No. 5 - 5:- Exploring Rochester - Rochester Castle

City of Great Expectations - Charles Dickens..

Looking down inside the Keep of the Castle.

The Mural Gallery.

This gallery, which looked down into the state apartments, round right round the building. It is hollowed out of the thickness of the wall and therefore greatly reduces the weight of the upper stories. At this height the walls do not need the massive strength of lower walls as they are out of reach of enemy battering rams.

The gallery had a number of uses and could be partitioned off to make extra rooms for guests, probably servants and less favoured visitors. When the great Hall was in use, guests could gather here to chat and look down on the festivities. This was also a good position for groups of minstrels to provide music for those below. Guidepost.

Rochester Castle.

From Wikipedia, the free encyclopedia

Rochester Castle ( [show location on an interactive map] 51°23′22″N 0°30′05″E / 51.38944°N 0.50139°E / 51.38944; 0.50139) stands on the east bank of the River Medway, in Rochester, Kent. It is one of the best-preserved castles of its kind in the UK. There has been a fortification on this site since Roman times (c AD43), though it is the keep of 1127 and the Norman castle which can be seen today. With the invention of gunpowder other types of defence became more appropriate, and the military centre of the Medway Towns moved to Chatham.

History

The Romans under Aulus Plautius built a fort on the site of the present castle to guard the important river crossing, where they constructed a bridge. There is evidence of an earth rampart later replaced by a stone wall. The timber piles of the Roman bridge were rediscovered during the construction of the present road bridge.This is also a well known spa nowadays but when it was first built it was a massive kitchen.

The Norman period commenced with the victory of William of Normandy at Hastings. He appointed his half brother Odo, Bishop of Bayeux, as Earl of Kent. Rochester's first Norman castle was probably of the motte and bailey type – a wooden tower and with palisades – on Boley Hill. This was the castle that was besieged by William Rufus during the Rebellion of 1088.

As a result of this siege, Bishop Gundulf was persuaded to build a stone castle with a curtain wall. It is not known how much, if any, of the surviving keep is his. Gundulf was a talented architect: he had started the building work on Rochester's Norman Cathedral in 1080, and was also responsible for the White Tower of the Tower of London.

Henry I granted the custody of the castle to the Archbishop of Canterbury, William de Corbeil. Corbeil started to build the great stone keep in 1127, much of which survives today. It is the tallest in England and has dominated the city and river crossing for 800 years.

The siege of 1215

In 1206, King John spent £115 on repairs to the castle and moat. He even preemptively held it during the year of the negotiations leading up to Magna Carta, but its terms forced him to hand it back into the custody of Stephen Langton, archbishop of Canterbury, in May 1215. The rebel barons then sent troops under William d'Aubigny to the castle, to whom its constable Reginald de Cornhill opened the castle's gates. During October, marching from Dover to London, John then found Rochester in his way and on 11 October began besieging it in person.

The rebels were expecting reinforcements from London but on hearing of the size of King John's army they turned back at Dartford. Robert Fitzwalter rode out to stop the king, fighting his way onto the bridge but eventually being beaten back into the castle. He also sacked the cathedral, took anything of value and stabled his horses in it, all as a slight to Langton. Orders were then sent to the men of Canterbury saying, "We order you, just as you love us, and as soon as you see this letter, to make by day and night, all the pickaxes that you can. Every blacksmith in your city should stop all other work in order to make them and you should send them to us at Rochester with all speed". Five siege engines were then erected and work carried out to undermine the curtain wall. By one of these means the king's forces entered and held the bailey in early November, and began attempting the same tactics against the keep, including undermining the south-east tower. The mine-roof was supported by wooden props, which were then set alight using pig-fat, on 25 November 1215 John had sent a writ to the justiciars saying "Send to us with all speed by day and night, fifty of the fattest pigs of the sort least good for eating so that we may bring fire beneath the castle" [2], causing the south-east tower of the keep to collapse. The rebels withdrew behind the keep's cross-wall but still managed to hold out. A few were allowed to leave the castle but on John's orders had their hands and feet lopped off as an example.

Winter was now setting in, and the castle was only taken (on 30 November) by starvation and not by force. John set up a memorial to the pigs and a gallows with the intention of hanging the whole garrison, but one of his captains (Savari de Mauleon) persuaded him not to hang the rebels since hanging those who had surrendered would set a precedent if John ever surrendered - only one man was actually hanged (a young bowman who had previously been in John's service). The remainder of the rebel barons were taken away and imprisoned at various royal-held castles, such as Corfe Castle. Of the siege - against only 100 rebels, and costing over a thousand pounds a day - the Barnwell chronicler wrote "No one alive can remember a siege so fiercely pressed and so manfully resisted" and that, after it, "There were few who would put their trust in castles".

King John died on October 19, 1216, so it fell to Henry III to repair the castle. He spent over a £1000 on rebuilding, with new stables and gateways, and a further ditch to strengthen the defences. A new chapel was built next to the Royal apartments in the bailey. The most notable surviving feature is the new south-east tower, which was rebuilt according to the latest defensive design and is three-quarters round better to deflect missile attack and work against attempts at undermining.

