View allAll Photos Tagged Gagosian
art school years
Artworks Series Homage to Paul Jaisini, Invisible Paintings from 1994 by Gleitzeit International Group NYC
All RIGHT RESERVED COPYRIGHT GIGNYC 2014
I was asked about this enough times that I should clarify: every single "homage" work is 100% my own creation and Paul Jaisini has no part in any of it, except serving as my unconditional muse. His vision for a new and brilliant art movement that will shape a better future for all artists and the world, his astounding ideas and work are the inspiration behind my homage art to him. It's almost too good to be true. I wish I could keep him all to myself like a sunken pirate treasure chest because I feel I've discovered something so spectacular that it wouldn't be fair to just hand it out to everyone on a silver platter who didn't work for it as I did-- like a video game, resolutely passing many difficult levels before "finding the key and unlocking the door" to discovering the prize, the truth, hidden within-- but not being able to accept it before fully understanding what I was getting myself into. But I realize being greedy and not sharing what I know would be a sin.. and so, when I'm ready, I'll start unveiling the truth one layer at a time.... by Stelly Riesling
Wave
6ème sculpture de la série "Big Clays"
L'artiste a façonné un morceau d'argile qui a ensuite été numérisé en 3D et agrandi pour être reproduit en aluminium et atteindre 5 m de hauteur.
Les différentes parties en aluminium ont été assemblées et ont subi un fraisage complémentaire pour accroître les détails de la surface et rendre visibles les empreintes des doigts de l'artiste. La sculpture pèse plusieurs tonnes.
Elle réfléchit la lumière et s'inscrit parfaitement dans l'environnement architectural classique de la place Vendôme.
Sa forme évoque une vague déferlante comme celle peinte par l'artiste japonais Hokusai (1830-1831) ou celle de Camille Claudel (1903). D'autres y voient une gigantesque bague en hommage aux grands bijoutiers qui peuplent la place Vendôme !
L'intérêt de l'oeuvre me paraît moins formel que technique, c'est l'agrandissement et la transformation en aluminium, à une telle taille, d'un petit morceau d'argile et les jeux de lumière propres à l'aluminium qui sont en soi fascinants dans cet espace urbain. "La culture c'est d'abord une affaire de technique" comme l'écrit Pascal Ory.
Oeuvre d'Urs Fischer (Suisse, 1973, vit à NYC)
2018
Milled aluminium and steel
Gagosian
Présentation de la sculpture Wave place Vendôme à Paris dans le cadre du programme public de Paris + par Art Basel
parisplus.artbasel.com/public-program/place-vendome
Le projet est présenté par Gagosian (New York, Los Angeles, Londres, Paris, Genève, Bâle, Rome, Athènes, Hong Kong, Gstaad).
Managed to catch the Richard Serra Exhibition in London recently. Well worth a pop in If your in the area.
You Will Like What I See -- Paul Jaisini
"Homage to Paul Jaisini Invisible Paintings from 1994" is the new series of artworks in the ongoing project "Art About Art" by the Gleitzeit International Group.
Skull, 1976. Acrylic paint and silkscreen ink on canvas (1928-1987) Larry Gagosian Collection. SFMOMA
Franz West: Gekröse (2011). Gagosian Gallery, New York. Art 43 Basel Art Fair. Art Unlimited section.
"Airplane Parts," aka, "Chas' Stainless Steel, Mark Thompson's Airplane Parts, About 1,000 Pounds of Stainless Steel Wire, and Gagosian's Beverly Hills Space at MOCA."
The gorgeous background was sent to me by sally. I love it. It's from the Guardian newspaper promoting an exhibition of Howard Hodgkin's work at the Gagosian Gallery, London until 23 May 2008.
As an exercise for a photographic training I am currently attending, had to create a composition, whose subject had to be framed somehow… In the last days I went around the city looking for possible subjects and possible framings… Nothing worked. Once the subject was too small, another time the framing was unclear. In the last case, I had both but light was awful. This morning was the deadline for submitting my exercise. I was preparing my moka in the kitchen while thinking about a possible solution, maybe a still life. By chance my eyes met the door framing…. My walk at the Gagosian Gallery was somehow impressed in my mind and led me to rethink my kitchen as an Art Gallery. I quickly took my tripod, placed it few meters away from my door kitchen, mounted my beloved 85mm and chose for a undefined, overexposed background, in order to decontextualize the place. Few minutes before the deadline, I could submit my exercise. No idea how it will be evaluated. But, at least, a good cup of coffee was my reward so far ;)
Managed to catch the Richard Serra Exhibition in London recently. Well worth a pop in If your in the area.