View allAll Photos Tagged Gia
The main reason foreign travelers come to this small city on the Gulf of Thailand is to catch the fast ferry to Phu Quoc Island.
Thiên tinh gì đâu ó trời ò . Tòan cô hồn vs cô hồn k . Bấm biến dùm miếng.
DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DWG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG DOG
Đọc des cho thấm nha mấy đứa . Thấm xong xàm xàm típ đi nha :)) Ra đường gặp mặt khỏi phải cừời miễn cuởng nữa nhé. Bắt đầu hnay chúng ta chính thức là ng dưng . OK ?!
Ừh thì suy đi tính lại thì em cũng không bằng nó :) ... nhưng thứ nó đang có là đồ bỏ của em ^^
Tấm này mình bị chụp lénnnn ><
Check out that gigantic shit in the bottom of Gia’s diaper.
Come on look at it. It’s HUGE!! 3 enormous pieces of shit just waiting to be changed by me upon waking up on this fine Saturday morning.
Go me. Go Gia. Actually congratulations on my little tiny cute daughter for taking a dump right before we woke up so I could change it. Shame on me for letting her get to the hallway to change the diaper.
I mean look at it. It’s like falling halfway down her knees. I feel like the Child Protective Services should be called on me upon putting this photo on the internet.
But I woke up and needed to snap a photo of the day. I got the older potty-trained kid to do some kind of debonair stance for me. I got the kid with shit in her pants to look half happy. I of course look like a total fucking assjack.
And there you have it. Day 323 of my project that makes no sense. Don’t you love it? It’s photogenetically retarded. I wasn’t trying to be artsy on this fucker. Nor did I care. And I know damn right well neither one of those fine little girls cared about light flare or depth of field. Light flare what and depth of field who?
The photo at hand? Well this is one of those days that I had both of my kids. Duh. As seen, one plus one equal’s two. . . kids (plus the asshole in the middle).
But I forgot to take a picture the day before. Hence I had to take TWO photos on this day. I kind of freaked out when I woke up and got mad at myself for missing the day before. So I got in the hallway like T-minus 3 minutes after all three of us woke up on Saturday morning snapped a quick photo in the hallway to make up for the missed day before.
The album at hand? It’s kind of a mess. The album I mean. It’s all fucked up. It’s RAW. It’s all over the place. It’s kind of hard to listen to. Then it cleans itself up for a minute or two and you start rocking. Then it’ll get all fucked up again. It’s really hard to explain. But really? It’s a classic.
Yeah.
This motherfucker will go down as an ageless classic in the decades that pass. New music will come out that is inspired by this band and this very album. And don’t even get me started about the song Dirty Boots or even the video showcased. Yeah. In the video you see a girl wearing a “Nirvana” shirt. This is like 6 months before “Nevermind” was even released. You think this band was on to something?
They remain underground even to this day and STILL attained greatness or even god status in some circles. How remarkable is that?
Location: my hallway; Alameda, California
Taken: October 24th, 2009
Posted: January 25th, 2010
Album of the Day: Goo by Sonic Youth
Video: Dirty Boots by Sonic Youth
*=lapse
Gia Carol wanted to do a forest fairy/whimsical shoot. So we got together at a local park to shoot some images. This is one of them. I used a Rotolight Neo2 on 100% flash power using internal batteries triggered by Cactus V6II. I turned the Neo's temperature down and set the camera on tungsten. This gave the image a blue cast except for where the Neo's light was falling.
f/1.8, 1/800, ISO 100, 85mm
Anh : e đã yêu bn ng` đàn ôg
Em : 1
Anh : e đã qhệ vs bn ng`
Em : hơn 1
Anh : và bn lần
Em : hơn 1
Anh : tất nhiên là phải nh` hơn 1 r`
Em : cái gì nh` hơn 1 là số nh` r` , a b' thế đi , hỏi lzì ? a m' qhệ à , kô có hứg vs a .
Anh : e thật ngag , nói năg nthế k sợ ng` đời đánh giá sao ?
Em : đánh giá ntn là quyền của họ lo ngĩ và sợ bị đánh giá k phải là ngiã vụ của e :)
Anh : e nói e đã qhệ vs nh` hơn 1 ng` , k sợ sau này yêu ai , nta b' sẽ coi thườg và bỏ rơi e sao ?