The siege of 1264

In 1264, the dissident barons, led by Simon de Montfort, attacked Rochester. They crossed the Medway under cover of the smoke from a fire-ship, and took the city. Like John before them, they quickly gained control of the castle bailey and then attempted to undermine the keep. This time the siege was not successful, being relieved after only a week by Henry himself. However, the rebels did burn down many of the buildings, including the Royal chambers. Repairs were not carried out until 1367, under Edward III, by which time much of the stone had been removed for other use.

The 15th century Wars of the Roses were not fought in Kent, so the castle was spared. It was briefly taken by Wyatt's men during his futile uprising of 1554. But with the invention of gunpowder and introduction of cannon, this form of castle was no longer so secure. It became expensive to maintain so fell into disrepair.

Later military history

Rochester remained of strategic importance, and the neighbouring Chatham Naval Dockyard grew in importance. In the Napoleonic wars, the dockyard was protected by a circle of Palmerston Forts, including Fort Luton, Fort Borstal, Fort Pitt, Fort Clarence, and Fort Amherst. HMS Victory, Admiral Nelson's flagship was built in Chatham (though now "exiled" in Portsmouth). During the twentieth century wars, Chatham has provided a home for the Royal Engineers, and Rochester built aircraft such as the Sunderland. The Dockyard also built and serviced nuclear submarines.

Today

The castle is now maintained by English Heritage and is open to the public. The wooden flooring in the centre of the keep is gone, but many of the passageways and spiral staircases within the thickness of the walls are still usable. Decorative chevrons ornament the archways and the water well in the cross-wall is clearly visible. Visitors with a head for heights can climb 111 ft (34 m) to the battlements and enjoy a commanding view of the river and surrounding area.

Since Victorian times, Rochester Castle Gardens have been an important leisure area for Rochester. They were a popular promenade, they have hosted a bandstand, and have become a centre point for festivals and summer concerts.

en.wikipedia.org/wiki/Rochester_Castle

'Magnificent ruin!...What a study for an antiquarian!'

The impressive Norman castle at Rochester had a humbling effect upon Dickens, reminding him perhaps of his own mortality. In Household Words he wrote: 'I surveyed the massive ruin from the Bridge, and thought what a brief little practical joke I seemed to be, in comparison with the solidarity, stature, strength and length of life.' In Dickens' time the castle looked very different. Houses and workshops filled much of the moat by the cathedral, the keep and towers were festooned with ivy and the waters of the River Medway lapped the base of the walls. - Guidemap

To see Large:-

farm4.static.flickr.com/3306/3440931955_b18ee21b6a_b.jpg

Taken on

July 18, 2007 at 11:31 BST

A historic guidepost or fingerpost in Feering Essex (UK).

While I have no definitive data on this particular post I'm satisfied this is one of the hundreds of guideposts installed by Essex County Council between 1922-1940 and manufactured by the 'Maldon Iron Works' of Heybridge. Note the ECC legend on the finial/roundel.

It's nice to see the 'A12' still marked on the post. The post is located on the former Great Essex Road which became the A12 in 1922 and B1024 in 1967 when the village of Kelvedon was bypassed.

www.flickr.com/photos/stuart166axe/tags/fingerpost/

www.flickr.com/photos/stuart166axe/tags/signpost/

Thank you to my regular photostream contributor David for taking time to take this shot and it's posted here with kind permission.

Great Budworth is a civil parish in Cheshire West and Chester, England. The parish contains 59 buildings that are recorded in the National Heritage List for England as designated listed buildings. Almost all the buildings in the centre of the village, those in Main Street, Church Street, and School Lane, are listed. More unusual structures that have been listed are the churchyard walls, the sundial in the churchyard, the stocks standing outside the churchyard walls, the lychgate at the entrance to the churchyard, the guidepost standing on the A559 road, two wellhouses, and the telephone kiosk in High Street.

I will instruct thee and teach thee in the way which thou shalt go; I will guide thee with Mine eye.

Psalm 32, Vers 8,Bibel,bible,AT, Stelle,Bild,picture,christian,photo #Psalm

It's shark shape guidepost for aquarium at the park.

The historic guidepost or fingerpost at the end of the High Street in the village of Kelvedon and Feering in Essex (UK).

While I have no definitive data on this particular post I'm satisfied this is one of the hundreds of guideposts manufactured by the 'Maldon Iron Works' of Heybridge and installed by Essex County Council between 1922-1940. Note the ECC legend on the finial/roundel.

It's nice to see the 'A12' still marked on the post. The post is located on the former Roman Great Essex Road which became the A12 in 1922 and B1024 in 1967 when the village of Kelvedon was bypassed.

www.flickr.com/photos/stuart166axe/tags/fingerpost/

www.flickr.com/photos/stuart166axe/tags/signpost/

May 10, 2005

Doctors Do Know Things Patients Don't Know

By KENT SEPKOWITZ, M.D.

