View allAll Photos Tagged FrontMan
Memorial services for iconic MOTÖRHEAD frontman Ian "Lemmy" Kilmister was held at the Rainbow Bar And Grill in West Hollywood, California 1-9-2016.
Lemmy, who celebrated his 70th birthday on Christmas Eve (December 24-2016), learned two days later, on December 26, that he was afflicted with an aggressive form of cancer. He died two days later, on December 28 at his home in Los Angeles.
MOTÖRHEADwas revered by both metal and punk fans, and Lemmy was considered an icon for his musical talent and his embodiment of the rock n’ roll lifestyle.
The Rainbow Bar And Grill on L.A.'s Sunset Strip was known as Lemmy's hangout, made it an obvious place for friends and family to say goodbye to the legend.
Read more at: www.blabbermouth.net/news/overhelming-response-to-lemmys-...
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
The Lamb Lies Down on Broadway is the sixth studio album by the English progressive rock band Genesis. It was released as a double album on 18 November 1974 by Charisma Records and is their last to feature original frontman Peter Gabriel. It peaked at No. 10 on the UK Albums Chart and No. 41 on the Billboard 200 in the US.
While the band worked on new material at Hedley Grange for three months, they decided to produce a concept album with a story devised by Gabriel about Rael, a Puerto Rican youth from New York City who is suddenly taken on a journey of self-discovery and encounters bizarre incidents and characters along the way. The album was marked by increased tensions within the band as Gabriel, who insisted on writing all of the lyrics, temporarily left to work with filmmaker William Friedkin and needed time to be with his family. Most of the songs were developed by the rest of the band through jam sessions and were put down at Glaspant Manor in Wales using a mobile studio.
The album received a mixed critical reaction at first, but it gained acclaim in subsequent years and has a cult following. The songs "Counting Out Time" and "The Carpet Crawlers" were released as singles in the UK in 1974 and 1975, respectively; both failed to chart. A single of "The Lamb Lies Down on Broadway" was released in the US. Genesis promoted the album with their 1974–75 tour across North America and Europe, playing the album in its entirety. The album reached Gold certification in the UK and the US. The album was remastered in 1994 and 2007, the latter as part of the Genesis 1970–1975 box set which contains a 5.1 surround sound mix and bonus material.
Before discussions were held regarding the album's contents, the band decided to record a double album, for the extended format would give them the opportunity to improvise and put down more of their musical ideas ] A single album with songs telling "bits" of a story was an option that did not appeal to them.Banks thought Genesis had gained a strong enough following by this point to put out two albums' worth of material that their fans would be willing to listen to. They had wanted to produce a concept album that told a story for some time, and Rutherford pitched an idea based on the fantasy novel The Little Prince by Antoine de Saint-Exupéry, but Gabriel disagreed as he thought it was "too twee" and believed "prancing around in fairyland was rapidly becoming obsolete".
Gabriel presented the group with a more complicated and surreal story about Rael, a Puerto Rican youth in New York City, and his spiritual journey of self-discovery and identity as he encounters several bizarre incidents and characters along the way. Gabriel had first thought of the story while touring North America in the previous year, and pitched a synopsis to the group "until they agreed to do the whole thing". It was more detailed and obscure in its initial form, until Gabriel refined it and made Rael the central character. Seeking a name that had "no traceable ethnic origins", he chose the name 'Rael', but later realised the Who had previously used that on The Who Sell Out (1967); this annoyed him at first, but he stuck to the choice.
As the band searched for a name they realised that "Ra" was common in male names in various nationalities. Gabriel was inspired by a variety of sources for the story, including the novel and musical West Side Story, "a kind of punk" twist to the Christian allegory Pilgrim's Progress (1678), the works of Swiss psychologist Carl Jung, and the surreal Western film El Topo (1971) by Alejandro Jodorowsky.[18] In contrast to Selling England by the Pound, which contained strong English themes, Gabriel made a conscious effort to avoid repetition by portraying American imagery, with references to Caryl Chessman, Lenny Bruce, Groucho Marx, Marshall McLuhan, Howard Hughes, Evel Knievel and the Ku Klux Klan. He also expressed some concern over the album's title, but noted that the lamb itself is purely symbolic and a catalyst for the peculiar events that occur.[14]
Much of the album was written at Headley Grange.
