Service No: P/JX 296061
Date of Death: 23/10/1943
Age: 20
Regiment/Service: Royal Navy, H.M.S. Charybdis
Grave Reference: Row E. Grave 3
Cemetery: DINARD ENGLISH CEMETERY
Additional Information: Son of Louis and Dorothy Elizabeth Goodenough, of Fleet.
Name: GOTT, WILLIAM HENRY EWART
Nationality: United Kingdom
Rank: Lieutenant General
Service No: 1798
Date of Death: 07/08/1942
Age: 44
Regiment/Service: General Staff, Cdg. XIII Corps and King's Royal Rifle Corps
Awards: C B, C B E, D S O, M C
Grave Reference: XXXIII. D. 21
Cemetery: EL ALAMEIN WAR CEMETERY
Additional Information: Son of the late Lt.Col. William Henry and Anne Rosamund Gott; husband of Pamela Mary Gott, of Fleet.
Name: GRINHAM, EDWARD GARRY
Nationality: United Kingdom
Rank: Gunner
Service No: 943152
Date of Death: Between 29/05/1940 and 02/06/1940
Age: 21
Regiment/Service: Royal Artillery, 88 Field Regt.
Panel Reference: Column 12
Memorial: DUNKIRK MEMORIAL
Name: HAY, A S
One uncertain entry at CWGC.
Name: HEWETT, JACK PATRICK MAJENDIE
Nationality: United Kingdom
Rank: Flying Officer
Service No: 39878
Date of Death: 04/04/1940
Age: 30
Regiment/Service: Royal Air Force, 149 Sqdn.
Grave Reference: Row 5. Grave 9
Cemetery: WEST ROW BAPTIST CHAPELYARD
Name: JENKINS, PERCY VAN
Nationality: United Kingdom
Rank: Leading Stoker
Service No: P/K 64063
Date of Death: 11/04/1943
Age: 42
Regiment/Service: Royal Navy, H.M.S. Beverley
Panel Reference: Panel 77, Column 3
Memorial: PORTSMOUTH NAVAL MEMORIAL
Additional Information: Son of Harry and Annie Jenkins; husband of Elizabeth Blanche Jenkins, of Fleet.
Name: LEIGH, SAMUEL SIDNEY
Nationality: United Kingdom
Rank: Sergeant
Service No: 3514712
Date of Death: 07/07/1947
Age: 45
Regiment/Service: Royal Artillery, 76 Lt. A.A. Regt.
Grave Reference: Sec. A. Grave 365
Cemetery: FLEET CEMETERY
Additional Information: Son of William and Emma Jane Leigh; husband of Alice May Leigh, of Fleet.
Lighting Test in Pink - Copyright © Chuck Goodenough All Rights Reserved. No copying or reproduction or other use without written permission.
With hands up high in the air, a teen girl yells out in excitement about her team win. © Chuck Goodenough All Rights Reserved. No usage allowed including copying or sharing without written permsiion.
For those not looking closely, this is the BACK - Unfortunately not a model shoot this time. © Chuck Goodenough All Rights Reserved. No usage allowed including copying or sharing without written permsiion.
BT ArtBox project celebrating 25 years of Childline
ArtBox Title: About a Child: The New Elizabethan Knot Garden
Artist: Rosemary Goodenough
Location: NSPCC Head Office, 42 Curtain Road
Open-air art exhibition across London - Summer 2012
• BT marked 25th anniversary of ChildLine with launch of open-air art exhibition in London
• BT ArtBox project saw leading artists, designers and creatives transform full-size replicas of iconic Gilbert Scott–designed red telephone box into stunning artworks
• Throughout June and July 2012, BT ArtBoxes were on display in high-profile locations across the capital
• The National Portrait Gallery hosted a gala auction on July 18 where the ArtBoxes were auctioned to raise money for ChildLine
To celebrate the 25th anniversary of ChildLine, BT announced the launch of the BT ArtBox project – a new public art exhibition set to take over the capital Summer 2012.
Leading artists, designers and creatives from around the world were invited to apply their individual talents to re-style that much-loved icon of British design, the traditional red telephone box.
Each artist or designer took delivery of a full-size, fibre-glass replica of the Sir Giles Gilbert Scott-designed original K6 telephone kiosk, which was introduced in 1936 to commemorate the Silver Jubilee of the coronation of King George V.
Participating artists included 2002 Turner prize winner Keith Tyson, Romero Britto and Royal Academician Professor of Sculpture David Mach, along with fashion designers Giles Deacon and Zandra Rhodes.
The BT ArtBoxes were on display in high-profile locations around the capital between June 18 and July 16 before being auctioned off at a VIP Gala Auction at the National Portrait Gallery on July 18 to raise funds for BT’s long-time partner ChildLine.