Current health care etiquette requires that a patient be viewed as a consumer, a knowledgeable care partner who is equipped and ready to take charge. The notion makes some sense; after all, who cares more about your health than you do?

But in this global therapeutic village where the customer is king, a simple question remains unanswered: What happens if something goes awry, if a decision shared or even directed by a patient turns out to be the wrong one? On whose desk does that buck stop?

The vast, lumpy terrain of Lyme disease is a confusing place for doctor and patient alike. According to some, Lyme is able to cause any imaginable symptom, yet laboratory diagnosis remains famously elusive. This combination of plasticity and stealth makes it a convenient explanation for any ailment that otherwise makes no sense.

Not long ago, one of my patients developed a mysterious illness that emerged suddenly, and halted her life as she knew it. As she slowly recovered, she began to wonder whether Lyme might have caused her misery. So we sent off a round of tests. As expected, however, the entire panel was negative: no evidence of Lyme, not even a hint of a wisp of a suggestion.

But she still felt lousy two months later. And maybe, just maybe, the tests were wrong: surely, stranger things have happened.

Well, we discussed, why not? Why not just try a few weeks of antibiotics and see what happens. If nothing improves, there is one less thing to worry about. And if, hallelujah, she felt better, well bingo, there's the diagnosis and the treatment all rolled into one. What's the big deal?

What indeed?

I was uneasy about marching into a blind antibiotic trial because I strongly doubted Lyme was at play. After a certain amount of hemming and hawing, I advised her not to take the antibiotics. I thought the likelihood of response was too low to justify the risk of a problem with the therapy.

She, however, was the captain of our health care team, remember. And, politely but firmly, she expressed her wish to try the antibiotics. Nothing ventured, nothing gained. Or so she surely thought.

According to protocol, and to prove I bore her no ill will for rejecting my recommendation, I arranged for the intravenous antibiotics to be given at her home. Hers, after all, was a reasonable choice.

A week after starting the treatment, she developed inflammation at the insertion site. The intravenous catheter had to be removed. As we discussed the next step, she told me she didn't want additional antibiotics. I confess to a longish moment of satisfaction: doing nothing had been the best thing to do.

Then, after an extended silence, I tried to take the buck off her desk and told her I never should have suggested the antibiotics.

Doctors make dozens of clinical decisions a day; it goes with the territory. We've grown accustomed to the fact that not all of them work out. In contrast, she was a rookie at this, and I worried that she would kick herself over the decision.

Many people presume that doctors insist on being in charge simply because they like the adoration. Yes, the stunned, unquestioning patient simplifies decision making and shortens the workday. And yes, it is nice to have a patient routinely defer to you out of apparent, whatever-you-say-Doc admiration. Who doesn't like a fan club?

But it's not that simple. Standard issue medical arrogance accounts for many things but not our incessant itch to call the shots. Rather, it's because we know something you don't know. Not the ins and outs of how tuberculosis is transmitted or the risks of hormone replacement therapy or the easiest and most accurate means to calculate the glomerular filtration rate.

No, the difference between doctors and patients is that you are stuck playing on our home court. We know all the subtle bumps and slick spots, the places where things suddenly can ricochet out of control. With luck, we know when to pounce and when to shrug, when to grab the phone and start shouting and when to stall another week to see if things quiet down.

Managing an illness, in the best of circumstances, is an uncertain endeavor. Basically here's how it works: you inch along as if groping in blackest night for the light switch, trying first this, then that. Actual guideposts are rare. It can be most unsettling, especially if you haven't tried it before.

So go ahead and grab control. But as you reach, realize this one dark family secret: objects out here are much less certain than they appear. It doesn't bother us so much. Unlike you, we've gotten used to it. After all, we live here year around.

Dr. Kent Sepkowitz is the director of infection control at Memorial Sloan-Kettering Cancer Center.

Copyright 2005 The New York Times Company Home Privacy Policy Search Corrections RSS Help Contact Us Back to Top

Scotts Bluff takes its name from a trapper who met his end somewhere nearby around 1828. Long before that, this prominent landmark was known as "the hill that is hard to go around" by the Plains tribe and was a key guidepost for travelers heading west. Much of the history here centers around Mitchell Pass, which proved to be a good route through these steep, eroded bluffs and became part of the Oregon Trail. Thousands of westward-bound travelers passed through here resulting in a well-developed swale. An eroded remnant of the trail can still be seen. (From Off the Beaten Path, A Reader's Digest Book)

Wooden sign on the wall of the motel

signpost with view of Anboto mountain range. Urkiola

Getting the Exeter inscription.

signpost in the mountain with blue sky

The “Aiggin Stone” is located approximately two miles east of the town of Littleborough (“Little Fort” or “Little Stronghold”) and stands at the top of the old road (www.flickr.com/photos/67668518@N08/9315234979/) that crosses Blackstone Edge (www.flickr.com/photos/67668518@N08/9341174143/), roughly parallel to the modern A58 road. This road is marked as a Roman Road on Ordnance Survey maps but is considered by most historians to be a much more recent turnpike road dating back to circa 1735. It may have been pre-dated by a Roman road and it was certainly pre-dated by earlier medieval pack-horse tracks. The “Aiggin Stone” is thought to be a mediaeval guide post for travellers that once stood beside the tracks that crossed the hill. Others, however, claim that it was once a boundary stone. It is thought to be nearly 600 years old.

