GeometricShape photos on Flickr

This ís the best way to learn about integrating e power to x function. Just concentrate about the way i did for all exercise, you won't find difficult for understand.

2.[A LEVEL - IB PROGRAM ] MATH - INTEGRATING E POWER TO X FUNCTION

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Many Panes by Lynae Zebest

Electromagnetism Kit by Adam Strange

Product photographs taken for the 2009 Science Kit Catalog (www.sciencekit.com)

Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)

Joels back garden by manual_focus

Swan 18 by B

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The Swan, The SUW/UW Series, Group IX: Part I

No. 18, 1915

Hilma af Klint

Oil paint on canvas

‘Thought defines the universe in geometrical figures.’

Hilma af Klint, 1916*

New Old Geometries

In 1912, af Klint returned to painting after a pause of four years. Now she claimed to no longer be directed by her spiritual guides or ‘High Masters’. The Swan series dates from 1914, when af Klint was living in Stockholm and much of the world was consumed by the First World War. Across the series, there is a shift between figurative imagery and abstract forms. Two swans engaged in conflict, rendered in opposing black and white, metamorphose into a series of interlinked cubes. The series marked a development in af Klint’s visual language from organic tendrils, spirals and symbolic forms to increasingly geometric shapes and planes of solid colour.

Af Klint would have encountered the notion of an invisible, fourth dimension of space through Theosophy and the work of a prominent member and philosopher, Rudolf Steiner. Her depiction of dematerialised forms, such as the see-through cubes, suggest her familiarity with these theories. Such ideas largely disappeared after Albert Einstein’s theory of relativity was popularised, transforming understandings of space and time.

The swan was a popular occult symbol of unity, discussed extensively by leading Theosophist Helena Blavatsky in her book The Secret Doctrine, which af Klint owned. The visual arc towards an eventual state of reconciliation in The Swan might have been af Klint’s response to political and social upheaval. She said, ‘where war has torn up plants and killed animals there are empty spaces which could be filled with new figures, if there were sufficient faith in human imagination and human capacity to develop higher forms’.

Af Klint continued to use geometry in her search for ‘primordial images’ and to convey her philosophical message of unity in Series III and Series V.*

[Tate Modern]

From the exhibition

Hilma af Klint & Piet Mondrian: Forms of Life

(April – September 2023)

This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.

Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.

Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.

Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.

‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914

‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917

[*Tate Modern]

Taken in the Tate Modern

DSCF2384 by spreadthehappiness

This is for my college fashion photography project. I took the photos in the bandstand at Queens Park.

Any comments or feedback would be really useful =)

thanks for looking

=)

Geometric Patterns by 準建築人手札網站 Forgemind ArchiMedia

Science Kit 2009 Catalog Images by Adam Strange

Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)

Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)

Science Kit 2009 Catalog Images by Adam Strange

Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)

CO-016-0407 by Steve Smith

Communications connectivity September 1, 2000

LeChatlier's Principle: A Dynamic Demonstration on the Overhead by Adam Strange

Production photographs taken for the 2009 Science Kit Catalog

Production photographs taken for the 2009 Science Kit Catalog (www.sciencekit.com)

Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)

Science Kit 2009 Catalog Images by Adam Strange

Product photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)

Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)

42-19657994 by Haute Couture

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Ice cubes splashing into drinking glass --- Image by

by benL0b0

Geometric Patterns by 準建築人手札網站 Forgemind ArchiMedia

Science Kit 2009 Catalog Images by Adam Strange

31122-01, 7/20/01, 1:03 PM, 8C, 2980x3600 (364+730), 100%, ProsTargetB, 1/20 s, R63.0, G59.1, B99.3

Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)

Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)

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