Esther Rantzen OBE, founder of ChildLine and patron of the BT ArtBox project, said: “I’m thrilled that ChildLine’s 25th birthday is to be celebrated by such a unique and inspiring project as BT Artbox.
“The red phone box is a much loved symbol of British culture and I’m keen to see how the artists involved will create new masterpieces from such an iconic canvas. It’s fantastic that the proceeds from the sale of the boxes will raise vital funds to support the work of ChildLine, enabling us to help many more children and young people to get comfort, advice and protection when they need it most.”
Sandy Nairne, director of the National Portrait Gallery and patron of the BT ArtBox project, said: “The Gilbert Scott telephone box is a truly iconic British design, and I’m looking forwards to seeing how artists and designers transform the replica boxes into works of art on London’s streets.”
David Mach, said: “It’s great to be involved with the ArtBox Exhibition. I get to kill more than two birds with one stone...work with a great charity (hopefully make money for it) and a classic British design. I love all things Gilbert Scott. Anything that encourages us to get his design back on our streets does it for me”.
Suzi Williams, director of BT Group Marketing and Brand, said: “BT has a history of supporting British cultural initiatives and 2012 is no exception. What better way to celebrate ChildLine's 25th anniversary than transforming replicas of the classic red phone box into a public art exhibition that can be enjoyed by all in the build-up to the Games this summer."
Martine Ainsworth-Wells, London & Partners, Marketing and Communications director, said:
“London & Partners is excited to support BT ArtBox in the run up to London 2012. BT ArtBox will bring some of the UK’s finest artistic talents to London’s streets, adding a new creative dimension to the capital at such an important time in its history.”
Artists and creatives who were interested in designing an ArtBox visited btartbox.com for more information about how to get involved.
The BT ArtBox project was supported by the Mayor of London, Professor Malcolm Garrett RDI, London & Partners, The May Fair Hotel, Harvey Nichols, The Times and The Sunday Times and borough councils across the capital.
Images of Malcolm Garrett, Interaction Designer, Sandy Nairne, Director of the National Portrait Gallery, David Mach RA, Sculptor, Esther Rantzen, founder of ChildLine and Lauren O'Farrell, Artist at the launch of the BT ArtBox project at the St Pancras Renaissance Hotel, central London today are available at:
imagelibrary.btplc.com/assetbank-btplc/action/browseItems...
Top 10 facts about the K6 red phone box
1. Kiosk number 6 or “Jubilee Kiosk” commemorates the Silver Jubilee of the coronation of King George V.
2. Sir Giles Gilbert Scott also designed Liverpool’s Anglican Cathedral, Battersea Power Station and Bankside Power Station now Tate Modern.
3. More than 1,600 decommissioned red phone boxes, mostly K6s, have been sold to local communities for just a £1 under BT’s Adopt a Kiosk scheme. Uses include being fitted with lifesaving defibrillation machines, turned into art galleries and public libraries.
4. The K6 was the first kiosk installed nationwide and the standard kiosk across the UK until the introduction of the K8 in 1968.
5. The K6 kiosk is made from cast iron with a teak door. It is 8’3” tall (2.4 metres) and weighs three quarters of a ton (762 kilograms).
6. The K6 design was approved by the Post Office and the Royal Fine Arts Commission, which endorsed “Post Office red” as the standard colour.
7. Although Scott agreed to the use of “Post Office red” he was never a supporter of the colour and initially suggested the outside of the kiosk be painted silver and the inside greenish-blue. He strongly urged rural kiosks be painted dove-grey.
8. Two K6 kiosks were installed in France during 1995, for the 50th anniversary of the D-Day landings.
9. Several red K6’s have been transformed into combined payphones and cash machines.
10.There are 11,000 red phone boxes in use in the UK.
About ChildLine
ChildLine on 0800 1111 and www.childline.org.uk is the UK’s only free, 24-hour helpline for children in danger or distress. Trained volunteer counsellors comfort, advice and protect children and young people. ChildLine is a service within the NSPCC. In Scotland it is delivered by CHILDREN 1ST on behalf of the NSPCC. Calls to ChildLine on 0800 1111 are confidential, but if a child is in immediate danger the counsellor will let the caller know if they have to break confidentially and contact the emergency services to save the child’s life.
Every £20 raised could help ChildLine answer another five calls from children who dial our helpline. If you are worried about a child or would like to make a donation, please visit the NSPCC website www.nspcc.org.uk
Oprah Winfrey at arrivals for Lee Daniels' THE BUTLER Premiere, Regal Cinemas LA LIVE Stadium 14, Los Angeles, CA August 12, 2013. Photo By: Elizabeth Goodenough/Everett Collection
Tight Photo Portrait of the face of a Beautiful Young Girl with Braces© Chuck Goodenough All Rights Reserved.