To the best of my knowledge the first mention of the “Aiggin Stone” dates back to an engineer’s map from 1800. The name could possibly be derived from the French word “aguille”, meaning a needle or a sharp-pointing rock, or alternatively it could be derived from “aigle”, meaning eagle. The stone is composed of the local millstone grit. It is nearly 4ft high and is inscribed with a Latin cross and the letters "I.T.". It was originally 7ft high but the lower section of the pillar has broken off. In the 1930s it was found lying on its side in the moorland heather but thankfully it was re-erected in 1933, although brainless vandals have knocked it over a couple of times since then and may possibly do so again in the future.

Vík í Mýrdal (300 hab.), entre Reykjavik et Höfn est considéré comme particulièrement à risque en cas d'éruption du volcan sous-glaciaire Katla. Ce dernier fait l'objet d'un suivi continu, certaines éruptions passées ayant causé d'importants dégats via des Jökulhlaups dans la région de Vik.

Vík í Mýrdal (300 inhab.), beetwen Reyjkavik and Höfn. Vík lies directly beneath the Mýrdalsjökull glacier, which itself is on top of the Katla volcano. An eruption of Katla could melt enough ice to trigger an enormous flash flood, potentially large enough to obliterate the entire town.

Springwell Village is a village in the City of Sunderland, bordering Gateshead, approximately 7.6 miles (12.2 km) from Newcastle upon Tyne, 9 miles (14 km) from Sunderland, and 13 miles (21 km) from Durham. In 2011, Census data for the City of Sunderland ward of Washington West recorded a total population of 11,833.

The village is home to one church, Springwell Village Methodist Church, as well as three shops and two local pubs – The Guidepost in the centre of the village, and The Ship on the outskirts. The area surrounding the village consists mainly of farmland, as well as land used for equestrian activities.

The first residences in the area were constructed in 1821 to house workers of the nearby colliery. The village has retained much character, according to Rightmove the average sold price in the year up to October 2021 was £167,565. It has a mix of small private estates situated in the centre, social housing at the eastern and western extremities, and south alongside a large proportion of individual properties and small stone terrace cottages, built of local, low quality stone, a style typical within the village.

The Bowes Railway Museum is located on the outskirts of the village. The railway served the colliery at Springwell Village from 1826 until 1974, with a short part of the route now operating as a railway museum.

Formerly a part of County Durham, the postal address is Gateshead, with the village now situated in the City of Sunderland. The village has close ties to Washington, Sunderland, Gateshead and Newcastle upon Tyne.

2006, Hans Tammen, Alfred 23 Harth, Chris Dahlgren, Jay Rosen

www.espdisk.com/esp4031.html

mailorder at After Hours

allaboutjazz

Paristransatlantic

www.fly.co.uk/fly/archives/uscanada_reviews/tammen_harth_...

Die ESP-Klassiker waren seit 1991 durch Lizenzen (ZYX, Calibre, Abraxas) für Liebhaber immer zugänglich, auch wenn manche Perlen nur für Perlenschweine auffindbar waren. Dass aber seit 2005 wieder in Eigenregie neben Wiederveröffentlichungen auch Neues erscheint, das hätte ich beinahe verpasst. Neben New Ghost, Lindha Kallerdahl und Yuganaut sticht mir unvermutet der Name HANS TAMMEN ins Auge, wie sich herausstellt als Spitze eines Vulkans. Expedition (ESP 4031), 2001 in der Knitting Factory aufgenommen und 2006 veröffentlicht, entstand im Verbund mit CHRIS DAHLGREN an Bass & Electronics, dem Trio-X-Drummer JAY ROSEN und - ALFRED 23 HARTH an Tenorsax & Bassklarinette. Zwischen seiner großartigen Einspielung mit dem Trio Veriditas und seinen ostasiatischen Eskapaden wie eShip sum (2003) und mit Otomo Yoshihide's New Jazz Orchestra findet man ihn hier auf rigorosem Kurs durch feurigste Fire Music. Rosens fiebriges Klackern wird beständig verstärkt und verdichtet durch Noise, dessen Herkunft oft unklar bleibt. Dahlgrens knurrige Bogenstriche oder elektronische Ausläufer? Tammen mit seinem schrappeligen Drahtbürstensound? Mit seinen in sich oder rückwärts verdrehten Kürzeln spielt er auf der Beerdigung der Gitarre, wie man sie kennt. Und Harth erst! Anfänglich als jung-wilder ESPler wie Pharoah Sanders, Sonny Simmons und Frank Wright, dann kurz sogar mit Aylereskem Pathos oder als Arkestra-Maat heliozentrisch unterwegs, öffnet er bei ‚Retained Notions...‘ seine eigenen Burn-Baby-Burn-Speicher, wechselt für ‚A Brief Pleasure Trip‘ zur Bassklarinette und rauscht dahin wie Kohoutek. ‚From One Place To Another‘ ist pure außerirdische Poesie aus Elektrofunken, Pizzikato und wunderbar erratischen Bassklarinettensprüngen, die sich plötzlich ballt und mit vereinten Kräften gegen den Hintereingang zum Paradies rummst. ‚A Place That Has Emotional Significance‘ entwickelt seine Gefühltsprotuberanzen durch ein so nicht erwartetes irrwitziges GITARREN-Solo. Damit nicht genug, folgt noch eine wie auf einer Nilbarke dahin geruderte, von Theremin umwölkte, exotisch umzwitscherte A23H-Träumerei in den oberen Klarinettenregistern. Und man ist mittendrin im Herzen von ESP.

