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I'm constantly learning! now I know how to insert my trademark / watermark / crest - it's tiny, little "artwork" adjusted to the tonality of every picture, showing on every photograph from now on :-)
Bosrand Artwork.
New soundscapes on Bandcamp.
martinhoogeboom.bandcamp.com/album/bosrand
#painting #artwork #guitar #noisemusic #experimentalmusic #improvisationmusic #improvisation #soundart #freeimprovisation #soundscape #freejazz #experimental
19.04.2018, Hofheim, Jazz:yl im Jazzkeller Hofheim
Arashi w/ Akira Sakata, Johan Berthling, Paal Nilssen-Love
Camera Sonora by Maria Luisa Capurso Adolfo La Volpe and Morten Poulsen
Photo by Manuela Barile (Binaural Nodar)
Camera Sonora by Maria Luisa Capurso, Adolfo La Volpe and Morten Poulsen at Liminaria/Interferenze Art Festival
Photo by Manuela Barile (Binaural Nodar)
Camera Sonora by Maria Luisa Capurso, Adolfo La Volpe and Morten Poulsen.
Performance at Chiostro degli zoccolanti.
Photo by Manuela Barile (Binaural Nodar)
King Crimson / Starless and Bible Black
Side one:
- "The Great Deceiver"
(John Wetton, Robert Fripp, Richard Palmer-James) - 4:02
- "Lament" (Fripp, Wetton, Palmer-James) - 4:00
- "We'll Let You Know"
(David Cross, Fripp, Wetton, Bill Bruford) - 3:46
- "The Night Watch" (Fripp, Wetton, Palmer-James) - 4:37
- "Trio" (Cross, Fripp, Wetton, Bruford) - 5:41
- "The Mincer" (Cross, Fripp, Wetton, Bruford, Palmer-James) - 4:10
Side two:
- "Starless and Bible Black"
(Cross, Fripp, Wetton, Bruford) - 9:11
- "Fracture" (Robert Fripp) - 11:14
Robert Fripp – guitar, Mellotron, devices, Hohner pianet, production
John Wetton – bass, vocals, production
Bill Bruford – drums, percussion, production
David Cross – violin, viola, Mellotron, Hohner pianet, production
Recorded live 23 October, 15 & 23 November 1973 at Apollo Theatre, Glasgow; Volkshaus, Zürich; Concertgebouw, Amsterdam
Studio-Aufnahmen: Air Studios, London
sleeve design: Tom Phillips
Label: Island Records / 1974
ex Vinyl-Collection MTP
Camera Sonora by Maria Luisa Capurso, Adolfo La Volpe and Morten Poulsen.
Photo by Manuela Barile (Binaural Nodar)
Vortex, London - 15/16/17 August 2010.
Chris Burn - Trumpet
John Butcher - Soprano and Tenor Saxophones
Tania Chen - Piano
Lol Coxhill - Soprano Saxophone
Aleks Kolkowski - Stroh Violin, Saw.
Dominic Lash - Bass
John Russell - Guitar
Akio Suzuki - Sound Art
Sabu Toyozumi - Drums
Alex Ward - Clarinet
Ute Wassermann - Voice
Vortex, London - 15/16/17 August 2010.
Chris Burn - Trumpet
John Butcher - Soprano and Tenor Saxophones
Tania Chen - Piano
Lol Coxhill - Soprano Saxophone
Aleks Kolkowski - Stroh Violin, Saw.
Dominic Lash - Bass
John Russell - Guitar
Akio Suzuki - Sound Art
Sabu Toyozumi - Drums
Alex Ward - Clarinet
Ute Wassermann - Voice
Camera Sonora by Maria Luisa Capurso, Adolfo La Volpe and Morten Poulsen.
Performance at Chiostro degli zoccolanti.
Photo by Manuela Barile (Binaural Nodar)
concerto pós-carnavalesco, quinta-feira, 10 de março de 2011, 21h.
paulohartmann.net/ph/ ou www.myspace.com/paulo.hartmann
sede do ibrasotope: rua januário miraglia, 43, são paulo. tel: (11) 3578-6390. mais informações em: ibrasotope.blogspot.com.
cartaz: giovani castelucci.