During the writing sessions at Headley Grange, Gabriel found himself separated from the rest of the band, which caused some friction. He insisted that having devised the concept he should write the lyrics, leaving the majority of the music in the charge of his bandmates. This was a departure from the band's usual method of songwriting; lyrical contributions on previous albums had always involved the other members.
This situation left Gabriel often secluded in one room writing the lyrics, and the remaining four rehearsing in another. In one instance Gabriel was unable to meet a scheduled deadline to have the lyrics finished, leaving Rutherford and Banks to write words for "The Light Dies Down on Broadway". At other times, Banks and Hackett suggested lyrics they thought would fit their songs better, "The Lamia" and "Here Comes the Supernatural Anaesthetist" respectively, which Gabriel rebuffed.
Further disagreements arose during the writing period when Gabriel accepted an invitation from film producer William Friedkin to write a screenplay; Friedkin had taken a liking to the surreal story by Gabriel that had been printed on the sleeve of Genesis Live (1973). Collins then pitched the idea of having the new studio album be purely instrumental, thinking it would favour the other members as Gabriel had made some of their earlier songs too lyrically dense, but the idea was rejected by the rest of the group. However, Gabriel's offer from Friedkin soon came to nothing and he resumed working on the album. Matters were complicated further when Gabriel spent additional time away in London when his first wife Jill underwent a risky and difficult birth of their first child in July 1974, leaving Gabriel often travelling back and forth. Rutherford later admitted that he and Banks were "horribly unsupportive" of Gabriel during this time,and Gabriel saw this as the beginning of his eventual departure from Genesis
The projected image behind BoDeans' frontman Kurt Neumann serves as more than a backdrop; it deepens the performance's atmosphere, where music, lighting, and visual imagery combine to heighten the moment and music. I always wonder why they choose the images they do for the show, and if there is some meaning for the band or for the song, but this one is simply cool, as the person in the image stares out at the crowd. One of my favorite photos from the show.
Roadkill Records all dayer. The Sly Persuaders / Dedwardians single launch. ©2016 Kaoru Sato. All rights reserved. Do not reproduce, modify or transmit without permisssion. www.thedeadzoo.com
The Lamb Lies Down on Broadway is the sixth studio album by the English progressive rock band Genesis. It was released as a double album on 18 November 1974 by Charisma Records and is their last to feature original frontman Peter Gabriel. It peaked at No. 10 on the UK Albums Chart and No. 41 on the Billboard 200 in the US.
While the band worked on new material at Hedley Grange for three months, they decided to produce a concept album with a story devised by Gabriel about Rael, a Puerto Rican youth from New York City who is suddenly taken on a journey of self-discovery and encounters bizarre incidents and characters along the way. The album was marked by increased tensions within the band as Gabriel, who insisted on writing all of the lyrics, temporarily left to work with filmmaker William Friedkin and needed time to be with his family. Most of the songs were developed by the rest of the band through jam sessions and were put down at Glaspant Manor in Wales using a mobile studio.
The album received a mixed critical reaction at first, but it gained acclaim in subsequent years and has a cult following. The songs "Counting Out Time" and "The Carpet Crawlers" were released as singles in the UK in 1974 and 1975, respectively; both failed to chart. A single of "The Lamb Lies Down on Broadway" was released in the US. Genesis promoted the album with their 1974–75 tour across North America and Europe, playing the album in its entirety. The album reached Gold certification in the UK and the US. The album was remastered in 1994 and 2007, the latter as part of the Genesis 1970–1975 box set which contains a 5.1 surround sound mix and bonus material.
Before discussions were held regarding the album's contents, the band decided to record a double album, for the extended format would give them the opportunity to improvise and put down more of their musical ideas ] A single album with songs telling "bits" of a story was an option that did not appeal to them.Banks thought Genesis had gained a strong enough following by this point to put out two albums' worth of material that their fans would be willing to listen to. They had wanted to produce a concept album that told a story for some time, and Rutherford pitched an idea based on the fantasy novel The Little Prince by Antoine de Saint-Exupéry, but Gabriel disagreed as he thought it was "too twee" and believed "prancing around in fairyland was rapidly becoming obsolete".