[ba 59 rbd]

Black Alchemy, written by Rigobert Dittmann

Translation of the Portuguese review in "Jazz e Arredores"(12/2006):

Hans Tammen (endangered guitar), Alfred 23 Harth (tenor saxophone, bass clarinet and one of the best kept german secrets of the last four decades, also a visual artist and photographer, currently on tour with Otomo Yoshihide New Jazz Ensemble and Orchestra), Chris Dahlgren (bass and electronic toys of the most sought-after type in NY, student of Braxton and Holland, just to give an idea of his pedigree) and Jay Rosen (of Trio X with Joe McPhee and Dominic Duval, the ubiquitous and best drums on CIMP and many other labels). The only thing that may need some clarification here is perhaps the expression "endangered guitar" used by Hans Tammen, the excellent German guitarist. Or maybe not, because behind that registered and apparently turned upside down trademark is, one guesses, the simple idea of altering the physical and acoustic configuration of the instrument. In this way it may resemble the electric guitar, which it originally was, and which (despite the "bad treatments" inflicted upon it) it still is - although vaguely and in danger of extinction. The other instrumentation is presented in its usual and traditional form.

Not at all usual or traditional is the way in which these instruments are worked, or are the men who master them. Four musicians with the knowledge and courage to expose their sensibilities outside of limitations. This is music organized without hierarchies or guidance from any one of the participants, except when it emerges from the tension between individual and collective expression according to the fundamental principle of listening, processing and reacting. Direction, attitude, consistency, nerve, pulse, energy, response, sequential and fragmented narrative - all converge to make this a gripping session, as it was to be expected at the hands of these four magnificent musicians. Without mystification or false starts, Expedition solves the very mystery of a jump into the void, as one who wanders through unknown territories, whether dark and desolate as a dock in the dead hours, or luminous and sincere as young souls in supreme states of pure improvisation. Live recording from 2001 at the Knitting Factory, NY, just released by ESP-DISK number 4031. Certainly one of the musical releases of the year. The ideal soundtrack to accompany the reading of Philip Roth's The Human Stain.

Liner Notes by Howard Mandel

By what rights do these guys make this music? How dare they plunge

without prelude to thrash, smash, mash – though not trash – music

conventions in freely improvised play that has the urgency of

necessity, the ferocity of excitement, a no-holds-barred organizing

principle and devil-may-care attitude about the results?

Frankly, they proceed without regard for license. They just do it –

and who dares say they can't? They know no need to apply for

permission from any powers that be. Individually and all togther,

Hans Tammen, Chris Dahlgren, Jay Rosen, and Alfred Harth have exactly

what's required: perceptive and unflagging attentions, bountiful

energies, responsive imaginations, masterful command of even the most

extreme ranges of their instruments, the ability to track quickly

shifting shapes of amassed sound and tack their personal intents to

the group's direction.

These qualities allow them to produce, enter and explore a previously

unmapped soundscape, a realm that seems to have internal

consistencies and narrative arcs but no explicit guideposts or pre-

ordained landmarks. There is mystery in their undertaking, and

perhaps danger – what if they venture into madness? What if you've

followed them all the way?

Well, it's up to each listener to join their foray or turn from it,

to accept the challenge of heading into the unknown or to shy away

from the experience as too raw, complex or untethered. But there is

no stopping the advances of this band, no denying the power of its

efforts. Its members are certain of what they're doing. Come along

for the thrill ride or stay stuck where you are, it's your call.

The path here may seem rough; the tracks, as distinguished from each

other, rather arbitrary given the rushing flow. But nothing is

forced, everything is discovered and then simply unleashed. The fury

is initially overwhelming, but with repeated hearings finer details

emerge. A saxophone honks, wails, squawks, squalls, then a line

emerges that turns into – "The Saint's Go Marching In"? Brash slashes

of guitar morph into minutely nuanced manipulation of its least

expected capacities. Hard-pressing rhythms suddenly subside; colors

splay across the cymbals, there's a tinkling of bells. Boldly bowed

bass becomes a plucking that's felt beneath everything else, but

absorbed by the roar. Is there a muted trumpet? A clarinet? Gulls?

