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GeometrÃa sagrada
El término GeometrÃa Sagrada hace referencia al conjunto de formas geométricas que se encuentran presentes en el diseño de ciertos sitios considerados sagrados, principalmente iglesias, catedrales y mezquitas, junto con los significados simbólicos y esotéricos que se les atribuyen basándose en sus propiedades. Debido a su trasfondo religioso y filosófico, su énfasis en la geometrÃa y la matemática y su relación con la construcción de catedrales, la geometrÃa sagrada es asociada con la masonerÃa. Algunas personas que trabajan con la geometrÃa sagrada afirman que estimula ambos hemisferios cerebrales a la vez; el derecho por estar relacionado con habilidades artÃsticas y viso-espaciales, y el izquierdo por estar relacionado con la matemática y la lógica, aunque cabe aclarar que esto se trata de una sobresimplificación de la actividad cerebral y la especialización de cada hemisferio. En la imagen una pila de sillas en la Catedral de San Pablo, Londres.
Sacred geometry
The term Sacred Geometry refers to the set of geometric shapes that are present in the design of certain sites considered sacred, mainly churches, cathedrals and mosques, along with the symbolic and esoteric meanings attributed to them based on their properties. Due to its religious and philosophical background, its emphasis on geometry and mathematics and its relationship with the construction of cathedrals, sacred geometry is associated with Freemasonry. Some people who work with sacred geometry claim that it stimulates both cerebral hemispheres at the same time; the right to be related to artistic and viso-spatial skills, and the right to be related to mathematics and logic, although it is clear that this is an oversimplification of brain activity and the specialization of each hemisphere. In the picture a stack of chairs in St. Paul's Cathedral, London.
Cracked and weathered, the pink granite of Coles Bay glows in the last light of day.
Two images hand-blended for the sky and foreground.
Nikkon D700, Nikkor 17-35mm @ 20mm
60s and 291s @ f/16, ISO 100
Singh Ray GND's
just tested the new voigtländer nokton f/1 asph. 50mm for sony e-mount – and it's a game-changer. this modern facade in amsterdam, captured with the lens, turns geometry into art. lines, reflections, precision – it's like seeing the world through a sharper, smarter eye.
The urban fassade: Geometry
11 of 15
The next pic in my 15 days b&w project. Hope, you enjoy!
Ingredients:
Olympus E-M 10 Mark II
Olympus 12-40/2.8 PRO
Kodak Portra 400
Available light, manual setup and focus, handheld.
I love the lines in this shot (and the arches look a bit rude too) lol. I wouldnt like to try and get out of here in a hurry ; )
View through the staircase of the Cultural Palace of Targu Mures (Transylvania, ROMANIA)
János Bolyai (15 December 1802 – 27 January 1860) a Hungarian mathematician, one of the founders of non-Euclidean geometry - a geometry that differs from Euclidean geometry in its definition of parallel lines - lived and died in this city.
A solitary streetlight rises beside the sharp diagonal of a bridge railing, both reduced to dark silhouettes against a pale Nordic sky. The composition is a study in geometry — vertical, diagonal, and subtle curve — set against soft, textured clouds that create contrast without distraction. The negative space gives the scene a quiet, almost contemplative tension, where infrastructure becomes abstract form.
Fun fact: Street lighting in Norway began expanding rapidly in the early 1900s, but modern LED fixtures can use up to 50–70% less energy than older sodium lamps — turning everyday structures like this into symbols of sustainable transition.
CSX W-003 with former MARC GP40WH-2 #9969 heads south on the River Sub past part of the old plant at Cementon, NY. They'd end up meeting local L040 just south of here with former Western Maryland SD40-2 #8400 leading.