Gabriel presented the group with a more complicated and surreal story about Rael, a Puerto Rican youth in New York City, and his spiritual journey of self-discovery and identity as he encounters several bizarre incidents and characters along the way. Gabriel had first thought of the story while touring North America in the previous year, and pitched a synopsis to the group "until they agreed to do the whole thing". It was more detailed and obscure in its initial form, until Gabriel refined it and made Rael the central character. Seeking a name that had "no traceable ethnic origins", he chose the name 'Rael', but later realised the Who had previously used that on The Who Sell Out (1967); this annoyed him at first, but he stuck to the choice.
As the band searched for a name they realised that "Ra" was common in male names in various nationalities. Gabriel was inspired by a variety of sources for the story, including the novel and musical West Side Story, "a kind of punk" twist to the Christian allegory Pilgrim's Progress (1678), the works of Swiss psychologist Carl Jung, and the surreal Western film El Topo (1971) by Alejandro Jodorowsky.[18] In contrast to Selling England by the Pound, which contained strong English themes, Gabriel made a conscious effort to avoid repetition by portraying American imagery, with references to Caryl Chessman, Lenny Bruce, Groucho Marx, Marshall McLuhan, Howard Hughes, Evel Knievel and the Ku Klux Klan. He also expressed some concern over the album's title, but noted that the lamb itself is purely symbolic and a catalyst for the peculiar events that occur.[14]
Much of the album was written at Headley Grange.
During the writing sessions at Headley Grange, Gabriel found himself separated from the rest of the band, which caused some friction. He insisted that having devised the concept he should write the lyrics, leaving the majority of the music in the charge of his bandmates. This was a departure from the band's usual method of songwriting; lyrical contributions on previous albums had always involved the other members.
This situation left Gabriel often secluded in one room writing the lyrics, and the remaining four rehearsing in another. In one instance Gabriel was unable to meet a scheduled deadline to have the lyrics finished, leaving Rutherford and Banks to write words for "The Light Dies Down on Broadway". At other times, Banks and Hackett suggested lyrics they thought would fit their songs better, "The Lamia" and "Here Comes the Supernatural Anaesthetist" respectively, which Gabriel rebuffed.
Further disagreements arose during the writing period when Gabriel accepted an invitation from film producer William Friedkin to write a screenplay; Friedkin had taken a liking to the surreal story by Gabriel that had been printed on the sleeve of Genesis Live (1973). Collins then pitched the idea of having the new studio album be purely instrumental, thinking it would favour the other members as Gabriel had made some of their earlier songs too lyrically dense, but the idea was rejected by the rest of the group. However, Gabriel's offer from Friedkin soon came to nothing and he resumed working on the album. Matters were complicated further when Gabriel spent additional time away in London when his first wife Jill underwent a risky and difficult birth of their first child in July 1974, leaving Gabriel often travelling back and forth. Rutherford later admitted that he and Banks were "horribly unsupportive" of Gabriel during this time,and Gabriel saw this as the beginning of his eventual departure from Genesis
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
Arcturus - ICS Vortex, Knut Magne Valle, Hugh "Skoll" Mingay, Jan Axel "Hellhammer" Blomberg
On the Temple Stage at Hellfest Open Air 2022 Part 2 - Day 3
15th Anniversary Edition
Clisson, France | 25/06/2022
Live report soon on MusicWaves
Philippe Bareille
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
Memorial services for iconic MOTÖRHEAD frontman Ian "Lemmy" Kilmister was held at the Rainbow Bar And Grill in West Hollywood, California 1-9-2016.
Lemmy, who celebrated his 70th birthday on Christmas Eve (December 24-2016), learned two days later, on December 26, that he was afflicted with an aggressive form of cancer. He died two days later, on December 28 at his home in Los Angeles.
MOTÖRHEADwas revered by both metal and punk fans, and Lemmy was considered an icon for his musical talent and his embodiment of the rock n’ roll lifestyle.
The Rainbow Bar And Grill on L.A.'s Sunset Strip was known as Lemmy's hangout, made it an obvious place for friends and family to say goodbye to the legend.
Read more at: www.blabbermouth.net/news/overhelming-response-to-lemmys-...
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
Memorial services for iconic MOTÖRHEAD frontman Ian "Lemmy" Kilmister was held at the Rainbow Bar And Grill in West Hollywood, California 1-9-2016.