Is this sound, or that one, computer-generated, or hand-made but

distorted beyond immediate recognition? It hardly matters, because

however wild and wooly the music gets it's obviously all produced by

men with the desire – nay, need -- to express themselves beyond

limits, and not sometime but right now! This session must have been a

highly gratifying opportunity for the four musicians (yes, there are

only four) to revel in their shared sensibility, to test their own

and each other's strengths and intuitions and set loose their

uncensored passions. It worked, no doubt, to reinforce their beliefs

in certain precepts, including: Liberty is good in itself; musical

gestures convey meaning; greater comprehension may derive from direct

exposure to the unusual or unforeseen than from description or

didactic instruction. Each auditor can find his or her own way.

And so you'll get no more specifics from me – just the suggestion you

turn yourself over to this recording and go with it as you please. I

can tell making the music left the players in a state of exaltation.

Join their assertion of freedom, their collective creativity, their

pursuit of what's spontaneous and true, even if it seems unpolished

or rude, and you too, I bet, will have the pleasure of heightened

awareness.

Old wooden arrows road sign

(C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.

The Guidepost turn left and turn right on wood floor and old brickwall background

向かって左面：西大山道 東かしお道

Nice to see the multi colour version of this sign.

GoodGuide.vn

Vì tương lai hạnh phúc tràn ngập!

This is a similar shot to the one that can be seen in the April edition of Guideposts Mysterious Ways Magazine. To celebrate that published photograph I'm putting all my prints on sale for one week only at www.nfirebaughphoto.com just use the code PUB20 to receive 20% off your order.

Did you know those lyrics were written by a woman, Lydia Maria Child--who went by Maria, who was born in Medford, Massachusetts in 1802? She wrote it in 1845 after being involved in the anti-slavery movement.

She had been a successful author but upon writing a book against slavery, she and her husband (also anti-slavery) became unpopular and lived on the edge of poverty for years.

Maria received a letter from a wife of a Virginia senator who defended slavery as a benevolent institution. She pointed out that Southern women were kind to slaves when they gave birth. Maria responded that northern women also were kind to women in childbirth, but "after we have helped the mothers, we do not sell the babies."

Maria helped an ex-slave, Harriet Jacobs, publish her memoirs and later edited an anthology of prominent African-American writers. All this while her Thanksgiving song was being sung, and before Thanksgiving was a national holiday, though the idea was becoming more popular.

At the end of 1863, a year of bitter losses for both North and South at Gettysburg, Vicksburg, and Chancellorsville, President Abraham Lincoln issued a proclamation calling for a national holiday "to set apart and observe the last Thursday of November as a day of thanksgiving to our beneficent Father who dwelleth in the heavens." A time for families to make that trek over a battle-scarred land to give thanks to God.

(The information about Lydia Maria Child and Thanksgiving are from the November 2003 issue of "Guideposts")

This is the entrance to the rural '9 ravines' (Seok-dam Ku-gok) history park north of Haeju. The sign shows the layout of the place, and, on the bottom right, gives us a military factoid. Some detactment came down from Mt. Paekdu and spent some time here. That's not a shocker. ;-)

Thousands of Inukshuks were created on the banks of False Creek during the Olympics. The Inukshuk is a traditional arctic guidepost and has become known as a symbol of hope and friendship.

"The Vancouver 2010 Olympic Winter Games emblem is a contemporary interpretation of the inukshuk. It is called Ilanaaq which is the Inuktitut word for friend. This is the symbol of Canada’s Games – our friend who will help us greet the world in 2010. "

The XXI Winter Olympic Games in Vancouver, BC, Canada. Vancouver 2010.

©2010, Sean Phillips

www.Sean-Phillips.com

Typical signpost in the forests around Baden-Baden

Photographed using the "Etude" and Ilford Delta 100 film. Taken in Mount Dandenong. Something was blocking the left side of lens, not sure if it was the strap or my finger, but I like the effect.

The Historic Water Tower, which stands at Michigan and Chicago avenues, was erected in 1869 to house a 138-foot-tall standpipe, three feet in diameter.

This standpipe served to equalize pressure and to minimize the pulsations of the water flowing in the mains. The tower was constructed of Joliet limestone blocks quarried in Illinois, a foresight which proved invaluable two years after the completion of construction when, on the morning of October 9, 1871, flames engulfed Chicago and leveled nearly every building except for the Water Tower.

On the day following the fire, the Water Tower served as a guidepost by which citizens hunted through the ruins for what had once been their homes. It became a monument to the efforts of Chicago's water works engineers; it became and has remained a symbol of Chicago's indomitable "I Will" spirit.

Springwell Village is a village in the City of Sunderland, bordering Gateshead, approximately 7.6 miles (12.2 km) from Newcastle upon Tyne, 9 miles (14 km) from Sunderland, and 13 miles (21 km) from Durham. In 2011, Census data for the City of Sunderland ward of Washington West recorded a total population of 11,833.

