Godox photos on Flickr

*Puedes usar estas fotografías como imagen de perfil, compartirlas, enviarlas o etiquetarlas, pero por favor no las modifiques ni borres o cortes las marcas de agua. Gracias.

2 by sonny1331

OLYMPUS DIGITAL CAMERA

郭郭-018 by Stanley Tsai

Pheobe by Bill Taylor

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godox r-200 ring light with beautydish and diffuser sock.

DSC_2944 by jaggi Supapornpasuphat

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Nikon Z7 + AF-P 18-55mm + Godox V1

Vinc et son violon by Nicolas Buffler

Il fait danser les filles !

Godox V1 dans une octobox à droite

Godox en contre pour détourer un peu le modèle

Modèle : Ludonaute www.instagram.com/ludonaute/

Insta : www.instagram.com/pixorfilm/

_F8A1766frm by Gabriel Martínez Toledo

Still In Love by Sylvia Q

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Godox 360ii camera left using ttl

Geraldhi_Geri_03 by geri geraldhi

That 1950s vibe 4.... by Peter Edmondson

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Thank you to the lovely Eleanor for modelling for this 1950s inspired shoot which was taken using a Em1 MK2 and the awesome 45mm F1.2 pro combo and lit with Godox lighting.

Rare books by Arsène Lupin

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A few weeks ago in March 2025, I spent a day in the most secure vault at the library of the Catholic University of Lyon (UCLy) to photograph some rare books that are badly in need of a restoration. The Fondation du Patrimoine, for which I work as a pro bono photographer, is expected to finance the restoration through a fundraising campaign that will be launched later this year (2025).

These are some of the photos I took during that session.

In order to insure color accuracy and consistency, I lit the session only with flash, having been assured by the librarians that the books were in no danger from that sort of lighting, since this was a one-off thing and as long as minimal output was used. Therefore, i used very large softboxes in order to soften the light as much as possible. For those of you who may be interested, all the technical information is provided below, as this is necessary to post the photos in the so-called “strobist” groups on Flickr, i.e., groups focusing on using off-camera flash.

The black, non-reflective cloth I used as background is Musou Kiwami.

Strobist and technical info: one Godox AD600 Pro II monolight on a Profoto light stand in lateral position to camera right, 1.5 meters from subject and 1.5 meters above it, firing at 1/64 power through a Phottix Pro 150–cm Raja octabox with double diffuser; and another AD600 Pro II studio strobe on a Profoto light stand in a symmetrical position to camera left, firing at 1/64 power through a Godox 120–cm S120W softbox with double diffuser.

Strobes set and triggered via Godox X Pro II radio controller on the camera’s hot shoe, manual mode. Sekonic L–858D light meter used to balance light sources. Gitzo Systematic Series 3 GT3543XLS tripod with Arca-Swiss Cube C1 geared head.

Nikon Z7 II camera body. Lenses: Nikon Z7 II camera body. Lenses: Nikkor Z 35mm, ƒ/1.8 S; Z 50mm, ƒ/1.8 S; Z 85mm, ƒ/1.8 S; Z MC 105mm, ƒ/2.8 macro; and Z 135mm, ƒ/1.8 S Plena. Camera triggered remotely via Pixel Oppilas RW–221 radio transmitter and receiver.

The title page of Dante Alighieri’s Divine Comedy, an incunabulum printed in Venice in 1497 and one of the most precious books in the university’s library.

郭郭-019 by Stanley Tsai