Lemmy, who celebrated his 70th birthday on Christmas Eve (December 24-2016), learned two days later, on December 26, that he was afflicted with an aggressive form of cancer. He died two days later, on December 28 at his home in Los Angeles.
MOTÖRHEADwas revered by both metal and punk fans, and Lemmy was considered an icon for his musical talent and his embodiment of the rock n’ roll lifestyle.
The Rainbow Bar And Grill on L.A.'s Sunset Strip was known as Lemmy's hangout, made it an obvious place for friends and family to say goodbye to the legend.
Read more at: www.blabbermouth.net/news/overhelming-response-to-lemmys-...
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
Coldplay frontman Chris Martin gives it all during the band's Mylo Xyloto Tour at the Emirates Stadium, London.
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
I was walking down the street on a nice sunny day in Prague, in a good mood, minding my own business, when all of a sudden a very familiar face came into my line of vision directly opposite of me. We both did a double-take and instantly recognized one another! It was Phil Shoenfelt, former frontman of the New York band Khmer Rouge, who I thought I had left for dead who I thought I had left for dead back in New York. The last time I had seen Phil was back in the ol ´80s in New York. He was with his then wife Marcia and they were both major junkies. I can remember the sight of them holding onto one another for support, looking a bit green around the gills, coming out of some seedy hotel and approaching me asking for some money. They made Sid and Nancy look like amateurs. I told them the old story about being broke and shuffled away. I had not seen either of them since that time. At the time, I thought that they would not last much longer in this world and did my best to forget. I was in shock to see a somewhat healthy looking Phil standing in front of me. I was then pleasantly surprised to find out that Phil was happily married to a Czech woman, played in several bands in Prague and Berlin and wrote several books that were published.
Phil and I are now very good friends once again. I went to see his bands and were inspired by both. In fact I was so inspired, I have been making a documentary film about his Berlin based band Fatal Shore for three years now. I am in the process of going through all of the footage on tapes for editing. I have over 50 tapes, which means over 50 hours of looking for the best bits for editing. My eyes are tired, but I am looking forward to completing this film. It was because of meeting Phil on that fateful day in Prague I got to know so many inspiring people. I hope to do justice with the Fatal Shore film for Phil, Chris Hughes and in respect and Honor for the incredibly talented Bruno Adams, who passed away in 2009. I filmed Phil´s band and interviewed him for Richard Lowenstein´s documentary about Rowland S. Howard. I would write Phil´s bio information, (I always do the writing about people, but I make an exception in this case) but fussy Phil would find some objection to it I am sure, so I will let write Phil Shoenfelt introduce himself in his own words.
Phil Shoenfelt is an English musician/singer/songwriter/author who has lived in Prague since 1995. He is a veteran of the UK and New York punk and post-punk scenes, and during the early 1980’s was the front man and principle songwriter for the New York-based band Khmer Rouge. In the five years the band was together, Khmer Rouge was a favorite on the NY club scene, and toured in the USA supporting such acts as The Clash, Tom Verlaine, Alan Vega, Nico and Billy Idol. Returning to the UK in 1984, the band did two UK tours with The Fall before finally splitting in 1986.
Phil then began his solo career. His first single was released on Mark E. Smith’s Cog Sinister label in 1989. A support slot with The Fall followed, as well as several concerts supporting Nick Cave And The Bad Seeds on UK tours in 1990 and 1991. Two solo CDs were released on UK independent labels in 1990 and 1993. After a Czech tour in 1994, Phil decided to move to Prague on a full time basis. Since moving here, he has recorded several more CDs, both with his Prague-based band PHIL SHOENFELT & SOUTHERN CROSS and with the Berlin-based Australian band FATAL SHORE. Although Fatal Shore ended with the death in 2009 of founder member Bruno Adams, Phil continues to play regularly with Southern Cross at venues across Europe. To date, he has had a total of 13 CDs of his music released on various labels in the UK, USA, Czech Republic, Germany and Greece. The latest is Golden Vanity, a collaboration with the late Nikki Sudden, which was released in 2009 on the UK label Easy Action. At the moment Phil is mixing the new PS & Southern Cross CD, which will be released in October 2010 by Easy Action.