Freedom of the City, Day 1 @ Cecil Sharp House, London. 30.4.11
Alison Blunt,James Dunn,Hannah Marshall,Veryan Weston
My introduction to Monkey-Pockie-Boo, and to the music of Sonny and Linda Sharrock, occurred at the end of an exhilarating afternoon of free improvisation workouts at the home of Mark Maistrovich. Mark was attacking electric guitar in electrifying staccato bursts of notes. His playing reminded me of John McLaughlin’s, and I was in awe of the privilege to pound piano with Mark and his fellow free jazz travelers, Stu Mathews and Lane Ellwanger.
Listening to records afterwards was just as important. We shared what we had discovered, and our ears were tingling with eagerness to grab and ponder new sounds. So when Mark placed this LP on the turntable, pronouncing Sonny Sharrock one of the best new guitarists of the day, I was expecting, again, the staccato runs and lightning speed which was then in vogue. Boy was I wrong.
The side-long track, "27th Day," began with interminable bursts of drummer Jacques Thollot and bassist Beb Guerin displaying jet-propelled cycles, laying down a horizon of wild possibility. Awaiting the entrance of electric guitar, I hunkered down, ears wide awake for the first hint of it. The release arrived as a kind of flash of Satori. I remember shivers running up my spine at the weird pure sliding note I took for a string instrument. I realized soon it was a high quality slide whistle! Sharrock was not only a master of suspense, but also a bit of a trickster.
After the unforgettable slide whistle solo, the electric guitar came in, sounding like chains, train doppler, roller coasters, dolphins squealing, and a herd of galloping ponies. Next, Sharrock’s wife, Linda, sings, shrieks, and wails as if her life depends on it. No irony muddies the art. Every note in the piece comes with an all-or-nothing commitment that these days feels almost alien. Recorded in Paris at the tail end of the 60s (July, 1970), Monkey-Pockie Boo was created well before "industrial" acts such as Nine Inch Nails or Merzbow. The freshness on this vinyl endures to this day.
Camera Sonora by Maria Luisa Capurso, Adolfo La Volpe and Morten Poulsen.
Performance at Chiostro degli zoccolanti.
Photo by Manuela Barile (Binaural Nodar)
aum sohan & jorge peña, improviso livre.
sexta-feira, 17 de dezembro de 2010, 21h.
www.myspace.com/jorgehugopena.
vídeo: henrique iwao.
aum sohan & jorge peña, improviso livre.
sexta-feira, 17 de dezembro de 2010, 21h.
www.myspace.com/jorgehugopena.
foto: henrique iwao.
www.songkick.com/concerts/18922359-tim-hecker-at-oval-space
www.last.fm/event/3757461+Tim+Hecker+at+Oval+Space+on+14+...
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Vortex, London - 15/16/17 August 2010.
Chris Burn - Trumpet
John Butcher - Soprano and Tenor Saxophones
Tania Chen - Piano
Lol Coxhill - Soprano Saxophone
Aleks Kolkowski - Stroh Violin, Saw.
Dominic Lash - Bass
John Russell - Guitar
Akio Suzuki - Sound Art
Sabu Toyozumi - Drums
Alex Ward - Clarinet
Ute Wassermann - Voice
Mark Freeman, drums; Kyle Huggins, guitar; Stu Mathews, bass; Peter Stenshoel, piano.
This commission to play on the Mall in 1974 got shut down mid-concert when the meeting of the Board Members of Target Corporation found it too noisy and told the police to stop it.
This is the second incarnation of The Infinity Art Unit, which ran from around 1974 to 1976. It included Stu Mathews on bass, Kyle Huggins on guitar, Peter Stenshoel on piano, Damon Mathews on saxes and synthesizer, Bruce LaBelle on drums, David Stenshoel on violin, and Mark Freeman on drums.
The first incarnation had in common Stu Mathews on bass, along with Mark Maistrovich, guitar, and Lane Ellwanger, drums, and for awhile Gary Matala on sax.