Em : a ngĩ rằg nếu e nói dối , nta sẽ vui khi yêu 1 đứa con gái nói dối kô sợ thối mồm hay sao ?
Anh: nhg k phải bg nói thật cũg tốt cả
Em: và cũg k phải bg tkừa nhận sự thật cũg là 1 điều kô hay .
Anh : con gái nên giữ gìn cái quí giá , k nên nói oag oag ra , ngay cả khi mình đã mất .
Em : e k b' cái quí giá của con gái là gì , nhg cái quí giá của e là lòg tự trọg . e tôn trọg mọi thứ e làm ngay cả khi nta khinh bỉ nó .
Anh : e có b' làm nthế sẽ giảm đi 90& cơ hội của e để gặp đc. 1 ng` đàn ôg tốt
Em : e ngĩ ng` đàn ôg tốt nằm ở 10% còn lại
Anh : a chịu e , nhg bất cứ thằg đàn ôg nào , dù yêu e đến đâu , nhg cũg k tkể khó k khó ckịu nếu nghĩ e đã từg yêu hết mình 1 ng` khác trc' a ta .
Em : thế tkì e k ép a ta phải chịu . Còn nếu a ta chịu đc , e sẽ yêu a ta hết mình còn gấp nh` lần ng` đã đến trc' a ta .
Anh : có lẽ e đúg , nhg thực tế sẽ làm khổ đời e
Em: nếu sợ khổ , e đã k lao vào cuộc sốg để bị nó xô ngã nh` lần
Anh : uh , thế nên a rất thích e !
Em : nhg a lại tkuộc 90% đàn ôg k tkể chấp nhận e .
Anh : đúg !
Em : và a cũg tkuộc 90% đàn ôg e kbg chấp nhận !
Anh : vì sao ?
Em : VÌ ANH HÈN !
Anh : e ngĩ mình danh giá lắm hay sao để nói nthế ?
Em : Đấy , a đag hèn đấy ! Bởi vì a ngĩ e kô danh giá , nên a qá hèn , còn e rất danh giá rồi ! Và hơn nữa , hình như a ngĩ rằg " qhệ nào cũg là qhệ tình dục " đúg kô ? ANH THẬT NGU NGỐC VÀ QUÁ ĐỖI ĐƠN GIẢN :-j
Mới mua máy uốn! Nói chung wá ngựa!?! Mua thi 5 chai sơn móng cẳng!hix...tội lỗi vs tía má wá!
P/s: Thi CĐ xong rồu! Đời ta tự do từ đêy!=))
French postcard by Editions P.I., Paris, no. 690. Photo: Universal.
Gia Scala (1934-1972) was a beautiful, sensitive English born Italian-American actress and model. Despite roles in such classics as The Guns of Navarone (1961), she never reached her full potential in Hollywood. Later, she also worked in Italy. The circumstances surrounding Scala's death at 36 by an overdose, have been questioned.