As well as these musical activities, Phil has had two books published to date: Junkie Love (a fictionalized autobiography) and The Green Hotel (poetry and song lyrics). Junkie Love was first published in Czech translation in 1997 (as Feťácká Láska) by Maťa Books of Prague, and has become something of a cult book for young Czech readers. The book was published for the first time in English in 2001 by Twisted Spoon Press, and went on to win the Firecracker Alternative Book Award (NYC, 2002) for best book in the Drugs Books section. Since then it has it has been translated and published in Italian by Fazi Editions of Rome. A Greek translation is being prepared for publication by Electra Books of Athens, and an extract has appeared in Erotika – Drogen und Sexualitat by German philosopher Wolfgang Sterneck. In 2006 Junkie Love was licensed to Ebury Press/Random House for UK and Commonwealth distribution, and this new edition was published in July 2007. Phil’s writing has also appeared in literary magazines such as Gargoyle (USA/UK), Garageland(UK), the Prague Literary Review, Optimism (Czech Republic), Hele (Czech Republic), Blatt (Czech Republic), Apple Of The Eye, (Greece), Morgana (Germany) and Vlna (Slovakia). He is also included in the The Return of Král Majeles, a recently published anthology of post 1989 Prague writing put together by the Philosophic Faculty of Charles University. At the moment Phil is working on a new book (Stripped), an autobiographical novel set in downtown New York in the years 1979-84.
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
Memorial services for iconic MOTÖRHEAD frontman Ian "Lemmy" Kilmister was held at the Rainbow Bar And Grill in West Hollywood, California 1-9-2016.
Lemmy, who celebrated his 70th birthday on Christmas Eve (December 24-2016), learned two days later, on December 26, that he was afflicted with an aggressive form of cancer. He died two days later, on December 28 at his home in Los Angeles.
MOTÖRHEADwas revered by both metal and punk fans, and Lemmy was considered an icon for his musical talent and his embodiment of the rock n’ roll lifestyle.
The Rainbow Bar And Grill on L.A.'s Sunset Strip was known as Lemmy's hangout, made it an obvious place for friends and family to say goodbye to the legend.
Read more at: www.blabbermouth.net/news/overhelming-response-to-lemmys-...
Ukraine UA (Instagram) Andriy Hlyvniuk, a frontman of the Ukrainian band @boomboxfamily, joined the Territorial Defense unit in Kyiv. He got ingured in the face from the mortar shelling. If there were no war in Ukraine, he would definitely gather a full stadium or concert hall. Like many other artists and stars who turned into soldiers to defend our land via t.me/UkraineArmyForce/35159 #russia #russian #army #military #ukraine #ukrainian #war #worldwar #ww3 #ww #ucraina #russland #russia #militare #guerra #krieg #війни #война #guerre #ukraine #украина #ucrania #україна #Rusia #Росія #Россия #Russie #ukrainearmy
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
Puddle of Mudd frontman Wes Scantlin screams out lyrics during his rock band's performance at BayFest 2011 on Marine Corps Base Hawaii, July 16, 2011. Celebrating its twenty-second year as Hawaii's largest summer music festival, the three-day event, sponsored by Marine Corps Community Services, opened the base's gates to the local community, featuring concerts by Cecilio and Kapono, Hoobastank, Puddle of Mudd and Joe Nichols in addition to contests, carnival rides, food booths and military static displays.
Marine Corps Base Hawaii – Kaneohe Bay
Photo by Cpl. Reece E. Lodder
Date Taken:07.16.2011
Location:MARINE CORPS BASE HAWAII, HI, US
Related Photos: dvidshub.net/r/s4f56f
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
Playing host to the rescheduled Foo Fighters concert at Wembley (that was cancelled after frontman Dave Grohl broke his leg falling off stage at a show in Gothenburg, Sweden), the National Bowl in Milton Keynes came alive on Sunday, September 6, 2015 with the sound of 65,000 screaming fans. Following sets from rock duo Royal Blood and the eclectic propo-punk icon Iggy Pop, the Foos knew they had to deliver. From the moment the curtain sucked into a black hole vortex to the end of the show, it was obvious it was going to be one hell of a night to remember. Debra, Karl and I had arrived relatively early for the show and, being among the first to enter the MK Bowl, were offered "Inner Pit" passes. Issued on a first-come-first-serve basis, these gave fenced-off access to the stage and were an excellent surprise. We had a great view of the day's action and I was well positioned for photographs. "All My Life" opened the two and a half hour set, with Grohl spending the entire show seated on a most gloriously over-the-top throne, designed by Grohl himself and adorned by guitar necks. It transported the front-man up and down the runway, and was in itself a crowd pleaser! I have wanted to see the Foo Fighters for about two decades - and desperate to do so since "Wasting Light"- and they did not disappoint. A shredding version of "White Limo" alone justified the ticket price, and the rest was a wonderful (and sometimes nostalgic) tour through their back-catalogue. All in all, it was a triumphant, heart-warming singalong set that showed why, for so many, the Foo Fighters have been the soundtrack to the last two decades. Here's the Foo Fighters' set list for the Milton Keynes "Broken Leg" concert.
