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It's June of 1987 and three of EMD's GP-59 demonstrator units are headed east on the MILW. They are headed to Tunnel City for testing. They are just south of Winona.
Slide by Mike Crowe. Used with permission. Do not copy.
Cass Lake local passes the City job at East Grand Forks. A rare 2023-24 winter sunny day, and the sun is on the wrong side of the tracks.
A couple of high nose GP's sit at the Hanska Farmers Coop Elevator along the Minnesota River in New Ulm back in 2011. I shot these a few times when I was in town.
Edgar Degas French, 1834 -1917
Frieze of Dancers ( Danseuses attachant leurs sandales) , ca. 1895
Oil on canvas
The Cleveland Museum of Art. Gift of the Hanna Fund.
This work encapsulates Dega’s interest in repetition and variation—lessons learned from his monotypes. One of the artist’s largest paintings, it shows four ballerinas in nearly identical poses, tying their toe shoes, depicted from different angles. But are we seeing four dancers? The two figures at left look like mirror images, recalling the reversals of printmaking. Or are we circling around a single dancer, following Degas as he carries out an instruction found in one of his own notebooks, to “study from all perspectives a figure or an object, it doesn’t matter which”? With that in mind, the painting may relate to contemporaneous time-motion studies by Eadweard Muybridge and Etienne-Jules Marey, who tried to document action through successive still photographs. The filmstrip-like composition may also allude to cinema, newly emerging in Degas’s day. The ambiguous background, rendered in earthy tones, derives from his experiments with monotype.
From the placard Museum of Modern Art, New York City.
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