The village is home to one church, Springwell Village Methodist Church, as well as three shops and two local pubs – The Guidepost in the centre of the village, and The Ship on the outskirts. The area surrounding the village consists mainly of farmland, as well as land used for equestrian activities.

The first residences in the area were constructed in 1821 to house workers of the nearby colliery. The village has retained much character, according to Rightmove the average sold price in the year up to October 2021 was £167,565. It has a mix of small private estates situated in the centre, social housing at the eastern and western extremities, and south alongside a large proportion of individual properties and small stone terrace cottages, built of local, low quality stone, a style typical within the village.

The Bowes Railway Museum is located on the outskirts of the village. The railway served the colliery at Springwell Village from 1826 until 1974, with a short part of the route now operating as a railway museum.

Formerly a part of County Durham, the postal address is Gateshead, with the village now situated in the City of Sunderland. The village has close ties to Washington, Sunderland, Gateshead and Newcastle upon Tyne.

Today, I am sharing a story from guideposts.org. It is a story about a woman following her conscience. So many times, it can be difficult to do the right thing. However, abuse is perpetuated and our safety, freedoms, and connection to God are compromised when we choose to ignore the voice of...

www.glimpseofheavenbook.com/labor-keep-alive-conscience/

Guide post at a junction between Grampound and Polmassick.

The directions have been removed, possibly during WW2.

More info at www.heritagegateway.org.uk/Gateway/Results_Single.aspx?ui...

The Historical Marker reads:

「飯田武兵衛本陣跡

　飯田本陣は、天保年間の記録によると建坪百九十六坪で、門構え玄関を備えていた。

　飯田本陣には小浜、桑名、岸和田藩など約七十家が利用した。

　明治元年(一八六八)の天皇行幸の際に行在所となり、同年の還幸、翌二年の再幸、明治十一年(一八七八)の巡幸の際にも利用された。その行在所の建物は明治十八年(一八八五)、奥山方広寺に移築された。

　平成二十二年三月

　　　　湖西市教育委員会」

Some Notes on Reading the Kanji, for those learning Japanese:

語彙　　　　　読み方　　　　　　　　語彙　　　　　読み方　　　　　　

飯田武兵衛　　いいだぶへえ　　　　　行在所　　　　あんざいしょ

天保　　　　　てんぽう　　　　　　　還幸　　　　　かんこう

小浜　　　　　おばま　　　　　　　　再幸　　　　　さいこう

桑名　　　　　くわな　　　　　　　　巡幸　　　　　じゅんこう

岸和田　　　　きしわだ　　　　　　　奥山方広寺　　おくやまほうこうじ

行幸　　　　　ぎょうこう　　　　　　藩　　　　　　はん

*There was an error on the Historical Marker, where the Kanji for "han" was written as 播, instead of the correct Kanji, 藩. I corrected this in the text quoted above. 　

An only1tanuki translation:

"The site of the Iida Buhei Honjin

　According to Tenpo Era Records, Iida Honjin had a floorspace of 196 tsubo and a gate and entry hall had been constructed.

　Approximately 70 Daimyo Families, including those from the Obama, Kuwana and Kishiwada Domains, stayed here during its operation.

　During the First Year of the Meiji Era (1868), a special building was erected to lodge the Emperor during his travels eastward. In the same year it was used again on his return trip. In Meiji 11 (1868), on the occasion of the Emperor's Imperial Tour, it was used a third time. The special building constructed for these Imperial stays was moved to Okuyama Hokoji in Meiji 18 (1885).

　　　March, Heisei 22

　　　　　Kosai City Board of Education"

Additional Notes:

• 196 tsubo = Approximately 647 Square Meters

• The Obama Domain was located in what is now Fukui Prefecture

• The Kuwana Domain was located in what is now Mie Prefecture

• The Kishiwada Domain was located in what is now Nara Prefecture

• The year Heisei 22 is equal to 2010 in the Gregorian Calendar.

Springwell Village is a village in the City of Sunderland, bordering Gateshead, approximately 7.6 miles (12.2 km) from Newcastle upon Tyne, 9 miles (14 km) from Sunderland, and 13 miles (21 km) from Durham. In 2011, Census data for the City of Sunderland ward of Washington West recorded a total population of 11,833.

The village is home to one church, Springwell Village Methodist Church, as well as three shops and two local pubs – The Guidepost in the centre of the village, and The Ship on the outskirts. The area surrounding the village consists mainly of farmland, as well as land used for equestrian activities.

The first residences in the area were constructed in 1821 to house workers of the nearby colliery. The village has retained much character, according to Rightmove the average sold price in the year up to October 2021 was £167,565. It has a mix of small private estates situated in the centre, social housing at the eastern and western extremities, and south alongside a large proportion of individual properties and small stone terrace cottages, built of local, low quality stone, a style typical within the village.

The Bowes Railway Museum is located on the outskirts of the village. The railway served the colliery at Springwell Village from 1826 until 1974, with a short part of the route now operating as a railway museum.