If I was desperate to see the Foo Fighters, I was absolutely aching to see 69 year old rock legend, Iggy Pop. I narrowly missed one of his gigs in Amsterdam at the end of 1978 and, after this initial disappointment, Iggy stayed on my Bucket List through the late-80's in London, the 90's in Prague and the naughties in the UK. When he was in town, I was always travelling, had other commitments or just had bad luck (i.e. the cancellation of the Foo's concert at Wembley in June where Iggy was on the supporting bill). Well, I finally got to see James Newell Osterberg, Jr. in full, topless, action in Milton Keynes on a fine evening in September 2015! Iggy brought his old school punk snarl to the party, prompting mass singalongs to classic tunes, some of which he penned with his old mate David Bowie in Berlin in the 70's. If I'm still as active as Iggy when I'm almost 70, I'll be more than happy! He made fine use of the runway before him, skipping, kicking, twisting and turning as only Iggy can. He took a breather every now and then, but Iggy still has more energy than any new breed act you care to mention. Fucking hell - he's the man that wrote "Lust for Life"! The snot-noses in the audience didn't know what hit them :-) FYI, here's the Iggy Pop's set list for the night.
A wonderful, sunny day and balmy evening with my family, and a fine way to celebrate the 32nd anniversary of my first date with my future-wife on September 7, 1983.
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
This iconic photograph of Greek Street in their heyday is by legendary Bracknell lensman Smart Set. Here he talks to Greek Street frontman Andy Harris about the old days:
Andy Harris: This is actually a historic pic, Smart, because you can see that I have my foot raised, and what nobody knows is that I'm about to squash El Greco, my pet grasshopper, and band mascot. I felt his bones crunch and I knew he'd never hop again. He'd been backstage and got a bit pissed and wandered onto the stage. He spent the rest of his life in a wheelchair but never missed a gig.
Smart Set: Yeah, I remember how you stopped playing and fell to your knees but everyone thought it was part of the act.
AH: Yeah, then someone in the audience from the Grasshoppers Protection League throws a ...
SS: The Grasshopper and Crickets Protection League!
AH: Yeah, the Grasshoppers and Crickets Protection League - lobs a bottle - a full bottle, mind, and it hits Nutley, but Nutley being Nutley picks it up and drinks from it. Turns out later it was piss, but that was Nutley for you.
SS: I missed that though cos I ran out of film.
AH: Then the Hell's Angels started kicking the bottle-thrower and the pigs came and pulled the plug.
SS: I didn't get that cos I was photographing Greco's remains.
AH: He wasn't dead, just injured.
SS: Andy, he was dead. Look at your rockin' boot-heel. There's no way he could survive that.
AH: He could have jumped clear! Why didn't he jump clear?
SS: His reflexes were shot to hell. Years of substance abuse. You never knew.
AH: Then who was that in the wheelchair for the next seven weeks, front row at every gig?
SS: That was a replacement, Andy - Leapy Green.
AH: So that's why he always wore shades.
SS: Exactly.
AH: So you were keeping it from me. About El Greco, I mean.
SS: It was all about the money. If you'd realised he was dead you would have cancelled the tour of Wokingham pubs and the record company would have lost millions.
AH: Man, that was some tour!
SS: 58 dates. Not too shabby.
AH: Well, some of the pubs were! (Laughs)
SS: One night, I walked into the dressing room at The Crispin and found Leapy not wearing his sunglasses. "God!" he said, "I thought you were Andy! You made me jump, man."
AH: But when El Gr... - I mean Leapy - died, the autopsy showed it was from multiple injuries ...