Gia Scala was born Josephine Grace Johanna Scoglio in 1934, in Liverpool, England, to aristocratic Sicilian father Pietro Scoglio, and Irish mother Eileen O'Sullivan. She had one sister, Tina Scala, also an actress. Scala was brought up in Messina and Mili San Marco in Sicily, the latter on the estate of her grandfather, Natale Scoglio, who was one of the largest citrus growers in Sicily. When Scala was 16, she moved to the United States to live with her aunt Agata in Whitestone, Queens, New York City. In 1952, after graduating from Bayside High School, she moved to Manhattan to pursue acting. Scala supported herself by working at a travel agency. During this time, Scala studied acting with with Stella Adler and the Actors Studio, where she met Steve McQueen. The two dated from 1952 to 1954. Scala began to appear on game shows, including Stop the Music, where she later became host Bert Parks' assistant. There she was spotted by Maurice Bergman, an executive of Universal International located in New York City. In 1954, accompanied by her mother, Scala flew to Los Angeles to screen test for the role of Mary Magdalene in The Gallileans but the film ended up being scrapped. Although she did not get the part, Peter Johnson at Universal was impressed with Scala's screen test. Scala had her first official job in Hollywood when she was given a non-speaking, uncredited part in All That Heaven Allows (Douglas Sirk, 1955), starring Jane Wyman and Rock Hudson. Despite her minor role in the film, Universal signed her to a contract, dyed her hair dark brown, had her four front teeth capped, and gave her the stage name Gia Scala. Songwriter Henry Mancini met Scala on the set of Four Girls in Town (Jack Sher, 1957), with George Nader and Marianne Koch. Inspired by her beauty, he wrote 'Cha Cha for Gia', which appeared uncredited in the film. She also played in Tip on a Dead Jockey (Richard Thorpe, 1957) starring Robert Taylor, and the Film Noir The Garment Jungle (Vincent Sherman, Robert Aldrich, 1957), with Lee J. Cobb. In 1958, she became a naturalised American citizen. Scala soon after landed roles in such films as the romantic comedy The Tunnel of Love (Gene Kelly, 1958) with Doris Day, the Western Ride a Crooked Trail (Jesse Hibbs, 1958), with former World War II hero Audie Murphy and Walter Matthau, the war thriller The Two-Headed Spy (André De Toth, 1958) featuring Jack Hawkins, and The Angry Hills (Robert Aldrich, 1959) with Robert Mitchum. Scala became emotionally distraught following the death of her mother in 1957 and she began to drink heavily as compensation which led to a few arrests.
In 1959, Gia Scala married Don Burnett, an actor who later turned investment banker. During the 1960s, Scala made frequent appearances on American television in such series as Alfred Hitchcock Presents (1960), The Rogues (1964-1965), Convoy (1965), Voyage to the Bottom of the Sea (1965), Twelve O'Clock High (1965), and Tarzan (1967). Gia's best known film role came as Anna, a Greek resistance fighter who presumably had been so horribly tortured by the Nazis that she became mute, in the epic The Guns of Navarone (J. Lee Thompson, 1961), starring Gregory Peck and David Niven. She eventually lost her contract at Universal due to her unreliability, which forced her to seek work overseas. She co-starred with her handsome husband in the Italian adventure film Il trionfo di Robin Hood/The Triumph of Robin Hood (Umberto Lenzi, 1962). Scala had difficulties with alcohol and her career began to wane. Her last feature film was the Spanish-American comedy Operación Dalila/Operation Delilah (Luis de los Arcos, 1967) with Rory Calhoun. Her marriage burnt itself out, and, at one point, she threw herself off London's Waterloo Bridge in desperation. She would have drowned in the Thames River had a passing cab driver not plucked her out of the water in time. Her final acting role was in the episode The Artist Is for Framing of the series It Takes a Thief (1969) starring Robert Wagner. After 10 years of marriage, Burnett left her and moved in with Rock Hudson. Gia and Don divorced in 1970. Her sportscar turned over on a winding canyon road in July 1971 and she lost part of her index finger. Gary Brumburgh at IMDb: "Gia's bouts with depression grew so severe that she was forced to undergo frequent psychiatric observations. In the midst of things she tried to pick herself up emotionally by studying painting and staying close to her younger sister, actress Tina Scala. It was too late." In 1972, 38-year-old Scala was found dead in her Hollywood Hills home. Los Angeles County Coroner Thomas Noguchi reported her cause of death was from an "acute ethanol and barbiturate intoxication" (an overdose of alcohol and sleeping pills) and was later ruled accidental. The circumstances surrounding the still beautiful Scala's death have been questioned, with some believing it was a result of either murder or suicide rather than accidental. She had first attempted suicide in 1958, after the death of her mother. She later tried again, after her ex-husband, Don Burnett, married Ironside star Barbara Anderson, a year after their divorce. Her sister believed that she did not intend to take her life nor that her death was accidental. Scala had a prescription for valium and three tablets were missing from the bottle, but valium is a benzodiazepine, not a barbiturate. Also, Scala was discovered nude sprawled across her bed and bruises were found on her body and blood was on her pillow. Scala is interred next to her mother, Eileen O'Sullivan-Scoglio, in the Holy Cross Cemetery in Culver City, California. In 2014, author/researcher Sterling Saint James wrote a book about Gia Scala's life titled 'Gia Scala: The First Gia'. Tina Scala provided intimate details about her sister's life.
Sources: Wikipedia and IMDb.
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