Formerly a part of County Durham, the postal address is Gateshead, with the village now situated in the City of Sunderland. The village has close ties to Washington, Sunderland, Gateshead and Newcastle upon Tyne.

Unusual, and unique, in the the "Ancient Monument" wording has been replaced with "The 'Forty-Five Association"

Find out more at The 'Forty-Five Association and what the The Prince's Cairn is.

This particular sign was made by the Royal Label Factory in Stratford Upon Avon.

Stone Guide Post near Curbar Gap probably dating from the 18thC.

It is badly weathered and the inscriptions are difficult to read.

In 1697 during the reign of William III an Act was passed which decreed that in the more remote parts, where two or more paths intersected, the local Surveyors were to erect guideposts or guide stoops showing the way to the nearest market town.

Close up of the historic guidepost or fingerpost at the end of the High Street in the village of Kelvedon and Feering in Essex (UK).

While I have no definitive data on this particular post I'm satisfied this is one of the hundreds of guideposts manufactured by the 'Maldon Iron Works' of Heybridge and installed by Essex County Council between 1922-1940. Note the ECC legend on the finial/roundel.

It's nice to see the 'A12' still marked on the post. The post is located on the former Roman Great Essex Road which became the A12 in 1922 and B1024 in 1967 when the village of Kelvedon was bypassed.

www.flickr.com/photos/stuart166axe/tags/fingerpost/

www.flickr.com/photos/stuart166axe/tags/signpost/

.... and so endeth the last day of fall 'roid week 2009 for me. hope y'all enjoyed it!

wooden signpost with anboto mountain in Urkiola

A picture of some signposts, I've seen during a walk at the swabian jura. The sign on the middle shows the way through hell.

Out for a chilly walk up Win Hill with some guys and gals from work!!

Christmas Dinner at The Yorkshire Bridge Inn after!!

We are standing by the - "Hope Cross

Hope Cross stands about 2 metres tall, imposing in the landscape, made from local gritstone. Although it would originally have been a cross, it has been altered at some point throughout the centuries to be a guidepost. It is topped with an overhanging square capstone, with the inscriptions Shefield (sic), Glossop, Edale and Hope carved into the four sides.

It has the date 1737 carved into it but, as with Edale Cross, it is thought likely that this was the date of a restoration. Its position on the road indicates this route was used for more than local traffic up until at least the 18th Century.

letsgopeakdistrict.co.uk/wayside-crosses-of-the-peak-dist...

Best viewed large. HD 69830 is a more difficult star to find than in some in my series of planet-bearing suns, but it is unusual enough that it is well worth the extra work. It is an orange dwarf star, somewhat fainter and less massive then the Sun, located 41 light-years from Earth. In 2005, the Spitzer Space Telescope identified dust in the vicinity of this star indicative of an asteroid belt about 20 times as massive as our own solar system’s asteroid belt. In May 2006, astronomers at the European Southern Observatory announced the discovery, based on spectrographic observations made from their telescope in Chile, of three planets in orbit around HD 69830 with minimum masses of 10 to 18 times that of Earth, making them roughly the size of the planet Neptune. Therefore, I think of HD 69830 as “the Tri-Neptune Sun.” Although the planets are far beyond the reach of amateur telescope, the star itself is readily visible if you know where to look.

HD 69830 is slightly tricky to find, not because it’s faint—on a good night I can make it out in binoculars from my New York City (Queens) neighborhood, and at magnitude 5.95 it should be visible to a keen-eyed observer with the naked eye from a dark-sky site—but because it lies in an expanse of sky devoid of bright stars. This is ironic because it lies nearly in the plane of our Milky Way galaxy, and although there are beautiful star clusters somewhat near this star, you need a telescope or binoculars to see them well. HD 69830 is in the constellation Puppis, which represents the poop deck of Argo Navis, the ship Argo on which, in mythology, Jason and his Argonauts sailed in pursuit of the Golden Fleece. (Argo Navis, once a constellation in its own right, was split into four constellations because it was so large.)

To find HD 69830, we will use the time-honored method known as “star-hopping,” using other stars as guideposts as we zero in on our quarry. Fortunately, even though there aren’t even any moderately bright stars in the Tri-Neptune Sun’s vicinity, it lies just over halfway along a line connecting Sirius—the brightest star in the night sky—and Alphard, the brightest star in the constellation Hydra. You know you’re on the right track if, scanning in binoculars or a wide-field telescope eastward from Sirius, you pass the splendid open star clusters M46 and M47. (They’re well worth a stop in their own right.) At the halfway point between Sirius and Alphard are a pair of stars, one above the other, that I’ve christened “the Gateway.” The top star in the pair is magnitude 4.7, putting it within naked-eye reach of a suburban observer. Continuing our eastern sweep, HD 69830 is the rightmost member of a chain of stars just beyond “the Gateway” that form an asterism that I call “the Boomerang.” The inset in my chart shows these patterns that can help lead you to this star, which has one of the most intriguing solar systems discovered to date.

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old road guidepost at nara.

it says;

right osaka

left kyoto