SS: Yes, but Leapy actually died falling from his apartment window. Megacorp Records paid the coroner to cover it up.
AH: Did he fall, or ... ?
SS: He was off his head on a cocktail of PLJ, Coke and Tizer. He thought he could fly.
AH: So it was ...
SS: Suicide, yeah. He jumped. Turned out some of the roadies had been teasing him, saying he couldn't jump like El Greco could. They never forgave him for taking Grec's place. They told him even a one-legged cricket with a bad leg could jump higher than him. Must have pushed him over the edge.
AH: But he showed 'em, didn't he? He showed 'em all, those cowardly cricket-lovers. He jumped real high. High as a goddam kite.
* * * * * * * * * * * * * * * * * * * *
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia
The Rolling Stone Awards: Beach Road Hotel, Bondi Beach, Sydney, Australia...
Date: Wednesday, January 16, 2013
The Rolling Stone Awards, celebrating the best in Australian entertainment in 2012, will be hosted by legendary Cruel Sea/Beasts of Bourbon/the Dark Horses frontman Tex Perkins. The evening will feature performances by Melbourne's Owl Eyes and DJs MINX and Leah Mencel (winners of the She Can DJ comp 2011 and 2012).
Having enjoyed one of the most successful years of their career in 2012, Hilltop Hoods look set to continue their good form into 2013 and lead the nominations for the fourth annual Rolling Stone Awards. The Hilltop Hoods are up for three gongs: Album of the Year (Drinking From The Sun), Video of the Year (I Love It) and Best Live Act.
Sharing two nominations each are Melbourne up-and-comer Chet Faker, Sydney quartet The Jezabels, Perth rockers Tame Impala, Sydney MC Urthboy, Byron Bay metalcore kings Parkway Drive, Menangle outfit The Rubens and instrumental heroes the Dirty Three.
Some of the nominees include:
* Album of the Year: Sarah Blasko (I Awake), Hilltop Hoods (Drinking From The Sun); Dirty Three (Toward the Low Sun); Paul Kelly (Spring and Fall); Tame Impala (Lonerism); and Urthboy (Smokey's Haunt).
* International Act of the Year: Frank Ocean, Bruce Springsteen, The Black Keys, Jack White and Neil Young.
* Live Act of the Year: 360, Dirty Three, Hilltop Hoods, Parkway Drive, Tame Impala, The Jezabels and The Living End.
* Best New Talent: Alpine, Chet Faker, Flume, San Cisco, The Medics and The Rubens
News...
Tame Impala win at Rolling Stone Awards...
Tame Impala have taken out the Rolling Stone Award for Album of the Year thanks to their second album Lonerism.
The Perth psych-rockers collected the award for a second time in their short career, having won in 2011 with debut album Innerspeaker.
The latest accolade, presented at a star-packed music industry bash in Sydney, adds to the international clamour around the band and its frontman Kevin Parker.
Lonerism made history as the first Australian album to be hailed an album of the year by music bible NME and topped several end of year lists, while at home it was worthy of Triple J's coveted J Award.
Australian music promoter and The Mushroom Group founder Michael Gudinski received the other major honour in the annual Rolling Stone Award, which recognises an outstanding contribution to popular culture. Past recipients have included Cold Chisel and Paul Kelly.
Other winners on Wednesday night included Melbourne singer/producer Chet Faker who claimed best independent release for his acclaimed Thinking In Textures EP.
In a good year for rock music, Byron Bay metalcore band Parkway Drive were named best live act, while Cairns four-piece The Medics got the nod for best new talent.
The Presets scooped best single for their inventive electro-shanty Ghosts, while Gotye's single Easy Way Out was awarded the music video of the year thanks to the direction of Darcy Prendergast.
Held at Bondi's Beach Road Hotel, the fourth annual Rolling Stone Awards were hosted by Beasts of Bourbon and Dark Horses frontman Tex Perkins and featured a performance by rising starlet Owl Eyes.
The guest list included bands visiting for the Big Day Out festival tour, such as Vampire Weekend, Band Of Horses, Alabama Shakes and Crystal Castles.
Websites
Rolling Stone
Rolling Stone Australia Facebook
www.facebook.com/rollingstoneaustralia
Beach Road Hotel
Eva Rinaldi Photography
Music News Australia