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Excellent collection of vintage plastics at ADAM,Brussels

Design : Dieter Rams / Dietrich Lubs 1976 and 1983

Chair designed by Marcel Breuer 1927. Photograph from the bauhaus archiv museum, Berlin.

Excellent collection of vintage plastics at ADAM,Brussels

Design : Dietrich Lubs 1995

Design : Dietrich Lubs 2001

Design : Dietrich Lubs AW 50 1991

Design : Dietrich Lubs AW 10 1989

Design : Peter Hartwein AW 24 2003

Another shot with twenty something years old film, abusively pushed to 1600. In this picture, the lightmeter and teacup coaster are the only things younger than me. Other things are all my father's age.

 

This film expired waaaayy before any digital cameras were made for consumers, and I'm sure I'll be using this camera way after all existing digital cameras are "expired." ;)

 

Roland, thanks for the Nikkor! :D

 

Darkroom print on Ilford MGIV FB

A bold vintage 1960s ceramic plate by WAKU, West Germany, with a great incised motif.

Excellent collection of vintage plastics at ADAM,Brussels

Design : Reinhold Weiss / Jürgen Greubel 1971

Design : Dieter Rams / Dietrich Lubs 1978

Design : Dieter Rams / Gerd Alfred Müller 1957

Dieter Rams / Richard Fischer 1966

Design : Richard Fischer 1967

Design : Florian Seiffert 1970

 

This 1930s porcelain Rosenthal Rhododendron features a delicate hand painted drawing on an electric, luscious blue and gold rim.

got it when i was 9 years old. so if you're into vintage cameras you know my age by now!

saw that people pay a lot of money for it at ebay, so there must be someting good about it. i like the braun-esque design, but it's actually by schlagheck schultes design who did a lot of agfa-stuff. it still seems to work fine, so i slipped in a new roll and did a few testshots.

stay tuned for the first results ; -)

 

this fellow flickrer provides more infos about the whole sensor-range (in german!)

Design : Reinhold Weiss 1961

Design : Dieter Rams / Dietrich Lubs 1981

Design : Roland Ullmann 1985

Design : Roland Ullmann 1990

Design : Roland Ullmann

Design : Roland Ullmann 1999

A set of four 1950s Winterling Bavaria porcelain luncheon plates with a mid century gold rim.

Design : Florian Seiffert/ Robert Oberheim 1972

Design : Dieter Rams / Florian Seiffert/Robert Oberheim 1973

Design : Roland Ullmann 1976

Design : Roland Ullmann 1982

Design : Dieter Rams 1974

Design : Jürgen Greubel 1974

Design : Busse Design Ulm 1977

Design : Dieter Rams 1980

Design : Dieter Rams 1981

A fab West German Pottery vase with a sgraffito tree design. Marked - 428/15

Design : Dieter Rams / Dietrich Lubs 1976

This toy was in our house while my sisters and I were growing up. It arrived as a hand-me-down, but no one could remember from where or whom. It’s stamped Made In Germany on the bottom, which would put it at pre-WWII. It’s very well made, very sturdy, and the pieces spin and slide very smoothly. Somehow this makes the whole scenario all the weirder, and I can remember we found it quite creepy as children. Why were the babies screaming? Did they not like to be spun around? Is it because they hit the beads above when you spun them? Were the policeman meant to be babysitting, or were they out searching for abandoned babies, or perhaps criminal babies? How many policemen does it take to find 5 babies, and more pressingly, how will they ever get to them? Why is there only one black baby, and more pertinently, why are there no black policemen? Was it a linear progression, with pastel eggs hatching into babies who then grew up to be white policemen? If those aren’t policemen, what are they? Baby abductors? Construction workers from different teams? What belonged in all those peg holes underneath? Was the main purpose of this object to hone a child’s narrative skills, or crime-solving skills (not that these two things are always unrelated)? These and many other questions. It seemed as if there was a lot going on here, and most of it not very nice. And then there was the sickly colour scheme. It still bothers me to look at this thing, and yet I can’t bring myself to throw it out. It’s as if some forensic expert or anthropologist might need it someday. But you could say that of a lot of toys.

 

blog.ounodesign.com/2009/02/02/the-babies-of-different-ra...

 

Design : Dieter Rams / Dietrich Lubs 1978

Design : Dieter Rams / Dietrich Lubs 1983

Braun manulux ( bakelite ) designed in 1941

Design : Hans Gugelot and Hans Sukopp 1964

A Design Icon from Year 1962

And it works!

About BRAUN DESIGN

This is just a glimpse of the excellent Braun exhibition held at Design Museum in London-2009

I adore the pattern on this mid century modern German porcelain cup.

The octagonal table top together with the four legs and the cross shaped base plan from a milled aluminum plate which is folded into its final form. The transitions of the table leg and the beveled corners are seameless. The tables are either a low coffee table with large table top or a high side table with a smaller plate. The overall design of these "folded" side and coffee tables is based on Alucobond. The material has a polyethylene plastic core and is enclosed of aluminium on both sides of the table. Originally Alucobond is a facade material, which offers the tables to be durable weather resistant and therefore also suitable for outdoor use on terraces and balconies.

 

www.hellenwesterhof.com

One of several Rotring writing instruments I have.

Newton 600 0.7mm mechanical pencil in Lava finish.

The Bode Museum marks the start of Museum Island in Berlin. Museam Island hosts 5 internationally renowned museums and is a UNESCO World Heritage Site.

  

Jon & Tina Reid | Portfolio | Blog

*Braun coffee grinder KSM 11

*Nr. 4024

*Designer: Reinhold Weiss

*Year: 1967

*colour: weiss, orange, grün, rot, gelb, chrom und schwarz

blanco, naranja, verde, rojo, amarillo, cromado y negro

TISC SIDE AND COFFEE TABLES by Hellen Westerhof

 

The tables are either a low coffee table with large table top or a high side table with a smaller plate.

The overall design of these "folded" side and coffee tables is based on Alucobond.

  

The octagonal table top together with the four legs and the cross shaped base plan from a milled aluminum plate which is folded into its final form. The transitions of the table leg and the beveled corners are seameless. The tables are either a low coffee table with large table top or a high side table with a smaller plate. The overall design of these "folded" side and coffee tables is based on Alucobond. The material has a polyethylene plastic core and is enclosed of aluminium on both sides of the table. Originally Alucobond is a facade material, which offers the tables to be durable weather resistant and therefore also suitable for outdoor use on terraces and balconies.

 

www.hellenwesterhof.com

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